Eugene Onegin and Pechorin comparative characteristics. Comparative characteristics of Eugene Onegin and Grigory Pechorin (Comparative analysis)

Let's try to compare the images of two literary characters: Onegin and Pechorin. It is much easier to compare the heroes of one work or, in extreme cases, a writer. But talking about the characters created by Pushkin and Lermontov is as difficult as it is interesting.
These brilliant artists created images of heroes characteristic of their time. Onegin is a young man of the first quarter, and Pechorin is of the forties of the XIX century. A small span of time separates our young people, but how different they are at the beginning of the novels and how strikingly the same at the end of the works. Onegin is a “young rake” who received a traditional upbringing and superficial education:

He's completely French
Could speak and write;
Easily danced the mazurka
And bowed at ease;
What do you want more?
The world decided
That he is smart and very nice,-

this is how A. S. Pushkin tells about his hero. Pechorin himself speaks about himself in his diary. The diary is not written for prying eyes, usually the most secret secrets are trusted to him; everything is extremely sincere, without any pretense, Lermontov states through the lips of his hero: “From childhood, everyone read on my face signs of bad qualities that were not there; but they were supposed - and they were born. I was modest - I was accused of slyness; I became secretive... I became envious. I was ready to love the whole world - no one understood me: and I learned to hate. There is a certain picturesqueness in this monologue, but Pechorin is sincere. He tries to explain his character to others, to take a step towards people. Onegin is completely different. Accustomed to living in the world, knowing its laws, he understands that feelings are inappropriate here. This is a theater where everyone plays their part. Onegin knows the laws of this masquerade well. He mastered the “science of tender passion”, which is quite enough to shine, to be a welcome guest, but the vanity of life kills the hero’s soul:

And though he was an ardent rake,
But he fell out of love at last
And abuse, and a saber, and lead.

He wants to do something:

Onegin locked himself at home,
Yawning took up the pen,
Wanted to write but hard work
He was sick; Nothing
It didn't come out of his pen...-

and then:

He sat down with laudable goal
Assign someone else's mind to yourself;
He set up a shelf with a group of books.
I read and read, but to no avail ...-

nothing happened with Eugene Onegin.
Pechorin, on the other hand, passionately wants to break out of the circle of life where he is forced to live. Because of the duel, he ends up in the Caucasus. Here is the “end of the earth”, passionate and violent characters. Pechorin himself was not yet tired of life. He actively interferes in everything, is interested in everything, plays with death (“Fatalist”). While in Taman, he wedged himself into the lives of peaceful smugglers, reluctantly destroying their established way of life. Then he will remember: “Taman is the nastiest little town of all the coastal cities of Russia. I almost died of hunger there, and besides, they wanted to drown me ... And why did fate throw me into the peaceful circle of honest smugglers? Like a stone thrown into a smooth spring, I disturbed their calmness and, like a stone, I almost sank myself!”
But Onegin is absolutely impossible to imagine in such a situation. He is devoid of curiosity towards others. Arriving in the village, Onegin tries in every possible way to isolate himself from his neighbors, which greatly offends them:

At first everyone went to him;
But since from the back porch
usually served
Him Don stallion ...
Be offended by such an act,
All friendship ended with him...

Having accidentally become close to Lensky, Onegin does not try to make other acquaintances. He is too smart to listen to their conversations:

About haymaking, about wine,
About the kennel, about your family.

Pushkin, perfectly understanding Onegin's type, evaluates him as follows:

We honor all zeros,
And the units myself...
Eugene was more tolerable than many;
Although he knew people, of course
And in general he despised them ...
He listened to Lensky with a smile.

Pechorin treats friendship in almost the same way: “I’m not capable of friendship: of two friends, one is always the slave of the other, although he doesn’t admit to himself; I cannot be a slave, and in this case commanding is tedious work, because at the same time it is necessary to deceive; and besides, I have lackeys and money!” Communicating with Werner, Pechorin speaks to himself rather than to the doctor. They are close to their skepticism and rejection of others. “We soon understood each other and became friends.” Onegin "despises" people, but is forced to reckon with their opinion. Because of this stupid contradiction, he kills the only friend with whom he shared his village leisure. Maybe because of this, Onegin lost the opportunity to be happy:

Another thing tore us apart...
The unfortunate victim of the Lensky fall ...
I thought: liberty and peace
replacement for happiness. My God!
How wrong I was, how punished.

Pechorin is also afraid to bind himself with any bonds, obligations. He wants to receive without giving anything in return, and this does not happen. Pechorin torments Vera, he himself suffers when he loses this woman, realizing that he loved her only one, and cries like a child.
Onegin and Pechorin are close to each other, like older and younger brothers. Both of them are disappointed in life. Eagerly awaiting its end. It is especially sad to realize this when you read Pechorin's phrase: “Why did I live? for what purpose was I born?.. But it is true, it existed, and it was true that I had a high purpose, because I feel immense strength in my soul ... But I did not guess this purpose ... My love did not bring happiness to anyone because I did not sacrifice anything for those whom I loved: I loved for myself, for my own pleasure.
Under this phrase, Onegin could well subscribe. So it turned out that completely different heroes living in different historical eras, came to one result: one started, and the other continued the gallery “ extra people”.

Tasks and tests on the topic "Comparative characteristics of Onegin and Pechorin based on the novels "Eugene Onegin" and "A Hero of Our Time"

• Orthoepy - Important Topics to repeat the exam in the Russian language

  Lessons: 1 Assignments: 7

In Russian literature XIX centuries, the images of Eugene Onegin and Pechorin became symbols of the era. They combined the typical features of representatives of the nobility with outstanding personal qualities, deep intellect and strength of character, which, alas, could not be used in the conditions of a deep moral crisis that became the main sign of the times in the 30s and 40s. Misunderstood in their circle, superfluous, they wasted their strength in vain, unable to overcome the moral deafness of their contemporaries and pettiness public opinion, which was considered the main measure of human values ​​​​in high society. Despite their similarities, Onegin and Pechorin are endowed with bright individual traits, thanks to which modern readers also show interest in these literary heroes.

Definition

Pechorin – main character novel by M. Yu. Lermontov "A Hero of Our Time", a Russian nobleman, officer, who, on duty, ended up in the war zone in the Caucasus. The originality of the personality of this literary hero caused a sharp controversy among critics and the keen interest of contemporaneous readers.

Onegin- The main thing actor novel in verse "Eugene Onegin", written by A. S. Pushkin. Onegin belongs to the noble aristocracy. His biography, according to V. G. Belinsky, became an encyclopedia of Russian life in the first half of XIX century.

Comparison

The first chapters of "Eugene Onegin" were published by A. S. Pushkin in 1825. Readers met Pechorin in 1840. A slight difference in the creation time of these literary images nevertheless, it was of fundamental importance for revealing their personal qualities, which contemporaries perceived as a reflection of deep social processes.

At the beginning of the novel, Onegin is a secular dandy. He is rich, educated and constantly under the scrutiny of high society. Tired of idleness, Eugene makes an attempt to tackle a serious matter: the reform of the economy that he inherited. Novelty village life turned into boredom for him: the lack of the habit of working gave rise to the blues, and all the undertakings of the learned economist came to naught.

Onegin's drama is in the futility of his own forces and the meaninglessness of the way of life, which was imposed by public opinion and accepted by the hero as a standard, beyond which he did not dare to step. Duel with Lensky, complicated relationship with Tatyana Larina - a consequence of a deep moral dependence on the opinions of the world, which played a paramount role in Onegin's fate.

Pechorin, unlike Onegin, is not so rich and noble. He serves in the Caucasus, in a place of dangerous military operations, showing miracles of courage, demonstrating endurance and strength of character. But its main feature, repeatedly emphasized in the novel, is the dual inconsistency of spiritual nobility and selfishness, bordering on cruelty.

The reader learns about Onegin's personality from the narrator's remarks and Tatiana Larina's observations. The narrator and Maxim Maksimych express judgments about Pechorin. But completely it inner world is revealed in a diary - a bitter confession of a man who failed to find his place in life.

Pechorin's diary entries are the philosophy of the Byronic hero. His duel with Grushnitsky is a kind of revenge on secular society for heartlessness and passion for intrigue.

In the confrontation with the light, Pechorin, like Onegin, is defeated. Forces without application, life without a goal, inability to love and friendship, secular tinsel instead of serving a high goal - these motives in "Eugene Onegin" and "A Hero of Our Time" have a common sound.

Findings site

1. Pechorin became a hero of his time: the second half of the 30s of the XIX century, marked by a deep social crisis after the events associated with the Decembrist movement in Russia.
2. Onegin - literary hero who could devote his life to democratic transformations in society, but due to his personal qualities became a hostage of high society.
3. Pechorin understands the worthlessness of his own existence and tries to change it: at the end of the novel, he leaves Russia.
4. Onegin does not seek to change anything in his fate: all his actions are a consequence of the circumstances.
5. Pechorin is able to objectively evaluate himself and honestly admits his passions and vices.
6. Onegin understands his own imperfection, but he is not able to analyze his own actions and their consequences.

In the literature of every nation there are works whose heroes, positive or negative, a person remembers all his life, and there are characters that are erased from human memory. If we talk about Russian literature, then the works of M. Yu. Lermontov "A Hero of Our Time" and A. S. and "Eugene Onegin" are outstanding novels, the main characters of which Grigory Pechorin and Eugene Onegin remain in our memory until the end of their lives. These are rather controversial characters with bright characters, which everyone knows who is at least a little familiar with Russian literature.

The heroes of the novels of A. S. and M. Yu. Lermontov share less than ten years. Whether they real people, they could easily meet at a reception in one of the drawing rooms, at one of the balls, or in the box of one of the beauties at the premiere of some performance.

However, let's try to figure out what is more in Onegin and Pechorin - differences or similarities. After all, differences in characters, lifestyle and behavior sometimes separate people more than a whole century.

From the first chapter of the novel, Eugene Onegin appears before us in the form of an established secular young man, no worse and no better than his other contemporaries. A good education at home, a solid inheritance, an easy and pleasant mind, a secular gloss, the ability to elegantly express themselves and find with anyone. mutual language. In addition to this, a thorough knowledge of fashion issues and the ability to organize bachelor dinners - that's all that Eugene Onegin lives for. A. S. describes in detail one day in the life of Onegin - getting up, breakfast, toilet, dinner, theater and sleep. And this description is quite enough, because Onegin's life passed calmly and evenly, and each new day was similar to the previous one.

"Until the morning his life is ready,

Monotonous and variegated

And tomorrow is the same as yesterday...

Such a regularity of his life, the repetition of the same thing, hidden behind external diversity and brightness, is a senseless waste of time, a void in which the hero of the novel does not realize himself. He tries everything vitality give to women, but where there is no love, passion very quickly turns into a habit.

Only a little revives Onegin's move to the village, he tries to change something there, to put progressive knowledge into practice, but nothing comes of it and he soon becomes discouraged. However, the sky character is still different from his peers, from the typical playboys who were then filled with secular society. He has

"Dreams of involuntary devotion,

inimitable oddity

and a sharp, chilled mind."

Looking closely at Onegin, you can see that it is outstanding personality with the makings strong man with a bright character, which is confined within the boundaries of the givens of that time and which lacks strength, but rather lacks the desire to escape from there. All his aspirations are impulsive, he does not understand that only "hard work" will allow him to build real life. Being led by easy decisions, he unwittingly becomes a seducer and a murderer. But at the same time, the decency and nobility that he shows to Tatiana are somewhat encouraging and make you believe that Onegin, although he leads an empty life, is not empty in his soul. And the poet gives him a chance for resurrection. Onegin wakes up all human thanks to true love who showed him what is true on earth and what remains a lie. We part with Onegin, seeing him not yet revived, but still not fallen and not lost. gives us the opportunity to think for ourselves whether Onegin will become a spiritually rich person and whether he will truly live, or will remain until the end of his days a soulless burner of life.

As for Grigory Pechorin, he is somewhat younger than Onegin. He is young and very fresh - this is how Lermontov presents him to us. He is very good and stands out in the surrounding society. But already from the first minutes of acquaintance with this character, we see his endless fatigue and lethargy, inherent only in old people who have lived a long and hard life. And if the author of the novel talks about Onegin, then we learn more about Pechorin from his diary. We do not know anything about his childhood and youthful years. But having matured, he became a man who soberly assesses his strengths and weaknesses, his strengths and weaknesses. Pechorin knows, but rather feels, that “after all, it’s true that I had a great appointment, because I feel immense strength in my soul.” However, he wasted his strength, his life energy in vain, "he was carried away by the lure of empty and ungrateful passions." And if Onegin is looking for the meaning of life, then Pechorin is sure that it does not exist. The strength of his personality, his influence on others is so great that he can easily control situations and people, he can easily get whatever he wants. But having received what he wants, he instantly cools down, realizing that he needs something completely different. Such impulsiveness of Pechorin is very similar to the behavior and actions of Onegin.

Pechorin is not afraid of death, he is indifferent to life. And if Onegin, having become an unwitting killer, was dejected and shocked, then Pechorin is a surprisingly cold-blooded killer, for whom people are nothing more than shadows. You can very easily hurt his pride, but not his soul and heart, because Pechorin believes that his soul is dead. Two times, two heroes who are very similar to each other. But if they happened to meet, then, despite their similarities, they would rather become enemies than turn into friends. Each of them is looking for the meaning of life, but they are looking for it alone, neglecting other people and not seeing the world around them.

The main characters of the early 19th century are Onegin and Pechorin. They are the creations of the great writers of their time and in some ways even reflect the fate of their creators. Lermontov with Pushkin and Onegin with Pechorin have a very dramatic fate.

The writers sought to capture in their heroes the appearance of time, and in many ways the authors succeeded in this task. In fact, both Onegin and Pechorin are emblematic for their time, but at the same time, each of these heroes is outside of time, as they voice the problems that are characteristic of all eras.

In short, we have images of two educated people, in many ways the best representatives of their time. Each received an excellent education, has a sharp mind that allows you to understand people and yourself. In addition, they are sincere seekers of truth and want to understand the meaning of not only their own era, but also their personal existence.

Given the significant similarities, it is necessary to point out the differences that determine the essence of these heroes. Let's start with Onegin.

Pushkin's hero has a cynical view of the world, he is spoiled and treats people with a certain amount of arrogance. At the same time, Onegin does not have a penchant for idealizing reality; for the most part, he is a pragmatist. Even Onegin goes to a duel, largely not of his own free will, but due to public rumor, he does not want to look ridiculous and therefore agrees to a duel.

In fact, such a detail is decisive, since the reason for Pechorin's duel is completely different, he goes to shoot, as he is looking for the highest truth and follows his ideals, he wants to get even with the world and uses Grushnitsky for this. Of course, Pechorin is also deeply selfish, but his egoism (as well as Onegin, too) is the position of a person at the top. Yes, Pechorin looks at everyone from above, but he cannot look differently, since he has really reached certain heights of the spirit and is at a height that is simply inaccessible to many.

Onegin (continuing the theme of selfishness) is also arrogant towards others, but this hero was for the most part brought up in a society where he was praised and gratified in every possible way. Therefore, such a "golden boy" is completely alone in the adult world. For the most part, the determining factor for this hero is boredom, which can only be characteristic of such Moscow aristocrats who do not feel the need.

Another significant difference between the two characters is their behavior in the world. Onegin, for the most part, agrees with the world and simply allows events to happen, just as he allows Larina to love himself and belatedly reciprocates the feeling.

Pechorin, in turn, is a more active character. He does not accept the world, but completely creates it, seeking adventure as well as trying to find the truth. Distinctive feature Pechorin is the consistency of his philosophy with life views and behavior.

Composition Onegin and Pechorin

Perhaps in every era there are certain ideals in popular culture, on which the rest are equal. If we talk about the first half of the 19th century, then such ideals, of course, were Pechorin and Onegin.

These heroes are like modern-day celebrities that they look up to, that they want to be to some extent. Moreover, they largely reflect the biography of their creators. This is quite easy to verify.

For example, Pushkin in his novel introduces the figure of the author, who in turn partially resembles Pushkin himself (although he is not), and this author is Onegin's friend and is in many ways similar to him. In the same way, Pechorin is a young officer, a thinker. Some details from the Hero of Our Time (for example, episodes of duels) generally almost completely repeat episodes from Lermontov's biography.

Thus, these people (Pushkin and Lermontov) wrote what they knew about, as if following Hemingway’s maxim “you need to write truthfully” and what you know about, they really describe practically their own biographies and worldview. Therefore, comparing Onegin and Pechorin, we can to some extent compare Pushkin and Lermontov.

So, Pushkin is a noble man from a rather noble family, who leads a secular existence. Lermontov, in turn, was an officer who, although he was about to complete military career and fully engage in creativity, until the completion of his earthly path remained in the service. Likewise, Onegin more people who is bored, he does a lot out of boredom and cynicism, Pechorin is also a person who is bored, but he is more consciously looking for some kind of trials and adventures, in general, more harsh as befits a military officer.

In many ways, they are similar, since both have rather pleasant living conditions. They can, so to speak, not care about their daily bread and are more inclined to mental activity. They are both a little disillusioned with this world and are looking for opportunities to somehow entertain themselves.

However, neither Onegin nor Pechorin are spoiled or vile people. For example, when Pechorin meets with Princess Mary to annoy Grushnitsky, he understands the essence of his own act and does not build illusions for himself, he simply acts as a kind of naturalist who studies human psychology. Probably, deep psychologism and sincerity with themselves distinguishes these heroes, they feel the spirit of their time and accept it as it is.

3 option

Before us are two novels, Lermontov and Pushkin. In Lermontov's work "A Hero of Our Time" the main character is Pechorin, and in A.S. Pushkin's novel "Eugene Onegin" main character Onegin. Two perfect various works, two completely different times, but how many similarities of characters. There are differences because time has left an imprint on the behavior and character of each person. The authors conveyed through these two characters the full power of those generations.

Pechorin is a nobleman. His social status allows him to abandon labor efforts and live for his own pleasure. But despite this, he serves in the Caucasus. Pechorin has a lot positive qualities. He is smart, has extraordinary willpower. Onegin is an aristocrat. This allows him to live for his own pleasure, like Pechorin, and not think about anything. Both characters were well-read and educated, which in turn also put them above other people. But unfortunately, with such a list of virtues, none of the heroes managed to realize themselves in life.

The youth of the two characters proceeded approximately the same way, both led a wild life and rested, not knowing any worries. Pechorin, talking about himself, says that he could say at the first meeting with a girl whether she would love him or not. But, unfortunately, he brought only misfortune to women. Onegin in this area is not much different from Pechorin and does not set an example of a gentleman. At one time, Onegin rejects Tatyana and breaks her heart, Tatyana suffers from unrequited love, but over time he finds the strength to overcome this feeling.

Both Eugene Onegin and Grigory Pechorin are not very friendly, this is clearly visible in the works. Evgeny says that he is friends with Lensky only out of boredom and just like that, and Pechorin demonstrates an indifferent attitude towards his comrade Maxim Maksimych.

Yet there are differences between them. Onegin is an egoist. This can be explained by remembering the childhood of Eugene. His father did not deal with him, there were always tutors surrounded by Onegin, who only praised him. From this, an egoistic view has developed. Unlike Pechorin, Evgeny never served, this feature distinguishes him from his contemporaries.

Pechorin is a suffering egoist. He realizes that I am losing a generation, it is insignificant. He considers himself a pitiful descendant who lacks pride and conviction. He does not believe in love, in exploits and in friendship. It robs him of all the charm of life. Unlike Onegin, Pechorin is not just smart, he is a thinker and philosopher.

Both heroes go to a duel, but with different goals. Onegin under the influence of public opinion, and Pechorin to take revenge on society.

Pechorin goes to meet life and accepts all its trials, while Onegin simply goes with the flow. After comparing, you can make sure that these are two very different personalities. similar friend on a friend.

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What a short period separates Pushkin's Onegin and Lermontov's Pechorin! First quarter and forties of the 19th century. And yet these are two different eras, separated by an unforgettable event in Russian history - the uprising of the Decembrists. Pushkin and Lermontov managed to create works that reflect the spirit of these eras, works that touched upon the problems of the fate of the young noble intelligentsia, who could not find application for their forces.

Herzen called Pechorin " younger brother Onegin”, so what do these people have in common and how do they differ?

Onegin, before becoming a "young rake", received a traditional upbringing and an extensive, but rather superficial education. Because he ended up being able to speak "perfectly" French, dance the mazurka easily, and "bow casually," "the world thought he was smart and very nice." However, quickly fed up with fruitless fuss secular life, Onegin begins to be weary of it, but finds nothing in return. Realizing the worthlessness of the existence of secular people, Onegin begins to despise them, withdraws into himself, indulges in the “Russian blues”. Living only by himself, not taking into account the feelings and experiences of other people, Onegin commits whole line unworthy deeds. By the time he met him, Pushkin noted in Onegin "an inimitable strangeness", "a sharp chilled mind", "unwitting devotion to dreams", an internal gap and misunderstanding between him and the people around him. Despite deep contempt for the "light", Onegin remains dependent on public opinion, and as a result, kills his friend Lensky. Egoism leads the "ardent rake" to a heavy emotional drama and discord with oneself.

We do not know much about Pechorin's past, mainly from the pages of his own diary, from his conversations with other people. We learn that Pechorin’s “soul is corrupted by light”: “From childhood, everyone read signs of bad properties on my face that were not there; but they were supposed - and they were born. Now, those around him often do not understand either Pechorin's thoughts or his actions, and he (and often quite justifiably) considers himself head and shoulders above those around him. Unlike Onegin, Pechorin does not shy away from people, does not avoid contact with them, but, on the contrary, becomes an extremely subtle psychologist, able to understand not only other people's actions and thoughts, but also feelings. Unfortunately, communication with him most often brings people and even himself only suffering and dissatisfaction. Unlike Onegin, Pechorin is not yet tired of life, he interferes in everything, is interested in many things, but he is not able to truly love and be friends. And if only Tatyana suffers from Pushkin's love for Onegin (and after - from Onegin's love), then Pechorin brings misfortune to all the women he encounters: Bela, Vera, Princess Mary, even a friend of smugglers. material from the site

Onegin's problem is in his inability to make his life interesting, bright, to fill it with significant events. Pechorin is concerned about the question of purpose own life, its meaning. The consciousness of lost opportunities constantly haunts him, since his belief in his "high-value" does not find real, confirmation. Both one and the second value their freedom, liberty, but it turns out that they too often sacrifice to her what is really dear to them.

Differences in the fates and characters of the heroes are explained by differences in eras: the life of Russia on the eve of the December uprising (Onegin) and the severe political reaction after the defeat of the Decembrists (Pechorin). Both Onegin and Pechorin belong to the type of "superfluous people", that is, such people for whom there was neither place nor business in the society around them. And yet, even despising the environment, Onegin and Pechorin were the children of this society, that is, the heroes of their time.

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