"Fathers and Sons" (main characters). "Fathers and Sons": heroes of Turgenev's immortal work The protagonist of Turgenev's novel fathers and sons

In 1862, Turgenev wrote the novel Fathers and Sons. During this period, a final break is outlined between the two social camps: the liberal and the revolutionary-democratic. In his work, Turgenev showed a man of a new era. This is a democrat-raznochinets Bazarov. Throughout almost the entire novel, Bazarov is accompanied by his friend Arkady. By origin, and by social status, they belong to different social classes. According to his convictions, Bazarov is "a democrat to the end of his nails." Friends study together at the university, and they are connected by several years of friendship.

At first, Arkady falls under the influence of Bazarov, he wants to be like Yevgeny, and at the same time he sincerely shares the views of an older and more authoritative comrade. Arkady is forced to join the nihilists by "young courage and youthful enthusiasm." But he is not guided by the ideas of Bazarov in life. They do not become an organic part of him, so he will so easily refuse them later. In the future, Bazarov says to Arkady: "Our dust will eat your eyes out, our dirt will stain you." That is, Arkady is not ready for the "tart, bitter bean life" of a revolutionary.

Bazarov, giving an assessment of the life of a revolutionary, is both right and wrong. Breaking the established foundations, traditions, views always provokes the fierce resistance of the old world, and the advanced fighters have a hard time. The revolutionary-democratic ideal of happiness is revolutionary activity for the benefit of the people, despite personal hardships.

Arkady, of course, is not ready for this, since he is, in the words of Yevgeny, "a soft liberal barich." In the "young fervor" the liberals do not go beyond a noble effervescence, and for Bazarov this is "trifles." The liberals do not "fight", but "think they are good fellows; the revolutionaries want to fight." Giving an assessment of Arkady, Bazarov identifies him with the entire liberal camp. Spoiled by life in a noble estate, Arkady "involuntarily admires himself", he is pleased to "scold himself." Bazarov is bored, he "needs to break others." Arkady only wanted to seem like a revolutionary, there was a lot of youthful posturing in him, but in his heart he always remained a "liberal nobleman."

But Arkady still does not understand this. For the time being, he considers himself a "fighter" and appreciates Bazarov for his willpower, energy, and ability to work. At the Kirsanovs' estate, Bazarov is initially welcomed cordially. Arkady asks his relatives to take care of Bazarov. But the revolutionary democratism of Bazarov absolutely does not fit with the liberal aristocracy of the Kirsanovs' house. He does not fit into their life of idleness. And here, on a visit, Bazarov continues to work. The way of life of friends on the estate is expressed by the author's phrase: "Arkady was a sybarite, Bazarov worked." Bazarov conducts experiments, reads special books, collects collections, treats village peasants. According to Bazarov, labor is a necessary condition for life. Arkady is never shown at work. Here, in the estate, Bazarov's attitude to both nature and the people is also revealed.

Bazarov considers nature not a temple, but a workshop, and the person in it is a worker. For Arkady, as well as for the rest of the Kirsanovs, nature is an object of admiration, contemplation. For Bazarov, this attitude means nobility. He objects to the prayerful contemplation of nature, meaningless from his point of view, enjoying its beauty. It requires an active relationship to nature, to the world around us. He himself. treats nature like a caring owner. Nature pleases him when he sees the fruits of active intervention in it. And here, too, the points of view of Arkady and Bazarov diverge, although Arkady has not yet spoken about this.

The attitude of Bazarov and Arkady is different both to love and to a woman. Bazarov is skeptical about love. He says that only a fool can feel free with a woman. But acquaintance with Odintsova changes his views on love. She impresses Bazarov with her beauty, charm, ability to behave with dignity and tact. A feeling for her arises when spiritual communication begins between them.

Odintsova is smart, able to understand Bazarov's originality. Eugene, despite outward cynicism, discovers in love both an aesthetic feeling, and high spiritual demands, and respect for the woman he loves. But Odintsova is essentially an epicurean lady. Peace is above all for her. Therefore, she extinguishes in herself the emerging feeling for Bazarov. And in this situation, Bazarov behaves with dignity, does not become limp and continues to work.

Arkady's acquaintance with Katya, Odintsova's younger sister, reveals that his ideal is "closer", that is, he is in the family, on the estate. Arkady realized that he was "no longer that arrogant boy", that he still "asked himself tasks that were beyond his power", that is, Arkady admits that the life of a revolutionary is not for him. Yes, and Katya herself says that Bazarov is "predatory", and Arkady is "tame".

Bazarov is close to serfs. For them, he is "his brother, not a gentleman." This is confirmed by Bazarov's speech, in which there are many folk proverbs and sayings, and his simplicity in communicating with ordinary people. Although the peasants on his father's estate treat Bazarov like a gentleman, in all other episodes of the novel for the people he is more "their own" than any of the Kirsanovs. Arkady to a greater extent remains for people a gentleman, a master. True, it also happens that some unfamiliar peasant mistook Bazarov for an eccentric when he wanted to "talk to the people." But this happened infrequently.

In addition, Bazarov is demanding, one might even say, too demanding of himself. He tells Arkady that "each person must educate himself." His commitment to nihilism leads to the fact that he begins to be ashamed of natural human feelings. He seeks to suppress their manifestations in himself. Hence some dryness of Bazarov, even in relation to the closest people. But to the question of Arkady, does Bazarov love his parents, he answers simply and sincerely: "I love you, Arkady!",

However, it should be noted that Bazarov's parents hopelessly "lagged behind" their son. They cannot go not only on a par, but also after him. True, this "backwardness" of the old Bazarovs does not deserve Enyushka's not entirely respectful, and sometimes - and simply indifferent - attitude towards them. Can old people be required to think and act like young people? Isn't it thanks to the efforts of his parents that Bazarov gets an education? In this case, Bazarov's maximalism looks very unattractive, Arkady loves his loved ones, but seems to be embarrassed by this love. Bazarov gives a well-aimed, exhaustive, but at the same time rather evil characterization of Arkady's father and uncle, to which Arkady objects, but somehow sluggishly. By this, he seems to support the point of view of Bazarov, who believes that a nihilist should not express his feelings. Arkady flared up only when Bazarov called his uncle an "idiot" behind his back. Perhaps it was at this moment that the first serious crack appeared in the relationship of friends.

It should be noted that Bazarov's nihilism, unfortunately, leads to the denial of old and new art. For him, "Raphael is not worth a penny, and they (that is, new artists) are no better than him." He declares that "it's stupid to play the cello at forty-four," and to read Pushkin in general "is no good at all." Art Bazarov considers a form of profit. For him, "a decent chemist is more useful than any poet," and art is not capable of changing anything in life. This is the extreme of Bazar's nihilism. Bazarov emphasizes the importance of scientists for Russia, since in science Russia at that time lagged behind the West. But Arkady really loves poetry, and he would read Pushkin if Bazarov was not around.

Arkady and Bazarov seem to oppose each other; at first this confrontation is completely imperceptible, but gradually, in the course of the development of the action, it intensifies and reaches an open conflict and a break in friendly relations. This is one of the aspects of the conflict nature of the novel, expressed by the method of contrast. Note that in this case it is no longer "fathers" and "children" that are in conflict, but, so to speak, "children" with "children". Thus, the break between Bazarov and Arkady is inevitable.

Arkady is not ready for the "tart, bitter bean life" of a revolutionary. Bazarov and Arkady say goodbye forever. Eugene parted with Arkady without saying a single friendly word to him, and to express them for Bazarov is "romanticism",

Arkady finds the ideal of life in the family. Bazarov dies, remaining true to his views. It is before death that the strength of his convictions is tested. Arkady did not instill nihilistic convictions. He understands that the life of a revolutionary democrat is not for him. Bazarov dies a nihilist, and Arkady remains a "liberal nobleman." And at the end of the novel, Arkady refuses to commemorate his former friend at the common table.

Novel "Fathers and Sons"

Turgenev

- one of the most famous works of Russian literature of the XIX century.

This article presents the characteristics of the heroes of the novel "Fathers and Sons" in the table: a description of the main and secondary characters.

Characteristics of the heroes of the novel "Fathers and Sons" in the table

This was a description of the heroes of the novel “Fathers and Sons” by Turgenev in the table: a description of the main and secondary characters.

See: All materials on the novel "Fathers and Sons"

"Fathers and Sons"(Russian doref. Fathers and Children) - a novel by the Russian writer Ivan Sergeevich Turgenev (1818-1883), written in the 60s of the XIX century.

The novel became a landmark for its time, and the image of the protagonist Yevgeny Bazarov was perceived by young people as an example to follow. Such ideals as uncompromisingness, lack of reverence for authorities and old truths, the priority of the useful over the beautiful, were perceived by the people of that time and were reflected in Bazarov's worldview.

Plot

Actions in the novel take place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

Evgeny Bazarov and Arkady Kirsanov arrive in Maryino and stay with the Kirsanovs (father Nikolai Petrovich and uncle Pavel Petrovich) for some time. Tensions with the older Kirsanovs force Bazarov to leave Maryino and go to the provincial town of ***. Arkady goes with him. Bazarov and Arkady spend time in the company of local "progressive" youth - Kukshina and Sitnikov. Then, at the governor's ball, they meet Odintsova. Bazarov and Arkady go to Nikolskoye, Odintsova's estate, and Mrs. Kukshina, wounded by them, remains in the city. Bazarov and Arkady, carried away by Odintsova, spend some time in Nikolskoye. After an unsuccessful declaration of love, Bazarov, who frightened Odintsova, is forced to leave. He goes to his parents (Vasily and Arina Bazarov), Arkady goes with him. Bazarov, along with Arkady, is visiting his parents. Tired of the manifestations of parental love, Bazarov leaves his father and mother discouraged, and, together with Arkady, goes back to Maryino. On the way, they accidentally stop at Nikolskoye, but, having met with a cold reception, they return to Maryino. Bazarov lives for some time in Maryino. A surge of passion spills over into a kiss with Fenechka, the mother of the illegitimate son of Nikolai Petrovich Kirsanov, and because of her he shoots himself in a duel with Pavel Petrovich. Arkady, returning to Maryino, leaves alone for Nikolskoye and stays with Odintsova, becoming more and more carried away by her sister Katya. Having finally ruined relations with the older Kirsanovs, Bazarov also goes to Nikolskoye. Bazarov apologizes to Odintsova for his feelings. Odintsova accepts an apology, and Bazarov spends several days in Nikolskoye. Arkady declares his love to Katya. After saying goodbye to Arkady forever, Bazarov returns to his parents again. Living with his parents, Bazarov helps his father treat the sick and dies from blood poisoning, accidentally cutting himself during the autopsy of a person who died of typhus. Before his death, he sees Odintsova for the last time, who comes to him at his request. Arkady Kirsanov marries Katya, and Nikolai Petrovich marries Fenechka. Pavel Petrovich goes abroad forever.

In the novel "Fathers and Sons" the characters are very diverse and interesting in their own way. This article provides a brief description of each of them. Until now, the novel "Fathers and Sons" has not lost its relevance. The characters in this work, as well as the problems raised by the author, are interesting in any historical period.

Bazarov Evgeny Vasilievich

The main character of the novel is Yevgeny Vasilievich Bazarov. The reader does not know much about him at first. We know that this is a medical student who came to the countryside for a vacation. The story about the time he spent outside the walls of the educational institution is the plot of the work. First, the student stays with the family of Arkady Kirsanov, his friend, after which he goes with him to the provincial town. Here Yevgeny Bazarov makes acquaintance with Anna Sergeevna Odintsova, lives for some time in her estate, but after an unsuccessful explanation he is forced to leave. Further, the hero finds himself in the parental home. He does not live here for long, as longing makes him repeat the route just described. It turns out that Eugene from the novel "Fathers and Sons" can not be happy anywhere. The characters in the work are alien to him. The hero cannot find a place for himself in Russian reality. He returns home. Where the hero of the novel "Fathers and Sons" dies.

The characters, whose description we are compiling, are curious from the point of view of the refraction of the era in their characters. In Eugene, perhaps, his "nihilism" is most interesting. For him, this is a whole philosophy. This hero is a spokesman for the moods and ideas of the revolutionary youth. Bazarov denies everything, does not recognize any authorities. He is alien to such aspects of life as love, the beauty of nature, music, poetry, family ties, philosophical thinking, altruistic feelings. The hero does not recognize duty, right, duty.

Eugene easily wins in disputes with Pavel Petrovich Kirsanov, a moderate liberal. On the side of this hero is not only youth and novelty of the position. The author sees that "nihilism" is associated with popular discontent and social disorder. It expresses the spirit of the times. The hero experiences the longing of loneliness, tragic love. It turns out that he is dependent on the laws of ordinary human life, is involved in human suffering, concerns and interests, like other actors.

Turgenev's "Fathers and Sons" is a novel in which different worldviews collide. From this point of view, Eugene's father is also interesting. We invite you to get to know him better.

Bazarov Vasily Ivanovich

This hero is a representative of the patriarchal world that is fading into the past. Turgenev, reminding us of him, makes readers feel the drama of the movement of history. Vasily Ivanovich - retired staff doctor. By origin, he is a commoner. This hero builds his life in the spirit of enlightenment ideals. Vasily Bazarov lives disinterestedly and independently. He works, is interested in social and scientific progress. However, there is an unbridgeable gulf between him and the next generation, which brings a deep drama into his life. Father's love does not find a response, turns into a source of suffering.

Arina Vlasevna Bazarova

Arina Vlasyevna Bazarova is the mother of Evgeny. The author notes that this is a "real Russian noblewoman" of the past. Her life and consciousness are subject to the norms set by tradition. Such a human type has its own charm, but the era to which it belongs has already passed. The author shows that such people will not live their lives in peace. The mental life of the heroine includes suffering, fear and anxiety because of the relationship with her son.

Arkady Nikolaevich Kirsanov

Arkady Nikolaevich is a friend of Evgeny, his student in the novel "Fathers and Sons". The main characters of the work are in many ways contrasting. So, unlike Bazarov, the influence of the era in the position of Arkady is combined with the influence of the usual properties of a young age. His enthusiasm for the new teaching is rather superficial. Kirsanov is attracted to "nihilism" by its possibilities, which are valuable for a person just entering into life - independence from authorities and traditions, a sense of freedom, the right to insolence and self-confidence. However, Arkady also has qualities that are far from "nihilistic" principles: he is ingenuously simple, good-natured, attached to traditional life.

Nikolai Petrovich Kirsanov

Nikolai Petrovich in Turgenev's novel is Arkady's father. This is no longer a young man who has experienced many misfortunes, but they are his. The hero has romantic inclinations and tastes. He works, tries to transform his economy in the spirit of the times, seeks love and spiritual support. The author describes the character of this hero with obvious sympathy. He is weak, but sensitive, kind, noble and delicate person. In relation to young people, Nikolai Petrovich is friendly and loyal.

Pavel Petrovich Kirsanov

Pavel Petrovich is Arkady's uncle, an Englishman, an aristocrat, a moderate liberal. In the novel, he is the antagonist of Eugene. The author endowed this hero with a spectacular biography: secular successes and a brilliant career were interrupted by tragic love. With Pavel Petrovich after that there was a substitution. He refuses to hope for personal happiness, and also does not want to fulfill his civic and moral duty. Pavel Petrovich moves to the village, where other characters in the work "Fathers and Sons" also live. He intends to help his brother in the transformation of the economy. The hero stands for liberal government reforms. Entering into an argument with Bazarov, he defends a program that is based on noble and lofty ideas in its own way. "Western" ideas of individual rights, honor, self-respect, and dignity are combined in it with the "Slavophile" idea of ​​the role of the agricultural community. Turgenev believes that Pavel Petrovich's ideas are far from reality. This is an unhappy and lonely person with an unfulfilled fate and unfulfilled aspirations.

Other characters are no less interesting, one of which is Anna Sergeevna Odintsova. It is definitely worth talking about in detail.

Anna Sergeevna Odintsova

This is an aristocrat, a beauty with whom Bazarov is in love. It shows the features inherent in the new generation of nobles - freedom of opinion, the absence of class arrogance, democracy. Bazarov, however, everything in her is alien, even the features that are characteristic of himself. Odintsova is independent, proud, smart, but completely different from the main character. However, Eugene needs this chaste, proud, cold aristocrat just the way she is. Her calmness attracts and excites him. Bazarov understands that behind him is an inability to hobbies, selfishness, indifference. However, in this he finds a kind of perfection and succumbs to its charm. This love becomes tragic for Eugene. Odintsova easily copes with her feelings. She marries "out of conviction" and not out of love.

Kate

Katya is the younger sister of Anna Sergeevna Odintsova. At first, she seems just a shy and sweet young lady. However, gradually it manifests spiritual strength and independence. The girl is freed from the power of her sister. She helps Arkady overthrow Bazarov's power over him. Katya in Turgenev's novel embodies the beauty and truth of the ordinary.

Kukshina Evdoksia (Avdotya) Nikitishna

The characters in the novel "Fathers and Sons" include two pseudo-nihilists, whose images are parodic. This is Evdoksia Kukshina and Sitnikov. Kukshina is an emancipated woman who is characterized by extreme radicalism. In particular, she is interested in the natural sciences and the "women's question", despises even the "backwardness" of this woman. This woman is vulgar, cheeky, frankly stupid. However, sometimes there is something human in it. "Nihilism", perhaps, hides a feeling of infringement, the source of which is the female inferiority of this heroine (she is abandoned by her husband, does not attract the attention of men, is ugly).

Sitnikov ("Fathers and Sons")

How many characters have you already counted? We talked about nine heroes. One more should be presented. Sitnikov is a pseudo-nihilist who considers himself a "student" of Bazarov. He seeks to demonstrate the sharpness of judgments characteristic of Eugene and freedom of action. However, this similarity turns out to be parodic. "Nihilism" is understood by Sitnikov as a way to overcome complexes. This hero is ashamed, for example, of his father-farmer, who got rich by drinking the people. At the same time, Sitnikov is burdened by his own insignificance.

These are the main actors. "Fathers and Sons" is a novel in which a whole gallery of bright and interesting images has been created. Definitely worth reading in the original.

The problem of the relationship between fathers and children is eternal. Its reason lies in differences in life views. Each generation has its own truth, and it is extremely difficult to understand each other, and sometimes there is no desire. Contrasting worldviews- this is the basis of the work Fathers and Sons, a summary, which we will consider.

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About the work

Creation

The idea of ​​​​creating the work "Fathers and Sons" arose from the writer Ivan Turgenev in August 1860. The author writes to Countess Lambert about his intention to write a new big story. In the autumn he goes to Paris, and in September he writes to Annenkov about the final plan and serious intentions in the creation of the novel. But Turgenev works rather slowly and doubts a good result. However, having received an approving opinion from the literary critic Botkin, he plans to complete the creation in the spring.

Early winter - period of active work writer, within three weeks the third part of the work was written. Turgenev asked in letters to describe in detail how things are in the life of Russia. This happened before, and in order to be initiated into the events of the country, Ivan Sergeevich decides to return.

Attention! The history of writing ended on July 20, 1861, when the author was Spassky. In autumn, Turgenev again goes to France. There, during the meeting, he shows his creation to Botkin and Sluchevsky and receives a lot of comments that push him to make changes to the text.

In the spring of next year, the novel is published in magazine "Russian Bulletin" and it immediately became the object of polemical discussion. The controversy did not subside even after Turgenev's death.

Genre and number of chapters

If you characterize the genre of the work, then "Fathers and Sons" is 28 chapter novel showing the socio-political situation in the country before the abolition of serfdom.

main idea

What is it about? In his creation "fathers and sons" Turgenev describes contradiction and misunderstanding of different generations, and also wants to find a way out of the current situation, ways to get rid of the problem.

The struggle of the two camps is the confrontation of everything established and radically new, era of democrats and aristocrats, or helplessness and purposefulness.

Turgenev tries to show what has come time for a change and instead of people of an outdated system, nobles, active, energetic and young people come. The old system is outdated, and new one has not yet been created. The novel "Fathers and Sons" shows us the turn of the epochs, when society is in turmoil and is unable to live either according to the old canons or the new ones.

The new generation in the novel is represented by Bazarov, around whom the confrontation of "fathers and children" takes place. He is a representative of a whole galaxy of the younger generation, for whom the complete denial of everything has become the norm. Everything old is unacceptable for them, but they can't bring something new.

Between him and the elder Kirsanov, the conflict of worldviews is clearly shown: the rude and straightforward Bazarov and the mannered and refined Kirsanov. The images described by Turgenev are many-sided and ambiguous. Attitude towards the world does not bring happiness to Bazarov at all. Before society, he was designated his purpose - fight against the old ways, but the introduction of new ideas and views in their place does not bother him.

Turgenev did this for a reason, thus showing that before the collapse of something established, it is necessary to find a worthy replacement for it. If there is no alternative, then even what was intended to solve the problem in a positive way will only make it worse.

The conflict of generations in the novel "Fathers and Sons".

Heroes of the novel

The main characters of "Fathers and Sons" are:

• Bazarov Evgeny Vasilievich. young student, comprehending the profession of a doctor. Adheres to the ideology of nihilism, casts doubt on the liberal views of the Kirsanovs and the traditional views of his own parents. At the end of the work, he falls in love with Anna, and his views of denying everything in the world are changed by love. He will become a rural doctor, due to his own inattention, he will get infected with typhus and die.
• Kirsanov Nikolay Petrovich. He is the father of Arkady, widower. Landowner. He lives on the estate with Fenechka, a commoner woman, to whom he feels and is ashamed of this, but then takes her as his wife.
• Kirsanov Pavel Petrovich. He is the older brother of Nicholas. He retired officer, a representative of the privileged stratum, proud and self-confident, shares the ideas of liberalism. Often participates in disputes with Bazarov on a variety of topics: art, science, love, nature, and so on. Hatred for Bazarov develops into a duel, which he himself initiated. In a duel, he will be wounded, fortunately the wound will be light.
• Kirsanov Arkady Nikolaevich Is the son of Nicholas. PhD at the University. Like his friend Bazarov, he is a nihilist. At the end of the book, he will give up his worldview.
• Bazarov Vasily Ivanovich He is the father of the main character was a surgeon in the army. He did not leave medical practice. Lives on his wife's estate. Educated, he understands that living in the village, he was cut off from modern ideas. Conservative, religious.
• Bazarova Arina Vlasevna She is the mother of the protagonist. She owns the estate of the Bazarovs and fifteen serfs. Superstitious, pious, suspicious, sensitive woman. Infinitely loves his son, and worries about the fact that he renounced the faith. She is a follower of the Orthodox faith.
• Odintsova Anna Sergeevna Is a widow, rich. In his estate he accepts friends who hold nihilistic views. She likes Bazarov, but after his declaration of love, reciprocity is not observed. Puts a calm life in which there are no unrest in the foreground.
• Katerina. Sister of Anna Sergeevna, but unlike her, quiet and inconspicuous. He plays the clavichord. Arkady Kirsanov spends a lot of time with her, while he is passionately in love with Anna. Then he realizes that he loves Katerina and marries her.

Other heroes:

• Fenechka. The daughter of the housekeeper of Kirsanov's younger brother. After her mother died, she became his mistress and gave birth to a son from him.
• Sitnikov Victor. He is a nihilist and an acquaintance of Bazarov.
• Kukshina Evdokia. An acquaintance of Victor, a nihilist.
• Kolyazin Matvey Ilyich. He is a city official.

The main characters of the novel "Fathers and Sons".

Plot

Fathers and sons summary is presented below. 1859 - year when the novel begins.

Young people arrived in Maryino and live in the house of brothers Nikolai and Pavel Kirsanov. The elder Kirsanov and Bazarov do not find a common language, and frequent conflict situations force Evgeny to leave for another city N. Arkady also goes there. There they communicate with urban youth (Sitnikova and Kukshina), who adhere to nihilistic views.

At the governor's ball they spend acquaintance with Odintsova, and then go to her estate, Kukshina is destined to stay in the city. Odintsova rejects a declaration of love, and Bazarov has to leave Nikolskoye. He and Arkady go to their parents' house and stay there. Evgeny does not like the excessive care of his parents, he decides to leave Vasily Ivanovich and Arina Vlasyevna, and

The novel became a landmark for its time, and the image of the protagonist Yevgeny Bazarov was perceived by young people as an example to follow. Such ideals as uncompromisingness, lack of reverence for authorities and old truths, the priority of the useful over the beautiful, were perceived by the people of that time and were reflected in Bazarov's worldview.

Plot

Actions in the novel take place in the summer of 1859, that is, on the eve of the peasant reform of 1861.

Meaning of the ending:

Turgenev showed the greatness of Bazarov during his illness, in the face of death. In the speech of the dying, pain from the consciousness of the near inevitable end. Each remark addressed to Odintsova is a bunch of spiritual suffering: “Look, what an ugly sight: a worm half-crushed, but still bristling. And after all, I also thought: I’ll break off a lot of things, I won’t die, where! There is a task, because I am a giant!.. Russia needs me... No, apparently, it is not needed. And who is needed? Knowing that he will die, he consoles his parents, shows sensitivity to his mother, hiding from her the danger that threatens him, makes a dying request to Odintsova to take care of the elderly: “After all, people like them cannot be found in your big world during the day with fire ...” The courage and steadfastness of his materialistic and atheistic views manifested themselves in refusing confession, when he, yielding to the entreaties of his parents, agreed to take communion, but only in an unconscious state, when a person is not responsible for his actions. Pisarev noted that in the face of death, "Bazarov becomes better, more humane, which is proof of the integrity, completeness and natural wealth of nature." Having not had time to realize himself in life, Bazarov only in the face of death gets rid of his intolerance and for the first time truly feels that real life is much wider and more diverse than his ideas about it. This is the main point of the ending. Turgenev himself wrote about this:

“I dreamed of a gloomy, wild, large figure, half grown out of the soil, strong, vicious, honest - still doomed to death - because it still stands on the eve of the future.”

Main characters

Other heroes

• Dunyasha- servant at Fenechka.
• Victor Sitnikov- an acquaintance of Bazarov and Arkady, an adherent of nihilism.
• Kukshina- An acquaintance of Sitnikov, who, like him, is a pseudo-adherent of nihilism.
• Peter- Servant of the Kirsanovs.
• Princess R. (Nellie)- beloved P.P. Kirsanov
• Matvey Ilyich Kolyazin- official in the City ***

Film adaptations of the novel

• - Fathers and Sons (dir. Adolf Bergunker, Natalya Rashevskaya)
• - Fathers and Sons (dir. Alina Kazmina, Evgeny Simonov)
• - Fathers and Sons (dir. Vyacheslav Nikiforov)

Notes

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