The idea of ​​the picture is the goalkeeper. Description of the painting Grigoriev goalkeeper

1 essay option:

Painting Grigoriev S.A. "Goalkeeper" was painted in soft, grayish colors in 1949. On it we see that the boys are playing football.

The yellowed foliage and clothes of the characters indicate that it is a warm autumn day outside.

In the picture, we see the boys' briefcases scattered across the field, and this prompted the idea that the guys decided to play football after school.

In the background, we can clearly see the spectators of this match. Among them there are two girls, four boys and a small baby, a white dog with a black spot, which clearly does not care about the children's game and a man interested in the game!

You can also see a boy dressed in a red suit, who obviously wanted to play, but alas, he was not taken to the team, since he is smaller than the other guys.

The main character of this picture is the goalkeeper. His posture conveys tension and expectation. He closely follows the game and is probably ready to attack from the other team. He is dressed quite simply and poorly: Blue shorts, a school shirt with a collar, school elongated black shoes and black gloves that protect against a sword strike.

I think the artist wanted to show the excitement of the game itself. I liked this picture, because its author clearly conveyed the emotions of the characters and the whole atmosphere of the game.

Option 2 essay:

I see a picture of S. Grigoriev "Goalkeeper". This painting shows spectators and a goalkeeper during football.
In the foreground of this picture is a boy, it is clear from his appearance that he is a goalkeeper. He has a very focused face, perhaps the ball is approaching the goal, or, most likely, he is about to get a penalty kick. The goalkeeper has a bandaged leg, which shows that this boy regularly plays football. He is twelve years old, I think he is a medium student. Perhaps in the future he will become a good player. Behind the goalkeeper is another boy, smaller. He is very sad that he was not taken to the team. He stands with a pouted face. He is in about third grade. He is very confident in himself. After all, instead of sitting with other spectators, he stands on the field.
The guys play in the yard, not intended for playing football. Instead of bars, they have briefcases on their sides, which indicates that they play football after school.
In the middle ground, the spectators are sitting on a bench, obviously fascinated by the game, except for the dog, which is thinking about something of its own, most likely about food. On the bench, in addition to the children, an adult uncle is sitting, obviously extremely passionate about the game. He probably remembers his school days. Two girls are sitting next to their uncle. The first one - in a raincoat with a hood - also follows the game very carefully, the second one is also no less interested in what is happening. I think the second girl is mandatory. She has a small child in her arms. Two boys are sitting next to her, clearly interested in the game. The first boy bent down to better see the game, and the second craned his neck, because he could not see anything behind his uncle. Behind this boy is a girl. I think she is a good student. She is dressed in a school uniform with a bow on her head. Nearby is a boy with his little brother. I think that this boy is very responsible, he helps his mother all the time and takes care of his younger brother. All spectators are very passionate and focused on the game, even the younger brother of the last boy looks at what is happening with interest. It is possible that the dog lying next to the brothers belongs to them.
Buildings are in the background. I think the action of this picture takes place in a large city, probably in Moscow, somewhere in the golden autumn, around the time of Khrushchev, in the years 50 - 60. The sky seems cloudy to me, yes, and it's not so hot outside.
This picture symbolizes football. It depicts eleven people and a black and white dog. Eleven people symbolize the number of players in the team, and the black and white dog symbolizes a soccer ball.
In general, I liked the picture, but it would be better if it depicted the entire field and all the players.

3 essay options:

S. Grigoriev depicted the moment of playing football. In the picture of the artist - autumn, an obscure day. The bushes and grass have already turned yellow. The kids got together to play football after school.

The observers were dressed lightly.

In the background, the painting depicts an old industrial city. In the distance one could see a bluish government office with a red flag, damp residential areas, new buildings. The domes of churches are visible in the ancient city. Old buildings shrouded in mist. In an industrial city, the sky is yellow-gray. And in the old - gray-blue. The boys are playing football in the field. The makeshift football pitch has been trampled down.

Spectators watch the game closely. They are infatuated with her. To the right of the goalkeeper are the ruins of a building. Two briefcases represented the gate. From them were visible pioneer ties, corners of books. Next to the goalkeeper lay a white dog with a black ear. The goalkeeper was wearing blue football shorts and a black sweatshirt. His knee was bandaged and his hands were covered with gloves. The boy looked twelve years old (there were wrinkles on his forehead). Next to the goalkeeper was a "referee". The artist wanted to show the excitement of the game. The picture was painted in soft, muted colors in the year one thousand nine hundred and forty-nine. Despite the fact that the war ended four years ago, everyone was fond of the game.

4 essay options:

In the picture of S. Grigoriev "Goalkeeper" we see a football match, players and spectators located in a wasteland.
Of the players, only the goalkeeper is depicted, the rest are not visible in the picture. The goalkeeper, judging by the gloves put on his hands, by the face expressing seriousness, is very experienced and has stood at the gate more than once. The goalkeeper stood, waiting for an attack on his goal. He's right after school. This is clear from his briefcase, lying instead of a barbell.
The goalkeeper, players and spectators are not on the football field, but on a wasteland not intended for football.
In the background - a boy outside the gate and the audience. Probably, the boy in the red suit wants to play, but they didn’t take him, because he is younger than the players. But by the expression on his face, he really wants to play.
Spectators watch the game closely. They are infatuated with her. To the right of the goalkeeper are the ruins of a building. Next to the audience is a dog with a black ear. The goalkeeper was wearing blue football shorts and a black sweatshirt. His knee was bandaged and his hands were covered with gloves. The picture was painted in soft, muted colors in 1949. Despite the fact that the war ended four years ago, everyone was fond of the game.
It's autumn outside. The weather is wonderful, warm, because everyone is dressed lightly: in windbreakers, some - kids - in hats, the goalkeeper - in shorts.

The canvas is in the collection of the State Tretyakov Gallery and was exhibited many times at exhibitions in the cities of the USSR and modern Russia, as well as in China and the USA.

Grigoriev said that his “searchings in the field of genre painting remained empirical for a long time”, that at first he “painted everything from nature and pulled a lot of superfluous things into the picture”, but then “turned to the director’s decision”. Researchers of the artist’s work wrote that for the first time Grigoriev really succeeded in such a decision (to unite all the characters in a single action corresponding to the intention of the artist-director) precisely in the painting “The Goalkeeper”, which is so thought out, “directed” that it is perceived as a sketch of what was directly seen in life. This showed the mature skill of the genre painter. Each detail of the canvas has its own symbolic meaning, and each of its characters is convincing in its own way. However, despite the merits noted by critics, in Soviet times this picture was in the shadow of two other paintings by the artist - "Admission to the Komsomol" (the same 1949) and "Discussion of the deuce" (1950).

The painting "Goalkeeper" was created in 1949. At this time, Grigoriev was already a professor, head of the drawing department. The artist’s appeal to the children’s theme was not accidental or the first (for the first time he drew attention to his work with the painting “Children on the Beach” in 1937). Grigoriev appreciated immediacy, naturalness, liveliness of reactions in children's images. Painting technique - oil painting on canvas. Size - 100 × 172 centimeters. At the bottom right is the author's signature - "SA Grigoriev 1949", another autograph is on the back of the canvas - "SA Grigoriev 1949 Kyiv".

Painting by Sergei Grigoriev "Goalkeeper" in the exposition of the New Tretyakov Gallery, 2017

The painting "Goalkeeper" (together with another painting by Grigoriev "Admission to the Komsomol", 1949) was awarded the Stalin Prize II degree for 1950. The canvas was purchased by the State Tretyakov Gallery at the All-Union Exhibition of 1950 from the author himself. It is still in the gallery's collection. Inventory number - 28043. The painting was presented at numerous exhibitions: in Moscow (1951), Leningrad (1953), at the Traveling Exhibition in Chinese cities from Beijing to Wuhan (1954-1956), in Moscow (1958 and 1971, 1979, 1986- 1987, 2001-2002, in the "New Manege" in 2002), in Kiev (1973, 1979), Kazan (1973-1974, 1977-1978), in US cities (1979-1980), at the anniversary exhibition dedicated to 225 anniversary of the Academy of Arts of the USSR, in Moscow (1983-1984).

V. A. Afanasiev reconstructed the events that preceded the scene depicted in the painting by Sergei Grigoriev. A group of schoolchildren returning from school staged an impromptu football match, building a goal out of briefcases, bags and berets. Outside of the image in the picture, an exciting episode takes place, which riveted the attention of casual viewers, located on a stack of fresh boards. A lanky, blond-haired boy in a dark sweater, who takes a place at the gate, also drew attention to the events on the field. A. M. Chlenov drew attention to the fact that the canvas depicts early autumn, when it is still warm, but “some fearful mothers” have already dressed their children in coats. He noted that the artist did not choose the scene of the struggle for the ball, which is currently taking place, in his opinion, in the center of the field, but the very edge of the football field.

The boy's right knee is bandaged, and this, according to O'Mahoney, is a sign of devotion to his team, a willingness to sacrifice his health for her. Grigoriev relied on the metaphor “goalkeeper-border guard”, a valiant defender of the borders of the Motherland from insidious and cruel enemies, characteristic of the culture and ideology of the pre-war years (art critic Galina Karklin noted that the goalkeeper is much older than all other children depicted on the canvas, and as a student of elementary school with proudly demonstrates his football skills to the little one). However, the picture was painted in 1949, and the metaphor, from the point of view of O'Mahoney, acquires a number of additional meanings. A wasteland is depicted on the outskirts of a city or village (simultaneously outside the city and in close proximity to it, such a “defense line”, according to a British art critic, is a reference to both capitals, Moscow and Leningrad, at the very approaches to which there was a front line during the war ). The background of the picture tells about the restoration of the country - scaffolding is visible on two buildings; near, on the right, excavation work is underway; spectators sit on boards, which also serves as a hint that the match is taking place at a construction site.

Kiev Art Institute, in the garden of which, according to A. M. Chlenov, the action of the painting takes place

In her book about the work of the artist, T. G. Guryeva concluded that the background of the scene depicted in the picture is the panorama of Kyiv: St. Andrew's Church over the Dnieper, construction sites, an array of houses are visible. Art historian A. Chlenov believed that it was possible to accurately determine the very place where the match takes place. This is the garden of the Kyiv Art Institute, where at that time the artist worked at the drawing department. It is from here, according to Chlenov, that the view depicted by Grigoriev of St. Andrew's Cathedral and buildings above the steep slopes of the Dnieper, falling to Podol - the lower part of Kyiv, opens.

The audience, with one exception, are children. They look, like the goalkeeper, behind the picture frame, at the opponent preparing to strike. Some children - spectators of the match are wearing sportswear; one boy stands behind the goalkeeper and seems to be assisting him. "Gate" - school bags laid on the ground on either side of the goalkeeper. According to O'Mahoney, this indicates the improvised rather than planned nature of the event itself. Among the children, according to O'Mahoney, Sergey Grigoriev portrayed two girls (in contrast to him, Afanasyev has four girls, referring to them the smallest child, as well as a character in a lilac hood coat, Guryev considers three characters to be girls, including this the number of the character in the red hood). O'Mahony argues that the girls play a minor role in the picture. One of the girls (she is wearing sweatpants, the same as the boys) is babysitting a doll, which speaks of her more as a mother-to-be than as an athlete; the second, dressed in a school uniform, stands behind the backs of other children. T. G. Guryeva notes the diversity and persuasiveness of the psychological characteristics of children, as well as the artist's humor. Unlike Karklin, she refers the older children in the picture to adolescence (pioneer) age. A boy in a red ski suit spread his legs wide and put his hands behind his back, sticking out his stomach, he is distinguished, in her opinion, by a calm, contemplative character (they don’t accept the “kid” in the game, but he managed to join the competition, picking up balls that flew out of the line gate). Members noted that he was full of self-importance, looked down on the players (despite his small stature), he did not care which team would win the match. Both more temperamental and quite calm fans sit on the boards. A baby in a gray hood reacts animatedly to the game. A girl with a doll and a schoolgirl with a red bow in short-cropped hair are quietly watching the game. Bending down and resting her hands on her knees, a girl in a red hood is enthusiastically watching the match. V. A. Afanasiev sees an expression of complete indifference to the game only in the image of a “lop-eared dog” and “a baby wrapped in a warm scarf”. A young guy (this is how Guryev evaluates the adult character in the picture)

sits next to the small fry as they sit only at the stadium - ready to jump up at any moment, full of sports passion, encouraging the players with cries and gestures. His hat is pushed to the back of his head, the collar of his embroidered Ukrainian shirt is open, and his jacket is unbuttoned. His hand is holding a folder with papers, but he no longer remembers them, just as he does not remember the cases with which he was going somewhere. Fascinated by the game, he sat down "for a minute" and ... forgot about everything, completely surrendering to the experience of the game

The picture shows only one adult. O'Mahoney notes that the pose in which the man is depicted by the artist immediately attracts the viewer's attention: he sits with his left leg forward in the direction of an invisible opponent, his hand on his knee, repeating the position of the goalkeeper's hands. In turn, it is also duplicated by a small boy sitting to the left of the man. Judging by the clothes, the man is not a coach. The folder and documents in his right hand indicate that he is a senior official of some government agency. On the lapel of his jacket are sashes and ribbons, indicating that he participated in the last war. In the film, he plays, according to O'Mahoney, the role of a mentor, passing on the experience of his generation to children. A. M. Chlenov "recognized", in his words, a student, a young artist, "catching up ... front-line years" . At the beginning of 1940 the artist himself was drafted into the ranks of the Red Army. Until the end of 1945, when he returned to Kyiv, not a single work signed by his name appeared at art exhibitions. Grigoriev himself repeatedly proudly said that during his service in the army he did not work as an artist, but participated in hostilities as a political worker, joined the ranks.

O'Mahoney considers it no coincidence that the Stalin Prize was awarded for this picture: Grigoriev emphasizes the importance of sports in the era of "restoration of the country and the revival of the nation." The role of the older generation is brought to the fore, and its knowledge and experience are transferred by the artist "as vital for the transformation of Soviet youth into new defenders of the USSR" .

According to T. G. Guryeva, the landscape is written in an interesting, subtle way, but its drawback is the isolation of the foreground figures from the urban landscape on the horizon, which creates a feeling of some artificiality, “as if the background for a live scene in the foreground is a theater backdrop.” Guryeva notes the skillful creation by the artist of a bright, joyful color, which, according to her, conveys the artist's love for life, his optimistic mood. G. N. Karklin notes "the rusty-golden color of a warm clear day with separate decorative accents of red" . According to V. A. Afanasyev, the landscape, “full of thoughtful elegance”, does not play a dominant role in the picture, it is subordinated to the story of a breathtaking spectacle on an impromptu football field. The autumn landscape, according to him, is written "easily and freely." The art critic notes a soft, restrained coloring with a predominance of warm yellowish color. The “abundance of tactfully scattered, tonally diverse spots of red” increases the tension of what is happening on the canvas (the baby’s clothes behind the main character, the cap on the head of the “puffed up girl”, embroidery on the shirt of an adult character, pants on the girl in a hood, bows on girls and pioneer ties on boys). A. M. Chlenov noted that these red spots are balanced by cold tones, to which he attributed briefcases, goalkeeper clothes and an adult character, as well as the general yellowish color of the foliage.

According to Afanasiev, for the first time in his work, Grigoriev managed not only to unite a large number of characters in a single action in The Goalkeeper, but also to “direct” the scene so that it is perceived by the viewer as a sketch, directly seen in life. Each detail "found its place", and each character is revealed "in its own convincing way". Ukrainian art critic and literary critic Oleg Kilimnik (ukr.) noted that "each child's image presented by the master enchants with its truthfulness, authenticity, the power of childish spontaneity" .

Along with other paintings by Grigoriev, The Goalkeeper has been criticized in modern Ukraine. V. A. Afanasiev and Ukrainian art critic L. O. Lotish in their articles noted the tendency that arose among art critics to present the artist “as a cunning cynic who saddled the mare of social realism in Russian language lessons, and a detailed analysis of its use is given in the book of Doctor of Pedagogical Sciences L. A. Khodyakova, where the picture is proposed as the topic of an essay in a Russian language lesson

One of the most popular works of the artist Sergei Grigoriev - painting "Goalkeeper", which is now in the Tretyakov Gallery. It was written in 1949, only four years have passed since the Great Patriotic War.

By that time, the country had not yet recovered from the devastation, the standard of living of most people was low, but peaceful life was filled with hope and optimism. The picture “Goalkeeper” tells us about this. It is dedicated to children's passion for football, but at the same time conveys the atmosphere of that time, difficult and at the same time happy.

Football was the main love of the boys of those years, their greatest hobby. Football was played in yards, in parks, just in wastelands, as depicted on the Goalkeeper canvas. The main character of the picture is a boy standing on the gate. Although the artist did not place it in the center, he gets all the emotional load of the picture. The goalkeeper is standing in a tense pose, it seems that the outcome of the match will depend on his quickness and dexterity. It can be seen from the boy that the role of a goalkeeper is familiar to him, he is a good and reliable goalkeeper.

There are no gates, they are “depicted” by two briefcases located where the bars should be. This suggests that the children after school did not go home, but moved to the wasteland. The inconvenient surface of the field, which occupies the foreground of the picture, does not confuse the players. In those years, few people were lucky to play on good green fields. We do not see how events unfold on the playing field, the artist deliberately brought this action out of the picture. Only by the posture of the goalkeeper, by the expression on the faces of the spectators, we can guess that the players of both teams have to fight for victory, it will not come just like that.

But how many spectators the match attracted - those who were not taken to the team by age are enthusiastically watching the game. They settled down either on a fallen tree, or on a stack of planks. The children were joined by an adult spectator, perhaps a bystander. A guy in a red suit is standing behind the goalkeeper, he is not yet taken to the team, but he would very much like to play, his whole appearance speaks of this. And only the dog, curled up in a white lump at the feet of one of the spectators, is indifferent to the game.

The events depicted in the picture take place on a bright, fine day in early autumn, the distance is clearly visible. In the background, we see construction sites: high-rise buildings are being erected, which will soon become symbols of Moscow. This building landscape adds optimism to the overall mood of the picture.

Composition based on the painting "Goalkeeper"

The painting “Goalkeeper” was painted by the Soviet Ukrainian artist Grigoriev S. A. in 1949, for which he received the Stalin Prize in 1950, along with his other painting “Admission to the Komsomol.

The characters of many of the artist's paintings are children, and one of his best paintings about children is the painting "Goalkeeper". In the picture we see children playing football in the school yard. The time of action is most likely early autumn, late September, early October. This can be judged by the dark sky and yellow leaves on the trees, but it is still quite warm, judging by the clothes of the children, the beginning of the school year. The football field, of course, is the simplest, as usual, the guys' bags serve as the boundaries of the field.

The main character of the picture is the goalkeeper, a lanky and bright boy, he is about 12 years old. All his clothes are like a real goalkeeper. He is dressed in a sports shirt, old frayed shorts, sneakers on his feet, and leather gloves on his hands. He, like a real goalkeeper, has his knee bandaged to prevent injury when falling behind the ball. The boy stands in a tense position, legs apart, hands resting on his knee, he is ready at any moment to either parry the blow or jump and catch the ball flying into the goal.

Behind the goalkeeper is a boy in a red uniform, this is probably a reserve goalkeeper, he dreams of changing the main player and standing at the gate, but he is not accepted into the game yet, he is still small, he is probably 10 years old.

In the picture, in addition to the players, spectators are also shown who are rooting for their team. They settled down on an impromptu tribune - these are folded boards. Spectators of different ages, there is a middle-aged man in a suit and hat, apparently walked by, got carried away with the game and is now a fan of one of the teams. On his chest he has order straps, a former front-line soldier. But the boy in the dark suit and the girl in the red hood get sick the most. The rest of the kids are more relaxed. Girls in school uniforms are also sick there, apparently, they have not yet had time to go home to change. All spectators are looking in the same direction, they will probably take a penalty now, and that is why the goalkeeper is so tense.

Here we see a white dog, curled up in a ball, and, as it were, also watching the match.

In the background of the picture we see an old industrial city, this is most likely the outskirts of Moscow, government offices with a bluish red flag, old residential areas and new buildings are visible. You can barely see the heads of the church in the distance.

Time is changing, then the children played football, ran in the fresh air, and today you can’t tear yourself away from a computer or laptop. They would also like to look at this painting by Grigoriev S., and then they will be pulled out into the street, into the fresh air.

Sections: Russian language

Class: 7

Lesson Objectives:

• prepare students to describe the actions of the people depicted in the picture;
• consolidate the ability to use gerunds in your speech;
• collect material for writing an essay on the picture;
• to give an idea of ​​the composition of the picture as one of the means of expressing the artist's intention.

Lesson equipment:

multimedia Presentation to the lesson, reference summary.

Story about the artist.

Sergei Alekseevich Grigoriev - People's Artist of Ukraine, was born in Lugansk (Donbass) in a large family of a railway worker.

He gained wide fame as the author of works on the theme of family and school. The best canvases of the artist dedicated to children. Among them are famous paintings: “Discussion of the deuce”, “Fisherman”, “First words”, “Young naturalists”. The well-deserved fame was brought to the artist by the painting “Goalkeeper”. The author was awarded the State Prize.

Painting conversation:

What time of year and day is shown in the picture? How did you define this?

(Autumn. Castings turned yellow and fall from the trees. They are scattered on the ground. The artist depicted a fine autumn day, probably noon, because the shadows from people and objects are short, straight. The sky is clear, it feels like the sun is shining.)

Where does the action in the picture take place?

(The guys play on an empty playground behind the house, not on a real football field: they “built” the goal, returning from school, from briefcases, bags and berets.)

Who is the main character in the picture?

(Goalkeeper boy)

How did the artist portray the goalkeeper? Describe his posture, figure, facial expression, clothes.

(The goalkeeper is leaning on his knees, standing, bending in a tense position, waiting for the ball, watching the game with concentration. It can be seen from his posture that the ball is far from the goal. But the goalkeeper is ready at any moment to enter the game and defend his goal. The boy wants to be like on a real goalkeeper, he tries to imitate them even in clothes: he is wearing a dark sweater, short pants, large leather gloves on his hands, lowered socks on his feet, galoshes tied with a ribbon, his knee is bandaged, probably, he often had to fall defending his goal. It can be seen that the goalkeeper is a brave, fearless boy.)

Describe the little boy who stands behind the goalkeeper.

(Behind the goalkeeper in a calm pose, with his hands behind his back and sticking out his stomach, is a kid in a red ski suit. He also considers himself an expert in football, he wants to take part in the game, but he is not accepted yet).

How did the artist show the audience's interest in playing football? Who is particularly passionate about what is happening? Describe them.

(The eyes of all spectators are directed to the right, on the field, where there is a tense struggle for the ball. An adult fan who happened to be here by chance (he is not dressed to sit on the boards in the yard: in a smart embroidered shirt, order strips on the lapel of his jacket, a folder in his hand with papers, a hat on his head), completely captured by the spectacle of the game, he himself will rush into battle. The boy in a dark green ski suit with a red tie is also very passionate about the game. He looks with his head stretched out and his mouth open. The boy is closely watching the game with a baby in her arms and a girl with a red bow on her head. Other girls - with a doll, in a red cap, in a hood - are more calmly watching what is happening, although they do not take their eyes off the game).

Who is indifferent to what is happening on the field?

(A baby wrapped in a warm scarf and a lop-eared dog curled up at her feet).

Why is the painting called The Goalkeeper?

(The goalkeeper is the main character in the picture. The artist showed a brave enthusiastic goalkeeper who arouses our sympathy).

What do you think the artist wanted to say with his painting, what is its main idea?

(Football is interesting for everyone.
Football is my favorite sport.
Fearless goalkeeper on the experience of his goal.)

Unlike the writer, the artist depicts one specific moment in the picture. It is curious that S.A. Grigoriev did not depict the football match itself in his picture: from the tense posture of the goalkeeper, from the expression on the faces of the spectators, we guess that the game is now at an acute moment on the field. To reveal his idea, the artist uses such means of painting as color, lighting, composition.

Consider how the picture is built. Where - in the foreground or in the background - was S.A. Grigoriev of the main character, the goalkeeper?

(The goalkeeper is depicted in the foreground, almost in the center of the picture, separate from other team players. He is clearly visible and immediately catches the eye, attracts our attention)

Who is in the background of the picture?

(Children and a young man, while they are located so that everyone is clearly visible)

What do you see in the background?

(City, huge buildings, residential buildings)

Let's pay attention to the details in the picture (the gate made of briefcases, bags and hats, the bandaged knee and the goalkeeper's leather gloves, etc.), let's find out their role in revealing the artist's intention.

What colors and shades did the artist use to emphasize the cheerful nature of the event depicted in the picture?

(Warm colors and shades of yellow, light brown, red. The ground is light brown, on the bushes and on the field the leaves are golden, orange, the boards on which the fans sit are light yellow. The boy who stands behind the goalkeeper is wearing a red suit, a hat on a girl, embroidery on a man's shirt, a bow on a schoolgirl, ties... These colors and shades help to convey the tension of the depicted action, please our eyes, and contribute to a cheerful, good mood.)

Do you like this picture?

(Yes, because everything is depicted on it as it happens in life. I would like to be on this field myself and play football.)

vocabulary work. In order to prevent spelling errors, the spelling of words such as football, competition, match, leather gloves, jacket, sweater(pronounced hard [t]), hood, in a light haze, outlines of construction sites.

Fascinating match, football competition, bend slightly, start the game, react quickly, take possession of the ball, attack the goal, cover the goal, fearless goalkeeper, without touching the ball with his hand, rubbing his bruised knee with his hand

1. Select the appropriate adverbial phrases.

1) The boy went to the gate ....
2) No one could, with such sharpness as a player, rush from a place and ... slow down just as unexpectedly.
3) He powerfully accelerated and ... struck on the move.
4) ... sharply stretched his hand forward, indicating where he would hit

Before reaching the ball two steps, just before the blow; without losing the ball; slowing down and changing direction; without changing the rhythm of steps, not semenya.

2. Name the adverbs that can be used to describe the posture and actions of football players. Make up phrases with them.

(Possessing the ball, throwing the ball, throwing the ball, scoring a goal, attacking the goal, attacking the goal, closing the goal, covering the goal, rushing to the goal, bending slightly, putting the foot back, rushing from the spot, starting a long run, starting the game, reacting quickly, immediately slowed down.)

First, let's name the main subtopics of the story, for example:

1) place and time of action;
2) athletes;
3) spectators;
4) the artist and his picture.

We emphasize the conditionality of the named sequence of description and the possibility of a different construction of the story, for example, it can start with a message about the artist, then describe the athletes, then the audience, at the end - the time, place of action, etc.

After that, we propose to turn the description scheme into a plan, i.e., to specify each point of the scheme, to make it more meaningful. As a result of such work, students write down (on their own) a plan for describing the picture, for example:

1) Behind the house on a fine autumn day.
2) Fearless goalkeeper and his assistant.
3) Spectators “get sick” in different ways.
4) The skill of the artist: successful composition, expressive details, soft coloring of the picture.

1) The theme and main idea of ​​the picture.
2) Description of the painting by S.A. Grigorieva "Goalkeeper":

a) in a wasteland on a fine autumn day;
b) a fearless goalkeeper;
c) a boy in a red suit;
d) fans and spectators.

3) Features of the composition of the picture.
4) The role of details in the picture.
5) The color of the picture.
6) My attitude in the picture.

Grigoriev - Goalkeeper Grade 7

In the center of the picture, the goalkeeper is a fair-haired boy in blue shorts, a dark sweater and gloves. His posture emphasizes dedication and purposefulness. Behind him stands a boy in a bright suit and looks with delight at his idol - the goalkeeper. The rest of the audience sat on the boards. From their tense poses and close attention, it is clear that the game is truly exciting.

Among the spectators is an adult man in a suit, hat and shiny boots. It can be seen that he was passing by, sat down for a minute and became interested in the game. A baby in a coat, wrapped in a scarf, a girl with a doll in her hands - even they are carefully watching the game. The only impassive participant in the action is a white dog curled up at the feet of the audience.

In the background of the picture, the outlines of the city are visible against the background of a light blue autumn sky. Signs of early autumn - fallen yellow leaves, bare branches of a tree. The artist uses bright colors: shades of yellow, green, red, blue.

The skill of the famous artist allows viewers to immerse themselves in the atmosphere of life after the war. Despite the difficult times, people knew how to rejoice and feel the fullness of life.

The painting "Goalkeeper" allows us to plunge into the world of childhood of our parents, when, having gathered after school, schoolchildren played football. Thanks to the talent of the artist, we can see the details of the life of our peers in the middle of the last century. A wasteland on the outskirts of the city - a familiar place for games, as evidenced by trampled grass - the guys turned into a football field. Gates - carelessly thrown briefcases, visual places - stacks of boards. The children are dressed in unusual for us school and sports uniforms.

Description of the painting Goalkeeper

Sergei Alekseevich Grigoriev is an outstanding Soviet artist. During his lifetime, his talent was greatly appreciated, as evidenced by the numerous awards of the painter. His most famous work is the painting "The Goalkeeper", which in our time has found refuge in one of the expositions of the Tretyakov Gallery. The Tretyakov Gallery has two more of his canvases: "Discussion of the Two" and "Returned". Other paintings by Sergei Grigoriev can be seen in many art museums in Russia and Ukraine, where the outstanding painter was from.

The main character of the picture

The painting “Goalkeeper” depicts a scene familiar to our yards: boys play football. The artist did not show us the whole field, but focused on only one character - the goalkeeper of one of the teams. This made it possible to convey as best as possible the goalkeeper's tension, which he experiences while watching the game. Just one look at the boy is enough to understand what kind of confrontation is going on. Not a single team, even a yard one, wants to give victory to its opponent. In case of victory, the boys do not expect cups and medals, but nevertheless the guys fight to the last.

The audience in the painting

In addition to the main character, other characters are also depicted in the picture: fans and those who were not taken to the team. The latter includes a boy in red, standing behind the gate. His posture and facial expression indicate that he really wants to be on the field. But apparently due to his age, the older guys did not allow him to play. Probably the guy in red serves the balls - so he can somehow join this match.

Children play in an ordinary wasteland right after school. Apparently, not all of them have good grades from school, and therefore they decided to play the match without going home - all of a sudden, parents will not let me play because of the deuce. The guys' briefcases have found their use, they have become improvised bars.

The picture was painted in 1949. The war has just ended. During this difficult time, restoration work was still underway. Construction is underway somewhere nearby. This is evidenced by a stack of boards on which the fans sit. But even in difficult times there is room for joy. Football brings it to both players and fans.

This picture is another confirmation that football is really a game of millions, which is played by everyone, everywhere and always. The artist skillfully conveyed the emotions that people experience while watching matches, albeit amateur ones.

Composition reportage on cratine Goalkeeper Grigorieva

The picture of the goalkeeper, painted by the artist Sergei Grigoriev, is rightfully located in the Tretyakov Gallery. The master depicted amateur football so colorfully and believably that after a while, the picture does not cease to attract the eyes of enthusiastic people.

Indian summer had begun today, and it was a warm autumn day outside. The boys decided to play football. Lessons at school ended, and they went to choose a deserted place for the game. The gates were built from their bags and briefcases. The guys from the neighboring yard came to support the players, as well as a random passer-by. In his youth, he himself loved to kick the ball, and now enthusiastically watches the growing tension.

They decided to put the most experienced player on the gate, the outcome of the game depends on him. He is the main character of the whole game and picture. The boy is trying to look like a professional goalkeeper, this is evidenced by his stance and the appearance of his clothes. The boy is dressed in a dark-colored sweater, comfortable shorts, special leather gloves on his hands, comfortable shoes and lowered socks, all this emphasizes the seriousness of his intentions, not to miss a single ball. The boy, like an experienced goalkeeper, took care of himself, he bandaged his injured knee before the responsible match. We don't know if his knee is badly damaged, but he was determined to play. The team has high hopes for him and he can't do otherwise. Sport made him strong and responsible.

Behind the goalkeeper, there is a small boy in a red suit. He closely watches the game, he also wants to kick the ball, but they don’t take it. His enthusiastic look shows that he really likes this sport. He will certainly play when he grows up a little.

It can be seen from the faces of the audience that they are very passionate about the game. The decisive moment has come and everyone is anxiously awaiting the outcome of the game. Even a passer-by gets nervous.

Not in vain, the artist depicted a boy as the main figure of his creation. So confident and obliging, he will definitely catch the ball, and his team will win this game.

Usually given in 7th grade.

Composition description of the painting Goalkeeper Grigoriev Grade 7

Recently we were in the Tretyakov Gallery, and my attention was drawn to the painting by S.A. Grigoriev "The Goalkeeper". I learned from the guide that it was written in 1949 and won high awards. S.A. Grigoriev created many paintings that are today in various museums in Ukraine, Russia, Bulgaria and Japan.The theme of childhood is one of the most favorite for the artist.The canvases "Discussion of the deuce", "Admission to the Komsomol", "Young naturalists", "Pioneer tie" and many others are dedicated to children.

Let's talk about the picture Goalkeeper.

In the picture, I see a tense moment of the game ... You can feel the tension right away! Probably a penalty shootout or something like that happens. I am not very strong in football, but everything is clear from the tense postures of the players and spectators.

The picture is called “goalkeeper”. Not in the middle, but slightly on the edge of the main character. A boy of eight years old, hands on his knees - waiting for the ball to hit. There is no gate behind it, but this is a simple yard game, so it's not surprising. The guys just agreed that the gate is "here". Behind him is another serious boy in red, he is younger. I think that he is entrusted with catching the ball if the elder does not cope. And all so that the windows are not knocked out if the ball flies out of the "gate"!

On the other hand, the audience. There is even an adult here, probably a young teacher. He keeps a close eye on the game. There is also a girl - a schoolgirl. Under the feet of the guys lies a dog - she does not care about all this. There is a boy here with a younger brother or sister - a very small child. But the baby is also watching. Everyone stretches, bends, catches the ball with their eyes. Briefcases and textbooks are discarded, the game does not wait!

Autumn - yellow grass and leaves. Some children are wearing hats and hoods. But these are all spectators - it's cool for them to sit. The children have definitely gone to school (the girl is in uniform), but have not yet lost the habit of playing in the yard. And soon it will become quite cold, it will rain, so, probably, they want to play enough now. In addition, this match may be the last one this year. And it is very important who will go on the "football holidays" as a champion. Maybe two teams from neighboring yards have been playing all summer!

This is how I throw my briefcase when my favorite show is on TV and I'm late. Mom swears ... But she also does this when she is late to watch her favorite show.

• Kiprensky O.A.

  Kiprensky spent his childhood in a family of serfs, his mother was a serf, and his father was a landowner Dyakonov. At the age of 6, having received his freedom, he goes to St. Petersburg. He paints portraits of such famous people as Zhukovsky, Krylov, Vyazemsky and many others.

  Many paintings and works can tell and describe the customs and traditions of each nation. One of these works is the painting "Kazakh Waltz". The author of the work is Gulfairuz Ismailova