Evgeny Svetlanov. video materials about the life and work of a musician
Soviet Russian conductor, composer and pianist.
Honored Artist of the RSFSR (09/15/1959).
National artist RSFSR (1964).
People's Artist of the USSR (1968).
People's Artist of the Kirghiz SSR (1974).
Hero Socialist Labor (25.04.1986).
He began studying piano at the Musical Pedagogical School (1944-1946), then at the Gnessin Institute with Maria Abramovna Gurvich, a student of N. K. Medtner. Later he studied composition with M. F. Gnesin. After graduating from the institute with a degree in piano (teacher - G. Neuhaus), in 1951 he entered the Moscow Conservatory in the classes of opera and symphony conducting of Professor A. V. Gauk and composition - Yu. A. Shaporin.
In 1954, as a 4th year student at the conservatory, Svetlanov became an assistant conductor of the Great Symphony Orchestra of the All-Union Radio.
Since 1955 conductor, in 1963-1965. - chief conductor Bolshoi Theater.
Svetlanov led the theater's repertoire of 25 opera and ballet performances (16 operas and 9 ballets), of which he was the conductor of 12 of them: the operas “The Woman of Pskov” (1955) and “ The Tsar's Bride"N. A. Rimsky-Korsakov (1955), "The Enchantress" by P. I. Tchaikovsky (1958), "Not Only Love" by R. K. Shchedrin (1961), "October" by V. I. Muradeli (1964), “Othello” by G. Verdi (1978), “The Tale of the Invisible City of Kitezh” (1983), “The Golden Cockerel” (1988) and “The Tale of Tsar Saltan” by N. A. Rimsky-Korsakov, “Ivan Susanin” by M. I. Glinka, “Prince Igor” by A. P. Borodin, “Boris Godunov” by M. P. Mussorgsky, “Faust” by C. Gounod, “Rigoletto” by G. Verdi, “Eugene Onegin” by P. I. Tchaikovsky; ballets “The Path of Thunder” by K. A. Karaev (1959), “Paganini” to the music of S. V. Rachmaninov (1960), “Night City” to the music of B. Bartok (1961), “Pages of Life” by A. M. Balanchivadze (1961).
In 1962 he was appointed musical director The Kremlin Palace of Congresses, which at that time became the second rental venue of the Bolshoi Theater.
In 1964 he took part in the first tour opera troupe Bolshoi Theater in Italy. He conducts with great success at the La Scala Theater in Milan opera performances“Boris Godunov”, “Prince Igor” and “Sadko”, as well as symphony concerts, in one of which, at the request of the public, “Three Russian Songs” by S. V. Rachmaninov were performed as an encore.
He was the first Russian conductor to join the cohort of the Greats who worked at the famous La Scala, including A. Toscanini, B. Walter, G. von Karajan.
From 1965 to 2000 there was artistic director and chief conductor of the State Academic Symphony Orchestra of the USSR (since 1991 - Russia).
In 1992-2000 was the chief conductor of the Hague Residence Orchestra (Netherlands).
In 2000-2002 - worked again at the Bolshoi Theater.
Svetlanov’s first works – cantata “Native Fields”, First Rhapsody “Pictures of Spain”, Three Russian songs for voice and orchestra, Symphony in B minor (H-moll) – immediately attracted attention and made people talk about the author as a worthy successor great Russian composers. Later, in the mid-70s, he composed major symphonic works, among them - " Romantic ballad", Symphonic poem "Daugava", Concerto for piano and orchestra, "Siberian Fantasy", Poem for violin and orchestra (in memory of D.F. Oistrakh), poem "Kalina Krasnaya" (in memory of V. M. Shukshin), Second Rhapsody, Russian variations for harp, “Village Day” – quintet for wind instruments, Lyrical Waltz. He also owns a large number of chamber works. Svetlanov boldly used the traditions of Russian musical classics, developing them in an original way in his creativity. This fully applies to all of his works. The style of Svetlanov the composer echoes the work of Sergei Rachmaninov.
Svetlanov’s art received recognition not only in the USSR, but also abroad: he was repeatedly invited to conduct leading foreign orchestras and direct opera and ballet productions (in particular, “The Nutcracker” by P. I. Tchaikovsky at the Covent Garden Theater in London). The best domestic and foreign performers- S. T. Richter, A. Ya. Eshpai, T. P. Nikolaeva, T. N. Khrennikov, D. F. Oistrakh, L. B. Kogan, A. K. Frauchi, F. Kempf.
Svetlanov’s creative heritage is enormous: several thousand cassettes, discs, recordings from concerts and theatrical productions. Svetlanov is the first conductor to realize the idea of creating an “Anthology of Russian symphonic music" Over the years of working with the orchestra, he recorded almost all the symphonic works of Glinka, Dargomyzhsky, A. G. Rubinstein, A. P. Borodin, M. A. Balakirev, Mussorgsky, Tchaikovsky, Rimsky-Korsakov, Taneyev, S. M. Lyapunov, A. S. Arensky, Glazunov, Kalinnikov, A. N. Scriabin, Rachmaninov, N. Ya. Myaskovsky, as well as Wagner, Brahms, G. Mahler, I. F. Stravinsky, A. I. Khachaturian, Shostakovich, Khrennikov, A. Y. Eshpai and many other composers. Some of their works were performed for the first time under the direction of Svetlanov. Svetlanov's performances of symphonic works by Tchaikovsky and Rachmaninov received the greatest fame. There are also a number of recordings by Svetlanov the pianist.
Since 1974 - Secretary of the Board of the Union of Composers of the USSR.
In 2006, the State Academic Symphony Orchestra was named after Evgeniy Svetlanov.
Named after Svetlanov Big hall Moscow International House of Music, opened in 2004.
Minor planet No. 4135 received the name Svetlanov.
Since 2004 it has been held international competition conductors named after Svetlanov.
Svetlanov’s name was given to an Airbus A330 aircraft from Aeroflot.
prizes and awards
Lenin Prize (1972) - for concert programs (1969-1971).
USSR State Prize (1983) - for concert programs (1979-1982).
State Prize of the RSFSR named after M. I. Glinka (1975) - for concert programs (1973-1974) and concerts dedicated to the symphonic work of S. V. Rachmaninov.
Prize of the President of the Russian Federation (1998).
Order of Merit for the Fatherland, II degree (October 8, 1998).
Order of Merit for the Fatherland, III degree (July 27, 1996).
Three Orders of Lenin (1971, 09/05/1978, 04/25/1986).
Order of the Red Banner of Labor (10/27/1967).
Order of Friendship of Peoples (1977).
Order "Cyril and Methodius" 1st degree (NRB, 1971).
Officer of the Legion of Honor (France).
Order of the Commander (Netherlands).
Order of the Holy Blessed Prince Daniel of Moscow (ROC).
Honorary Academician of the Royal Swedish Academy.
Honorary Academician of the US Academy of Arts.
Honorary Professor of Moscow State University and the Gnessin Music Academy.
Honorary conductor of the Bolshoi Theater (1999).
Honorary member of the Wagner Music Academy.
Honorary member of the Schubert Society.
Winner of the Grand Prix (France) - for the recording of all symphonies of P. I. Tchaikovsky.
Laureate International Prize Andrew the First-Called “For Faith and Fidelity” (1994).
Presidential Gratitude Russian Federation(1998) - for outstanding contribution to development musical art.
Honorary member of the Royal Swedish Academy of Music (1992).
Evgeny Fedorovich Svetlanov (1928 - 2002) - an outstanding conductor, composer and pianist. He worked at the Bolshoi Theater for 45 years, combining this enormous creative activity with the leadership of the USSR State Orchestra.
Brief information from childhood
Both the father and mother of the future musician were of rare talent opera singers. Or rather, the soloists of the Bolshoi Theater. And his childhood was connected, like his subsequent work, with theater rehearsals and music, which he began studying at the age of six. Evgeny Svetlanov sang in the choir, took part as a mime in performances, and even once climbed onto a chair after hearing music and began conducting. This was noticed by A. Nezhdanova and conductor N. Golovanov. They laughed heartily and predicted that such a boy would definitely become a conductor.
Youth
She rushed swiftly, passing through her studies as a performer back in student years Evgeny Svetlanov amazed with his new deep reading, revealing the intentions of the authors of the works he performed.
He also studied composition with success. His works are based on Russian classics. S. Rachmaninov influenced him most of all. At the same time, he tried his hand as a conductor. And since his fourth year, he has been working next to his teacher in the All-Union Radio Orchestra. The conductor’s work combines and synthesizes all the acquired knowledge of the pianist and composer.
Behind the console of the Bolshoi Theater
In 1955, Evgeny Svetlanov performed at the Bolshoi for the first time. It was the opera "Pskovian Woman". The singers considered his work extremely worthy. And the dancers noted that under his hands the orchestra sounded in such a way that it gave creative strength to the performer.
He had an amazingly subtle feel for choreography. Dance and music were inseparable. The performers gained freedom, confidence and inspiration.
"Anthology of Russian symphonic music"
In the sixties, this colossal ascetic work began. And she hasn't stopped for thirty years. Evgeny Svetlanov carried this case through creative life as a mission. The beginning was made by recording Tchaikovsky's symphonies. A total of one hundred and ten discs were recorded.
Recognition abroad
For the first time in 1964, together with the Bolshoi, he performed in Italy at La Scala. The success was enormous. He was equated with such great conductors as A. Toscanini, B. Walter and Karoyan.
Evgeny Svetlanov: personal life
The first marriage took place while working at the Bolshoi with soloist Larisa Avdeeva (mezzo-soprano). Their son Maxim was growing up. A young journalist from Mayak radio, Nina Nikolaeva, came to interview the great musician in 1974. She was also a musicologist by profession. Not only because of her specialties, but also at the behest of her soul, she attended concerts of the great maestro. The door was opened by his wife, Svetlanova Larisa Ivanovna, and Evgeny Fedorovich himself came out behind her. He was dressed in a stunningly beautiful blue robe with black satin lapels and slippers on his bare feet. All the little things of the first meeting were forever etched in Nina Alexandrovna’s memory, because she fell in love at first sight. She was divorced, but her dream was out of reach.
Continuation of the novel
During one of the interviews, the conversation veered off topic and it was revealed that both of them were passionate fishermen. Then the great conductor went somewhere and brought a Japanese fishing rod of amazing beauty. They agreed to meet after work. Nina Alexandrovna could not believe that the meeting could take place. And yet Evgeny Fedorovich came and invited me to dinner at the Minsk restaurant. But for some reason it was closed. Then Nina suggested going to a small, quiet restaurant where no one would recognize the musician. They had dinner calmly and talked about everything. And the next day Svetlanov came to her in Davydkovo, on the outskirts of Moscow, in a five-story building without an elevator and stayed all night. He was exhausted and just sleeping. And in the morning he knelt down and said that he would never forget this.
Parting and meeting again
Their relationship did not develop easily. For more than a year, Svetlanov did not make himself known. And suddenly a call came and the question: “Are you surprised? Can I come to you?” They met and stayed together for twenty-five years. His wife Nina devoted her whole life to him. At first they didn’t think about children, and then it became too late.
Illness and death
A tumor appeared on the hip, which practically did not bother me. But tests showed it was oncology. Doctors demanded surgery. There were ten of them, and then 25 chemotherapy sessions. Svetlanov walked on crutches for 7 months and waited for the eleventh operation. He patiently endured the most excruciating pain. And on the last day he received 11 injections. But the pain did not go away. It was impossible to tolerate her, and he screamed. And then, saying that it seemed to be getting better, he fell asleep. In the morning he already looked with some detached gaze. He died in the evening, at 7 p.m., on a bright May day on Easter Eve.
Funeral
He asked to be buried there because it is more democratic than Novodevichye.
Anyone can visit it there. Svetlanov wanted some of his compositions to be performed. Perhaps, as he said, this will be the last time.
Evgeny Svetlanov is a titanic conductor. He suffered not only from severe physical pain, but also because of his favorite brainchild - the State Orchestra. The break with him due to the economic troubles of the 90s turned Svetlanov into a lonely, persecuted artist. Evgeniy Fedorovich Svetlanov gave his last concert about two weeks before his death in London. The symphony “Winter Dreams” by P. Tchaikovsky and “The Bells” by Rachmaninov were performed with the BBC Orchestra.
The whole life of one greatest conductors modernity is associated with music, which he began to study seriously at the age of six.
Evgeniy Fedorovich Svetlanov is one of the brilliant creators not only of the 20th century, but also of the entire history of world musical art. A musician of rare talent, he became the personification of all Russian culture, an exponent of universal spiritual values. Svetlanov’s creativity today is the property of all humanity. Millions of listeners around the world are familiar with it. Meetings with his art in person or through audio and video recordings have become an urgent need for people, an inspiring source that gives joy and vitality. The personality and creativity of Evgeny Svetlanov cover many spheres of human life. He is talented in everything - as a conductor, composer, pianist, publicist, theorist, critic, public figure, educator, reviewer. He has written more than 150 articles, sketches, and essays. How deeply and subtly he examines and analyzes the work of classics, contemporaries, and fellow musicians.
But in all his many years of creative work, the main thing for him is music, he is its all-powerful ruler, and he is also its selfless servant. Svetlanov himself admits that the world outside of music does not exist for him. “The legendary maestro,” as foreign critics called him, has been awarded the highest awards in Russia: he is a Hero of Socialist Labor, People’s Artist of the USSR, laureate of the Lenin Prize, State Prizes of the USSR and the RSFSR named after M.I. Glinka, holder of orders and medals, including three Orders of Lenin and two Orders of Merit for the Fatherland (III and II degrees). He was also awarded universal recognition and many awards abroad: honorary academician of the Royal Swedish Academy, honorary academician of the US Academy of Arts, etc.
Evgeny Fedorovich Svetlanov was born on September 6, 1928 into a family of Bolshoi Theater opera soloists. Father - Svetlanov Fedor Petrovich. Mother - Svetlanova Tatyana Petrovna. E. Svetlanov’s entire childhood was connected with the main theater of the country. Constant presence at performances and rehearsals, classes in the children's choir and participation in operas, then work in the theater's mime ensemble certainly influenced him. future fate. “From the time I remember, it was absolutely clear to me that I could not help but be a conductor,” E. Svetlanov later recalled. One day, being, as usual, in the theater and hearing music, he climbed onto a chair and began waving his arms, imagining himself at the conductor's stand. Antonina Vasilievna Nezhdanova and Nikolai Semenovich Golovanov were nearby. They laughed heartily at the sight of this spectacle, and Golovanov, affectionately patting the boy on the shoulder, prophetically remarked: “Well, from this, apparently, there will be a conductor.”
This prediction happily came true. After graduating from school, E. Svetlanov entered the Gnessin Musical Pedagogical Institute, and after graduating, in 1951 he became a student in the conducting department of the Moscow State Conservatory named after P.I. Tchaikovsky. “I was prompted to take up conducting by the firm intention of reviving undeservedly forgotten works, and first of all, Russian classics,” this is how the young student explained his choice of profession to his teacher, Professor Alexander Vasilyevich Gauk.
As a student at the Gnessin Musical Pedagogical Institute, E. Svetlanov began his creative path As a pianist, he showed himself to be a bright individual in this field. His performance amazed with the depth of interpretation and comprehension of the author's intention.
Svetlanov the pianist is a worthy successor to the traditions of the Russian piano school. At the Moscow Conservatory, E. Svetlanov studied piano performance with Heinrich Neuhaus, and later, in composition, with Yuri Shaporin. "Svetlanov's talent as a composer is deep, truly Russian, developing in line with traditions Russian art", Yuri Shaporin said about his student. Svetlanov's first works - the cantata "Native Fields", the First Rhapsody "Pictures of Spain", Three Russian songs for voice and orchestra, Symphony in B minor - immediately attracted attention and made people start talking about the author as a worthy successor to the great Russian composers.Later, in the mid-70s, he composed major symphonic works, among them - “Romantic Ballad”, Symphonic Poem “Daugava”, Concerto for Piano and Orchestra, “Siberian Fantasy”, Poem for violin and orchestra (in memory of D.F. Oistrakh), the poem "Kalina Krasnaya" (in memory of V. Shukshin), Second Rhapsody, Russian Variations for harp, "Village Day" - quintet for wind instruments, Lyrical Waltz. He also owns a large number chamber works. E. Svetlanov boldly used the traditions of Russian musical classics, developing them in an original way in his work. This fully applies to all of his compositions.
In 1954, as a 4th year student at the conservatory, E. Svetlanov became an assistant to his conducting professor A.V. Gauk, who at that time directed the Big Symphony Orchestra (BSO) of the All-Union Radio. "...From a very young age, I thought of myself as a conductor. I approached conducting consciously, already having diplomas as a pianist and composer. And conducting was, as it were, a summation of what I received within the walls of two educational institutions: Gnessin Institute and Moscow Conservatory. Naturally, it was easier for me to start working as a conductor, since knowledge and experience in other related fields helped me a lot,” wrote Evgeniy Fedorovich.
Finally, the main dream came true: conducting Rachmaninov’s Second Symphony, Myaskovsky’s Cello Concerto, Ravel’s Daphnis and Chloe suite performed by the BSO, Evgeny Svetlanov defended his diploma. Debut opera conductor Svetlanov's performance took place in 1955, when he presented his first work at the Bolshoi Theater - the opera "The Woman of Pskov" by Rimsky-Korsakov. From this year, fate once again connected the great conductor with the great theater. First as a trainee conductor, then for ten years as a conductor, and since 1962 - chief conductor Bolshoi Theater. Evgeny Svetlanov led the theater's repertoire of 25 opera and ballet performances (16 operas and 9 ballets), of which Svetlanov was the conductor-director of 12: these are the operas "The Pskov Woman", "The Tsar's Bride" by Rimsky-Korsakov (1955), "The Enchantress" "Tchaikovsky (1958), "Not Only Love" by Shchedrin (1961), "October" by Muradeli (1964), "Othello" by Verdi (1978), "The Tale of the Invisible City of Kitezh" (1983), "The Golden Cockerel" (1988) Rimsky-Korsakov; ballets "The Path of Thunder" by Karaev (1959), "Paganini" to the music of Rachmaninov (1960), "Night City" to the music of Bartok (1961), "Pages of Life" by Balanchivadze (1961).
In 1964, Svetlanov took part in the first tour of the Bolshoi Theater opera troupe in Italy. At Milan's La Scala theater, he conducts with great success the opera performances "Boris Godunov", "Prince Igor" and "Sadko", as well as symphony concerts, in one of which, at the request of the public, "Three Russian Songs" by Rachmaninov were performed on " bis". Evgeny Svetlanov was the first Russian conductor to join the cohort of Greats who worked at the famous Scala, including Arturo Toscanini, Bruno Walter, Herbert von Karajan.
Operas "The Snow Maiden", "Rusalka", "Chio-Chio-san", Beethoven's Ninth Symphony, ballets " Swan Lake", "Chopiniana", "Walpurgis Night", "Sleeping Beauty", "The Nutcracker" complete the conductor's repertoire at the Bolshoi Theater. Svetlanov records soundtracks for the film-operas "Khovanshchina" by Mussorgsky and " Queen of Spades" Tchaikovsky, conducts a concert performance of the opera-ballet "Mlada" by Rimsky-Korsakov and many festive and anniversary concerts. Great singer, Bolshoi Theater soloist Irina Arkhipova wrote about Svetlanov’s performances at the Bolshoi Theater: “I can’t help but recall Svetlanov’s productions such as “The Tale of Tsar Saltan,” “The Golden Cockerel” and “The Tale of the City of Kitezh” by Rimsky-Korsakov. That was "Great! The orchestra sounded beyond all praise."
After one of the concerts with Svetlanov outstanding singer Elena Obraztsova said: “Indeed, no one, probably, feels the soul of a Russian person as deeply and so truly as he does; no one embodies it in music with such genuine sincerity, truthfulness, burning emotionality. ... Such leaders are genuine, and not imaginary - our art really needs it today."
Ballerina Raisa Struchkova wrote that “...for Evgeniy Fedorovich, the “technology” of ballet... did not present any special difficulties. Such is the universal nature of his talent. He had a great sense of the nature of choreographic art. In the performances that he conducted,...always I felt an amazing synthesis of orchestral sound and dance, the unity of musical and choreographic components. There was no separation: here the orchestra, and there the ballet... While on stage, I literally physically felt the strongest creative energy, which his hands radiated. And it gave me freedom, confidence, inspiration.”
In 1965, Evgeny Svetlanov became artistic director and chief conductor of the USSR State Symphony Orchestra. Until this time, the orchestra, created in 1936, was led by Alexander Gauk, Nathan Rakhlin, Konstantin Ivanov. Essentially, Evgeny Svetlanov, having worked with the group for about 45 years, transformed it into a unique orchestra of grandiose scope and powerful creative possibilities, which, under his direction, reached international arena and received the status of one of the best orchestras in the world.
This is what Irakli Andronikov wrote about the orchestra and its director: “You experience a feeling of celebration, a real celebration in the concerts of the State Symphony Orchestra... under the direction of Evgeniy Svetlanov - a feeling of brightness, clarity, power. And novelty. Involuntary surprise... And you enjoy the music itself in his concerts, and the impeccable playing of the orchestra conquered by the conductor. Yes, conquered. But Svetlanov’s conductor’s sovereignty is wonderfully combined with human modesty, with respect for the wonderful musicians sitting in front of him. Artistry coexists in him with efficiency, powerful temperament with strict self-control. .. Everything is thoughtful and thought out. And at the same time, heartfelt, filled with poetic animation, love for the creation being performed, and it seems to be born for the first time... with you."
Thousands of performances in our country and abroad, in concert halls Volga region, Urals, Siberia, patronage performances at factories in Omsk, Prague, Sofia, on college campuses, in railway depots, performances on prestigious stages around the world - and everywhere an enthusiastic reception and recognition. Evgeny Svetlanov is an internationally recognized interpreter of works of Western European, Russian, Soviet and modern composers. He recorded all the symphonies of Brahms, Mahler, symphonic works of Beethoven, Schubert, Schumann, Dvorak, Grieg, Saint-Saëns, Bloch, Elgar, Shostakovich, Prokofiev, Shaporin, Khachaturian, Sviridov, Kabalevsky, Eshpay, Boyko, Karaev and others.
In the 60s, recording all the symphonies of P.I. Tchaikovsky Evgeny Svetlanov begins his ascetic work on the creation of the "Anthology of Russian Symphonic Music", which lasted three decades. Svetlanov himself considers this work his life’s duty, just like the recording of 20 symphonies by N.Ya. Myaskovsky.
Today Evgeny Svetlanov is an honorary conductor of the Bolshoi Theater. Its geography is vast foreign tours, the maestro collaborates with many of the world's largest symphony ensembles. Evgeny Svetlanov is an era in Russian musical history and our national treasure.
“Svetlanov’s whole life is a huge, colossal work. In his person we undoubtedly have outstanding personality modern musical world, our pride musical culture. Great musician Evgeny Fedorovich, very big. He is at the height of his talent and I can only wish him every success. This will be a joy for all of us" (G.V. Sviridov).
"Political repression" - Political repression. I don't know any other country like this. Great terror. Phased destruction. Gulag. Repressions in the Ershovsky district. Stalin's repressions. Repression. Rights and freedoms. Number of victims. Rehabilitation of victims. Monument. Order. Writers and poets. Words by S. V. Mikhalkov. Deportation of peoples. Victims of repression.
"Stalin's political system" - Reasons. Politic system Stalinism. Ideologization public life. 1938 Radek. Constitution of victorious socialism 1936. Repressions 1936-1938 - trials of the internal party opposition. Trials over the internal party opposition. Stalin's personality cult. Children's and youth organizations. 1937 Tukhachevsky.
“Industrialization of the USSR” - Category “B” enterprises were financed on a residual basis. Industrialization 1920-1930s Development strategy of the USSR. Successes of NEP. Morning of the first five-year plan. Negative meaning industrialization. Second Five-Year Plan (1933 - 1937). Give examples of enterprises created during the first five-year plan.
“Soviet policy in the 30s” - Munich Agreement. Aggression of Japan. Germany avoided war. Soviet-German Pact. What led to World War II. Division of the territory of Poland. Personal contribution. Changing the foreign policy course. Was it possible to prevent the Second World War? Successes and failures of Soviet diplomacy. Collective security policy.
"Collectivization and industrialization" - Economic development THE USSR. Collectivization. Sources of Heroism Soviet people. The GULAG system. Discussion of the table. Victory of Stalin's point of view. Districts. Five-year plan. Economic system. Our country. Industrialization. Grain procurement crisis. Goals of industrialization. Transfer of funds from the village.
“Economy of the 30s” - Industrialization. Basic concepts. Stakhanov movement. Features of Soviet industrialization. Stakhanov A.G. Fill the table. Search for solutions. Famine of the 30s. Peculiarities. Ruin of the village. Dispossession. Industrialization. Basic knowledge. Great turning point. Results of collectivization. Goals of industrialization.
There are a total of 33 presentations in the topic
The purpose of the lesson:
To consolidate and generalize students' knowledge about the instruments of a symphony orchestra. To introduce the outstanding conductors R.F.
Lesson objectives:
Identify the instruments of a symphony orchestra
Promote the development of gross and fine motor skills,
Cultivate love for classical music, friendly relations and partnership qualities
Encourage students to have adequate self-esteem in the classroom
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Dubrovina Lyubov Anatolyevna, music teacher MBOU secondary school No. 17 (branch) urban district - Kamyshin city 2012
Riddle Who is impolite: Turned his back to us, Started waving his arms Right in the hall in front of us Is he not accustomed to order Or is he doing exercises? Who does the orchestra and choir sound with? We know this is………..
Evgeny Svetlanov
Veronica Dudarova
Vladimir Spivakov
Yuri Bashmet
Imagine that a wizard has bewitched you, but given you the choice of turning into any instrument of a symphony orchestra. Which tool would you prefer? Use gestures to convey the “sound” of this instrument. "Musical minute":
C R I S C A P N A Y B A B T R U F R A A I L S G U A B L A A L A Y K L A T F E Y O J K I L A R N A B A B E R O K I T SCH T Symphony Orchestra Folk Orchestra
“Listen to music and be healthy! »
Veronica Dudarova Vladimir Spivakov Yuri Bashmet
On the topic: methodological developments, presentations and notes
The use of ICT gives the teacher the opportunity to structure a lesson very clearly, show a lot of visual material, and in an interesting and exciting way, give new material and conduct a survey...
Presentation for the lesson "Symphony orchestra" 4th grade.
This presentation contains material on the history of the creation of the orchestra, groups of instruments, additional instruments, diagram of the orchestra in the lesson, conductor, score. And for each repetition point...
