The main problems of Olesya Kuprin's story. Lesson plan for a lesson in literature (grade 11) on the topic: A

Composition

The story “Olesya”, written by A. I. Kuprin in 1898, is one of early works writer, nevertheless attracting attention with the complexity of the problems, the brightness and imagery of the characters’ characters, and the subtle beauty of the landscape. For his narration, the author chooses a retrospective composition when we're talking about from the perspective of a narrator describing long-past events. Of course, over time, the hero’s attitude towards these events changed, he understood a lot, became wiser, more experienced in life. But in those days, when he first arrived in a remote Polesie village, he idealized rural life,
“primitive natures” against the backdrop of nature and was guided by the common belief that for a writer “it is useful to observe morals.” The works that he had managed to “press” into the newspaper by that time are just as far from real life, as well as the hero’s knowledge about the people. Reality does not at all correspond to the expectations of the hero, Ivan Timofeevich. The people are characterized by unsociability, savagery, humiliated obedience, developed by centuries of feudal oppression. The village old women whom Ivan Timofeevich is trying to treat cannot even explain what hurts them, but they always bring offerings to the “lord” and not only kiss his hands, but even fall at his feet and try to kiss his boots. The “local intelligentsia” - the police officer, the clerk - has nothing against this, smugly holding out their hand for kisses and boorishly explaining how these people should be treated. Therefore, in the problem of the people and the intelligentsia raised by the author, the reader’s attention is immediately drawn to the fact that the local “intelligentsia”, which despises these people and takes bribes at every opportunity, in fact, is not such. And the people are ignorant and rude, but is it their fault? Hunter Yarmol is not able to learn to read and write; he is only able to mechanically remember his signature, to which he makes great efforts. For what? Yarmola explains this by saying that “there is not a single literate person in our village... The headman only puts a seal, but he himself does not know what is printed in it...” And it is not at all surprising that the peasants are full of superstitions and fear, hatred of witches who can bring illness and death to people. The story with Manuilikha is indicative here: despite the ability to heal and tell fortunes, and some extraordinary abilities, she is not at all to blame for the death of the young woman’s child, whom she recklessly threatened. But she and her granddaughter were expelled from the village and “her hut was broken so that there would be no more chips left of that damned cup.” Hatred of everything incomprehensible is a consequence of the ignorance and savagery of the people.
The history of the life of the people in the Polesie village, where Ivan Timofeevich arrived, is just an exposition of the story. The plot of the action consists of the hero’s acquaintance with Manuilikha and Olesya. The reader sees the artist’s skill in the way he is shown. psychological picture both heroines. Manuilikha has all the features of a Baba Yaga, but her speech is an indicator of a different level of culture, a different environment than that of the Polesie peasants. Olesya also differs sharply from the Perbrod girls: in her appearance one can feel naturalness, inner freedom, and self-esteem. Her beauty contains slyness, authority, and naivety; she is original and unforgettable, and, of course, makes an indelible impression on Ivan Timofeevich. In the further development of their relationship, the author reveals the problem of the Russian national character. Olesya is trusting, loves nature, kind, but proud, and this is felt in the compulsion that appeared in their relationship after Ivan Timofeevich’s intercession with the police officer: the girl is embarrassed to feel obligated to anyone. However, having learned about the hero’s illness, she is ready to do everything to cure him, regretting that he did not turn to her earlier. Guessing about the hero, she correctly determines his character: “... Although you are a kind person, you are only weak... You are not a master of your word... You will not love anyone with your heart, because your heart is cold, lazy, and you will bring a lot of grief to those who love you.” Indeed, Ivan Timofeevich - a kind person, without copyright A L L Soch .ru 2001-2005 hesitation, he gives the police officer an expensive gun so that he doesn’t kick Manuilikha and Olesya out. Olesya seriously interested the hero, he is in love with her, without thinking about what will happen next. Olesya seems wiser and more mature than Ivan Timofeevich: having foretold herself the grief and shame of this love, she decides to part with the hero, but separation during his illness decided everything for the lovers - it showed the strength of their feelings and the impossibility of parting. Their closeness is the culmination of the development of the relationship between the heroes of the story. Olesya takes full responsibility for further events, all that matters to her is that she is loved. Ivan Timofeevich, unlike his selflessly loving Olesya, is weak and indecisive. Knowing that he has to leave, he cannot muster the strength to say so, postponing his confession until Olesya herself senses something is wrong. He is ready to marry Olesya and take her to the city, but he himself does not really imagine how this is possible. In addition, the thought of a grandmother who cannot be left alone did not occur to him, and he selfishly suggests to Olesya that she either take her to an almshouse, or “you will have to choose between me and grandma.” Selfishness, irresponsibility, and weakness of character of Ivan Timofeevich give reason to speak of him as a typical “reflective intellectual,” a type of character defined in Russian literature by N. G. Chernyshevsky and shown in the works of I. S. Turgenev, N. A. Nekrasov and others. Olesya is the embodiment best qualities, inherent in Russian national character V female type. Deep sincere love, dedication, a sense of duty are what have always distinguished Russian women, the heroines of A. S. Pushkin, I. S. Turgenev, N. A. Nekrasov and other Russian writers. Olesya does not imagine that she would somehow complicate the life of her beloved: “You are young, free... Would I really have the courage to tie you hand and foot for the rest of my life?” She refuses to marry her beloved, thinking not about herself, but about him, about his well-being. She wants to do something good for him so much that, contrary to her beliefs, she is ready to go to church. And here the hero’s frivolity and irresponsibility are once again revealed: he convinces Olesya to go to church, talking about the mercy of God, but forgetting about the people who hate the “witch” and are not ready to accept her into their society. He acts so simply because of the general belief that “a woman should be pious.” And only the matured narrator, from the height of the past tense, regrets that he did not listen to his heart, his foreboding. The peasant women brutally deal with Olesya, and the shocked hero only now realizes the consequences of his frivolous advice. But Olesya is true to herself - she considers only herself to blame, touchingly worrying about her disfigured appearance, which her loved one may not like. A simple-minded, trusting girl turns out to be morally superior to the educated hero, knowledgeable about life only “theoretically”, not foreseeing the consequences of his selfishness and irresponsibility.
Their separation is inevitable: the ignorant peasants will not forgive the “witches” for the lost harvest. But, knowing about the upcoming separation, Olesya wisely does not tell Ivan Timofeevich about her departure, remembering folk tale about a scared bunny. The hero learns about this unexpectedly, and the bright coral beads given to him by the disappeared Olesya remain an unforgettable detail in his memory. Regret for lost love, tender and generous, sounds in last words storyteller, for whom, of course, this story will not pass unnoticed.
but: she not only left a bright mark in his memory, but also changed his attitude towards life, giving him wisdom and worldly experience.
One cannot help but say about the role of landscape in A.I. Kuprin’s story. The author paints for us the beauty of wild, pristine nature, which subtly conveys the psychological state of the characters. The spring aroma of thawed earth awakens vitality, shading the feeling that is emerging “in the hero’s soul. The enchanting night of love suppresses the heroes “with its happiness and the eerie silence of the forest.” And the approaching thunderstorm, with its mixture of light and darkness, foreshadows “something sinister.” All this gives the reader the opportunity to assert that young A. I. Kuprin is not only a master of images human characters and relationships between people, but also wonderful artist, who subtly senses the beauty of nature and conveys it in his works, a writer who follows the best traditions of Russian classical realism XIX century.

Other works on this work

The plot of A.I. Kuprin’s story “Olesya” is based on the relationship between two heroes. Ivan Timofeevich is a city man who comes to Polesie. Olesya is a charming girl, a local resident.

The heroes fell in love with each other. However, despite the feeling that flared up between them, these are completely different people, representatives of different walks of life.

Ivan Timofeevich is a city man; in the story he acts as a narrator. He is honest with the reader, shares his impressions of Polesie, and talks about his flared up feelings for the granddaughter of old Manuilikha.

Olesya is considered a witch by her fellow villagers. A girl and her grandmother local residents blamed for all troubles: crop failure, bad weather, death of livestock. At the same time, Olesya has an amazingly pure soul. This is how she won the heart of Ivan Timofeevich.

Both characters love differently. Olesya is ready to sacrifice everything for her chosen one, even her life. She, having stepped over her own pride, through fear, goes to church. Superstitious local women brutally beat Olesya. But the girl, who had no illusions about the attitude of her fellow villagers towards her, undoubtedly guessed that this would happen...

Ivan Timofeevich loves differently. Olesya charmed him with her spontaneity and difference from others. The hero's feeling is real and sincere. However, he is unlikely to be able to take at least some serious step for the sake of his beloved.

Olesya and Ivan Timofeevich are not destined to be together: they are too different, they have different attitudes to life. Their love will turn into tragedy: humiliated Olesya and old Manuilikha will leave Polesie forever. It is unlikely that they will prosper in the future.

Civilization, according to A.I. Kuprin, poisons the human soul and does not allow people to become happy. The fate of Ivan Timofeevich is proof of this. A city dweller will never fully understand a girl who grew up in the lap of nature, no matter how much he might want to. The hero turned out to be powerless to accept the priceless gift of love, and therefore doomed both himself and Olesya to suffering.

The theme of love occupies a special place in the work of A. I. Kuprin. The writer gave us three stories united by this wonderful theme - “ Garnet bracelet", "Olesya" and "Sulamith".
Kuprin showed different facets of this feeling in each of his works, but one thing remains unchanged: love illuminates the lives of his heroes with extraordinary light, becomes the brightest, unique event of life, a gift of fate. It is in love that the best features of his heroes are revealed.
Fate threw the hero of the story “Olesya” into a remote village in the Volyn province, on the outskirts of Polesie. Ivan Timofeevich - writer. He is an educated, intelligent, inquisitive person. He is interested in people, with their customs and traditions, and in the legends and songs of the region. He was traveling to Polesie with the intention of replenishing his life experience new observations useful for the writer: “Polesie... wilderness... bosom of nature... simple morals... primitive natures,” he thought, sitting in the carriage.
Life presented Ivan Timofeevich with an unexpected gift: in the Polesie wilderness he met a wonderful girl and his true love.
Olesya and her grandmother Manuilikha live in the forest, away from the people who once expelled them from the village, suspecting them of witchcraft. Ivan Timofeevich is an enlightened person and, unlike the dark Polesie peasants, he understands that Olesya and Manuilikha simply “have access to some instinctive knowledge obtained by chance experience.”
Ivan Timofeevich falls in love with Olesya. But he is a man of his time, of his circle. Reproaching Olesya for superstition, Ivan Timofeevich himself is no less at the mercy of the prejudices and rules by which the people of his circle lived. He did not even dare to imagine what Olesya would look like, dressed in a fashionable dress, talking in the living room with the wives of his colleagues, Olesya, torn from the “charming frame of the old forest.”
Next to Olesya, he looks like a weak, unfree man, “a man with a lazy heart” who will not bring happiness to anyone. “You will not have great joys in life, but there will be a lot of boredom and hardship,” Olesya predicts to him from the cards. Ivan Timofeevich could not save Olesya from harm, who, trying to please her beloved, went to church contrary to her beliefs, despite the fear of the hatred of local inhabitants.
Oles has courage and determination, which our hero lacks; she has the ability to act. Petty calculations and fears are alien to her when it comes to the feeling: “Let it be what will be, but I won’t give my joy to anyone.”
Pursued and persecuted by superstitious peasants, Olesya leaves, leaving a string of “coral” beads as a souvenir for Ivan Timofeevich. She knows that for him soon “everything will pass, everything will be erased,” and he will remember her love without grief, easily and joyfully.
The story “Olesya” adds new touches to the endless theme of love. Here, Kuprin’s love is not only the greatest gift, which it is a sin to refuse. Reading the story, we understand that this feeling is unthinkable without naturalness and freedom, without bold determination to defend your feeling, without the ability to sacrifice in the name of those you love. Therefore, Kuprin remains the most interesting, intelligent and sensitive interlocutor for readers of all times.

The theme of love is the main theme in the works of A. I. Kuprin. It is love that makes it possible to realize the most secret principles human personality. Especially dear to the writer are strong natures who know how to sacrifice themselves for the sake of feeling. But A. Kuprin sees...

The image of Olesya makes the reader remember the amazing fairy-tale beauties who, in addition to their beauty, had many talents. The girl grew up in unity with nature and is close to it. It is no coincidence that at the moment of acquaintance, first of all, the main...

1. New!

   The story “Olesya” became the main work in the cycle of Polesie stories created by Kuprin during his stay in Polesie in the Volyn province. Here the writer made acquaintance with peasant hunters, wandered through the forests, studied local customs and listened to folk...

For the greed to seize everything and to respond to everything, even with a trifle, a trifle, for the greed to “get used to life”, or rather to relive it once again, to return the irrevocable, to be with people - this artist knows no equal. He constantly strives to "look in...

Each writer is shaped by his life circumstances (father dies in childhood, no means of subsistence, Moscow widow's house, from the age of 7 he was sent to the Razumovsky boarding school, state support, at the age of 10 - a military student! Gymnasium, strict rules, which was later transformed entered the cadet corps - a military career. Afterwards he entered the Alexander Junkers School. 1890, second lieutenant, served 4 years military career. The Dnieper regiment was quartered in provincial towns and observed this life. Podolsk province, province.

1894 - Kuprin retires, choosing the path of a professional writer. Childhood - humiliation before the “benefactors”, the years of childhood “joyless on government grub”, severity, order. Youth is an ordinary regiment, a colorless existence in vulgarity and everyday life.

Writer - no money. Came out, traveled middle lane, southern, who did you work for? Loader, estate manager, surveyor, fisherman, blacksmith, sang in the choir ( provincial scene), newspaper business: reporter (essays and more). All the trials strengthened his character and gave him many life observations. This material is very important. Kuprin became his own in various fields.

The writer has always been drawn (early on) to depths human soul and its hidden possibilities, his first stories were written in military theme: “Inquiry” about universal human orders, “Overnight”, army ensign. Much attention paid inner world person, unusual conditions, psychology, subconscious. Special angles on the topic: toy, sparrow, horror. Borderline states.

The topic of love worried him: also gave rich material. There are many stories about the death of love, beauty, he talks about the waste of innate abilities “ Lost Force" Potentially embedded, bright impulses of life are important to him. "Holy Love", "Passionate Moment". He describes his heroines with great sympathy; they often come into conflict with the cruelty and self-centeredness of life. Bright characters on the circus theme “Alles”, “Lolly”, are often selfless heroines who make sacrifices for the sake of their love. Cuprn created 10s romantic stories. Guided love gives intense experiences. A reason for depicting bright characters. Love experiences are a natural, uninhibited manifestation of the spiritual world.

The small genre form did not allow Kuprin to express all his thoughts and feelings. Moves to the story “Moloch” and “Olesya”. These stories are interconnected “by contradiction”. Both of them were written based on impressions from Kuprin’s trips to the Donetsk coal basin and Polesie. Conventionally: connected moloch about harm scientific and technological progress its fatal side. And Olesya is the ideal of a natural person. In Moloch, first of all, they noted the social motive and exploitation of the working bourgeoisie. Tragic situation. Uses essays about Donetsk enterprises.

The non-fictional, very convincingly recreates the conditions, depicts the iron law for the struggle for existence. Main character- engineer Bobrov. Reflective hero. The beaver engineer belongs to this type of hero. The plant is likened to God - Moloch. For the sake of the development of scientific and technical programs. “Your civilization is good if you have counted its fruits...” An acute social conflict is acquiring philosophical understanding. Contents of the story: an engineer's observations of the work of the plant and the immoral factory elite. Entrepreneur Kvashnin and his entourage.

The theme of Moloch is deities.

The drama of an unfulfilled soul. The drama of a person who is honest by nature, who failed to find himself and realize himself. For Kuprin, the most terrible consequence of iron civilization is the death of spiritual purity in people.

Kuprin is looking for his ideal in an area beyond the control of Moloch - a natural man, Olesya's story appears. The representative is an intellectual, reflective, Olesya is whole, passionate, wild. The intellectual loses. At the beginning of the story, Olesya says about Her beloved: although you are kind, you are only weak. The hero lacks integrity of nature, depth of feelings, this is his weakness. Olesya grew up far from false social foundations. Kuprin idealizes the image of the “daughter of the forests.”

How often does this happen with Kuprin, this love story ends in failure. There is no happy ending, no way out for the hero. This story is poetic. Kuprin describes pictures of nature. Nature also helps them and embellishes their history. The first reviewers called this story a “forest” symphony. Merging with nature gives completeness and purity of the spiritual world. This story is one of the links in Kuprin's Polesie cycle. These are stories like “Wilderness of the Forest,” etc.

A echo of Turgenev’s “notes of a hunter,” poeticization of nature. Although the heroes are different. Kuprin is fascinated by the picturesque region. Central Russian strip. Its inhabitants and their interesting characters.

Creative principles were expressed: a writer must observe life. Kuprin was a master of precise detail and fast-paced, information-rich storytelling. There is always a plot. Sometimes concentration was combined in one paragraph. Clarity of position: what you love and what you hate, what you actually want to say. He expressed his gaze definitely and emotionally.

Forms: story within a story. In this case, a person’s subjective perception arises and this makes it possible to reliably present information. Through the eyes of a directly active participant - someone else’s speech (technique), see the situation more deeply.

Subject: A. I. Kuprin. Life and art. Embodiment moral ideal in the story "Olesya".

Goals:

1. give an overview creative path Kuprin, compare with the work of Bunin;
2. reveal the idea and artistic features the story “Olesya”, show the writer’s skill in depicting the world human feelings;
3. deepen the skills of commentary and artistic reading, consolidate the ability to fully perceive a work of art;
4. to form a reader capable of understanding the depth of human feelings and the beauty of nature.

Lesson type: combined.

Methods: heuristic, research, creative reading.

Types of student activities:student messages, recording of lectures, answers to questions, expressive reading, image analysis, selection of quotes.

Equipment: portrait of Kuprin, presentation, illustrations by I. Glazunov, P. Pinkisevich.

Lesson plan:

1. Organizational stage (3 min.)
2. Assimilation of new knowledge and improvement (34 min.):

• creativity of Bunin and Kuprin (comparison);
• message about the biography of Kuprin;
• a message about the history of the story “Olesya”;
• conversation on the story "Olesya".

1. Summing up (5 min.)
2. Homework (3 min.)

During the classes

1. Organizational stage.

U.: Hello, sit down!

You and I have finished studying Gorky’s work and written an essay on his work. A little earlier we studied Bunin’s work. Today's lesson will be connected precisely with it. The topic of our lesson is A.I. Kuprin. Life and art. The embodiment of the moral ideal in the story “Olesya” (slide 1). Let's write it down in a notebook. We will get acquainted with the writer’s biography (tell us about it yourself), his work, compare it with the work of Bunin and look at the story “Olesya”.

2. Assimilation of new knowledge and improvement.

U.: The work of Bunin's peer, Alexander Ivanovich Kuprin (1870 - 1938) (slide 2), was more widely known to the Soviet reader because, unlike Bunin, Kuprin returned from emigration to his homeland a year before his death. These writers have a lot in common. First of all, following the traditions of Russian classical literature, commitment to realism in depicting life, attitude to the work of L. N. Tolstoy as a model, lessons from Chekhov’s mastery. Kuprin is also interested in the relationship between man and nature, love as an element of living life. Kuprin develops the theme “ little man", emphasizing the "need of everyone." But if for Bunin the main thing is contemplative, analytical beginning, then for Kuprin brightness, strength, and integrity of character are important.

Let's listen to Kuprin's biography and write down the main points from his life (student message).

Kuprin spent thirteen years of his childhood and youth in closed educational institutions: Alexander Orphan School, Second Moscow Military Gymnasium, soon transformed into a cadet corps, Third Alexander Junker School. After hard years of barracks life, Kuprin wandered around provincial Russia, was a reporter, a loader in the Odessa port, a construction site manager, a land surveyor, worked at a foundry, performed on stage, studied dentistry, was a journalist...

“He was always tormented by a thirst to explore, understand, study how people of all kinds of professions live and work... His insatiable, greedy vision gave him festive joy!” - K.I. Chukovsky wrote about Kuprin. A wealth of life observations, impressions, and experiences became the basis of his work.

“You are a reporter of life... Poke yourself absolutely everywhere... get into the very thick of life” - this is how Kuprin defined his calling. Kuprin is a temperamental, broad-minded person, a man of the elements and intuition. His favorite heroes have the same traits. The language of his prose is colorful and rich(he didn’t write any lyrics).

The first book, published in 1896, was called “Kyiv Types”. Two years later, the story “Olesya” was published, which posed the problem folk character and which was the embodiment of the writer’s dream about wonderful person, about freestyle, healthy life, about merging with nature.

Let's listen to a message about the history of the creation of the story (student message).

Now let's talk about the story itself. You should have read it at home. Let's see how you understand the author's idea and main intention.

1. For what purpose does the young “gentleman” Ivan Timofeevich come to a remote village in the Volyn province?

The hero, as a writer, is attracted by everything! “Polesie...the wilderness...the bosom of nature...simple morals...primitive natures,” the hero reflects, “a people completely unfamiliar to me, with strange customs, a unique language... and, probably, what a multitude of poetic legends, traditions and songs!”

2. What breaks the usual boredom of the city “gentleman”?

- Ivan Timofeevich learns about the existence of a witch. And he decides to find this mysterious house.

3. How does Kuprin draw the images of the main characters?

Olesya herself describes Ivan Timofeevich: “although you are a kind person, you are weak... your kindness is not good, not heartfelt. You are not the master of your word... You will not love anyone with your heart, because your heart is cold, lazy, and you will bring a lot of grief to those who love you.”

And Ivan Timofeevich sees Olesya like this: “My stranger, a tall brunette about 20-25 years old, behaved easily and slenderly. A spacious white shirt hung freely and beautifully around her young, healthy breasts. The original beauty of her face, once seen, could not be forgotten, but it was difficult. Even after getting used to it, I can’t describe it. Its charm lay in these large, shiny, dark eyes, to which thin eyebrows, broken in the middle, gave an elusive shade of slyness, authority and naivety; in the dark-pink tone of the skin, in the willful curve of the lips, of which the lower, somewhat fuller, protruded forward with a decisive and capricious look.”

4. How simple people refer to Olesya and her grandmother?

They don't oppress. But the bosses constantly humiliate and rob.

5. Which fairy tale elements used in the description of Manuilikha?

- Her house is located behind the swamp. In appearance he resembles Baba Yaga: thin cheeks, long chin, toothless mouth.

6. What gift does Olesya have?

The face can determine a person’s fate, speak to a wound, instill fear, treat the most serious illnesses and knock you off your feet with one glance. But doesn't use it for evil.

7. How does Ivan Timofeevich describe the time of love?

- "Almost whole month the naive, charming fairy tale of our love continued, and to this day, together with the beautiful appearance of Olesya, these flaming evening dawns, these dewy, fragrant lilies of the valley and honey mornings, full of cheerful freshness and ringing bird noise, these hot, languid lazy June days..."

8. What do the heroes experience during this time of love?

- Olesya is the first to pour out her feelings. But Olesya is afraid that one day she will tire of her beloved. And Ivan Timofeevich is afraid that Olesya will be expelled from her native environment.

9. How does the story end?

Ivan Timofeevich is leaving. Olesya and her grandmother are forced to flee. Olesya went to church before this. But she was driven out of there. And Olesya threatened her fellow villagers. On the same day there was a hailstorm. And he destroyed the harvest. They blamed everything on Olesya.

10. Why is the development of love shown in close connection with pictures of nature?

The main idea of ​​the story is that only far from civilization can you find a person capable of loving unselfishly and devotedly. Only in unity with nature can a person achieve moral purity and nobility. The landscape changes sensitively with the change in Olesya’s state of mind.

11. How is the plot of the story structured?

Pictures of life and pictures of nature are connected into a single flow: for example, after the hero’s meeting with Olesya - a picture of a stormy spring, a declaration of love is accompanied by a description moonlit night. The plot is based on the contrast between the world of Olesya and the world of Ivan Timofeevich.

12. What color accompanies the image of Olesya?

Red. A red skirt, a red scarf, a string of cheap red beads. It is the color of love, but at the same time the color of anxiety.

3. Summing up.

U.: Let's turn to the textbook (reading the analysis of the story and answering questions 3-5).

U.: Kuprin in his story showed the ideal moral person- an ideal inextricably linked with nature. Only in nature can true and bright feelings- Love. That's why big role in the story it is devoted specifically to nature. It is she who helps to form pure man.
What are your thoughts on the story?

4. Homework.

Literature:

1. V. A. Chalmaev, S. A. Zinin. Literature 11th grade. M., " Russian word", 2008.
2. G. S. Merkin, S. A. Zinin, V. A. Chalmaev. Literature program for grades 5 - 11. M., “Russian Word”, 2010.
3. G. Kh. Abkharova, T. O. Skirgailo. Literature. Thematic planning. M., “Russian Word”, 2012.
4. N. V. Egorova, I. V. Zolotareva. Lesson developments in Russian literature. Grade 11. M., "Wako", 2004.

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Slide captions:

A. I. Kuprin. Life and art. The embodiment of the moral ideal in the story “Olesya”.

Alexander Ivanovich Kuprin 1870 -1938

August 26, 1870 - born in the town of Narovchat, Penza province; 1873 - move to Moscow; Creativity: 1896 - "Kyiv Types" 1896 - the story "Moloch" 1898 - the story "Olesya" 1905 - "Black Fog" 1906 - "Staff Captain Rybnikov"

1908 – “Shulamith” 1911 – “Pomegranate Bracelet” 1919 – forced to emigrate to Paris. 1937 – return to the USSR. August 25, 1938 - died in Moscow

“He was always tormented by a thirst to explore, understand, study how people of all kinds of professions live and work. His insatiable, greedy vision brought him festive joy! K. I. Chukovsky

“You are a reporter of life... poke your nose in absolutely everywhere... get into the very thick of life” (Kuprin’s calling)

1. For what purpose does the young “gentleman” Ivan Timofeevich come to a remote village in the Volyn province?

2. What breaks the usual boredom of the city “gentleman”? 3. How does Kuprin draw the images of the main characters? (quotes from the text)

4. How do ordinary people feel about Olesya and her grandmother? 5. What fairy tale elements are used in the description of Manuilikha? 6. What gift does Olesya have?

7. How does Ivan Timofeevich describe the time of love? 8. What do the heroes experience during this time of love? 9. How does the story end?

10. Why is the development of love shown in close connection with pictures of nature? 11. How is the plot of the story structured? 12. What color accompanies the image of Olesya?

Homework Article in the textbook (pp. 88 – 94). Read the story “Garnet Bracelet”