Characteristics of Evgeny Bazarov. Bazarov Evgeny Vasilievich the main character of the novel "Fathers and Sons"

The image of Evgeny Bazarov

Evgeny Bazarov is a nihilist, which means he is a materialist who does not recognize dogmas, who checks everything only by experience. He is a doctor, he is fond of natural sciences. Every day he is filled with work, new searches. He always finds something to do. "Bazarov got up very early and went two or three miles away, not to walk - he could not stand walking without a goal - but to collect herbs." Bazarov confessed to Arkady that the passion for work made him a man. "Only with your work you need to achieve the goal," Bazarov believes. He says that knowledgeable person- it's a personality. In Maryino and the estate of his parents, this nihilist heals the sick. He is always where his knowledge is needed. These qualities distinguish him from other heroes of the novel, including from the "new" people.

Bazarov is a man of action. However, he is harsh in his assessments and opinions. Creation does not recognize, says: "First you need to clear the place ...". Beauty, aesthetic pleasure denies completely. "Nature is not a temple, but a workshop, and man is a worker in it." He speaks sharply about people, shows intolerance to their opinions. He claims that people like Pavel Petrovich Kirsanov are not needed by society. They do not know how to work, they do not love their people.

But, apparently, people like Bazarov were needed by Russian society, like a gadfly to a bull, so that this society would wake up from hibernation and look at itself objectively. Such as our hero, appear only in certain eras, and the harshness of their manifestation of the contradictions of time. But we cannot but admire Bazarov's fortitude, firmness and inflexibility, his ability to face the truth even before his death.

This wrestler understands that his life will be hard, and the path he follows will require many sacrifices from him. But he does not change his convictions. It is this quality that attracts us in this image. Soul Power it also manifests itself in love. The fact that Bazarov fell in love with an extraordinary woman speaks volumes. He saw her mind, breadth of outlook, originality of views on life. And it raises it in our eyes. Bazarov, in conversations with his beloved woman, shares his thoughts and views with her. Convinced that she is not able to go through all the hardships to which Bazarov goes, he directly explains to her. And Anna Sergeevna understands that before her is a man who will sacrifice everything, even love, for the sake of his cause. Many critics of that time wrote that love unsettled Bazarov. But it's not. Of course, it is difficult for him, he worries and breaks himself. And, if not for death, Eugene, no doubt, would have overcome his "weakness", as he called love.

In many ways strange to us and not at all pleasant, Evgeny Bazarov at the same time attracts us with such features that almost every person would like to see in himself and his chosen one.

In 1861, the year of the abolition of serfdom, Turgenev wrote his best novel"Fathers and Sons", which he dedicated to the memory of the great Russian commoner Belinsky. The novel reflects the breath of the era. The topicality of the work lies in the fact that the author vividly reproduces the situation in Russia on the eve of the reform, and also draws the image of a new person who, in a collision with the old world doomed to death, proves "the triumph of democracy with the old world doomed to death, proves" the triumph of democracy over aristocracy". The "new" person is Bazarov. How do we see him? He is shown in a long "hoodie with tassels", with "naked red hands", who do not know gloves and are accustomed to work.

Who is he?

One cannot, of course, accept Bazarov's bare denial. It is impossible to live without beauty, art, love for nature. And one cannot but agree with one young poet:

nature temple,

not only a workshop

Where such a trifle was not taken into account,

What can

all stamens distinguishing,

Don't love a single flower.

No, no, it's better to believe

Initially, the reader only knows about him that he is a medical student who has come to the village for the holidays. The story about this episode of his life, in fact, is the plot of "Fathers and Sons". First, Bazarov visits the family of his friend Arkady Kirsanov, then he goes with him to provincial city, where he meets Anna Sergeevna Odintsova, lives for some time in her estate, but after an unsuccessful declaration of love he is forced to leave and, finally, ends up in parental home where he was heading from the beginning. He does not live long in the estate of his parents, longing drives him away and instructs him to repeat the same route again. In the end, it turns out that there is no place for him anywhere. Bazarov returns home again and soon dies.
Bazarov calls himself a “nihilist”, this definition sounds somewhat mysterious at first, but soon its meaning becomes completely clear: a contemporary reader can easily recognize in the hero an exponent in the most extreme form of the ideas and moods of revolutionary youth. Bazarov proclaims the idea of ​​"complete and merciless denial", not recognizing any limits that can limit its implementation. Together with the “decrees” of the obsolete feudal system and liberal reformism, he also categorically denies love, poetry, music, the beauty of nature, philosophical thinking, family ties, altruistic feelings, such moral categories as duty, right, duty. Bazarov acts as a merciless opponent of traditional humanism: in the eyes of the “nihilist”, humanistic culture turns out to be a refuge for the weak and timid, creating beautiful illusions that can serve as their justification. The “nihilist” equally opposes the humanistic ideals of the enlightened elite and the beliefs or prejudices of the ignorant masses with the truths of natural science, which affirm the cruel logic of life-struggle. Bazarov considers it necessary to start history anew, from scratch, regardless of either its objective logic or "popular opinion." And all these are not only ideas, before the reader is a man of a really new formation, impudent, strong, incapable of illusions and compromises, who has achieved complete inner freedom, ready to go towards his goal, crushing or hating everything that opposes him. In disputes with the moderate liberal Pavel Petrovich Kirsanov, Bazarov easily wins. On his side are not only the advantages of youth and the novelty of his position.
Turgenev sees that "nihilism" is deeply connected with social disorganization and popular discontent, that it is a natural expression of the spirit of the time, when everything in Russia is overestimated and turned upside down. Turgenev acknowledges that the role of the "advanced class" is shifting from the noble intelligentsia to the raznochintsy. But this is only part of the truth revealed to the reader in Fathers and Sons. Turgenev leads Bazarov through the circles of life's trials. The hero is going through tragic love, longing for loneliness and even a kind of “world sorrow”. It is found to be dependent on ordinary laws human life, one hundred involvement in the ordinary human interests, worries and suffering. Bazarov's initial self-confidence disappears, his inner life becomes more and more complex and contradictory. Gradually, the measure of the objective rightness and wrongness of the hero becomes clear. “Complete and merciless denial” turns out to be partly justified as the only, according to Turgenev, serious attempt to really change the world, putting an end to contradictions that neither the efforts of social parties nor the influence of centuries-old ideals of humanism can resolve. However, for Turgenev it is also indisputable that the logic of “nihilism” inevitably leads to freedom without obligations, to action without love, to searches without faith. Turgenev does not find in "nihilism" a creative creative force: the changes that the "nihilist" provides for the real existing people, in fact, are tantamount to their destruction.
"Nihilism", according to Turgenev, challenges the enduring values ​​of the spirit and the natural foundations of life. This is seen as the tragic guilt of the hero, the cause of his inevitable death.

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Other writings:

1. Turgenev began work on the novel in early August 1860, and finished it in July 1861. “Fathers and Sons” appeared in the February book of the magazine “Russian Messenger” for 1862. Turgenev based the novel on the conflict between noble liberalism Read More ......
2. In "Fathers and Sons" we are talking about an acute, irreconcilable Conflict between aristocrats and Democrats, between liberals and raznochintsy Revolutionaries. Although I. S. Turgenev did not believe in the prospects of the Bazarov case, he perfectly understood the superiority of “children” over liberal “fathers”. Liberals were class Read More ......
3. The novel reveals the cruel and complex process of breaking the old, well-established social relations. This process appeared in the novel as a destructive element that changes the usual course of life. Turgenev builds the novel in such a way that Bazarov is a nihilist and Pavel Kirsanov is always in the spotlight. Read More ......
4. Hidden storyline novel by I. S. Turgenev “Fathers and Sons” is the crisis of the serfdom and the need for its destruction. Against the background of this line, the conflict of “fathers and children” unfolds. The idea of ​​the novel, according to the definition of the author himself, is to show the “triumph of democracy over the aristocracy”. Read More ......
5. "Fathers and Sons" is one of eternal works Russian literature. And not only because new generations of readers perceive the difficult position of the author in different ways, but also because the novel captures the eternal and inevitable moment for history of a change of generations, a clash of ideas, Read More ......
6. The great Russian writer I. S. Turgenev subtly felt everything that was happening in public life Russia. In the novel "Fathers and Sons" he touches on the problem of "fathers" and "children" that was burning for the sixties of the last century. The two generations compared by Turgenev in this work do not diverge Read More ......
7. Throughout the novel "Fathers and Sons" I. A. Turgenev systematically leads the main character - Evgeny Bazarov - through many trials that debunk his nihilistic theory. The most serious and painful for the hero was the “test of love”, which turned his whole life upside down, made Read More ......
8. The novel by I. S. Turgenev “Fathers and Sons” reflected the social atmosphere that had developed on the eve of the peasant reform of 1861, when a diverse intelligentsia appeared in Russia. These were people who came from poor strata of society: doctors, priests, petty officials. This generation of “kids” has been set up extremely Read More ......

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The image of Yevgeny Bazarov is unique in that he combines the features of a boundless mind and recklessness. Bazarov is the herald of new order and new philosophy.

Biography and family of Evgeny Bazarov

Social status Bazarov is very difficult. It is not related to the type of activity young man but with its origin. Yevgeny Bazarov was born into the family of a retired "staff doctor" and a noblewoman. This fact turns out to be disastrous for the young man - he is on the border between the world of ordinary peasants and the aristocracy. High society does not perceive him because of the humble origin of his father, and simple people consider him a step above himself. And although the peasants treat him favorably, his appearance brings less embarrassment into their lives than an aristocrat, they do not feel the usual constraint and embarrassment, while the peasants do not consider Bazarov absolutely their own in “their eyes, he was still something like a pea jester ".

The father noticed early on his son's passion for the natural sciences and contributed to the development of his knowledge in this area. Later, Eugene, continues the work of his father and goes to the doctor. “I, the future doctor,” says Bazarov.

He does not have much love for medicine, but the opportunity to do research saves the day. Thanks to his experiments and endless hours at the microscope, Bazarov achieves impressive results and becomes a promising young man in the development of medicine and the natural sciences.

Parents do not have a soul in Eugene - he is the only child in the family, moreover, he is very talented and smart - a reason for pride.

The mother misses her son very much, but Bazarov is in no hurry to reciprocate - he loves his parents, but his love is not like the generally accepted one, it is devoid of tenderness and affection, more like respect. Parents are saddened by such an attitude towards themselves, but they are not able to change it. The father believes that this is a necessary measure in the life of Eugene - he must be in society, and only then will he be able to achieve something in life.

Appearance of Evgeny Bazarov

Evgeny Bazarov is a very charming person. He is young and handsome. Tall and slender build.

His face was “Long and thin, with a wide forehead, flat top, pointed nose, large greenish eyes and drooping sandy whiskers, it was enlivened by a calm smile and expressed self-confidence and intelligence.” Thin lips, dark eyebrows and gray eyes - his face is attractive. His hair was "dark blond", thick and long.

His hands were like the hands of musicians - refined, with long fingers.

Bazarov did not follow fashion. His clothes are not new. It has already worn out and is far from in perfect condition. This fact does not bother Eugene. He does not express displeasure with his suit.

Attitude towards other people

Bazarov is not distinguished by friendliness, but at the same time he is not initially hostile towards others. He does not tend to become attached to other people, he easily parted with them.

Complicated Relationships he develops with Pavel Petrovich Kirsanov - the uncle of a friend. Pavel Petrovich is a classic representative of high society. He is an aristocrat from the roots of his hair to his toes - his manner of staying in society, dressing, watching his appearance - everything corresponds to the ideal. Yevgeny Bazarov considers aristocratic existence in its classical manifestation empty and useless, so the conflict of these heroes was predictable.

Bazarov is confident that he is right and behaves rather reservedly and arrogantly. Pavel Petrovich is outraged by the behavior of the young man and breaks down from time to time. The duel becomes the apogee of their conflict. Based on the official version, the reason was ideological differences. In fact, this is just an excuse - Kirsanov witnessed the kiss of Feni (lover and mother of the son of Nikolai Petrovich - his brother) and Evgeny Bazarov. Eugene does not feel remorse for his act. For him, this is a meaningless act. For Pavel Petrovich, this is an insult. His brother received this man in his house, and he repaid him with ingratitude.

In a duel, Bazarov behaves calmly, he jokes a lot, and shoots at an opponent without aiming at him. After the duel, Yevgeny realizes that he should no longer be in the Kirsanov estate and leaves.

He also has a difficult relationship with Arkady Kirsanov, his friend. At the beginning of the novel, Arkady is in admiration for his acquaintance, he is his unspoken teacher. Life in the parental estate opened my eyes to many negative sides friend. Eugene is ready to sharply criticize everyone without a difference when it comes to acquaintances - this did not hurt Arkady, but when his relatives - his father and uncle - became the objects of criticism, the attitude in Bazarov begins to gradually change for the worse. On the part of Bazarov, such behavior was an extremely ill-mannered and intolerant manifestation.

For Arkady, the family has always been something sacred, while Bazarov took up the forbidden. Kirsanov gently defends his relatives, trying to convince that both his father and uncle good people, they have changed a lot under the influence of certain life tragedies. “A person is ready to give up everything, he will part with any prejudice; but to admit that, for example, a brother who steals other people's scarves, a thief, is beyond his strength, ”concludes Bazarov. This state of affairs shocks Arkady. The authority of Eugene melts like snow in the sun. Bazarov is a rude and cruel person, he is ready to step over everyone, even those whom he called his friends just yesterday.

Eugene treats women with disdain and does not even try to hide it. “After all, you despise us all,” Odintsova tells him, and this is the absolute truth.

Regardless of social status and position in society, Bazarov calls all women the rude word "woman".

The young man believes that women are needed only from a physiological point of view - they are not good for anything else: “ Better stones to beat on the pavement than to allow a woman to take possession of even the tip of her finger. Men who praise women and allow them to command them are not worth a damn.

Philosophy Evgeny Bazarov

Evgeny Bazarov is a representative of a unique philosophical trend - nihilism. He, like all nihilists, vehemently opposes everything connected with the aristocracy and high society. “We act by virtue of what we recognize as useful,” says Bazarov, referring to the debunking of generally accepted principles and postulates. "Negation" becomes the key concept of his worldview. “At the present time, denial is most useful - we deny ...”.

Bazarov denies any principles: “There are no principles at all ... but there are sensations. Everything depends on them."

He considers usefulness to society as a measure of integrity - the more benefits a person brings to others, the better.

Based on this position, Bazarov rejects the need for any kind of art: "Raphael is not worth a penny, and Russian artists are even less." He considers scientists much more important than writers, artists and sculptors: "A decent chemist is twenty times more useful than any poet."

He has an unusual view on the problems of morality and human education. Negative qualities he compares with diseases. “Moral illnesses come from bad education, from all sorts of trifles with which people’s heads are stuffed from childhood, from the ugly state of society, in a word. Fix society and there will be no disease,” he says.

Personality characteristic

In the novel, from time to time, characters call Bazarov " common man". This connotation looks very strange in view of the fact that Eugene has complex nature. In fact, the epithet, which has become permanent for Eugene, concerns the everyday part of life. When others say about Bazarov that he is a simple person, they mean that Bazarov does not like ceremonies, he is not used to luxury, and calmly perceives the absence comfortable conditions. The explanation for this is very simple - Eugene has always lived in poverty, he is indifferent to luxury and does not seek to start getting used to excessive comfort.

Bazarov does not like tenderness in him "all sorts of" explanations "and" expressions "always aroused an impatient feeling."

In difficult situations, Bazarov knows how to quickly put his thoughts in order and not fall face down in the dirt: "he was not shy, he even answered curtly and reluctantly."

Eugene denies rhetoric, for him the ability to speak beautifully becomes negative characteristic person. “I find it indecent to speak beautifully,” he says.

Along with the denial of art, Bazarov also rejects the romance of relationships. He claims that there are no loving glances - it's all nonsense and nonsense. “And what is the mysterious relationship between a man and a woman? We physiologists know what these relationships are.”

The relationship between Evgeny Bazarov and Anna Odintsova

It was easy to deny any affection and love when he himself did not experience such a feeling. Bazarov's meeting with Odintsova was like a bolt from the blue. Eugene felt the influence of love for the first time. Anna Sergeevna completely captivated thoughts young doctor. No matter how hard Eugene tried not to think about her, he did not succeed. Bazarov sees that his feelings are mutual and, in the end, decides to confess: “Bazarov stood with his back to her. “Then know that I love you foolishly, madly. That's what you've achieved." Anna Sergeevna does not dare to reciprocate - she is in love, but is not ready to bring changes into her life.

Bazarov's death

By the end of the novel, Evgeny Bazarov finds himself in an extremely predicament- he finally quarreled with Arkady Kirsanov, he was rejected by Odintsova.

He has no friends left to visit, so Eugene returns to his parents in his estate.

There he gets rather bored, and then begins to help his father and soon succeeds as a doctor.
An accident determined his future - he becomes infected from a patient with typhus.

Bazarov realizes that his death is not far off. “In a few days you will bury me,” he says to his father. "By evening he fell into complete unconsciousness, and the next day he died."

Thus, the personality of Yevgeny Bazarov is deeply sympathetic both to the author of the novel and to readers. Turgenev depicts before us ordinary person who made himself. And it's inspiring. We take into account that no person is perfect - everyone has their own light and dark side. Bazarov is aware of his shortcomings, and that is why his image is attractive and cute.

Characterization of Bazarov in the novel “Fathers and Sons” by Turgenev in quotes: a description of the personality and character of Evgeny Bazarov

Evgeny Bazarov is central character Ivan Turgenev's novel Fathers and Sons. The work begins with the fact that Bazarov, together with his friend Arkady, arrive at the Kirsanovs' estate, where Arkady's father and uncle live. Who was Bazarov? Let's look at the characteristics of Evgeny Bazarov.

Past, education and views of Bazarov

Evgeny Bazarov's father was a doctor, and in the future his son was also involved in the treatment of people. He had to go through a harsh school, then followed by a university, during his studies in which he had to live in poverty. Bazarov liked to get involved different subjects, so he was well versed in geology, botany, and agricultural technology. It should be noted that Evgeny Bazarov is always happy to help with treatment. Educated person hence a certain pride in oneself.

And what did Bazarov look like outwardly? Many were even somewhat repulsed by his appearance - tall, in an old raincoat and with long hair. Ivan Turgenev not in vain also emphasized the sharpness of his mind, describing the skull and facial expression, which clearly indicated a self-confident warehouse.

The characteristic of Yevgeny Bazarov is that he is a nihilist, and literally denies everything, and is proud of his views. Bazarov speaks of love as an unnecessary feeling, he is not interested in art, he also does not admire nature, but calls it a workshop where a person is a worker. In general, if we talk about radical nobles, Bazarov's views are very different and clearly not typical.

Conclusions about the characterization of Evgeny Bazarov

There are many difficulties on the way of Yevgeny Bazarov, he is also tested by love. Having met Odintsova, the main character is convinced that love does not exist, and therefore he is indifferent to women. However, feelings flare up very quickly, this is especially evident after Bazarov has been visiting Odintsova's estate for some time. She captivates him and even pushes him to bold actions, for example, an explanation.

So, although Bazarov is a convinced nihilist, the first life situation breaks it, and having experienced deep feelings, he is already at an impasse - what to do next? Or, for example, the story of the duel - he denies the concept of honor, but agrees to fight a duel. Bazarov does not believe in nobility, but during the duel he behaves like a noble person. The question arises, was Bazarov really a nihilist?

Bazarov, whose characteristics are presented in the article, is a commoner. He is the son of a doctor and himself proudly declares that his grandfather plowed the land. For the first time Turgenev made a commoner central figure novel. Bazarov is, first of all, a positivist and materialist. For him there is no faith general principles and a priori ideals. “I don’t believe in anything,” he says to Pavel Petrovich. A decent chemist in his eyes is "twenty times more useful than any poet." Even "science in general" he does not recognize. Natural science seems to him the only important occupation. “To cut frogs”, to explore nature - this is what Yevgeny Bazarov devotes his strength to.

In accordance with this, he considers art, beauty, pathos and love to be nonsense, "romanticism" - everything that the idealists of the 40s were so enthusiastic about. When they talk to him about principles, about the logic of history, Yevgeny Bazarov opposes them only to facts, only obvious material motives. The dispute between Bazarov and Kirsanov is a conflict, a dispute between a positivist and an idealist, a dispute about whether there are pi innate a priori moral ideas in the soul of a person, or only sensory perceptions determine our actions and views. “There are no principles, but there are sensations; everything depends on them,” says Bazarov. Eugene triumphs over Kirsanov. Bazarov seemed to take revenge on the era of idealism for deceiving the expectations of society - an era when bribery was exposed, it was said "about the absence of roads, trade, proper court."

Thus, Evgeny Bazarov proclaims the only incentive for activity - the need. No ideals, just facts and bare needs. He acts by virtue of what he recognizes as useful. For his time, he considers denial to be the most useful, and therefore he denies everything without a trace. To Kirsanov’s remark that one cannot only destroy, one must also build, Bazarov replies: “First, you need to clear the place.” This destructive work, this negation, he calls nihilism.

Renunciation, restriction of the individual in the name of society and its interests are denied, and a cult of strength and selfishness is erected in their place. "We break because we are strong." Life is a struggle. The superiority of one or another principle is determined by its strength. When Kirsanov says that "millions will crush" these destroying preachers, Bazarov calmly remarks. "If crushed, there and the road." Every person should consider his essence as the only beginning, put his "self" above all. Let these self-sufficient personalities each fight for their existence, and in this struggle everything weak and unnecessary will perish, and everything that leads humanity to superhuman heights will be maintained.

For Bazarov there is nothing sacred. He does not recognize authorities, idols and idols. Even for the people he does not make an exception. He laughs at the community, sneers at faith in the muzhik, and assures us that in "our modern way of life" there is not a single establishment that would not cause "complete and merciless denial."

Turgenev did not quite correctly portray the nihilist-raznochinets and materialist. He could not catch his positive aspirations. And his Bazarov from a rough materialist and destroyer more than once turns into a yearning extra person, and in his words there are speeches that boil down to one motive, “I want to serve people, but I don’t know how and I don’t know how.” At times, Yevgeny Bazarov envies his parents, who are fussing, talking, who have “stuffed with activities” all day.

Bazarov recognized that a person cannot escape from a feeling of compassion, from the consciousness of connection and solidarity with other people, that naked instinct and selfishness are possible only in the animal kingdom. More than once he betrays that it is difficult for him to realize his theories. “I want to mess with people, at least scold them, but mess with them.”
In a word, having envied the strength of new people, having created in the person of Bazarov his favorite hero, embodying in him the power that he himself futilely aspired to, Turgenev ended up endowing Bazarov with his own longing, did not see the most important thing in new people, precisely that circumstances that they had positive ideals and there was no melancholy and spiritual discord.

Bazarov betrays not only his materialistic philosophy. He does not remain completely true to his hostility to romanticism and sentimental feelings. This man, with his cold mind and malicious irony, betrayed himself when he threw Odintsova: "So know that I love you stupidly, madly." He fights a duel with Pavel Petrovich, although he recognizes that this is stupid.