What is the magical power of art. Composition: The Great Power of Art

A lot of words have been spent to designate or illustrate the notorious power of what we call art, in our case, literature. They are looking for the roots of this influence, washing away the technical details of writing (which is certainly important), building theories, inventing models, fighting with schools and the opinions of authorities, summoning the spirits of ancient deities and calling for help from newfangled experts... But how this happens remains completely incomprehensible.

Rather, there is a science called literary criticism, there is an actual theory of reading, there is a hypothesis about different forms of psychoactivity of a person who writes, as well as a person who reads, but somehow they do not reach the main point. It seems to me that, if they did, the solution of this riddle, like the discovery of nuclear physics, would in a matter of years change our understanding of ourselves.

And only the most “strange” of the theorists know that the power of art lies in the fact that it does not shovel the experience of a person from top to bottom, it sort of completes it without conflicting with it, and miraculously transforms this experience, which many considered hardly necessary, but sometimes completely unusable rubbish, into new knowledge, if you like - into wisdom.

WINDOW TO WISDOM

When I had just thought of writing this book and told a publisher I knew about it, he was very surprised: “Why do you,” he asked, “do you think that writing a novel is the only way out? Let them read books better, it's much easier. In his own way, he was, of course, right.

Reading, of course, is easier, easier and more enjoyable. Actually, people do just that - they read, finding in the world of these Scarlett and Holmes, Frodo and Conan, Brugnon and Turbin all the experiences, ideas, consolation and partial solution of problems that are significant for them.

Yes, read the book, you experience the same as the author. But only ten times - twenty times weaker!

And recognizing reading as a very powerful tool, let’s try to imagine what we can achieve if we ourselves develop the score of the Notorious “meditation”? And then we “arrange” everything on our own, as it should be in such cases? Of course, without losing sight of the fact that we are doing this in full accordance with our own, deeply PERSONAL ideas about the problem? ...

Introduced? Yes, I too can hardly imagine, only to a small extent guessing the effect that a well-organized and well-written book can have on the author. I am a novelist, a connoisseur of texts and people who professionally deal with the book, I have to admit that I do not know how, why and to what extent this happens. But the fact that it works with stunning power, which sometimes changes the essence of the author dramatically - I vouch for this.

Of course, everything is a little more complicated than what I am depicting here. Novel for novel is not necessary, the author is also different from the author. Sometimes even among writers there are such “radishes” that you are simply amazed, but they write like a nightingale - easily, sonorously, convincingly, beautifully! The thing is, probably, that without novels they would be even worse, they would do evil deeds or turn into frankly unhappy people, making their relatives and friends unhappy.

In any case, I argue that the novel, the very writing of this kind of not obligatory monograph, serves as a means of changing the author's personality, attracting the rarest property of psychological variability, or rather, metamorphic creativity. Because it is a kind of window to the truth, open in itself. And how we will use this tool, what we will see in the window, what kind of wisdom we will be able to receive as a result - this, as they say, is God knows. The whole life is built on that, that everyone is only responsible for himself, isn't it?

Composition

Composition

The magical power of art

Art enriches our lives. And one of its types - literature meets us at the very beginning of life's journey and remains forever. The book, like caring parents, educates and teaches us. Reading fairy tales in childhood, we learn to distinguish good from evil, truth from lies, virtue from meanness.

Literature teaches to feel, understand, empathize. After all, each book makes us think about what the author wanted to convey with his work. What thought did he put into his creation? Getting to know new heroes, comprehending their feelings and thoughts, we begin to better understand the people around us, and most importantly, ourselves. Not without reason, many great figures of culture and science, in moments of emotional excitement, took fiction in their hands. They found peace and contentment in her. Books can help, find the right path in life, looking for which we often get confused.

But these are not all the virtues of literature. Thanks to her, we learned a lot of necessary and useful information. So, for example, very few sources were preserved about the campaign of Prince Igor, and the literary work "The Tale of Igor's Campaign" shed light on many unknown facts.

Describing the life and customs of his age, the writer helps us to form a picture of the time.

The book can even influence the course of the real life of the reader. For example, after reading Sholokhov's story "The Fate of a Man", many people whose lives were similar to the fate of the hero of this work perked up and found the strength to live on.

I think this is the great power of the art of literature.

What is the magical power of art? What role does it play in a person's life? Is it true that art reflects the soul of a people? The writer V. Konetsky, the author of the text proposed for analysis, is trying to answer these and other questions. For example, reflecting on the originality of Russian painting, he draws attention to the work of such artists as Savrasov, Levitan, Serov, Korovin, Kustodiev. “These names hide not only the eternal joy of life in art. It is Russian joy that is hidden, with all its tenderness, modesty and depth. And how simple the Russian song is, so simple is the painting,” the author notes. He emphasizes that the work of these artists reflects the attitude of our people, their ability to enjoy the beauty of their native nature, the ability to appreciate its simplicity and unpretentiousness, to find harmony where others do not feel it.

Art for a person is also a kind of lifeline, because it is not only a means of self-expression, but also the force that connects us with the history and culture of our native country, does not allow us to forget its expanses, reminds everyone over and over again how beautiful Russia is. V. Konetsky considers this property of genuine art to be very important, because it helps people to realize their involvement in their history, their people, their Fatherland: “In our age, artists should all the more not forget about one simple function of art - to awaken and illuminate in a fellow tribesman a sense of homeland ."

Works of painting, literature, music also have a very important role that cannot be ignored. Summing up, the writer expresses confidence: “Art is art when it evokes in a person a feeling of happiness, albeit fleeting.”

I agree with the author's point of view: real art will always find a way to touch the strings of our soul, to reach out even to the most hardened heart. It is able to lift a person who has lost hope from his knees and even save his life.

Thus, art resurrected the desire to live in the hero of Leo Tolstoy's epic novel War and Peace. Nikolai Rostov, having lost a large amount to Dolokhov in cards, simply did not see a way out of this situation. The card debt must be paid, but the young officer did not have such huge money. In this situation, he had, perhaps, the only option for the development of events - suicide. From the gloomy thoughts of the hero of the novel, the voice of the sister distracted. Natasha was learning a new aria. At that moment, Nikolai, enchanted by the music, enchanted by the beauty of Natasha's voice, forgot about the problems that a minute ago seemed unsolvable to him. He listened to the singing and worried only about whether the girl would take the top note. Her gentle voice, the charm of a magical melody brought Nikolai back to life: the hero realized that, in addition to adversity and sadness, there is beauty and happiness in the world, and it’s worth living for them. This is what real art does!

It also saved Jonesy, the heroine of O'Henry's story "The Last Leaf". The girl who fell ill with pneumonia completely lost hope of recovery. Watching the ivy fall outside the window, she decides that she will die when the last leaf falls from its branch. An old artist neighbor Berman, having learned about her intentions from a friend of the heroine, decides to deceive fate. At night, during the cold autumn rain and strong wind, he creates his main picture, a real masterpiece: he paints a small leaf of ivy on the brick wall of the house opposite. In the morning Jonesy sees the brave last leaf bravely fighting the storm all night. The girl also decides to pull herself together and believe in life. She recovers thanks to the power of love that the old artist put into his work, which means thanks to art. It is this that gives her the opportunity to live on, believe in herself and be happy.

Thus, art plays an essential role in our lives. It gives you the opportunity to express your feelings and thoughts, unites a variety of people, helps to live.

Art has many ways of expression: in stone, in colors, in sounds, in words, and the like. Each of its varieties, influencing various sense organs, can make a strong impression on a person and create such images that will be carbured forever.

For many years there have been discussions about which of the varieties of art has the greatest expressive power. Who points to the art of the word, someone - to painting, others call music subtle, and then the most influential art on the human soul.

It seems to me that this is a matter of individual taste, which, as they say, is not disputed. Only the fact that art has a certain mysterious power and power over a person is indisputable. Moreover, this power extends both to the author, creator, and to the “consumer” of the products of creative activity.

An artist cannot sometimes look at the world through the eyes of an ordinary person, for example, the hero from M. Kotsiubinsky's short story "Apple Blossom". He is torn between his two roles: a father who suffered grief because of his daughter's illness, and an artist who cannot help but look at the events of his child's extinction as material for a future story.

Time and the listener are not able to stop the action of the forces of art. In the "Ancient Tale" by Lesya Ukrainsky, one can see how the power of the song, the words of the singer help the knight to captivate the heart of his beloved. Subsequently, we see how the word, the high word of the song, overthrows the knight who has turned into a tyrant. And there are many such examples.

Obviously, our classics, feeling the subtle movements of the human soul, wanted to show us how an artist can influence a person and even an entire nation. Glory to such examples, we can better understand not only the power of art, but also appreciate the creative in a person.

Legend, Russian Charlie Chaplin, master of satire and impersonation - Arkady Raikin, an inimitable comedian, actor and director, passed away 30 years ago. Raikin was the most popular person in the USSR from the early 1960s to the late 1980s. The monologues and miniatures that he performed were instantly memorized by the audience. And until now, the aphorisms published by Raikin are repeated. Various authors wrote for him over the years, sometimes brilliant, sometimes quite ordinary. But Raikin knew how to make the most faded text expressive and funny. At the same time, his manner was rather characterized by the well-known Petersburg restraint. Today, when the so-called colloquial stage has turned into a parade of exemplary vulgarity, the skill and delicate taste of Arkady Raikin's performances are valued almost higher than during the life of the actor. Raikin Sr. was adored and scolded, accepted and banned, tolerated, but quoted by the whole country - both at meetings in party offices and among ordinary people. When 30 years ago - December 17, 1987 - the actor's life was cut short, it seemed that the reality that he laughed mercilessly over was going down in history, and the country was on the verge of great changes. Today, the monologues of the artist, who sincerely believed that art can change lives for the better, sound more relevant than ever.

Raikin's style has become the talk of the town. Light at first glance and fundamental in essence, he ironically, intelligently and at the same time sharply and harshly ridiculed in his monologues and feuilletons the vices of people, the system and time, denouncing fools and fools, sausage shortages and careerist bosses, lack of nuts, life "by pull" and "the right people."

At the suggestion of Raikin, young Odessans moved to Leningrad and became artists of his theater: Mikhail Zhvanetsky, Roman Kartsev, Viktor Ilchenko and Lyudmila Gvozdikova. Vladimir Polyakov, Mark Azov, Viktor Ardov, Mikhail Zoshchenko, Semyon Altov, Evgeny Schwartz and many others wrote for Raikin.

A holiday man, Raikin never asked for awards, but received them in full at the end of his life. At the age of 57 he became People's, at 69 - a laureate of the Lenin Prize, at 70 - a Hero of Socialist Labor. In Leningrad, meanwhile, he was considered an anti-Soviet.

Five years before his death, when relations with the local authorities completely deteriorated, Raikin, with the permission of his ardent admirer, General Secretary Leonid Brezhnev, moved with the theater to Moscow. Later, the theater was renamed the Satyricon, and after the death of Raikin Sr., his father's work was continued by his son Konstantin.

We met somewhere, 1954

A witty parody of numerous Soviet officials, based on a script by Vladimir Polyakov. The protagonist of the comedy - artist Gennady Maksimov (the first main role of Arkady Raikin) - goes with his wife, a pop artist (Lyudmila Tselikovskaya) to rest in the Crimea. At the last moment, the wife is called to the theater - it is necessary to replace the sick actress - and removed from the train. Maximov is left alone at first, and then completely lags behind the train. In a strange city (the station was filmed in Evpatoria), he meets a variety of people.

Quotes: “I thought, what other deception, it turned out to be optical”, “In such a spirit, in such a context”, “Culture is inside a person, and if it is not there, then no tickets to the Bolshoi Theater or pompous conversations can buy it” , “Does this not gnaw at you at all ... like him, I keep forgetting this word ... conscience?”, “Sometimes people can be defeated with their own weapons: for example, indifference”, “No one saves anyone, there is no chase, there is no football, children up to sixteen years of age entry is allowed - well, what a picture! I wish I had bought two servings of ice cream!”.

In the Greek Hall, 1970

One of the most popular monologues written by Mikhail Zhvanetsky for Arkady Raikin.

Quotes: “Gave these women two days off, they just went crazy. They kill time at random”, “I thought the museum was like a museum. And this is not a museum, but worse than an eatery: There is no hot food, only cheese and coffee”, “... Who is Apollo? .. Am I Apollo? He is an apollo. Well, let yourself Apollo…”, “This is Italian painting of the seventeenth century! “You don’t understand,” I say, “I don’t ask you where I got the painting, I ask, is there a corkscrew?”.

The magical power of art, 1970

A former student helps an elderly teacher re-educate rude neighbors in a communal apartment using their own methods. In the film directed by Naum Birman, based on the script by Viktor Dragunsky, Raikin played himself. The picture includes three short stories: "The Avengers from the 2nd V", "Hello, Pushkin!" and The Magical Power of Art.

Quotes: “The main thing in this world is to remain human, and against any rudeness, sooner or later, there is a reliable crowbar. For example, the same rudeness”, “I’ll change from the principle!”, “Wash? - Not nobles. You will wash in the kitchen ... Well, on May 1, on New Year's - in a bathhouse, if you feel like it, of course ...”, “The bath is good, deep! And we will pickle cucumbers in it for the winter! In !, a snack for a brother…”, “We didn’t say goodbye to you… Oh, what happened to you? Have you changed something in your face? You won’t get sick in any way ...”, “Well, nothing, not counts ...”.

Deficit, 1972

A colorful and vivid parody of grocery store and consignment store sellers - during the total shortage of the Soviet Union, trade workers felt like powerful and successful people.

Quotes: “Everything goes to the fact that everything will be everywhere, there will be abundance! But will it be good?”, “You come to me, I got a deficit through the warehouse manager, through the store manager, through the merchandiser, through the back porch!”, “Listen, no one has it - I have it! You tried it - you lost your speech! ”,“ The taste is specific! ”,“ You respect me. I respect you. You and I are respected people."

About education, 1975

Another famous miniature, disassembled into quotes. He talks about parents, their types, morals and psychologists, who have their own point of view on everything.

Quotes: “Every person has his own truth”, “Comrades, fathers and comrades, roughly speaking, mothers!”, “The main thing is to give birth to a child.”