Who wrote Oginsky's Polonaise? The history of the creation of a musical work. Griboedovsky waltz

In a remote state farm "Victory"
There was a shabby old "ZIL".
And with him was Stepan Griboedov,
And he carried water on the ZIL.

He did an excellent job.
He was usually drunk.
In a word, he was an ordinary person.
Water carrier Griboyedov Stepan.

After the bath, he ran to dances.
So I would still feel the women,
But happened in the village with a session
Outstanding hypnotist.

On a spitting little stage
He literally worked miracles.
The men were skeptical
And the women's eyes goggled.

He laughed at the dark people.
And then, to check the deceit,
From the last row rose
Water carrier Griboyedov Stepan.

He calmly entered the stage,
And instantly he was amazed
Hypnotic experienced look,
Like a Finnish sharpened knife.

And familiar faces swam...
And dreamed an unprecedented dream -
He sees the sky of Austerlitz,
He is not Styopka, but Napoleon!

He saw his squadrons.
He heard gunshots
He noticed foreign banners
In the eyepiece of a telescope.

But he easily assessed the situation
And with the movement of an imperious hand
Gave the order to start the battle
And he sent regiments to attack.

Burnt with hot passion,
He beat on the regimental drum.
He was a frantic Bonaparte,
Water carrier Griboyedov Stepan.

Cannonballs sang, and in the flames of battle
It got to their own and enemies.
He spat the words of a prayer
Unfamiliar French gods.

That's all. The fight is over. Victory.
The enemy is defeated. Guardsmen, coven!
Stepan Griboedov swayed,
And a momentary whim flew off.

On the spitting stage of the regional club
He stood as he had stood until now.
And above him grinned yellow teeth
Outstanding hypnotist.

He returned home in the evening
And jammed the moonshine until the morning.
Everywhere there was a smell of buckshot
And everywhere shouted "Hurrah!"

They realized it only on Wednesday.
The door was broken and they entered the house.
And on them the water carrier Griboyedov,
Smiling, he looked out of the noose.

He looked with blue eyes.
The cocked hat fell from his hands.
And on it was flooded with tears
Imperial gray coat.

1983

Reviews

A friend gave a cassette with a recording of a home concert ... I never get tired of listening to this thing ... and the hostess ... And also how I got out of a binge alone, but those are on ... today is a day off ... let the earth rest in peace to you. ..Alexander...

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Waltzes in A flat major and E minor . From childhood, Sasha and his sister were taught to play the piano, and by the age of 13 he "became an excellent piano player." "A very good musician" - this is how Mikhail Glinka, stingy with praise, responded about him. All his life, music was for Griboyedov a refuge where he found solace. He liked to play Mozart, Beethoven, Haydn. Often improvised, but did not consider it worthy to record.

Two waltzes by Griboyedov have survived: Waltz in A flat major (E-moll) and Waltz in E minor (As-dur). The first was written in the winter of 1823/24. in the Begichev house:

Waltz in A flat major - listen

E.P. told about him. Sokovnina, niece of S.N. Begicheva: “This winter, Griboedov continued to finish his comedy Woe from Wit” and, in order to more accurately capture all the shades of Moscow society, he went to balls and dinners, which he never had a hunt for, and then retired for whole days in his office. I have preserved a waltz composed and written by Griboyedov himself, which he handed over to me. Perhaps the second Griboedov waltz was written at the same time.

According to critics, waltzes "reveal an undoubted musical talent, but not yet matured and not received proper processing and finishing in a serious school." This is not disputed. It's just that for almost 200 years, listeners have been discovering Griboyedov's "naive" waltzes with surprise and delight. Griboedov's waltz in E minor with its sad, flowing melody is especially memorable:

Romance "Ah, surely never"

One of best performers Romance - Georgy Vinogradov.

Romance "Ah, surely never" - listen

Opera "Woe from Wit"

In 1910 M.M. Ivanov wrote music for the text of the comedy "Woe from Wit". The opera was not a success: it is hard to imagine how one can sing texts that have been recited for decades. The only attractive moment of the opera was Griboedov's E-moll waltz, which sounded at Famusov's ball.

After Inna Zhirkova was unable to answer such seemingly simple questions, some Internet users (most likely those who were most outraged by her, let's say, gaps in education) wondered if they could answer those same questions. So interesting queries appeared in the search engines, the same ones that Inna could not answer.

What does it get? Not one, it turns out, the wife of a football player, has problems with erudition and education, and the girl should not be blamed, but encouraged, because thanks to her great amount people will still find out the answers to them. So, let's refresh school knowledge:

Does the sun revolve around the earth, or does the earth revolve around the sun?

The Earth revolves around the Sun at a speed of approximately 30 kilometers per second, in addition to which it also “spins”, as one stubborn guy named Giordano Bruno claimed, around its axis and makes a complete rotation in 23 hours 56 minutes and 04.09053 seconds, this time is approximate and is taken as the duration of the day - 24 hours.

Who wrote Oginsky's polonaise (for some reason they are stubbornly looking for Aginsky on the net)

remember, the question was on erudition? The answer was in the question.

Polonaise in A minor, written by the Polish composer Mikhail Kleofas Oginsky in 1794. One of the most famous polonaises. There is a version that Oginsky wrote the polonaise, leaving the Commonwealth after the Russian troops suppressed the Kosciuszko uprising, in which he (Oginsky) took part.

Who wrote the Griboedovsky waltz?

Well, now you probably already guessed who wrote it?

Griboyedov Alexander Sergeevich, 1795 - 1829, went down in history as the author of one of the most cited rhymed plays - "Woe from Wit". You yourself have probably used these expressions more than once: happy hours do not observe", "Blessed is he who believes - he is warm in the world!". He is also known as the author of two magnificent waltzes.

As for Samuil Yakovlevich Marshak And Agnii Barto, then these are writers of children's books and poems. Yes, Marshak was not only children's writer, he wrote a huge number of works, and in the most different genres, well, for example, the fairy tale "Twelve months".

As for Agnia Barto, it was from her pen that a rhyme came out, which all children probably know:

The hostess threw the bunny -
A bunny was left in the rain.
Couldn't get off the bench
Wet to the skin.

We really hope that the knowledge acquired on our website will be useful to you. dear readers. And of course, we flatter ourselves with the hope that the respected one, despite her attractive appearance and other advantages, will no longer neglect reading books, and in the next interview she will show off her erudition.

Once an actor - playwright P.A. Karatygin said to Griboyedov: “Ah, Alexander Sergeevich, how much talent God has given you: you are a poet, a musician, you were a dashing cavalryman and, finally, an excellent linguist!” He smiled, looked at me with his sad eyes from under his glasses and answered me: “Believe me, Petrusha, whoever has many talents does not have a single real one.” He was humble…”

Pyotr Andreevich Karatygin

Bestuzhev Petr Alexandrovich

The Decembrist Pyotr Bestuzhev spoke of his friend: “The mind is naturally plentiful, enriched with knowledge, the thirst for which even now does not leave him, the soul is sensitive to everything high, noble, heroic. The character is lively, inimitable manner of pleasant, tempting address, without admixture of arrogance; the gift of the word in a high degree; pleasant talent in music, finally, the knowledge of people makes him an idol and an adornment of the best societies.

According to the tradition adopted in Russian noble families Alexander Sergeevich studied music from childhood. He played the piano very well and had great knowledge of music theory.

Many memories of Griboyedov, the pianist, have been preserved.

“Griboyedov passionately loved music and from the very young years became an excellent piano player. The mechanical part of playing the piano did not present any difficulty for him, and subsequently he studied music completely, as a deep theoretician ”(K. Polevoy).

“I loved listening to his magnificent piano playing ... He used to sit down with them and begin to fantasize ... How much taste, strength, marvelous melody was there! He was an excellent pianist and a great connoisseur of music: Mozart, Beethoven, Haydn and Weber were his favorite composers” (P. Karatygin).

Griboyedov, a pianist, often performed with friends and at musical evenings as a soloist-improviser and accompanist.

His partners in joint music-making were amateur singers, artists of the Italian opera troupe, composers.

So, for example, to his accompaniment, for the first time, Verstovsky performed the romance he had just composed, The Black Shawl. To our great chagrin, most of the plays composed by Griboedov were not recorded by him on music paper and for us irretrievably lost.

Only two waltzes have survived. They don't have names, so we'll call them musical terms: Waltz in A flat major and Waltz in E minor.

The first of these was written during the winter of 1823/24. E.P. tells about this. Sokovnina, niece of S.I. Begichev, best friend Griboyedov:

“This winter, Griboyedov continued to finish his comedy Woe from Wit, and, in order to more accurately capture all the shades of Moscow society, he went to balls and dinners, which he had never been a fan of, and then retired for whole days in his office. I have preserved a waltz composed and written by Griboyedov himself, which he handed over to me.

This was the first edition of the e-moll waltz. Sokovnina sent his manuscript to the editors of the Historical Bulletin with the following note: “I am enclosing this waltz in the belief that it can now give pleasure to many”. So, Sokovnina's testimony establishes that the composition of one of the waltzes belongs to the period of the final finishing of Woe from Wit. Another waltz, As-dur, was apparently written at the same time.

However musical creativity Griboyedov was not limited to waltzes that have come down to us. Daughter of P.N. Akhverdova, who brought up future wife Griboedova, told the researcher N.V. Shalamytov that on his first trip to Persia (1818), Griboedov, visiting her mother's house in Tiflis, often “sat down at the instrument and played mostly pieces of his own composition. She also recalls that Griboyedov, during his second trip to Persia as a minister plenipotentiary (1828), again stayed with P.N. Here too, Akhverdova often played “dances of her own composition” for children, the melodies of which, she continues, “I still clearly remember, are very beautiful and uncomplicated.”

In the edition of Griboedov's works, edited by I.A. Shlyapkina (1889) reports: “As we heard, there is also a mazurka written by A.S. Griboyedov. Unfortunately, Shlyapkin did not indicate the source of his information.

In the memory of Griboyedov's wife, Nina Alexandrovna, who outlived him by almost thirty years, remained for a long time his other compositions, including the largest and most significant - the piano sonata.

Biographer N.A. Griboyedova K.A. Borozdin says: “Nina Alexandrovna knew a lot of plays and his own composition, very remarkable for the originality of the melody and masterful processing, she willingly played them to those who love music. Of these, one sonata was especially good, full of soulful charm. She knew that this piece was my favorite and, sitting down at the piano, she never denied me the pleasure of listening to it. It is impossible not to regret that these plays were not recorded by anyone: "Nina Alexandrovna took them with her."

Both Griboedov's waltzes are small piano pieces, very simple in form and texture; their music is of a lyrical-elegiac nature, lighter in the waltz in E minor. The first of these waltzes is less known, and the second is now very popular. The music of the waltz in E minor is characterized by some special tender-sad poetic comfort; her sincerity and spontaneity touches the soul.

Written for piano, both waltzes exist in in large numbers arrangements for various tools: harps, flutes, accordion and others.

In fact, Griboyedov's waltz in E minor is the first Russian waltz that has survived to this day due to its artistic merits, which really sounds in our musical everyday life. He is popular, he is “on hearing” by many and is loved by the most broad circles music lovers.

It is unfortunate that the musical works of Alexander Sergeevich disappeared without a trace, remaining unrecorded, just as his improvisations disappeared, resounding in the walls of literary and musical salons and living rooms and leaving only a memory for the listeners.

Music for Griboedov was a true part of his being.

Griboyedov is close and dear to people as a writer, faithful life truth, as an advanced figure of his time - a patriot, humanist and freedom lover, who had a profound and fruitful impact on the development of Russian national culture.

“Your mind and deeds are immortal in Russian memory…”

Waltzes by A.S. Griboyedov (1795-1829) as-dur and e-moll.

Griboyedov's waltz in E-minor

Best Samples classical music, time-tested, and today they make you think, feel sad or, conversely, smile and forget about everything. Oginsky's polonaise belongs to such masterpieces. This work is familiar to each of us since the school bench. However, quite often one can hear the question: “Who wrote the Oginsky Polonaise?” In this article, we will reveal the history of the creation of this musical masterpiece and dwell on the work of the composer who composed it.

Who wrote Oginsky's Polonaise?

The author of this immortal play is a Polish musician, and later a political figure - Mikhail Kleofas Oginsky. He was born in 1728 on the Guzov estate near Warsaw. His parents belonged to aristocratic circles. Therefore, with early childhood Mikhail studied music and learned to play many instruments: harp, violin, piano, cello. Already in his youth, he creates the first compositions - romances, songs, polonaises, small operas. Young Oginsky continues to improve his musical skills in Italy with such masters as P. Baio and G. Viotti. In the 1970s, he was active political activity, seeking the independence of his native Poland. Since 1789, Mikhail has been working as the Polish ambassador to Holland and England. In 1794 the composer was elected to the National Council. After the uprising of T. Kosciuszko, in which he was directly involved, the composer immigrated to Italy. There he lives in Constantinople, and since 1823 - in Florence.

Works by Michael Cleofas

Answering the question about who wrote Oginsky's polonaise, it is impossible not to touch upon the composer's work. His legacy consists of numerous romances and piano pieces- mazurkas, polonaises, minuets, marches, waltzes. Almost all compositions are characterized by the presence of national Polish features and elements in the melody and rhythm, special lyricism and grace. And in the 70s, polonaises were very popular with listeners. One of them is in F major, which received the unspoken name "Partition of Poland". It was created under the impression of what was happening in those years political events. Oginsky's polonaises had a huge impact on subsequent generations. In the 19th century, they constantly sound at balls and dinner parties in St. Petersburg and Moscow

Polonaise Oginsky "Farewell to the Motherland"

This work, created in 1794, is rightfully considered the best creation of Michael Kleofas. Historians believe that the composer wrote the polonaise, suddenly leaving in connection with the suppression of the uprising of Tadeusz Kosciuszko by the Russian troops. Oginsky's Polonaise (organ and violin) most accurately conveys the mood of the composer, his homesickness. It symbolizes parting with the country, and in every sense - as a departure for the cordon and as a farewell to the Polish-Lithuanian Commonwealth captured by the winners. Today in Poland this polonaise is considered a musical symbol. There were even proposals to make it the national anthem. Like this difficult story this musical masterpiece. Now, dear readers, the question "Who wrote Oginsky's Polonaise?" won't confuse you?