Gogolevsky Boulevard 10 Museum of Contemporary Art exhibition.

Mom's anniversary is coming soon. 50 years. My sister and I thought about the gift for a long time. After all, our mother is a businesswoman and it’s hard for her to choose gifts, because she has everything. There were a lot of ideas. I wrapped something, my sister wrapped something, but both agreed on one thing... a lamp clock from Past Indicator. This is something unimaginable!!! This is such a luxurious retro that it is difficult to describe in words. Beautiful, bright, premium, you can’t take your eyes off them. As a gift, I will definitely add a review about my mother’s reaction, but I have no doubt that she will be delighted.

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Sofia Novikova

Very cool quest, just super, no words! Only emotions! I couldn't imagine that it would be so cool! Sooooo scary, I barely made it to the end, but I didn’t regret it. After passing, a weight just fell off my shoulders. I am very impressionable, and a haunted house knows how to impress! If the caretaker had not come for us, I would probably have died there :) Thank you very much for the pleasant and interesting game. I would like every next quest to go like this. Good luck in job!

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Tamara Kuznetsova

Nice salon, I haven’t been to such places for a long time, where I liked everything, from the greeting of the administrator to the haircut and hair coloring. They really care about their clients. The staff always communicates politely and pleasantly. There should be more such places in Moscow.

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Egor Moskovsky

Wonderful quest, excellent scenery, super actors, polite administration. Everything is on top level. The amount of positive emotions is off the charts. The whole team is delighted and demands that the banquet be continued. The quest cannot be called difficult, but the oppressive atmosphere makes you sweat over even the simplest riddle. And the owner of the house is a very capricious person. It was fun and scary, a crazy cocktail. Wait for us, we will definitely come back.

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Anastasia Filippova

I liked everything very much! Even mom is delighted. Wonderful scenery, everything is very atmospheric, the actor is just a sweetheart. When they first appeared, they almost died of fear, but later they even almost became friends. The riddles fit very well into the theme. The tips are presented in a very unusual way)) They are also creepy at first) The boys will probably like it even more. But we were also very interested in looking at all sorts of things like a jackhammer and a pickaxe))) So you can safely go with any company. Thank you for the emotions you provided!

Moscow Museum contemporary art- the first state museum in Russia entirely specializing in the art of the 20th and 21st centuries. Since its opening, the museum has expanded its scope of activities many times and received recognition from the general public. Today the museum is one of the most active participants artistic life capital Cities.

The museum opened its doors on December 15, 1999 with the support of the Moscow Government and the Moscow Department of Culture. The founder and director of the museum was Zurab Tsereteli, President of the Russian Academy of Arts. His personal collection of more than 2000 works famous artists XX century, marked the beginning of the museum collection. Later, the museum’s funds were significantly replenished, and currently it is one of the most representative collections Russian art XX century.

Today the museum is located on four sites in the historical center of Moscow. The main building housing permanent exhibition and temporary exhibitions are held, located on Petrovka Street, in the former mansion of the merchant Gubin, built according to the design of the architect Matvey Kazakov. In addition, the museum has three magnificent exhibition spaces at its disposal: a five-story building on Ermolaevsky Lane, a spacious gallery on Tverskoy Boulevard and an old building Russian Academy arts on Gogolevsky Boulevard.

History of the building

This building is also the creation of the architect Matvey Kazakov. It was built in late XVIII century and belonged to the Tsurikov-Naryshkins. Currently, large-scale international exhibition projects are taking place here, scientific and practical conferences, symposia.

Free entry for Muscovites and guests of the capital is organized for the main exhibitions and special exhibitions of 82 museums, galleries and exhibition halls of the Department of Culture. Cultural venues will operate as usual. To enter any of the city's museums, you must first get a free ticket at the box office. No documents are required for this.

Museums that will be open for free on New Year's holidays:

Architectural complex “Provision Stores” (Zubovsky Boulevard, building 2);

Museum of Archeology ( Manezhnaya Square, house 1a);

Old English Court (4a Varvarka Street);

Museum of History "Lefortovo" (Kryukovskaya street, building 23);

Museum of Russian Harmonica Alfred Mirek (2nd Tverskaya-Yamskaya Street, building 18);

Local Lore Museum “House on the Embankment” (Serafimovicha Street, building 2, entrance 1); - museum " Garden Ring road» (Mira Avenue, building 14);

Museum of Heroes Soviet Union and Russia (Bolshaya Cheryomushkinskaya street, building 24, building 3);

State Museum Moscow Defense (Michurinsky Prospekt, building 3); - Museum of Cosmonautics (Mira Avenue, building 111);

Memorial House-Museum of Academician S.P. Koroleva (1st Ostankinskaya street, building 28);

State Darwin Museum(Vavilov street, building 57);

State biological museum named after K.A. Timiryazeva (Malaya Gruzinskaya street, building 15);

State Museum-Reserve "Tsaritsyno" (Dolskaya street, building 1);

Museum-estate "Kolomenskoye" (Andropov Avenue, building 39);

Museum-estate "Lyublino" (Letnyaya street, building 1, building 1);

Museum-Estate “Izmailovo” (town named after Bauman, house 1, building 4);

State Museum of Ceramics and Kuskovo Estate of the 18th century (Yunosti Street, building 2);

Museum of Russian estate culture“Estate of the Golitsyn princes Vlakhernskoye-Kuzminki” (Polar Alley, building 6);

Memorial Museum of A.N. Scriabin (Bolshoy Nikolopeskovsky Lane, building 11);

Memorial apartment A.S. Pushkin (Arbat street, building 53);

House-Museum of V.L. Pushkin (Staraya Basmannaya street, building 36);

Memorial apartment of Andrei Bely (Arbat street, building 55);

Exhibition halls of the State Museum of A.S. Pushkin (Arbat street, building 55/32);

House N.V. Gogol - memorial museum And science Library(Nikitsky Boulevard, building 7a);

House-Museum of Marina Tsvetaeva ( Borisoglebsky Lane, House 6);

Moscow Literary Museum-Center K.G. Paustovsky (Old Kuzminki street, building 17);

Moscow State Museum S.A. Yesenina (Bolshoi Strochenovsky Lane, building 24);

Moscow State Museum S.A. Yesenina (Klyazminskaya street, building 21, building 2);

Museum M.A. Bulgakova (Bolshaya Sadovaya street, building 10, apartment 50);

House of Russian Abroad named after Alexander Solzhenitsyn (Nizhnyaya Radishchevskaya street, building 2); - State Museum - Cultural Center"Integration" named after N.A. Ostrovsky (Tverskaya street, building 14);

Multimedia complex of contemporary arts (Ostozhenka street, building 16);

Museum of Vadim Sidur (Novogireevskaya street, building 37, building 2);

Moscow Museum of Modern Art (Petrovka Street, building 25, building 1);

Moscow Museum of Modern Art (Tverskoy Boulevard, building 9);

Moscow Museum of Modern Art ( Gogolevsky Boulevard, House 10);

Museum-workshop Z.K. Tsereteli (Bolshaya Gruzinskaya street, building 15);

Museum V.A. Tropinin and Moscow artists of his time (Shchetininsky lane, building 10, building 1);

Moscow State Art Gallery folk artist USSR Ilya Glazunov (Volkhonka street, building 13);

Moscow State Art Gallery of People's Artist of the USSR A.M. Shilova (Znamenka street, building 5);

State Museum of V.V. Mayakovsky (Krasnaya Presnya street, building 36, building 1);

Burganov House (Bolshoy Afanasyevsky Lane, building 15, building 9);

Museum of Russian popular print and naive art(Soyuzny Avenue, building 15a);

Museum of Folk Graphics (Maly Golovin Lane, 10);

Showroom " Folk paintings» (Izmailovsky Boulevard, building 30);

Moscow State Specialized School of Watercolor by Sergei Andriyaka with a museum and exhibition complex (Gorokhovsky Lane, building 17, building 1);

Museum of Zelenograd (Zelenograd, Gogol street, building 11c);

Museum and Memorial Complex of History Navy(Svobody Street, property 44–48);

Museum and memorial complex “History of the T-34 tank” (Mytishchi district, Sholokhovo village, house 89a);

Gallery "Solntsevo" (Bogdanova Street, building 44);

Gallery “Peresvetov Lane” (Peresvetov Lane, building 4, building 1);

Gallery "Zagorie" (Lebedyanskaya street, building 24, building 2);

Gallery “Izmailovo” (Izmailovsky proezd, building 4);

Gallery "Belyaevo" (Profsoyuznaya street, building 100);

Gallery "Nagornaya" (Remizova street, building 10);

Gallery “On Kashirka” (Akademika Millionshchikova Street, building 35, building 5);

Gallery "Warshavka" ( Warsaw highway, houses 68/1, 72/2, 75/1);

Gallery “GROUND Peschanaya” (Novopeschanaya Street, building 23, building 7);

Gallery "Bogorodskoye" ( Open Highway, house 5, building 6);

Gallery “GROUND Khodynka” (Irina Levchenko Street, building 2);

Gallery “On Shabolovka” (Serpukhovsky Val street, house 24, building 2);

Gallery “Here on Taganka” (Taganskaya street, building 31/22);

Gallery "Vykhino" (Tashkentskaya street, building 9);

Gallery "Pechatniki" (Batiuninskaya street, building 14);

Gallery of the XXI century (Kremenchugskaya street, building 22);

State showroom history of the war in Afghanistan (1st Vladimirskaya Street, building 12, building 1);

Exhibition hall “Solyanka VPA” (Solyanka street, building 1/2, building 2);

Gallery “A3” (Starokonyushenny Lane, building 39); - gallery “Electromuseum in Rostokino” (Rostokinskaya street, building 1);

Exhibition Hall “Tushino” (Jana Rainis Boulevard, building 19, building 1);

State Exhibition Hall “Ark” (Nemchinova Street, building 12);

Exhibition hall of the Zelenograd Museum (Zelenograd, 14th microdistrict, building 1410);

Moscow State Art Gallery of Vasily Nesterenko (Malaya Dmitrovka Street, building 29, building 4);

Gilyarovsky Center (Stoleshnikov Lane, building 9, building 5);

State Museum of the History of the Gulag (1st Samotyochny Lane, building 9, building 1);

New Manezh (Georgievsky Lane, building 3/3);

Museum of I.S. Turgenev (Ostozhenka street, building 37/7, building 1);

Museum-workshop of People's Artist of the USSR D.A. Nalbandyan (Tverskaya street, building 8, building 2);

Gallery-workshop “Skolkovo” (Skolkovskoe highway, building 32, building 2);

Museum-apartment of Alexander Solzhenitsyn (Tverskaya street, 12, building 8);

Moscow Museum of Modern Art (Ermolaevsky Lane, 17).

Date: June 17 - August 10, 2014
Address: Gogolevsky Boulevard, 10
Curator: Valentin Dyakonov
Architect: Olga Treivas

Opening: June 16, Monday, 19:00
Press screening: June 16, 17:00

The Moscow Museum of Modern Art presents the “Detective” project, within the framework of which works of contemporary Russian artists viewed through the prism of popular literary genre. The core of the exhibition consists of works by authors who debuted in the late 2000s and early 2010s. These artists are placed in a multi-stage system of comparisons and parallels - from the art of the 1990s to Russian cubism.

Detective genre in literature flourished and expanded in parallel with the complication of the infrastructure of modern cities - the development government organizations to protect public order (usually the police play this role) and to spread the influence of means mass media on all aspects Everyday life. “The classic detective story,” according to the philosopher Joseph Hoffman, is a story about “who someone is, acting as the desired criminal, accomplice to the crime, witness, avenger or victim. The main thing is not to be deceived by the character’s social status, whether he is a doctor, a teacher, a minister, a nurse, a taxi driver, and so on.” Dividing a city dweller into tens social roles(father, employee, football fan, patient psychiatric clinic) becomes a breeding ground for a detective novel that exposes criminal intentions regardless of their disguises. In the process of unmasking, it is easy to find similarities with the work of interpreting the author's intentions work of art, since the time of the first modernist experiments, deliberately evading direct interpretations in favor of dissolving into the “real” - be it the surface of the canvas, an everyday object, or a concept that turns the work into part of the viewer’s internal experience.

The exhibition "Detective" offers a look at creative method young artists how to create evidence and alibis. Finding the meaning of a particular work is possible by paying attention to the details and circumstances of the display. All artists are united by an interest in three themes, addressed to one degree or another in their works. Firstly, the works of some project participants reveal a new attitude towards the characterization characteristic of Moscow conceptualism of the 1970s. In the works of the classics of conceptualism they acted literary heroes, through which a narrative was built, allowing the viewer to identify either with them or with the author-puppeteer. For the artists of “Detective,” the author dissolves, giving way to historical necessity (Arseny Zhilyaev), processes observed in nature (Ilya Dolgov), a vaguely museum-like display, where the viewer plays the role of a curator (Anna Titova), and other constructions that make it possible to rid the work of the clearly expressed will of the creator. Secondly, other artists in the exhibition (Mikhail Tolmachev, Stas Shuripa) are characterized by an interest in the “drone gaze” - the latest technical means that claims to be completely objective, penetrating where no human has gone before. Thirdly, the artists of “Detective” often construct spaces without an owner (Valentin Tkach, Yulia Ivashkina, Sergei Lotsmanov), entering into polemics with a wide range of ready-made and predictable comfort available to every consumer.

Two examples of cubism and cubo-futurism (Lyubov Popova, Eduard Krimmer) allow us to compare the core of the exhibition with the beginning of the avant-garde and attempts to convey the complex, fragmented vision of a city resident through painting. Several works created in the second half of the 1990s are related to the theme of the exhibition either narratively (Natalia Turnova, AES+F, Dmitry Shubin) or formally (Valery Aizenberg). Finally, the exhibition will include samples of Russian fakes. landscape painting 1860s. For what? The solution is near.

Participants: Sergey Khachaturov, Lyubov Popova, Alexandra Sukhareva, Sergey Sapozhnikov, Sofya Dymshits-Tolstaya, Sergey Nikitin, Yulia Ivashkina, Ilya Dolgov, Dmitry Shubin, AES+F, Valery Aizenberg, Nikolay Alekseev, Sergey Lotsmanov, Natalya Zintsova, Alexander Povzner, Anna Titova, Ilya Orlov, Stas Shuripa, Arseny Zhilyaev, Maxim Spivakov, Valentin Tkach, Ustina Yakovleva, Natalya Turnova, Mikhail Tolmachev, Krishs Salmanis, Daria Irincheeva, Ivan Mikhailov, Sergey Ogurtsov, Anna Parkina, Kirill Makarov, Ivan Gorshkov, Kirill Glushchenko

Klopomor reviews: 16 ratings: 17 rating: 20

Morozov's exhibition at the MMSI on Gogolevsky "Pontifex.." can be assessed as follows: cool and beautiful. The idea of ​​mixing the familiar and the incompatible lies on the surface and is pathetic until talented hands get to it. Padded jackets with clear buttons and overcoats with lace collars have successfully, and for a little too long now, formed the style and atmosphere of the Moscow theater "Okolo", but Morozov introduces the padded jacket into antiquity (or vice versa), which makes you want to not only smile, but also admire. Roman (Greek?) caryatids with classic graceful feet, iPhones and Segways, Rebecca in sneakers, topless in HB - all this in classical minimalism, with stamped beauty and artistic inaccessibility - attracts. The empty spaces in the halls are carefully measured, otherwise the accumulation of kitschy male torsos would resemble children's monsters, and the exhibition would begin to resemble a museum of samovars. Finding meaning in this carnival is like sitting in the front row of a theater and looking through binoculars. Contemporary art (if without hatred) is meaningless and thereby provokes one to formulate meanings as God wills. The film showing at the non stop exhibition gives clues, and here you can attribute anything to the author: well, for example, that Morozov refutes the researcher’s doubts Old Russian writing S. Franklin - was there a Middle Ages in Rus' if it did not have antiquity? A girl in a Russian quilted jacket, hairy Europeans who look like a bunch of honey mushrooms from above, and a fir (pine?) cone on a staff immediately make sense. And so on. It would seem that going to such a fairy tale evokes only positive emotions and a vague feeling of belonging to something equally vague, but no! That’s what’s wonderful about art is that it simultaneously attracts and repels. The bright final chord for me was the girl’s remark in the wardrobe (to her boyfriend): “I won’t go anywhere with you again!” In general, there are a lot of emotions, and pleasure for at least half of the audience is guaranteed.

Mikhail Malkov reviews: 1 ratings: 1 rating: 1

This is not the first time I came to MMSI on Gogolevsky. As always, very interesting exhibitions, although not without a touch of statehood: what is not needed will not be shown, everything, of course, is within the limits of what is officially permitted. I would like to draw attention to the work of the staff. The cloakroom attendant is sitting reading a book, she didn’t say a word, she didn’t say a return greeting, there’s no talk of any politeness, there’s no elementary smile. The museum closes at 20:00, a few minutes before that a security guard in a suit escorted me out, almost threw me down the stairs, escorted me as if under escort. To be honest, I am already very tired of this “service” in Moscow museums. People who do not understand art spoil the impression of visiting exhibitions. You see, they need to quickly run home after a working day, God forbid they are delayed for a minute. When I picked up my outerwear, the cloakroom attendant was already dressed to leave; again, not a word in response, just a jacket thrown at me. Whatever you want, something needs to be done with the staff in Moscow museums. Maybe it’s worth being a little more polite, more friendly, and understanding, if such personnel already work in the field of art. I suggest warning visitors about this a few minutes before closing, inviting them to get ready to leave; perhaps it is worth introducing a public address system via a microphone or using theater-type calls. I recommend that visitors be careful and leave the museum early so as not to run into something unpleasant. It’s absurd, of course, but that’s the order here. Separately, I would like to draw the attention of the caretakers and their management that their chairs should not be placed right next to the exhibits: a caretaker sitting on such a chair will block the sign with the inscription and simply get in the way.

Andrey Nabatov reviews: 1 ratings: 3 rating: 0

Not for all. Balls-tits-pissies are not art for me. But apparently there are those who like it

Ta Ras reviews: 1 ratings: 2 rating: 1

Having never made it to the Salvador Dali and the Media exhibition today, I was faced with the surrealism of our reality and my mood was spoiled, irrevocably...

The previously mentioned in the reviews, at the very least, impolite behavior towards visitors is obviously business card museum, which is completely indifferent to what ordinary Muscovites think about it, in front of the noses of which, in work time They close the doors of the museum with the words: “We are having a closed party today!” It is also likely that it was never part of the museum’s rules to warn about such events.

But what could have caused such a misunderstanding? Something much more important than the people who came to the museum after a long work, study, or simply lost day... And again, the unfortunate, half-closed radio Silver D. is in the spotlight. The last stronghold of dissidents in our terrible and undemocratic kingdom of evil is forced to organize their secret meetings in in public places, but for closed doors, warning only his own people about it. The only problem is that these doors are closed to those whom the “heroes” are trying to save, pouring plenty of rain at the same time... the only question is, silver or gold?