"Quartet I": films with their participation. List and history of the appearance of the team

Andrey Mironov, Vladislav Galkin, Andrey Krasko. People who burned themselves on stage and burned in life. That was Dmitry Maryanov. The actor is not fully appreciated, although very much in demand. The artist has the right not to go on stage only in one case - if he died. The ministers of Melpomene learn this maxim along with the system of Stanislavsky. And - alas - this is how Dmitry Maryanov lived.

Positive hero

Ambulance, police, drug clinic - a classic set of a typical series about investigators. Actor Dmitry Maryanov, who has played more than 80 film roles, knew this firsthand. the main role in the series "The Personal Life of Investigator Savelyev" fully corresponded to this style. And now - the cinema seemed to come into his life by itself. And we have yet to find out how this strange, famously twisted detective story will end, which began within the walls of a drug treatment clinic in Lobnya near Moscow on October 15 and ended there, alas, in Lobnya. “A blood clot came off” - so far everything that has been officially announced about the favorite of millions of viewers. But the roles of Dmitry remain - a lot bright roles, and also - interviews in which he appears as a very cheerful, open, full of humor and - a completely healthy person.

Moscow. April 8, 2017. Actor Dmitry Maryanov during the annual educational action "Total Dictation" in the Moscow Pedagogical state university(MPGU) Photo: Dmitry Serebryakov / TASS

Vocation - actor

Behind Dmitry Maryanov - dozens of roles, filming with great directors: Ryazanov, Valery and Pyotr Todorovsky, participation in numerous television shows.

Dmitry Maryanov began acting and playing in the theater as a child. They say about such people - an actor by vocation. Both films and roles seemed to rain down on him, as if from a cornucopia.

Saint Petersburg. Actor Dmitry Maryanov at a press conference dedicated to the premiere of the film "Adult daughter or a test for . . . " Photo: ITAR-TASS/Interpress/Vladimir Bertov

He was born in Moscow on December 1, 1969, in a simple Soviet working-class family and his future profession chose very early and completely on my own. “How did you become an actor?”, - skeptics were perplexed. The father of the future actor was simple master for garage equipment, and my mother is an accountant. But the activity, curiosity and character of the boy brought him to the epicenter creative life capital Cities.

As a child, Dima was seriously involved in sports - swimming, then boxing. As he later recalled, once his father told him: "Boxing will knock out all your brains," and then, in spite of him, he learned the chapters of "Vasily Terkin" by heart. Once, actors and directors came to the school where Dima studied - to recruit a class in theater school on Krasnaya Presnya, now famous school 123. Everything was grown-up there: fencing, acrobatics, etudes. So by the age of 14, even before entering Shchukin theater school, Dima was already a real actor. And the test of glory came, perhaps too soon.

“If you see the world in blue light…”

Now that you're studying creative heritage Dmitry Maryanov, you notice an amazing thing. His second, but first notable role in 1986 - Alik Raduga in the musical "Above the Rainbow" by Georgy Yungvald-Khilkevich left an indelible, almost mystical imprint on him. And all his subsequent life and even death today are perceived in the context of this role. It is no coincidence that literally everyone remembers her today in connection with the departure of the artist.

30 years after the release of the film, it was difficult to recognize a bald and plump actor as a slender boy with a fashionable haircut, who smiled in full close-up in the frames of a bright film amazing for today. But the smile remained the same - open, very kind and warm. And this was noted by absolutely everyone who knew Dmitry. In some ways he resembled Yevgeny Leonov - warmth, talent as a storyteller, interlocutor. Yes, and inner kindness, real - this cannot be faked, not played. By the way, in last years Dmitry dreamed of creating a shelter for homeless animals.

“I want to create a shelter for homeless animals. I understand that there are people who are in need, there are sick children, but many people help them anyway. Animals feel sorry for the reason that they themselves can not protect themselves from anger and aggression. My brother and I found our first cat under the layers of tar paper that covered the roof. We heard a meow and found a cute tricolor kitten, black, red and white. They took it home. This cat has lived with us for a long time. And then we always had pets. Now dad has a cat, I have a parrot, ”Maryanov said in an interview.

In 1986, two films were released at once with the participation of the young Dima Maryanov. He was only 14 years old when he became real star, starring with Boyarsky, Kuklachev, Olga Mashna. The film features songs by Pugacheva and Vladimir Presnyakov Jr.

IN handsome boy, speaking, however, in the voice of Dmitry Kharatyan, and singing in the voice of Vladimir Persnyakov, all the girls were in love Soviet Union. However, unlike other young stars one film, gone and lost, never knowing the true acting happiness of being in demand, Dima's fate was different. Very happy.

: 55°46′44″ s. sh. 37°35′25″ E d. / 55.779° N sh. 37.5902° E d. / 55.779; 37.5902 (G) (I)

The first activity of the theater took place on the stage of GITIS, where four graduates created their first comedy "These are just stamps", which was based on typical student jokes.

In addition to successful activities in the theater and cinema, the participants of the Quartet I theater also regularly appeared for some time on the STS TV channel in the Mind Games entertainment and intellectual show as regular participants in the program (one of the teams participating in the competition). In early 2010, Quartet I starred in two episodes of the TV show Quartet I on RenTV. On January 23, 2011, Channel One released the first release of a new humorous improvisation-based program “Show Ni be ni me is robust”, the participants of which are also the artists of the Quartet I.

Programs

"I Believe - I Don't Believe" on TNT
"Mind Games" on STS
""Quartet I" on RenTV"
“Show Ni be ni me is robust” (4 episodes) on Channel One

Video works

Clip "Hipster", rock group "Bi-2" (Leonid Barats, Rostislav Khait).
- Feature Film"Five kidnapped monks" (as a student, Alexander Demidov starred in the role of Vasya Kurolesov).
- Feature film Pokhabovsk. The reverse side of Siberia (Alexander Demidov starred as Evgeny Borisovich Tugovatykh)
- Clip "Accountant", group "Combination" (starred Leonid Barats as a pianist).
- Clip "Sailor", rock group "Agatha Christie" (starred Rostislav Khait and Leonid Barats).
- Clip "Somewhere Beyond the Seas", singer Clementia, (the whole composition)
Clip "Merry World", rock group "Agatha Christie" (the whole composition).
Clip "It's dawn outside the window", the rock group "Bravo" (the whole composition).
- Clip "Only you won't come today", singer Sasha Ch (the whole composition).
- Clip "Ladoshki", Svetlana Roerich (starred Leonid Barats and Maxim Averin).
- Clip "The boy wants to Tambov", Murat Nasyrov (filmed by Kamil Larin).
Clip "Hug me", Lena Zosimova (starred Rostislav Khait).
Clip "Rivers of Love", rock group Bi-2 (entire composition)
Clip "Bermuda", rock group Mumiy Troll (full composition)
Clip "Daisy", Arkady Ukupnik (starred Rostislav Khait and Kamil Larin)

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Criticism and reviews

"Quartet I" has been specializing in the entertainment of the public for more than ten years and has achieved considerable success in this field. The play "Radio Day" with the participation of Alexei Kortnev and the "Accident" group and its continuation "Election Day"Became hits that the public breaks into, usually preferring cinema theaters and nightclubs.
M. Shimadina, Kommersant

"Quartet I" is very different from many of its colleagues, "trading" a fun genre. To the public, speaking in a high style, they come out with a sense of responsibility. And tirelessly invents something new and funny, sometimes dangerously balancing in the field of political satire, which even the most daring and full-time domestic satirists hardly indulge in today.
G. Zaslavsky, Nezavisimaya Gazeta

According to the writer and director E. V. Grishkovets, the work of the theater is “sloppy in every sense”, and at the same time they are a great audience success:

It doesn’t matter that there is no acting skills, no idea of stage culture, no clear understanding of what they are doing and why… They force people to listen to themselves with their pressure and confidence. And the fact that they began to listen only strengthened this confidence. A chain reaction ensued. It doesn’t matter that the guys have read little plays, they don’t know the laws of composition, they don’t know how and why plays are written, they don’t know how a movie is made, what is the relationship between the author and the character, they don’t know what plot and plot are, and they hardly know what is between them a difference. They have a conviction in their uniqueness, and this attracts!" ... "confident that the natural mind, talent, perseverance, charm, sense of humor will replace all this with a vengeance. And it worked! It worked and convinced them that they were completely right.

The quartet clearly wanted a completely resounding success, fame, recognition and big money. But not at any cost! Definitely not at the cost of parting with their environment and, most importantly, with their audience... But the Quartet wanted to step into art. This is a completely understandable step for those who are trying to grow. But they did not know how to do it and were afraid of lack of money. Therefore, they continued to make amorphous and careless, but with a claim to art, productions that they sincerely considered performances. Oh, if only they had critical acclaim, a couple of awards or the laureate of some big festival… I am sure that their next step would be different.

At the same time, the writer notes the originality of the theater (“they always went their own way. Somewhere between the stage with KVN and art. At the same time, they adhered to advanced trends.”), its significance (“the phenomenon is very noticeable, iconic and, in any case, deserving attention”) and believes that they deservedly achieved their success: “The I Quartet is a team firmly standing with all eight feet on the ground. They have a huge audience, they always sell out (this is true, I saw it myself), and the audience is well dressed, able to buy tickets at prices that many will not go for me. They have a good audience (no irony). They are coveted at corporate parties. Their films have had outstanding success at the box office."

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Notes

Literature

Quartet I. Radio day. Election Day. - M.: Gayatri, 2007. - 224 p. - ISBN 978-5-9689-0094-4.
Quartet I. The funniest book ever. Mexican scoundrels and not only ... - M .: AST: Harvest, 2008. - 288 p. - ISBN 978-5-17-056757-7. - ISBN 978-5-9713-9510-2. - ISBN 978-985-16-6430-2.
Quartet I. Six comedies. - M.: Gayatri, 2008. - 496 p. - ISBN 978-5-9689-0161-3.
Quartet I. funny book. Groom Fedorov and not only ... - M .: AST: Harvest, 2009. - 336 p. - ISBN 978-5-17-057264-9. - ISBN 978-5-9713-9511-9. - ISBN 978-985-16-6501-9.
Quartet I. Six comedies / Quartet I. - M .: Eksmo, 2011. - 512 p. - ISBN 978-5-699-50872-3.

An excerpt characterizing the Quartet And

After the return of Alpatych from Smolensk, the old prince, as it were, suddenly came to his senses from a dream. He ordered to gather militia from the villages, arm them and wrote a letter to the commander-in-chief, in which he informed him of his intention to remain in the Bald Mountains to the last extreme, to defend himself, leaving it at his discretion to take or not to take measures to protect the Bald Mountains, in which he would be taken one of the oldest Russian generals was captured or killed, and announced to his family that he was staying in Lysy Gory.
But, remaining himself in the Bald Mountains, the prince ordered the dispatch of the princess and Desal with the little prince to Bogucharovo and from there to Moscow. Princess Mary, frightened by the feverish, sleepless activity of her father, which replaced his former omission, could not make up her mind to leave him alone and for the first time in her life allowed herself to disobey him. She refused to go, and a terrible thunderstorm of the prince's anger fell upon her. He reminded her of everything in which he had been unfair to her. Trying to accuse her, he told her that she had tormented him, that she had quarreled with him, that she had nasty suspicions against him, that she had made it her life's task to poison his life, and drove her out of his office, telling her that if she he won't leave, he doesn't care. He said that he did not want to know about her existence, but he warned her in advance that she should not dare to catch his eye. The fact that, contrary to Princess Mary's fears, he did not order her to be taken away by force, but only did not order her to show herself, pleased Princess Mary. She knew that this proved that in the very secret of his soul he was glad that she stayed at home and did not leave.
The next day after Nikolushka's departure, the old prince put on his full uniform in the morning and got ready to go to the commander-in-chief. The wheelchair has already been served. Princess Marya saw how he, in uniform and all the orders, left the house and went into the garden to review the armed peasants and the yard. Princess Mary saw at the window, listening to his voice, which was heard from the garden. Suddenly, several people ran out of the alley with frightened faces.
Princess Mary ran out onto the porch, onto the flower path and into the alley. A large crowd of militiamen and courtyards was advancing towards her, and in the middle of this crowd several people were dragging a little old man in a uniform and medals by the arms. Princess Marya ran up to him and, in the play of small circles of falling light, through the shadow of the linden alley, could not give herself an account of what a change had taken place in his face. One thing that she saw was that the former stern and resolute expression of his face was replaced by an expression of timidity and submissiveness. When he saw his daughter, he moved his helpless lips and wheezed. It was impossible to understand what he wanted. They picked him up, carried him into the office and laid him on the sofa, which he had been so afraid of lately.
The doctor brought in bled the same night and announced that the prince had a stroke on the right side.
It became more and more dangerous to stay in the Bald Mountains, and the next day after the prince's blow, they were taken to Bogucharovo. The doctor went with them.
When they arrived in Bogucharovo, Desalle and the little prince had already left for Moscow.
Still in the same position, no worse and no better, paralyzed, the old prince lay for three weeks in Bogucharovo in a new house built by Prince Andrei. old prince was unconscious; he lay like a mutilated corpse. He kept mumbling something, twitching his eyebrows and lips, and it was impossible to know whether he understood or not what surrounded him. One thing could be known for sure - this is that he suffered and felt the need to express something more. But what it was, no one could understand; was it some whim of a sick and half-mad man, did it relate to the general course of affairs, or did it relate to family circumstances?
The doctor said that the anxiety he expressed meant nothing, that it had physical causes; but Princess Marya thought (and the fact that her presence always increased his anxiety confirmed her assumption), she thought that he wanted to tell her something. He obviously suffered both physically and mentally.
There was no hope for a cure. It was impossible to take him. And what would happen if he died dearly? “Would it not be better if it were the end, the end at all! Princess Mary sometimes thought. She watched him day and night, almost without sleep, and, scary to say, she often watched him, not with the hope of finding signs of relief, but watched, often wishing to find signs of the approach of the end.
Strange as it was, the princess was aware of this feeling in herself, but it was in her. And what was even more terrible for Princess Marya was that since the time of her father’s illness (even almost earlier, wasn’t it then, when she, expecting something, stayed with him), all those who had fallen asleep in her woke up in her, forgotten personal desires and hopes. What had not occurred to her for years - thoughts about a free life without the eternal fear of her father, even thoughts about the possibility of love and family happiness, like the temptations of the devil, were constantly rushing through her imagination. No matter how she pushed herself away from herself, questions constantly came to her mind about how she would arrange her life now, after that. These were the temptations of the devil, and Princess Marya knew this. She knew that the only weapon against him was prayer, and she tried to pray. She became in the position of prayer, looked at the images, read the words of the prayer, but could not pray. She felt that now she was embraced by another world - worldly, difficult and free activity, completely opposite to that moral world in which she had previously been imprisoned, and in which the best consolation was prayer. She could not pray and could not cry, and worldly care seized her.
Staying in Vogucharovo became dangerous. From all sides they could hear about the approaching French, and in one village, fifteen miles from Bogucharov, the estate was plundered by French marauders.
The doctor insisted that the prince should be taken further; the leader sent an official to Princess Mary, persuading her to leave as soon as possible. The police officer, having arrived in Bogucharovo, insisted on the same, saying that the French were forty miles away, that French proclamations were circulating in the villages, and that if the princess did not leave with her father before the fifteenth, then he would not be responsible for anything.
The princess on the fifteenth decided to go. The worries of preparations, giving orders, for which everyone turned to her, occupied her all day. She spent the night from the fourteenth to the fifteenth, as usual, without undressing, in the room next to the one in which the prince lay. Several times, waking up, she heard his groaning, muttering, the creaking of the bed, and the steps of Tikhon and the doctor turning him over. Several times she listened at the door, and it seemed to her that today he muttered louder than usual and tossed and turned more often. She could not sleep and several times approached the door, listening, wanting to enter and not daring to do so. Although he did not speak, Princess Marya saw, knew how unpleasant any expression of fear for him was to him. She noticed how dissatisfied he turned away from her gaze, sometimes involuntarily and stubbornly directed at him. She knew that her arrival at night, at an unusual time, would annoy him.
But she had never been so sorry, she had never been so afraid of losing him. She recalled her whole life with him, and in every word and deed of him she found an expression of his love for her. Occasionally, between these memories, the temptations of the devil burst into her imagination, thoughts about what would happen after his death and how her new one would work out. free life. But with disgust she drove away these thoughts. By morning it was quiet, and she fell asleep.
She woke up late. The sincerity that comes with awakening clearly showed her what occupied her most in her father's illness. She woke up, listened to what was behind the door, and, hearing his groaning, told herself with a sigh that everything was the same.
- But what to be? What did I want? I want him dead! she cried out in disgust at herself.
She dressed, washed, read prayers and went out onto the porch. Horseless carriages were brought up to the porch, in which things were being packed.
The morning was warm and grey. Princess Marya stopped on the porch, never ceasingly horrified by her spiritual abomination and trying to put her thoughts in order before entering him.
The Doctor stepped down the stairs and approached her.
"He's better today," said the doctor. - I was looking for you. You can understand something from what he says, the head is fresher. Let's go. He is calling you...
Princess Mary's heart beat so violently at this news that she turned pale and leaned against the door so as not to fall. To see him, to talk to him, to fall under his gaze now, when Princess Mary's whole soul was overwhelmed by these terrible criminal temptations, was excruciatingly joyful and terrible.
“Come on,” the doctor said.
Princess Marya went in to her father and went up to the bed. He lay high on his back, with his small, bony hands covered with lilac knotted veins, on the blanket, with his left eye fixed straight and his right eye squinting, with motionless eyebrows and lips. He was all so thin, small and miserable. His face seemed to have shriveled or melted, shrunken features. Princess Mary came up and kissed his hand. Left hand She squeezed her hand so that it was clear that he had been waiting for her for a long time. He tugged at her hand, and his eyebrows and lips moved angrily.
She looked at him fearfully, trying to guess what he wanted from her. When she shifted her position and shifted so that her left eye could see her face, he calmed down, not taking his eyes off her for a few seconds. Then his lips and tongue moved, sounds were heard, and he began to speak, timidly and imploringly looking at her, apparently afraid that she would not understand him.
Princess Mary, straining all her powers of attention, looked at him. The comic labor with which he rolled his tongue forced Princess Marya to lower her eyes and with difficulty suppress the sobs rising in her throat. He said something, repeating his words several times. Princess Mary could not understand them; but she tried to guess what he was saying, and repeated inquiringly the elephants he had said.
“Gaga – fights… fights…” he repeated several times. It was impossible to understand these words. The doctor thought that he had guessed right, and, repeating his words, asked: is the princess afraid? He shook his head negatively and repeated the same thing again...
“My soul, my soul hurts,” Princess Mary guessed and said. He moaned affirmatively, took her hand and began to press it against various places his chest, as if looking for a real place for her.
- All thoughts! about you… thoughts,” he then spoke much better and more clearly than before, now that he was sure that he was understood. Princess Mary pressed her head against his hand, trying to hide her sobs and tears.
He ran his hand through her hair.
“I called you all night…” he said.
“If I knew…” she said through her tears. - I was afraid to enter.
He shook her hand.
- Didn't you sleep?
“No, I didn’t sleep,” said Princess Mary, shaking her head negatively. Involuntarily obeying her father, she now, just as he spoke, tried to speak more in signs and, as it were, also with difficulty rolling her tongue.

Filmography of the theater "QUARTET I":
2007 - Election Day
2008 - Radio Day
2008 - "Volt" - dubbing characters (dubbing)
2010 - " What Men Talk About»
2011 - "What else do men talk about"
2012 - Pirates! Gang of losers "- voicing characters (dubbing)

The comic theater "Quartet I" was created in 1993 by a group of graduates of the variety faculty of GITIS.
In order to find out the terms of the invitation and order a performance for the celebration, call the official website of the Kvartet I theater page and the contacts of the direct concert agent on the website.
The first activity of the theater took place on the stage of GITIS, four graduates created their first comedy "These are just stamps", which was based on typical student jokes.
In addition to successful activities in the theater and cinema, the participants of the Kvartet I theater also regularly appeared for some time on the STS TV channel in the entertainment and intellectual show "Mind Games" as regular participants in the program (one of the teams participating in the competition).
"Quartet I" created the project "Another Theater", in which celebrities play not only comedies, but also dramas.

Actors, members of Quartet I:

Rostislav Khait - actor, screenwriter.

One of the founders of the comic theater "Quartet I".
He became famous for the role of Glory in the performances "Radio Day" and "Election Day" and in the films of the same name, as well as in the films "What Men Talk About", "What Else Men Talk About".

Leonid Barats - actor, director, screenwriter.

One of the founders of the comic theater Quartet I. Known for his roles in the performances "Radio Day" and "Election Day", as well as in films of the same name. Author of the play "Radio Day".

Camille Larin is an actor. One of the founders of the comic theater Quartet I.
Alexander Demidov is an actor, a Russian television figure and a screenwriter.

Deputy CEO Channel One, producer. One of the founders of the comic theater Quartet I.

The Quartet I Theater was founded in 1993 by a group of graduates of the Variety Faculty of GITIS (actors Leonid Barats, Alexander Demidov, Kamil Larin, Rostislav Khait and director Sergei Petreykov).
In October 1993, the Quartet I Theater opened its first season on the stage of the GITIS Theater (Bolshoi Gnezdnikovsky per. 10). The theater's repertoire includes the only performance "These are only stamps" - a bright variety show, born from student sketches and parodying the stamps of the theater, stage, cinema and life itself.
In 1995-2000, performances were staged at the theater: “La Comedy, or We will entertain you with all the means that are good”, “Acting Games”, “La Comedy-2, or a Completely Different Story with Elements of Great Art”.
In March 2001, the premiere of the play "Radio Day" took place. The authors of the play are members of the Quartet L. Barats, S. Petreykov and R. Khait, the songwriters are A. Kortnev and the group "Accident". The genre of the performance is unique, it is a fusion of comedy on the verge of farce, documentary "production" drama and rock concert. In 2006, new performers appeared: Dmitry Pevtsov and the BoBRy group. They begin to play "in double" with Alexei Kortnev and "Accident". "Radio Day" takes on a new breath.

In November 2003, another legendary performance was staged - "Election Day". This is a continuation of the story started in The Day of Radio. Popular showmen V. Pelsh and V. Utkin, actors E. Strizhenova, A. Makarov, F. Dobronravov, M. Politseymako and others join the artists of the "Quartet" and the musicians of "Accident". As " special guest"Alexander Pashutin and Valery Barinov play the brightly grotesque role of General Burdun. Later, Georgy Martirosyan joins them, and in October 2004, Alexander Tsekalo is introduced as a candidate for governor.

In 2005-2006 performances were staged: "Faster than rabbits", "Middle-aged men talk about women, movies and aluminum forks"