Most Popular Classics. You can listen to the TOP 10 masterpieces of classical music right here
Listen to something from the classics - what could be better?! Especially on weekends, when you want to relax, forget about the worries of the day, the worries of the work week, dream about the beautiful, and just cheer yourself up. Just think, the classics were created by brilliant authors so long ago that it’s hard to believe that something can survive so many years. And these works are still loved and listened to, they create arrangements and modern interpretations. Even in modern processing, the works of brilliant composers remain classical music. As he admits, classical works are ingenious, and all ingenious cannot be boring.
Probably, all great composers have a special ear, a special sensitivity to tone and melody, which allowed them to create music that is enjoyed by dozens of generations not only of their compatriots, but also of classical music fans all over the world. If you still doubt whether you like classical music, then you need to meet with, and you will see that, in fact, you are already a longtime fan of beautiful music.
And today we will talk about the 10 most famous composers in the world.
Johann Sebastian Bach
The first place is deservedly owned. A genius was born in Germany. The most talented composer wrote music for harpsichord and organ. The composer did not create a new style in music. But he was able to create perfection in all the styles of his time. He is the author of over 1000 essays. In his works Bach combined different musical styles with which he met throughout his life. Often musical romanticism was combined with the Baroque style. In life Johann Bach as a composer not receiving the recognition he deserved, interest in his music arose almost 100 years after his death. Today he is called one of the greatest composers ever living on earth. His uniqueness as a person, teacher and musician was reflected in his music. Bach laid the foundations of modern and contemporary music, dividing the history of music into pre-Bach and post-Bach. It is believed that music Bach gloomy and gloomy. His music is rather fundamental and solid, restrained and concentrated. Like the reflections of a mature, wise person. Creation Bach influenced many composers. Some of them took an example from his works or used themes from them. And musicians all over the world play music Bach admiring her beauty and perfection. One of the most notorious works "Brandenburg Concerts" is excellent evidence that music Bach cannot be considered too gloomy:
Wolfgang Amadeus Mozart
Rightfully considered a genius. At the age of 4 he already played the violin and harpsichord freely, at the age of 6 he began to compose music, and at 7 he already skillfully improvised on the harpsichord, violin and organ, competing with famous musicians. Already at the age of 14 Mozart- a recognized composer, and at the age of 15 - a member of the music academies of Bologna and Verona. By nature, he had a phenomenal ear for music, memory and the ability to improvise. He created an amazing number of works - 23 operas, 18 sonatas, 23 piano concertos, 41 symphonies and much more. The composer didn't want to imitate, he tried to create a new model, reflecting the new personality of the music. It is no coincidence that music in Germany Mozart called "the music of the soul", in his works the composer showed the features of his sincere, loving nature. The greatest melodist attached special importance to the opera. operas Mozart- an era in the development of this type of musical art. Mozart widely recognized as one of the greatest composers: his uniqueness lies in the fact that he worked in all musical forms of his time and in all achieved the highest success. One of the most recognizable works "Turkish March":
Ludwig van Beethoven
Another great German was an important figure of the romantic-classical period. Even those who know nothing about classical music know about him. Beethoven is one of the most performed and respected composers in the world. The great composer witnessed the grandiose upheavals that took place in Europe and redrawn its map. These great coups, revolutions and military confrontations are reflected in the composer's work, especially symphonic. He embodied in music pictures of the heroic struggle. In immortal works Beethoven you will hear the struggle for freedom and brotherhood of people, unshakable faith in the victory of light over darkness, as well as dreams of freedom and happiness of mankind. One of the most famous and amazing facts of his life is that the ear disease developed into complete deafness, but despite this, the composer continued to write music. He was also considered one of the best pianists. Music Beethoven surprisingly simple and accessible to the understanding of the widest range of listeners. Generations change, and even eras, and music Beethoven still excites and pleases the hearts of people. One of his best work - "Moonlight Sonata":
Richard Wagner
With the name of a great Richard Wagner most often associated with his masterpieces "Wedding Choir" or "Ride of the Valkyries". But he is known not only as a composer, but also as a philosopher. Wagner considered his musical works as a way of expressing a certain philosophical concept. WITH Wagner a new musical era of operas began. The composer tried to bring the opera closer to life, music for him is only a means. Richard Wagner- the creator of musical drama, the reformer of operas and the art of conducting, the innovator of the harmonic and melodic language of music, the creator of new forms of musical expression. Wagner- the author of the world's longest solo aria (14 minutes 46 seconds) and the world's longest classical opera (5 hours and 15 minutes). In life Richard Wagner was considered a controversial person who was either adored or hated. And often both at the same time. Mystical symbolism and anti-Semitism made him Hitler's favorite composer, but blocked the way for his music to Israel. However, neither supporters nor opponents of the composer deny his greatness as a composer. Great music from the very beginning Richard Wagner absorbs you without a trace, leaving no room for disputes and disagreements:
Franz Schubert
The Austrian composer is a musical genius, one of the best song composers. He was only 17 when he wrote his first song. In one day he could write 8 songs. During his creative life, he created more than 600 compositions based on poems by more than 100 great poets, including Goethe, Schiller and Shakespeare. That's why Franz Schubert in the top 10. Although creativity Schubert very diverse, in terms of the use of genres, ideas and reincarnations, vocal-song lyrics prevail and determine in his music. Before Schubert the song was considered an insignificant genre, and it was he who elevated it to the degree of artistic perfection. Moreover, he combined seemingly unconnected song and chamber-symphonic music, which gave rise to a new direction of lyrical-romantic symphony. Vocal-song lyrics are a world of simple and deep, subtle and even intimate human experiences, expressed not by words, but by sound. Franz Schubert lived a very short life, only 31 years old. The fate of the composer's works is no less tragic than his life. After death Schubert many unpublished manuscripts remained, stored in bookcases and drawers of relatives and friends. Even those closest to him did not know everything he wrote, and for many years he was recognized mainly only as the king of song. Some of the composer's works were published only half a century after his death. One of the most beloved and famous works Franz Schubert – "Evening Serenade":
Robert Schumann
With a no less tragic fate, the German composer is one of the best composers of the romantic era. He created amazingly beautiful music. To get an idea of 19th-century German Romanticism, just listen to "Carnival" Robert Schumann. He was able to break out of the musical traditions of the classical era, creating his own interpretation of the romantic style. Robert Schumann was gifted with many talents, and even for a long time could not decide between music, poetry, journalism and philology (he was a polyglot and freely translated from English, French and Italian). He was also an amazing pianist. And yet the main vocation and passion Schuman there was music. His poetic and deeply psychological music largely reflects the duality of the composer's nature, an outburst of passion and a retreat into the world of dreams, awareness of the vulgar reality and striving for the ideal. One of the masterpieces Robert Schumann which everyone needs to hear:
Frederic Chopin
Perhaps the most famous Pole in the world of music. Neither before nor after the composer was a musical genius of this level born in Poland. The Poles are incredibly proud of their great compatriot, and in his work, the composer often sings of his homeland, admires the beauty of landscapes, laments the tragic past, and dreams of a great future. Frederic Chopin- one of the few composers who wrote music exclusively for the piano. There are no operas or symphonies in his creative heritage, but piano pieces are presented in all their diversity. His works form the basis of the repertoire of many famous pianists. Frederic Chopin is a Polish composer who is also known as a talented pianist. He lived only 39 years, but managed to create many masterpieces: ballads, preludes, waltzes, mazurkas, nocturnes, polonaises, etudes, sonatas and much, much more. One of them - "Ballad No. 1, in G minor".
Franz Liszt
He is one of the greatest composers in the world. He lived a relatively long and surprisingly rich life, knew poverty and wealth, met love and faced contempt. In addition to talent from birth, he had a fantastic capacity for work. Franz Liszt deserved not only the admiration of connoisseurs and fans of music. Both as a composer and as a pianist, he received universal approval from European critics of the 19th century. He created over 1300 works and like Frederic Chopin preferred works for the piano. brilliant pianist, Franz Liszt he knew how to reproduce the sound of an entire orchestra on the piano, masterfully improvised, had a fantastic memory of musical compositions, he had no equal in reading notes from a sheet. He had a pathetic style of performance, which was also reflected in his music, emotionally passionate and heroically upbeat, creating colorful musical pictures and making an indelible impression on the listeners. The hallmark of the composer are piano concertos. One of these works. One of the most famous works Liszt – "Dreams of Love":
Johannes Brahms
A significant figure in the romantic period in music is Johannes Brahms. Listen and love music Brahms It is considered good taste and a characteristic sign of a romantic nature. Brahms did not write a single opera, but he created works in all other genres. special glory Brahms brought his symphonies. Already in the first works, the composer's originality is manifested, which eventually transformed into his own style. Considering all works Brahms, it cannot be said that the composer was strongly influenced by the work of his predecessors or contemporaries. And in terms of creativity Brahms often compared to Bach And Beethoven. Perhaps this comparison is justified in the sense that the work of the three great Germans represents the culmination of an entire era in the history of music. Unlike Franz Liszt life Johannes Brahms was devoid of turbulent events. He preferred quiet creativity, during his lifetime he earned recognition of his talent and universal respect, and was also awarded considerable honors. The most outstanding music in which the creative power Brahms had an especially vivid and original effect, is his "German Requiem", a work that the author created for 10 years and dedicated to his mother. In your music Brahms sings of the eternal values of human life, which lie in the beauty of nature, the art of the great talents of the past, the culture of their homeland.
Giuseppe Verdi
What is the top ten composers without?! The Italian composer is best known for his operas. He became the national glory of Italy, his work is the culmination of the development of Italian opera. His achievements and merits as a composer cannot be overestimated. Until now, a century after the death of the author, his works remain the most popular, widely performed, known to both connoisseurs and lovers of classical music.
For Verdi Drama became the most important thing in opera. The musical images of Rigoletto, Aida, Violetta, Desdemona created by the composer organically combine bright melody and depth of characters, democratic and refined musical characteristics, violent passions and bright dreams. Verdi was a real psychologist in understanding human passions. His music is nobility and power, amazing beauty and harmony, inexpressibly beautiful melodies, wonderful arias and duets. Passions boil, comedy and tragedy intertwine and merge together. Plots of operas, according to Verdi, should be "original, interesting and ... passionate, with passion above all else." And most of his works are serious and tragic, demonstrate emotional dramatic situations, and the music of the great Verdi gives expressiveness to what is happening and emphasizes the accents of the situation. Having absorbed all the best that was achieved by the Italian opera school, he did not deny operatic traditions, but reformed Italian opera, filled it with realism, and gave it the unity of the whole. At the same time, he did not declare his reform, did not write articles about it, but simply wrote operas in a new way. Triumphal procession of one of the masterpieces Verdi- opera - swept through the Italian scenes and continued in Europe, as well as in Russia and America, forcing even skeptics to recognize the talent of the great composer.
10 most famous composers in the world updated: April 13, 2019 by: Elena
(ratings: 51
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In Russia, literature has its own direction, different from any other. The Russian soul is mysterious and incomprehensible. The genre reflects both Europe and Asia, therefore the best classical Russian works are unusual, amaze with sincerity and vitality.
The main character is the soul. For a person, the position in society, the amount of money is not important, it is important for him to find himself and his place in this life, to find truth and peace of mind.
The books of Russian literature are united by the traits of a writer who possesses the gift of the great Word, who has completely devoted himself to this art of literature. The best classics saw life not flatly, but multifaceted. They wrote about the life of not random destinies, but expressing being in its most unique manifestations.
Russian classics are so different, with different destinies, but they are united by the fact that literature is recognized as a school of life, a way of studying and developing Russia.
Russian classical literature was created by the best writers from different parts of Russia. It is very important where the author was born, because this determines his formation as a person, his development, and it also affects writing skills. Pushkin, Lermontov, Dostoevsky were born in Moscow, Chernyshevsky in Saratov, Shchedrin in Tver. Poltava region in Ukraine is the birthplace of Gogol, Podolsk province - Nekrasov, Taganrog - Chekhov.
The three great classics, Tolstoy, Turgenev and Dostoevsky, were absolutely different people, had different destinies, complex characters and great talents. They made a huge contribution to the development of literature, writing their best works, which still excite the hearts and souls of readers. Everyone should read these books.
Another important difference between the books of Russian classics is the ridicule of the shortcomings of a person and his way of life. Satire and humor are the main features of the works. However, many critics said that this was all slander. And only true connoisseurs saw how the characters are both comical and tragic at the same time. Books like this always touch my soul.
Here you can find the best works of classical literature. You can download Russian classic books for free or read online, which is very convenient. 
We present to your attention the 100 best books of Russian classics. The complete list of books includes the best and most memorable works of Russian writers. This literature is known to everyone and recognized by critics from all over the world.
Of course, our list of top 100 books is just a small part of the best works of the great classics. It can be continued for a very long time.
One hundred books that everyone should read in order to understand not only how they used to live, what were the values, traditions, priorities in life, what they aspired to, but to find out in general how our world works, how bright and pure the soul can be and how valuable it is for a person, for the development of his personality.
The top 100 list includes the best and most famous works of Russian classics. The plot of many of them is known from the school bench. However, some books are difficult to understand at a young age, and this requires wisdom that is acquired over the years.
Of course, the list is far from complete and can be continued indefinitely. Reading such literature is a pleasure. She not only teaches something, she radically changes lives, helps to realize simple things that we sometimes do not even notice.
We hope you enjoyed our list of classic Russian literature books. Perhaps you have already read something from it, but something not. A great occasion to make your personal list of books, your top books that you would like to read.
So, in the center of our attention today are the most famous classical pieces of music. Classical music has been exciting its listeners for several centuries, causing them a storm of feelings and emotions. It has long become a part of history and is intertwined with the present with thin threads.
Undoubtedly, in the distant future, classical music will be no less in demand, since such a phenomenon in the music world cannot lose its relevance and significance.
Name any classical work - it will be worthy of the first place in any musical hit parade. But since it is not possible to compare the most famous classical musical works among themselves, due to their artistic uniqueness, the opuses named here are presented only as works for acquaintance.
"Moonlight Sonata"
Ludwig van Beethoven
In the summer of 1801, the brilliant work of L.B. Beethoven, who was destined to become famous all over the world. The name of this work, "Moonlight Sonata", is known to absolutely everyone, from old to young.
But initially, the work had the name "Almost Fantasy", which the author dedicated to his young student, beloved Juliet Guicciardi. And the name by which it is known to this day was invented by the music critic and poet Ludwig Relshtab after the death of L.V. Beethoven. This work belongs to one of the most famous musical works of the composer.
By the way, an excellent collection of classical music is represented by editions of the Komsomolskaya Pravda newspaper - compact books with discs for listening to music. You can read about and listen to his music - very convenient! Recommended order discs from classical music directly from our page : press the “buy” button and immediately go to the store.
"Turkish March"
Wolfgang Amadeus Mozart
This work is the third movement of Sonata No. 11, it was born in 1783. Initially, it was called "Turkish Rondo" and was very popular among Austrian musicians, who later renamed it. The name "Turkish March" was assigned to the work also because it is consonant with Turkish Janissary orchestras, for which the sound of percussion is very characteristic, which can also be traced in the "Turkish March" by V.A. Mozart.
"Ave Maria"
Franz Schubert
The composer himself wrote this work to the poem "The Lady of the Lake" by W. Scott, or rather to its passage, and was not going to write such a deeply religious composition for the Church. Some time after the appearance of the work, an unknown musician, inspired by the prayer "Ave Maria", set its text to the music of the brilliant F. Schubert.
"Fantasy Impromptu"
Frederic Chopin
F. Chopin, the genius of the period of romanticism, dedicated this work to his friend. And it was he, Julian Fontana, who disobeyed the author's instructions and published it in 1855, six years after the composer's death. F. Chopin believed that his work was similar to the impromptu work of I. Moscheles, a student of Beethoven, a famous composer and pianist, which was the reason for the refusal to release the Fantasia-Impromptu. However, no one has ever considered this brilliant work to be plagiarism, except for the author himself.
"Flight of the Bumblebee"
Nikolai Rimsky-Korsakov
The composer of this work was a fan of Russian folklore - he was interested in fairy tales. This led to the creation of the opera "The Tale of Tsar Saltan" based on the plot of A.S. Pushkin. Part of this opera is the interlude "Flight of the Bumblebee". Masterfully, incredibly vividly and brilliantly imitated in the work the sounds of the flight of this insect N.A. Rimsky-Korsakov.
"Caprice No. 24"
Niccolo Paganini
Initially, the author composed all his caprices solely for the purpose of improving and honing the skill of playing the violin. Ultimately, they brought to violin music a lot of new and unknown before. And the 24th caprice, the last of N. Paganini's composed caprices, carries a swift tarantella with folk intonations, and is also recognized as one of the works ever created for the violin, which has no equal in complexity.
"Vocalise, opus 34, no. 14"
Sergei Vasilyevich Rahmaninov
This work completes the composer's 34th opus, which combines fourteen songs written for voice with piano accompaniment. Vocalise, as expected, does not contain words, but is performed on one vowel sound. S.V. Rachmaninoff dedicated it to Antonina Nezhdanova, an opera singer. Very often this work is performed on the violin or cello, accompanied by piano accompaniment.
"Moonlight"
Claude Debussy
This work was written by the composer under the impression of the lines of a poem by the French poet Paul Verlaine. The name very clearly conveys the softness and touchingness of the melody, which affects the soul of the listener. This popular work of the brilliant composer C. Debussy sounds in 120 films of different generations.
As always, the best music is in our group in contact .
Concertos for soloists and orchestra
Each part of this list is accompanied by a playlist with all the works mentioned in it
Johann Sebastian Bach
Brandenburg concerts
At the same time, a large-scale and compact cycle of six chapters from ten to twenty minutes long. Six completely different concertos, united by a purely Bach joy of life, each of which was the first of its kind: for example, the Fifth Brandenburg concerto is the first ever concerto for clavier and orchestra.
Alban Berg
"In memory of an angel"
If the opera Wozzeck is one of the highest achievements of the new Viennese school in the field of musical drama, then the Violin Concerto is a masterpiece of lyrical expression. It will not leave you indifferent, although there are no catchy melodies here; on the other hand, the finale of the concerto is based on a quote from Bach, organically woven into the fabric of the work.
Ludwig van Beethoven
Concerto for violin and orchestra
Forget everything you have heard about the heaviness of Beethoven's symphonies - this concerto seems to speak to you personally, and there is not a penny of pomposity in it. If you get bored in the middle, you will be rewarded in the finale: it will give you such a beautiful and sad melody that you can hardly keep from grateful tears. One of the greatest violin concertos in the world.
Johannes Brahms
Concerto for Violin, Cello and Orchestra
If there are not as many concertos for cello and orchestra as for violin or piano, then there are even fewer concertos for violin and cello, and each one is all the more valuable. The brightest among them is Brahms' Double Concerto, which incorporates the best features of his symphonic and chamber compositions. It is full of the most beautiful melodies and, with all external restraint, is unusually emotional.
Antonio Vivaldi
"Seasons"
One of the most popular pieces of classical music, an absolute hit known to everyone. Four seasons - four violin concertos, each of which is better than the other.
George Gershwin
Blues Rhapsody
The first successful attempt to cross the classics and jazz, which gave rise to more than one new direction and yet remained unique.
Antonin Dvorak
Concerto for cello and orchestra
One of the first large-scale compositions with a cello in the lead role, where the harmony and sophistication of the composition are combined with the incredible accessibility of melodies, which fall on the ear without any effort.
Felix Mendelssohn
Violin Concerto in E minor
Everyone knows the wedding march from A Midsummer Night's Dream, although it is by no means Mendelssohn's main work. He owns the excellent Italian and Scottish symphonies, the most beautiful trios, quartets and oratorios, as well as the Violin Concerto: no less important than Beethoven's, but much more intelligible.
Sergei Rachmaninoff
Concerto for Piano and Orchestra No. 3
The music of Rachmaninoff and Mahler do not have much in common, but it was Mahler who conducted one of the first performances of the concerto. Although the Third Concerto at first remained in the shadow of the famous Second, it is also one of the highest achievements of the genre and is one of the most serious tests for participants in piano competitions. And its main theme is one of the best melodies in all musical literature.
Jean Sibelius
Concerto for violin and orchestra
By the end of the 19th century, the supremacy of the Austro-German tradition in music was in question: one after another, new national schools declared themselves - Hungarian, Czech, Polish. The founder of another, Finnish, today one of the most advanced in the world, was Sibelius, whose concert is unlike any other and still hits the very heart.
Opera: from Monteverdi to Bizet and masterpieces of the 20th century
Georges Bizet
"Carmen"
It is hard to believe that the premiere of "Carmen" was not a success: the hits here follow one after another with such a density that no other great opera can boast. Overture, habanera, couplets of the Toreador, seguidilla, "Gypsy dance" are just a few. One can only envy those who have not yet heard them.
Richard Wagner
"Tannhäuser"
You must have shuddered as a child at the sounds of "Ride of the Valkyries" and heard a lot of unpleasant things about Wagner. Try to form your own opinion about his music; if Wagner's operas are too long for you, orchestral fragments will suffice for a start. The incredibly beautiful overture from the opera "Tannhäuser" is a masterpiece in itself, which you will surely enjoy, regardless of sympathy for the author's socio-political views.
Giuseppe Verdi
"La Traviata"
Don Giovanni, Carmen and La Traviata are one of the three best operas in the world. The charm of "La Traviata" is impossible to resist, even if you are indifferent to Italian opera: the music is so delightful - bright and at the same time imbued with a premonition of trouble. The famous love story that is born and dies before our eyes.
Claudio Monteverdi
"Orpheus"
It makes no sense to place any of Monteverdi's three operas in any list of the best operas: this Italian genius is so original, which actually founded the opera as a genre. Start with Orpheus, especially since the toccata that opens it sounds from everywhere and you probably know: you won’t be able to tear yourself away.
Wolfgang Amadeus Mozart
"Don Juan"
Opera of operas, the main one for all times and peoples. No other great opera balances the tragic and the comic, the high and the low, the will to live and the inevitability of death to such an extent. As Svyatoslav Richter said, "Così fan tutte" is more mystical than "Don Juan". There, the statue is to blame for everything, that she came to life ... And here the woman is to blame for being born into the world at all.
Wolfgang Amadeus Mozart
"That's what all women do" ("Così fan tutte")
The middle-aged cynic Don Alfonso undertakes to prove to two young men that the fidelity of their brides is a relative concept. The guys seem to go to war, return in the guise of foreigners in love, and each takes care of the bride of the other. The girls, not without pleasure, submit to a new fate and are going to get married, but then the real suitors return. They decide to play two weddings, although no one looks happy. An opera about women being more mysterious and unpredictable than men.
Leos Janacek
"The Adventures of the Cunning Fox"
According to writer Milan Kundera, Janáček accomplished the feat of opening the world of prose to opera. Indeed, Janáček's melodies are based on human speech in all its psychological nuances. "The Adventures of the Cunning Fox" is the most lyrical opera by the Czech composer, which tells about the coexistence of two worlds - the world of people and the world of animals - and calls for their rapprochement.
Alban Berg
"Wozzeck"
Music like nothing you've heard before. On the second or third attempt, you will find that the language of this opera about a mad soldier is not so strange: the composer simply does not compose melodies, but puts the natural intonations of human speech into the basis of music. The difference with Janacek, according to Kundera, is obvious: “German expressionism is distinguished by its preferred attitude towards excessive states of mind, delirium, madness. Janacek's expressionism is the richest fan of emotions, a close opposition of tenderness and rudeness, fury and calmness.
Kurt Weill
"The Threepenny Opera"
The composition, which formally belongs to the classics of the twentieth century, was sold into hits, covered dozens of times, starting with the ingenious "Macky Knife" - one of the melodic symbols of the century. Although Weill is a major innovator in the field of academic music, no other composer of his generation received such attention from pop and rock artists.
Igor Stravinsky
"Oedipus Rex"
Dissimilar "Petrushka" and "The Rite of Spring" still do not seem to be the works of two different authors, while in the opera-oratorio "Oedipus Rex" you certainly do not recognize the creator of "Petrushka". It is no coincidence that Stravinsky was called a chameleon and a man of 1001 styles. In "Oedipus" they sing in Latin, and the music - perhaps the most beautiful of Stravinsky's - goes back to the late baroque: no Russian archaism, no pancakes.
Dmitry Shostakovich
"Lady Macbeth of the Mtsensk District"
The main themes of one of the key operas of the twentieth century were sex and violence; that is why, shortly after the triumphant premiere in 1934, it was officially banned by Stalin himself in 1936. Pay special attention to the dance of the guests in the third act and the singing of the convicts in the fourth - once heard, it is already impossible to forget.
Richard Strauss
"Electra"
The opera is based on the story of the death of King Agamemnon, who was killed by his wife and her lover. The king's daughter hates her mother and lives in the hope of retribution. Driven by noble motives, the heroine feels like an instrument in the hand of God, and this obsession turns her into a monster. At the very first moment of such a gloomy story, the orchestra brings down on the listeners such hopeless music that the hair stands on end. The opera, which runs without intermission for almost two hours, is like a grandiose symphony, from which one cannot tear oneself away.
Solo. piano and violin
Charles Ives
"Sonata" Concorde "
More than a sonata, a whole study on the topic: can music express anything beyond what it sounds like? One of the most important piano compositions of the 20th century remained unfinished only because the author himself decided so: “The sonata seems to me unfinished every time I play it. Perhaps I will not deny myself the pleasure of not finishing it at all. The sonata is imbued with Beethoven's "theme of fate", either restoring order in the midst of chaos, or turning the story around 180 degrees.
Johann Sebastian Bach
"Well-Tempered Clavier" (HTK)
Probably the most perfect work in the history of music: two cycles of 24 preludes and fugues in all existing keys are like two colossal Gothic cathedrals, each more beautiful than the other. Almost anyone can pick up the first prelude in C major on the piano; however, gradually the cycle becomes more complex. And everything is more interesting.
Johann Sebastian Bach
Sonatas and partitas for solo violin
Isn't it boring to listen to a lonely violin for a long time? Not at all - she can do much more than we can imagine. At the very least, Bach strives for the full coverage of its possibilities. The pearl of the cycle is the famous chaconne, which is the most poignant music in the world.
Ludwig van Beethoven
Piano Sonata No. 14
Among Beethoven's 32 piano sonatas, Moonlight may not be the best, but certainly the most famous; it was quoted by many - from Shostakovich to The Beatles. Few writings in the world have outgrown their boundaries to such an extent, becoming a symbol of unrequited love.
Claude Debussy
Preludes
A concise encyclopedia of the great composer's work, a bizarre combination of romanticism and impressionism, old traditions of piano music and paradoxes of the 20th century. The names of each prelude are not at the beginning, but at the end of the notes, as if asking the listener riddles, checking whether he correctly captured the mood of the piece, whether it be “Sails”, “Steps in the Snow”, “Mists” or “Fireworks”.
Olivier Messiaen
"Twenty Looks at the Baby Jesus"
One of Messiaen's main opuses, even in the year of his centenary, was more often played in fragments than in its entirety: this cycle requires too much dedication. The largest piano composition of the era, with which only 24 preludes and fugues by Shostakovich can be compared, is an atypical creation for the middle of the 20th century: where is irony and reflection, where is rigor and calculation? This is a grandiose prayer, two and a quarter hours of predominantly major music with numerous repetitions.
Wolfgang Amadeus Mozart
Piano Sonata No. 11
The well-known Turkish Rondo is actually not an independent piece, but the finale of one of Mozart's sonatas, the other parts of which are no less delightful. As, in fact, and other piano sonatas by Mozart, not to mention his own “Fantasy”.
Modest Mussorgsky
"Pictures at an Exhibition"
This cycle is best known for its orchestration by Maurice Ravel, which is perceived today as a brilliant, but very pop hit. Listen to the original version of "Pictures", originally written for piano, and you will be amazed at how unusual and not in the least hit music this is.
Niccolo Paganini
24 caprices for solo violin
A new word in discovering the possibilities of the violin and violinists, which has been a test of virtuosity for the third century already. The last, twenty-fourth caprice is better known than others - a short but brilliant theme, variations on which many great composers wrote.
Eric Satie
Gymnopedias and other works for piano
Although Satie is a composer of the 20th century, many of his works appeared in the previous century: in 1888, hymnopedias were written that anticipated the genre of easy listening. Sati also owned the idea of music as an unobtrusive background - today there is nowhere to go from it, but a hundred years ago it was new.
Frederic Chopin
24 Preludes for Piano
Encyclopedia of musical romanticism and at the same time a colorful kaleidoscope of genres: elegy, mazurka, march, song without words and much more. The main means of expression, riveting the listener's attention, is the contrast of major and minor in each adjacent pair of preludes.
Robert Schumann
"Kreisleriana"
A cycle of fantasy plays, the name of which was given by the image of Johannes Kreisler, the insane bandmaster invented by Hoffmann, who frightens those around him with his devotion to music. One of the best works by Schumann, the most romantic composer who ever lived.
Masterpieces of vocal music
Johann Sebastian Bach
Cantatas
In addition to the magnificent "Passion" and the Mass in B minor, Bach wrote over two hundred cantatas. Even more than this list, they deserve the words "the best music in the world." You will fill up a playlist many months in advance if you decide to gradually listen to them all. For the impossibility of singling out the best among the best, we note three: “Heaven rejoices, the earth rejoices” (BWV 31) with a magnificent trumpet solo in the finale, “Who will believe and be baptized” (BWV 37) with a wonderful aria “Faith creates wings for the soul” and the most probably famous “Enough for me” (BWV 82).
Luciano Berio
Folk songs
A truly universal essay; Berio, the most prominent avant-garde artist of the second half of the 20th century, processed a number of genuine songs from Europe and Asia, adding a couple of his own to them. The listener, who is far from the avant-garde, will be glad that avant-garde artists also have works that seem simple and understandable.
Benjamin Britten
War Requiem
Unusual composition: two orchestras with two conductors, two choirs, three soloists and an organ. The tenor, baritone and chamber orchestra are responsible for the "military" part of the requiem, which is based on the poems of the poet who died in the First World War. The symphony orchestra, choir and soprano perform the traditional parts of the requiem from "Requiem æternam" and "Dies irae" to "Agnus Dei" and "Libera me". An amazing result, unlike both the funeral masses of previous eras, and the non-traditional requiems of the 20th century.
Antonio Vivaldi
Arias from operas
You should listen at least then to know: The Four Seasons is not the only and perhaps not even the best work of Vivaldi. At least, a collection of his arias performed by Magdalena Kozhena will make you forget about the evergreen hit for a while.
Valery Gavrilin
Russian notebook. German notebooks»
The “Russian Notebook” reflects the experience of Gavrilin the folklorist, and this deeply national work is an analogue of the great cycles of Schubert and Schumann. But with what to compare "German Notebooks", written on the verses of Heine - the most that neither is Schumann's material? How to explain the appearance of such a wonderful cycle as the “First German Notebook” in a sophomore student, from whom the professor, under the threat of a deuce, demands “something vocal”? Probably only a miracle.
Georg Friedrich Handel
"Messiah"
On the eve of religious holidays, "Messiah" is performed all over the world; connected with this is a true story about an orchestra player. To the question "What happened to you?" he replied: “I had a nightmare! I dreamed I was playing "Messiah" again! Moreover, when I woke up, it turned out to be true!” The best performances of "Messiah" have nothing to do with this reality, it is truly divine music. Having completed The Messiah in three weeks, Handel said: "I thought the sky had opened and I see the Creator."
Gustav Mahler
Songs about dead children
One of the most terrible works in the history of music: whether we believe in fate or not, however, shortly after the creation of this vocal cycle, Mahler lost his beloved daughter. Five incredibly beautiful and inexpressibly sad songs.
Gustav Mahler
"Song of the Earth"
The first symphony, where they sing from beginning to end, and a large orchestra sounds chamber - so that all the instruments are heard. The last part - "Farewell" - the author considered suicidal, but I want to return to it again and again.
Olivier Messiaen
Three Small Liturgies of the Divine Presence
Catholicism, the study of the language of birds and attention to non-European cultures - these features form the work of Messiaen, a separate direction in the music of the twentieth century. Although Messiaen's language is unlike anyone else's, his music is unusually contagious: listen to the liturgies at least once and you will notice that you are humming them.
Alfred Schnittke
"The Story of Doctor Johann Faust"
Schnittke's cantata has nothing in common with Goethe's Faust: it is based on the "People's Book about Faust" of the 16th century. A brilliant find is Mephistopheles, who appears in two guises: the seductive devil (countertenor), the mocking and punishing devil (contralto). Although the planned participation of Alla Pugacheva in the Moscow premiere was canceled, mounted police were on duty near the hall. The hero's humiliation culminates in a rollicking tango with saxophones, unexpectedly intruding into the harsh music.
Dmitry Shostakovich
Symphony No. 14
Although Shostakovich's penultimate symphony is dedicated to Britten, it is more closely associated with Mahler. In essence, this is a continuation of his "Song of the Earth", a symphony-cantata with the participation of two singers, completely dedicated to death. Even among the gloomy symphonies of Shostakovich, this one in particular is full of depressiveness and a sense of loneliness. Two voices unite only to sing in the finale: “Death is omnipotent. She is on guard and in happiness hour.
Franz Schubert
"Winter Way"
The pinnacle of world vocal music: 24 songs united by a common bitter mood and gloomy images of nature. The final, "The Organ Grinder", is one of Schubert's most hopeless songs (and he has about 600 of them!): a dreary melody sounds against the background of the dull, monotonous sounds of a barrel organ.
Great symphonies
Hector Berlioz
Fantastic symphony
One of the first - perhaps the most striking - examples of program music: that is, music that is preceded by a specific scenario. The story of Berlioz's unrequited love for the Irish actress Harriet Smithson formed the basis of the masterpiece, where there are "Dreams", and "Ball", and "Scene in the Fields", and "Procession to the Execution", and even "Dream on the Night of the Sabbath".
Ludwig van Beethoven
Symphony No. 7
Of Beethoven's three most famous symphonies, it's better to start not with the Fifth with its "theme of fate" and not with the Ninth with its finale "Hug, millions." In the Seventh, there is much less pathos and more humor, and the ingenious second part is familiar even to listeners far from the classics from the processing of the Deep Purple group.
Johannes Brahms
Symphony No. 3
Brahms' first symphony was called Beethoven's Tenth Symphony, referring to the continuity of tradition. But if Beethoven's nine symphonies are not equal, each of Brahms's four symphonies is a masterpiece. The pompous beginning of the Third is just a bright cover for a deeply lyrical statement, reaching its climax in an unforgettable allegretto.
Anton Bruckner
Symphony No. 7
Bruckner's successor is Mahler; against the background of his rollercoaster-like canvases, Bruckner's symphonies can seem boring - especially their endless adagios. However, each adagio is followed by an exciting scherzo, and the Seventh Symphony will not let you get bored from the very first movement, thoughtful and lingering. No less good are the finale, the scherzo and the adagio dedicated to the memory of Wagner.
Joseph Haydn
Symphony No. 45 "Farewell"
It seems impossible to write easier than Haydn, but this deceptive simplicity contains the main secret of his skill. Of his one hundred and four symphonies, only eleven were written in minor, and the best among them is "Farewell", in the finale of which the musicians leave the stage one at a time. It was from Haydn that the Nautilus Pompilius group borrowed this technique to perform the song "Goodbye America".
Joseph Haydn
Symphony No. 90
Against the background of the impetuous Farewell, Haydn's later symphonies are much more balanced and positive. They are full of special warmth, artless beauty and harmony. And, of course, humor: the last part of the symphony is crowned with a “false” finale, which even the sophisticated audience takes for a real one and begins to applaud when the orchestra is still playing.
Antonin Dvorak
Symphony No. 9 "From the New World"
Collecting material for the symphony, Dvořák studied the national music of America, but did without quoting, trying first of all to embody its spirit. The symphony in many ways goes back to both Brahms and Beethoven, but is devoid of the pomposity inherent in their opuses.
Gustav Mahler
Symphony No. 5
Mahler's two best symphonies seem to resemble each other only at first. The confusion of the first parts of the Fifth leads to a textbook adagietto, full of languor, repeatedly used in cinema and in the theater. And the ominous fanfare of the introduction is answered by a completely traditional optimistic finale.
Gustav Mahler
Symphony No. 6
Who would have thought that Mahler's next symphony would be the darkest and most hopeless music in the world! The composer seems to be mourning all of humanity: such a mood is affirmed from the very first notes and only gets worse towards the finale, which does not contain a ray of hope. Not for the faint of heart.
Gustav Mahler
Symphony No. 7
The trilogy ends with a symphony-mystery. It is generally considered inconvenient for performance and perception, although this is a real celebration of music: if in the rest of Mahler's symphonies you willy-nilly still look for conflict, it is almost impossible to find it here. One can only guess why, between the extreme parts of the Seventh, another internal symphony of two octurnes and a central scherzo is placed, as it were.
Wolfgang Amadeus Mozart
Symphony No. 25
Among Mozart's more than forty symphonies, only two are written in a minor key, and in the same one: G minor unites a number of his key works. The twenty-fifth and fortieth are separated by fifteen years, in the case of Mozart, almost half a lifetime. Both are equally sad, but if the Fortieth unfolds thoughtfully and slowly, the Twenty-fifth falls upon you with all the swiftness of the era of “storm and stress”.
Wolfgang Amadeus Mozart
Symphony No. 40
Another super hit, the beginning of which causes involuntary irritation. Try to tune your ear as if you are hearing the Fortieth for the first time (even better if it is): this will help you survive the brilliant, if utterly beaten first part and know that it is followed by no less wonderful second, third and fourth.
Sergei Prokofiev
Classical symphony
Prokofiev explained the name of the symphony as follows: “Out of mischief, to tease the geese, and in the secret hope that ... I will beat it if, over time, the symphony turns out to be so classical.” After a series of daring compositions that excited the public, Prokofiev composed a symphony in the spirit of Haydn; it became a classic almost immediately, although his other symphonies have nothing in common with it.
Pyotr Tchaikovsky
Symphony No. 5
Tchaikovsky's Fifth Symphony is not as popular as his ballets, although its melodic potential is no less; out of any two or three of her minutes could make a hit, for example, Paul McCartney. If you want to understand what a symphony is, listen to Tchaikovsky's Fifth, one of the best and most complete examples of the genre.
Dmitry Shostakovich
Symphony No. 5
In 1936, Shostakovich was subjected to defamation at the state level. In response, calling for help the shadows of Bach, Beethoven, Mahler and Mussorgsky, the composer created a work that became a classic already at the time of the premiere. According to legend, Boris Pasternak spoke about the symphony and its author: "He said everything he wanted - and he got nothing for it."
Dmitry Shostakovich
Symphony No. 7
One of the musical symbols of the 20th century and certainly the main musical symbol of World War II. An insinuating drum roll begins the famous "invasion theme", illustrating not only fascism or Stalinism, but any historical era based on violence.
Franz Schubert.** Unfinished symphony
The Eighth Symphony is called Unfinished - instead of four parts, there are only two; however, they are so saturated and strong that they are perceived as a complete whole. Having stopped work on the work, the composer did not touch it anymore.
Bela Bartok.
Concerto for Orchestra
Bartók is known primarily as the author of countless pieces for music schools. The fact that this is far from the whole of Bartok is evidenced by his concert, where austerity accompanies parody, and cheerful folk tunes accompany sophisticated technique. In fact, Bartók's farewell symphony, as well as Rachmaninov's Symphonic Dances.
Sergei Rachmaninoff
"Symphonic Dances"
Rachmaninov's last opus is a masterpiece of unprecedented power. The beginning seems to warn of an earthquake - it is both a harbinger of the horrors of war and an awareness of the end of the romantic era in music. Rachmaninoff called "Dances" his best and favorite work.
Treasures of chamber music
Johannes Brahms
Sonata for Violin and Piano No. 3
The chamber ensemble is one of the finest types of music-making: a violin sonata, a piano trio or a string quartet can often express much more than a ballet or a symphony. A synonym for chamber music is the name of Brahms, whose every chamber composition is a masterpiece. Including this sonata, the unforgettable beginning of which is born from a phrase, as if interrupted in mid-sentence.
Ludwig van Beethoven
String Quartet No. 11 "Serioso"
Beethoven's late quartets are one of the pinnacles of chamber music. Before that, the composer had not written them for almost fifteen years, having paused after the ingenious quartet in F minor with the subtitle "Serioso" - "Serious". Despite its brevity, it is incredibly rich in ideas and mood swings, especially the fast part, the intonation of which rushes non-stop between interrogative and affirmative.
Johannes Brahms.
Quartet for piano, violin, viola and cello No. 1
Another gem, where each of the chapters is full of surprises, especially the last two: isn't this jubilant march in the middle of the lyrical part amazing? Doesn't the final "Rondo in the Hungarian Style" leave any of the "Hungarian Dances" far behind? The quartet was created by Brahms long before his First Symphony, but the four instruments were given such a wealth of melodies and harmonies that it would be enough for an entire orchestra.
Antonin Dvorak
Quintet for piano, two violins, viola and cello №2
The second Dvorak quintet was created in 1887, a quarter of a century after the Brahms quartet. Another late Romantic composition, even more contrasting and even more densely seasoned with Eastern European motifs - there is a place for both Ukrainian thought and Bohemian dances. There are three main characters here: cello and viola, whose solos open the first and second movements, as well as the piano, which connects the fabric of the quintet with invisible threads.
Wolfgang Amadeus Mozart
Sonata for Violin and Piano No. 21
The saddest music in the world.
Cesar Frank
Sonata for Violin and Piano
One of the best violin sonatas ever written is a completely romantic composition, striving with all its might to go beyond romanticism. Without a doubt, you will remember the amazingly beautiful first phrase the first time, and not only it.
Pyotr Tchaikovsky
"In memory of a great artist"
For many, Tchaikovsky - "The Nutcracker", "Sleeping Beauty", the First Piano Concerto. The trio "In Memory of a Great Artist" has nothing to do with these works - a tragic, deeply intimate statement, devoid of any kind of heaviness and pomposity. You have never heard such Tchaikovsky.
Dmitry Shostakovich
String Quartet No. 8
The name "In Memory of the Victims of Fascism and War" is only a cover for the real name that Shostakovich had in mind: "In Memory of the Author of this Quartet." By no means the composer's last work, nevertheless, it became his monument to himself: a mournful epitaph, layered with quotations from the best works of Shostakovich.
Franz Schubert
Piano Trio No. 2
Schubert's chamber compositions are no less expressive and penetrating than his vocal ones. An example of this is the trio for piano, violin and cello: the main theme of its second movement is remembered from the first time and for life, check it out.
Classics of the 20th century
Charles Ives
"The Unanswered Question"
A small masterpiece is the key to all the music of the 20th century: the strings play one thing, the flutes another, the trumpet a third. There is no catchy melody, but it sounds beautiful and bewitching.
Arnold Schoenberg
Serenade
Another, along with Wozzeck, example of "dodecaphony with a human face." Although it is unlikely that anyone will be able to sing a few measures of a serenade, it is full of drive and humor: among the instruments there is a guitar and a mandolin, which give the ensemble's chilly sound some informality and even folk.
Arnold Schoenberg
"Moon Pierrot"
If the serenade is an example of a strict, established style, then Lunar Pierrot is only a search for it: Schoenberg has not yet discovered dodecaphony, but has already abandoned tonality, major and minor. To the accompaniment of a small ensemble, a vocal part sounds in the manner of speech singing - in the middle between singing and excited human speech. One of the most revolutionary writings of the 20th century.
Pierre Boulez
"Hammer without a master"
The musician who created the reference recordings of Schoenberg's compositions responded to his death with an article with the defiant title "Schoenberg is dead." And three years later, "The Hammer Without a Master" appeared for voice and ensemble, a kind of "Lunar Pierrot" of the second half of the 20th century. Stravinsky, who identified the Lunar Pierrot as the solar plexus of new music, would later without hesitation call The Hammer Without a Master the best contemporary composition, sounding "as if ice cubes collided in a glass".
Claude Debussy
"Afternoon of a Faun"
The day of the premiere of the composition - December 22, 1894 - became the birthday of musical impressionism. "Faun" begins with an unforgettable flute solo that opened up new horizons in world music.
Zoltan Kodai
"Dancing from Galanta"
An effective piece based on authentic folk melodies, where slow tempos are replaced by so fast ones that it takes your breath away. This change of pace is a characteristic feature of the verbbunkos, a Hungarian dance performed at recruiting stations and at the send-off to the army. Fifteen minutes of pure joy.
Darius Millau
"World creation"
French composers from the group "Six" proposed a European version of what Gershwin succeeded in: to combine the classical tradition with jazz and the sounds of the big city, turning towards simple forms and catchy melodies. Milhaud was especially successful with his ballets The Bull on the Roof and The Creation of the World. “Like, and this is also a classic!?” - you ask. Certainly yes.
Arthur Honegger
"Pacific 231"
Another musical symbol of the twentieth century in general and technological progress in particular. Having finished an energetic orchestral piece, the author for fun gave it the name of the most powerful steam locomotive in the world. The public took the joke seriously when they heard in Pacifica the sound portrait of a steam locomotive speeding up, humming, and then slowing down; great music that gives a lot of scope to the imagination.
Krzysztof Penderecki
"Lament for the Victims of Hiroshima"
The play, like Pacific 231, was glorified primarily by its title. Written in the most advanced language for the middle of the 20th century, the score was not successful under the original name "8.37", but under the new one it became very popular, although not a single note was changed. As positive as Pacific is, Lament is just as depressing, although you should definitely get to know him.
Sergei Prokofiev
"Romeo and Juliet"
The best of the musical incarnations of Shakespeare's tragedy, numbering several hits - first of all, the well-known theme "Dance of the Knights" (popular under the name "Montagues and Capulets"). Surprisingly, the Bolshoi Theater, which commissioned the ballet, initially rejected it, considering the music unstaged and unthinkable for the theater.
Maurice Ravel
"Bolero"
Drum roll, flute plays a deceptively simple theme, which is gradually picked up by other instruments of the orchestra. It seems to be a simple scheme, but the listener will still remain with his mouth open, even if he knows Bolero by heart.
Maurice Ravel
Waltz
A typical Viennese waltz gradually emerges from an indistinct rumble. The dancers whirl faster and faster, and finally the spring of this enraged music box bursts. An eerie and perfect depiction of the end of a beautiful era, which was replaced by a century of world wars.
Arvo Pärt
Fratres
Pärt is the most performed contemporary composer, his compositions are heard around the world hundreds of times a year. In the mid-1970s, Pärt moved from the avant-garde to quiet slow music, which turned out to be unusually in demand: many Pärt fans are far from the classics and perceive his opuses as a kind of musical sedative. The reference composition is "Fratres", which sounds different in each of the numerous editions, but does not lose the intonation of a sad question mark.
Steve Reich
"Different Trains"
Another living classic, once known as an avant-garde. “Other Trains” is a monument to the victims of the Holocaust: Reich contrasts the trains of his childhood, on which he crossed America more than once, by others that sent his European peers to concentration camps. The composition was written for a string quartet and a phonogram, which includes the sound of wheels, locomotive whistles, stories of Holocaust survivors. Fragments of human speech, recorded with notes, became the basis of instrumental parts. Ideal for the first meeting with Reich.
Igor Stravinsky
"Parsley"
One of the most perfect expressions of the Russian spirit in music: Shrovetide, hurdy-gurdy, harmonica, gypsies, a trained bear, “Along the Piterskaya”, “Oh, my canopy, canopy”, carnival, fun, pancakes.
Igor Stravinsky
"Sacred spring"
The complete opposite of "Petrushka": paganism, fear of death, slow gloomy round dances, sacrifice in the hope of appeasing the elements, completely blowing away harmonies - one of the most revolutionary and scandalous scores in the history of music.
Alfred Schnittke
concerto grosso №1
The hallmark of the main Soviet composer after Shostakovich: elements of mutually exclusive styles merge here into a single whole. "As part of the Concerto grosso, I introduced a jaunty children's chorale, a nostalgic-atonal serenade - a trio guaranteed to be genuine Corelli (made in the USSR) and my grandmother's favorite tango, which her great-grandmother plays on the harpsichord."
Alfred Schnittke
"Revision Tale"
An ideal introduction to Schnittke's music for those who find it too complex. The combination of harpsichord with pop instruments creates a multifaceted space, where there is a place for Beethoven's "theme of fate", and parodies of Haydn, whose intonations are brought to sugariness, and the shadows of Mozart and Tchaikovsky, dancing tango and cancan.
Just masterpieces
Johann Sebastian Bach
Suites for Orchestra No. 2 and 3
Compared to HTK, two suites sound like light music, especially since each contains at least one super hit: "Joke" and "Aria" respectively, which have long been sold on ringtones and TV and radio screensavers. However, this could happen with other fragments of these suites, replete with bright melodies.
Johannes Brahms
"Hungarian dances"
If the symphony orchestra plays an encore, in one case out of three the conductor will choose the First Hungarian Dance; in extreme cases - the fifth. Two dozen miniatures for two pianos, later arranged for orchestra, were created on the basis of genuine Hungarian melodies; result - 21 exemplary bis.
Edvard Grieg
"Peer Gynt"
Ibsen's drama "Peer Gynt" is world famous, and Grieg's music written for its premiere is even more popular: "Solveig's Song" and "In the Hall of the Mountain King" you certainly know. Do not deny yourself the pleasure of listening to "Peer Gynt" in its entirety.
Alexander Scriabin
"Prometheus"
In his last and, perhaps, his most significant symphonic work, Scriabin sought to express the idea of the triumph of the spirit, to achieve the utmost radiance. Therefore, "Prometheus" (aka "The Poem of Fire") was written not only for the orchestra, piano, organ and choir, but also for the light keyboard, immersing the concert hall in the radiance of one color or another. However, in itself the music of "Prometheus" is literally overflowing with sunlight.
Bedrich Smetana
"My motherland"
The cycle of symphonic poems is a musical portrait of the Czech Republic, its history, nature and legends. Especially popular is the "Vltava", in which you can hear the flow of the river, and hunting in the forest on its banks, and the night dances of mermaids. The main theme comes from the 17th century Italian song "La Mantovana". Later, the same melody formed the basis of the anthem of Israel.
Nikolai Rimsky-Korsakov
"Scheherazade"
First, the author gave the parts of the suite names: “The Sea and Sinbad's Ship”, “The Fantastic Story of Tsarevich Kalender”, “Prince and Princess”, “Baghdad Holiday. Sea. The ship crashes on a rock with a bronze horseman. Conclusion”, but later decided to remove them. Nevertheless, they are well known, and, listening to music, we involuntarily associate the violin with the voice of Scheherazade, the exclamations of the wind instruments with a storm at sea, the flute solo with the ship of Sinbad the Sailor. One of the best examples of program music.
Richard Strauss
"Don Quixote"
Of the works of Strauss, the most famous poem is "Thus Spoke Zarathustra", the introduction of which serves as a screen saver for the program "What? Where? When?". However, Don Quixote, where the cello sings on behalf of the famous knight, is much richer in unexpected twists and, like few other music in the world, resembles an exciting movie.
