Who is Goddess Kali? Kali the Dark. Goddess of violent death and motherhood

As the greatest force of time, the energy of Kali creates the various Yugas or eras of the existence of the world that humanity passes through in the process of long cycles of cosmic evolution.

Kali is the Goddess of eternity, observing all our changes and promoting those who help our spiritual growth.

More specifically, Kali is Yuga-Shakti or that energy, the force of time, which transfers humanity from one world era to another. She is busy maintaining the spiritual energy of the planet in both light and dark eras.

The Dark Goddess is not just a Hindu deity, she is a universal, world form of the Mother who is the true ruler of this world. The awakening and turning to the Goddess that is happening today on a global level is, speaking from a yoga perspective, the awakening of the energy of Kali.

The Mother Goddess as the dark, mystical and transcendental Devi (goddess - translated from Sanskrit) holds the key to the true power and present of the universe in all its manifestations. Kali re-enters the human realm and the Earth realm to work magic and evoke feelings of awe and reverence.

The Goddess causes all changes on the planet, awakening the Shakti (energy) of the planet and stimulating not only individual, but more global planetary consciousness. Modern natural and other disasters that are currently occurring all over the planet are a manifestation, an indication of the all-changing power of Kali, pushing humanity to break with divisive beliefs and end our destructive activities that are already threatening all life on the planet .

Until we make these crucial inner changes and put an end to our destructive relationships and actions, we will face the worldwide wrath of Kali on a global level, and the threat of universal catastrophe will only increase as time goes on, until then we will be faced with a choice : either radically change your life, or disappear from the face of the earth as a species. To accept the challenge of Mother Kali, we must change internally and give up our attempts to control the external world, directing our efforts first to understanding ourselves.

Currently, our civilization does not pay due respect to the Devatas, the cosmic forces of the Gods and Goddesses, personifying the sacred forces of nature on which the well-being of our existence depends. Intellectuals and scientists belittle the importance of the Deities by whose grace we are able to function, and replace their meaning with errors of philosophy, politics or anthropology, which in fact are only a reflection of ordinary human behavior, which does not carry anything sacred. Religions, hiding behind the name of God, indulge in politics and strive to establish their creed as the dominant one in the world, instead of spreading the message of love, unity, the mercy of the Mother, and the possibility of self-realization.

Meanwhile, even the bulk of those who attempt to practice Tantra have reduced its status to little more than black magic, and use the spiritual world to achieve their own material goals and the goals of their paying clientele. It seems that exploitation for commercial purposes and self-promotion have “invested” the very essence of the yogic tradition on all fronts.

True Dharma, natural and universal principles, is present only to a small extent in those who are trying to save the planet. We see a large number of disgruntled "angry" activists looking to blame someone else for the world's problems, yelling and cursing at others, rather than being truly peace-loving stewards whose goal is to unite us for the greater good. for all.

We continue to divide humanity in the name of religion and politics, fighting each other, while everywhere we continue to devastate the planet, plundering its resources and polluting its lands, water and air.

In order to move our planet into a new, spiritual era, into a new world era of higher level consciousness, we must gain Shakti or the ability to do this. We need strength, knowledge, sincerity and mercy from higher powers. We cannot independently rise above our human, social and psychological problems, because our behavior and state of consciousness exist only within these limits. For this to happen, we must humbly seek the mercy of the Mother, especially in her aspect as Kali, the Mother as the controller of all time and change.

We need new energy, Shakti, to make the necessary global changes, a new message, an impulse of spiritual power from the Mother Goddess. In order for this to happen, we must first of all accept Shakti into ourselves, into our own minds and hearts, and learn to live in harmony with its rhythms and transformative vibrations, allowing it to purify and change our own, primarily psychological nature .

The power of the Divine Feminine is also necessary to facilitate the new birth of higher consciousness in the world, not only at the level of individuals, but also at the level of the entire planet. We must recognize the Goddess in all her forms, of which her changing manifestation as Mother Kali is perhaps the most important. We need the grace of the feminine, gentleness and kindness to ease the pain and anger that burns us from within, the fire of which has been fueled for many generations by greed, vanity and ignorance.

We need to rise above the vicissitudes of human passions and needs by opening our hearts to the life-giving power of Shakti Kali. Mother Kali strives for us to fully experience and feel her energy, as this will make our lives meaningful for the progress of our souls. We can feel its mystical power again fully manifested in this unsettled, transitional era. She patiently seeks those who can carry out her merciful will.

In order for true renewal to come, everything old must go. This is the work of Kali energy or the force of time. But this is not just some external factor in the destruction of evil in people through good. Currently, we predominantly live in a “gray zone” where purity of heart is practically non-existent. Meanwhile, no soul is inherently evil; the good essence can be resurrected in her if we do it at the right time under the right circumstances. We must get rid of the weakness, judgment, pity and limitation within ourselves.

Negative forces (Asuras, demons) currently have the advantage, but often the darkest time of the night comes just before dawn, and everything negative must manifest itself outwardly before it can be completely eliminated. There is no undivine force or power that Mother Kali could not find a counterbalance to, could not absorb and dissolve in the higher world.

In these times of chaos and strife, the highest divine power must be revered. We must, in our vision, rise above the level of our current historical situation to the level of cosmic forces. The inevitable ecological changes that are already taking place are intended to enable us to take refuge in these benevolent and all-powerful cosmic forms, to force us to recognize our own dependence on the supreme universe and its divine essence. The presence of Devata, the supreme divine force, will again manifest itself as a surge of merciful energies that will bring a peaceful existence to humanity and the entire Earth.

Mother Kali is the supreme manifestation of the power behind all spiritual and yogic movements. Mahadevi Kali is Yuga Shakti, the energy of this era, which proclaims a new yoga movement that awakens the power of Shakti. Her role had already been revealed earlier in this era by great prophets and teachers. People like Ramakrishna, Yogananda, Aurobindo, Anandamayi Ma and many others who performed their deeds thanks to the power of the Mother Goddess.

There is an urgent need for new avatars and forms of Kali energy, for a revival of her worship and for a new, even greater flow of her grace. Kali holds the key to our future as a species and to the destinies of our souls. Mother Kali has the power to raise humanity to a new level of development, but first we must discover her as the Universal Mother, resting in the fire of the spiritual heart within us.

We should embrace the cleansing fire of Kali so that she can raise us to a new level of enlightenment, which alone will help solve our personal and global problems. Those who can endure the test of Kali's fire and bear it can bring new knowledge to the world. They will reveal a vision of the future, which lies in harmony with eternal truth and universal harmony.

Translation from English:
Shanti Natkhini (Maria Nikolaeva)

The Sanskrit word “kala” means “death” on the one hand and “time” on the other.

According to the Mahanirvana Tantra, “time, or kala, devours the whole world during cosmic dissolution - pralaya, but Kali devours even time itself, which is why she is called the word Kali.” Goddess Kali is the highest Goddess, the night of eternity, the devourer of time.

“Her appearance is terrible. With disheveled hair, with a garland of freshly severed human heads. She has four arms. In her upper left hand she holds a sword, freshly sprinkled with the blood of a severed head, which she holds in her lower left hand. The upper right hand is folded in a gesture of fearlessness, and the lower right hand is folded in a gesture of bestowing favors. Her complexion is bluish and her face shines like a dark cloud.

She is completely naked, and her body glistens with blood flowing from a garland of severed heads around her neck. She has earrings made from corpses in her ears. Her fangs are monstrous, and her face expresses rage. Her breasts are lush and round, she wears a belt made from severed human hands. Blood trickles from the corners of her mouth, adding shine to her face.

She emits piercing screams and lives in places where corpses are burned, where she is surrounded by howling jackals. She stands on the chest of Shiva, who is lying in the form of a corpse. She desires sexual union with Mahakala in an inverted position. The expression on her face is satisfied. She smiles. She shines like a dark cloud and wears black clothes."

Kali is the only one among the goddesses who fully reveals the nature of the ultimate reality and symbolizes a completely enlightened consciousness. The principle of destruction, which is personified in Kali, is aimed at getting rid of ignorance and illusion.

Kali is also a symbol of female self-sufficiency and emotional independence; in Kali Tantra it is indicated that even in sex, Kali occupies the position on top, that is, the male one. Kali has enormous sexual power. In later texts, especially the Tantras, she appears as sexually aggressive and is often depicted or described in sexual union with Shiva. In her Sahasranama Stotra (a hymn listing the names of the deity), many names emphasize her sexual voraciousness or attractiveness.

Among her names:

• She whose essential form is sexual lust
• She whose form is yoni
• She who resides in the yoni
• Garland-decorated yoni
• She who loves the lingam
• Living in a lingam
• She who is worshiped with seed
• Living in the ocean of seed
• Always filled with seed

In this regard, Kali violates the concept of a controlled woman who is sexually satisfied in marriage. Kali is sexually voracious and therefore dangerous.

Kali embodies freedom, especially freedom from social norms. She lives outside the boundaries of normal society. She prefers cremation grounds, places that are usually avoided by normal members of society. She lives in forests or jungles, among savages. Her flowing hair and nakedness suggest that she is completely out of control, completely free from social and ethical responsibilities and expectations. For the same reason, she is an outsider, outside of convention.

Two features typical of Kali's appearance—her flowing hair and protruding tongue—seem to be appropriate expressions of her “otherness,” her unconventional, boundary-pushing, role-breaking, liminal character. In iconography, she is almost always depicted with her mouth open and her tongue hanging out. In her early history, where she is depicted as a savage, bloodthirsty goddess living on the edge of civilization, or as a fierce demon-slayer drunk on the blood of her victims, her protruding tongue, like her figure, seems to indicate her lust for blood. She sticks out her tongue wildly to satisfy her wild, all-consuming appetite.

Kali's protruding tongue has two main meanings in the context of Tantra: sexual gratification and the absorption of the forbidden or polluted. In Dakshina-Kali images, Shiva is sometimes shown in an erect state, and in some dhyana mantras and iconographic images of Kali she is in sexual union with him. In both cases, her tongue is stuck out.

Kali's gaping mouth and protruding tongue, her appearance and habits are disgusting to our ordinary sensibility. Perhaps this is precisely the main thing in tantra. What we perceive as disgusting, dirty, forbidden, ugly, is rooted in the limited human, or cultural, consciousness that has ordered, structured and divided reality into categories that serve limited self-centered, selfish concepts of how the world should be. Kali, with her rawness, rearranges these categories, inviting those who would like to learn from her to be open to the whole world in all its aspects.

She encourages her admirers to dare to taste the world in its most disgusting and forbidden manifestations, in order to discover at its core the unity and holiness, that is, the Great Goddess herself.

Kali's loose hair marks the end of the world, it flutters in different directions; there is no more order; everything turned into chaos. The “braided braid” of the social and cosmic order ends in the wild, loose, flowing hair of Kali. In certain circumstances, almost always involving desecration and pollution of one kind or another, Hindu women let their hair down. In particular, they do this during menstruation. The Mahabharata refers to the well-known prohibition of wearing one's hair braided during menstruation and not braiding it until after the ritual bath that ends the period of impurity. In addition to keeping their hair unkempt during menstruation, Punjabi women also let their hair down during the period following the birth of a child, after sexual intercourse, and after the death of a husband. Thus, women let their hair down while in a state of impurity.

Kali's four arms symbolize the full circle of creation and destruction that is contained within or embraced by her. It represents the inherent creative and destructive rhythms of the universe. Her right hands, folded in the gesture of “fear not” and the bestowal of boons, symbolize the creative aspect of Kali, and her left hands, holding a bloody sword and severed head, symbolize the destructive aspect.

Her three eyes represent the sun, moon and fire, with which she can control three modes of time: past, present and future. The bloody sword and severed head also symbolize the destruction of ignorance and the descent of knowledge. This sword is the sword of knowledge, or selfless sadhana, cutting the knots of ignorance and destroying false consciousness (the severed head). With this sword, Kali opens the gates of freedom, cutting the eight bonds that bind people. Besides false consciousness, a bleeding severed head also signifies the outflow of the guna of rajas (passionate tendencies), which completely purifies the adept, who is filled with sattvic (spiritual) qualities in his awakening to truth.

Kali's protruding tongue and sharp fangs represent the victory won over the power of rajas (red tongue) by the power of sattva (white teeth). Thus, Kali consists entirely of sattva and is completely spiritual in nature, transcending all impurities contained in the other gunas.

Kali's blackness also speaks of her all-encompassing, all-consuming nature, since black is the color in which all other colors disappear; black absorbs and dissolves them. Or it is said that black symbolizes the complete absence of color, which again signifies nirguna - the absence of characteristics - the nature of Kali as the ultimate reality. In any case, Kali's black color symbolizes her transcendence of all forms.

Kali's nakedness has a similar meaning and indicates that she is completely beyond name and form, beyond the illusory influences of maya and false consciousness, that she is completely transcendental. It is believed that her nakedness represents a completely enlightened consciousness, unaffected by maya. Kali is the shining fire of truth, which cannot be hidden under the veil of ignorance represented by Maya. This truth simply burns them.

Kali's home - a place of cremation - has a similar meaning. At the cremation site, the five elements are dissolved. Kali resides where dissolution occurs. In the sense of reverence, ritual worship and sadhana, it means the dissolution of attachments, anger, lust and other enslaving emotions, feelings and ideas. The devotee's heart is where this burning occurs, and Kali resides in the heart. The devotee places her image in the heart and under its influence burns all limitations and ignorance in the funeral pyre. This inner funeral fire in the heart is the fire of knowledge, jnana agni, which is bestowed by Kali.

Kali standing on Shiva represents the blessing she gives to her devotees. Shiva represents the passive potential of creation. In yoga philosophy he is purusha, lit. "man", the unchanging, characterless aspect of reality, while Kali is the active prakriti, the nature of the physical world. According to this view, Kali and Shiva together symbolize the ultimate reality.

Another interpretation of Kali standing on Shiva or having sex with him in an inverted position says that this symbolizes the involution of meditation, the means by which man “recreates” the universe in order to experience the blissful union of Shiva and Shakti.

The overwhelming presence of death imagery in all descriptions of Kali can also be understood as a symbol of the transformative nature of the goddess. It makes you think about the main thing in life, removing the husks and unnecessary things.

Goddess Kali (meaning “black”) is the personification of death and destruction in Hinduism.

She is usually depicted wearing a necklace of skulls, a loincloth made from severed arms, her tongue hanging out dripping blood, and holding a severed head.

In time immemorial, the asura Mahisha performed penance for a long time and received the gift of remaining invisible to everyone except a woman. Then he overthrew Indra from the heavenly throne and himself reigned over the world. The gods, unable to bear this humiliation, came to the rulers of the world Brahma, Shiva and Vishnu with a prayer to save them from the atrocities of the demon. The flame of anger burst out from the mouths of the gods and merged in a fiery cloud, uniting their powers. From it arose a woman whose face became the flame of Shiva, her hands the power of Vishnu, and her belt the power of Indra. Her eyes were created by Agni, the god of fire; eyebrows are the divine twins of Asivina; teeth - Brahma, hips - the earth goddess Prithivi, ears - the wind god Vayu. The celestials armed her with a bow and arrows, a trident and an ax, a club and a noose. The goddess issued a war cry and, riding a lion, rushed into battle. Thousands of enemies, led by Mahisha, attacked her, but the Goddess, as if playfully, repelled their attacks, and from her breath hundreds of new warriors emerged and rushed into battle. The formidable warrior cut down the demons with a sword, stabbed them with a spear, threw arrows at them, threw a noose around their neck and dragged them along the ground. Cliffs and mountains shook, rivers of blood flowed, the sky darkened. But suddenly the goddess jumped into the air and fell on Mahisha from above. She stepped on his head and pinned his body to the ground with a spear. Mahisha tried to take on a different form and elude the formidable goddess, but she cut off his head with a sword.

Celebrating her victory, Kali began to dance. Her movements became more and more impetuous, everything around shook, and the world was threatened with destruction. The gods begged Shiva to stop the frantic dance of the goddess, but even he was unable to calm her down. Then Shiva lay down on the ground in front of Kali, and she, continuing to dance, trampled on him until she realized what was happening and stopped dancing. Kali has two sides: creative and destructive. Under the name Bhowani, she carries within herself a destructive streak. She demands that animals be sacrificed to her because she draws energy and strength from living beings, but no one can kill without her permission. In the incarnation of Durga, she destroys evil. If one wants to enlist her help in the fight against demons, he must present the goddess with a buffalo.

Goddess Kali is one of the forms of Devi, or Durga, the wife of Shiva; the personification of the formidable aspect of his divine energy - shakti.

Kali is known for her destructive power, as evidenced by her many names. Sri Ugraprabha (Radiating Fury), Sri Naramandali (Clad in a Garland of Skulls), Sri Krodhini (Cosmic Wrath) - all these names indicate her anger. But Kali is also called Sri Vilasini (Ocean of Joy), Sri Bhogavati (Supreme Giver of Joy in the World), Sri Manorama (Highest Divine Grace and Charm) due to the fact that she symbolizes the protection of humanity from evil, maternal love and care.

She is depicted as a thin, dark-skinned woman with four arms and long hair. Usually naked or dressed in panther skin. In her upper left hand she holds a bloody sword, destroying doubt and duality, in her lower left hand she holds a demon's head, symbolizing the cutting off of the ego. With her upper right hand she makes a protective gesture that drives away fear, while with her lower right hand she blesses for the fulfillment of all desires.

Four hands symbolize 4 cardinal directions and 4 main chakras.

The three eyes of the goddess control the three forces: creation, preservation and destruction. It also corresponds to the three times: past, present and future, and are symbols of the Sun, Moon and lightning. She is wearing a belt made of human hands, which symbolize the inexorable action of karma. Its dark blue color is the color of endless cosmic, eternal time, as well as death. This symbolism draws attention to the superiority of Kali over the mortal realm.

The Mahanirvana Tantra says: “Black color contains white, yellow and all other colors. In the same way, Kali contains within herself all other beings.”

The color black symbolizes the unclouded state of pure consciousness. The garland of skulls with which it is decorated means a series of human incarnations. There are exactly 50 skulls - according to the number of letters of Sanskrit, a storehouse of power and knowledge. The head that Kali carries represents the ego, the idea “I am the body,” which she destroys. The skulls also show her ability to free the mind from identifying itself with the body. This garland symbolizes wisdom and strength. The tousled hair of the goddess Kali (elokeshi) forms a mysterious curtain of death that envelops all life. The corpse on which she stands indicates the transitory and inferior nature of the physical body. The blood red tongue symbolizes the guna rajas, the kinetic energy of the universe, symbolized by the color red.

Kali resides in anahata. It interacts with the physical heart; in this form it is called Rakti-Kali (red Kali), the pulsation of the heart. But beauty is not only charm, it is also horror and even death. Kali – unattainable beauty, unrewarded love. Beauty is incomprehensible because it has no form. Kali symbolizes eternal life. Eternal life has a price. Only that which is immortal can be infinite, since nothing can change its nature. The mortal and transitional process will end sooner or later. To benefit from the eternity that is Kali, we must sacrifice our mortal nature. Therefore, Kali appears frightening and destructive to the ordinary eye.

Kali is a many-faced Goddess who presides over life from the moment of conception to death. It symbolizes the Cosmic power of eternal time. At the cosmic level, Kali is associated with the elements of air or wind, vayu, prana. This force fills the universe as the energy of transformation. It acts quickly and leaves no traces behind, causing radical changes. Kali is the perception of the lightning of truth, negating all illusions. She embodies creation, preservation and destruction, and evokes both love and horror. In the human body, Kali exists in the form of breath or life force (prana). The symbol of Kali is the crescent moon.

Worship of Kali as a demon slayer and a powerful patron goddess especially common in Bengal, where the main temple dedicated to her is located, Kalighat (in English pronunciation - Calcutta), which gave the name to the capital of Bengal - Calcutta. The second best Kali temple is located in Dakshineswar. Devotees of Kali drank wine for ritual purposes. During the ritual, believers drank sacred water in three sips, marked the area between the eyebrows with red powder, and offered red flowers to the image of the goddess and lit candles. Then a prayer was read, after which, inhaling the aroma of the sacrificial flower, the believers ate the sacrificial offerings. The festival in honor of the goddess is celebrated in early September.

From the 12th to the 19th centuries, a secret sect of thugs was widespread in India - fanatics who devoted themselves to serving Kali as the goddess of death and destruction. Thug gangs in central India robbed caravans and killed travelers. The victim was strangled with a rope or scarf wrapped around the back of his neck, and then buried with a ritual pick-hoe or thrown into a well. The exact number of their victims is not known for certain, but the Guinness Book of Records attributes two million deaths to them. In the 1830s, the Governor-General of India, Lord William Bentinck, put an end to the Thugs through mass arrests and executions. In English, the word “thugs” has acquired the common meaning of “killer thugs.”

Western cults of mystical and satanic movements misperceive and describe Kali as a goddess equivalent to the Egyptian deity Set, a cruel bloodsucker and murderer who eats the flesh of her victims. The etymology of the name of Goddess Kali is associated with the concepts of “time” and “black”. The name Kali is first found in the Rig Veda. Also known as Kalikamata ("black earth mother"), Kalarati ("black night"), among the Tamils ​​- as Kottaway. Kalike/Kalika is a form of the name Kali.

According to the existing ideas of the Vedic tradition, the “Black Age” (Iron Age, Machine Age) is currently taking place in our universe - Kali Yuga. In Hinduism, the last era, after which the renewal of time begins. Characterized by a decline in morality. Kali Yuga lasts 432,000 human years. Began in 3102 BC. e.

Among the countless hypostases, incarnations and images of the Goddess Kali, a special place belongs to the mysterious, simultaneously calling and terrifying, always disturbing the soul and leaving no one indifferent to the formidable Goddess Kali, who contains within herself all imaginable forms and manifestations of divinity - from the most merciful and attractive, to angry, terrifying and unimaginably monstrous.

The cults of Lady Kali were once widespread everywhere. This is confirmed by the evidence of the sacred texts of various religions; it is not refuted by scientific data. In ancient times, the cult of the Black Goddess had its direct analogues in various parts of the world. In ancient Greece, the female name Calli was found and the city of Kallipolis existed. The ancient Finns, before the introduction of Christianity, worshiped a Black Goddess named Kalma (which is very similar to Kali Ma). Among the Semitic tribes who lived in Sinai, the priestesses of the moon goddess were called kalu.

The ancient Celts worshiped the Goddess Kele, whose priestesses bore the title kelles, from which the modern English name Kelley is believed to be derived. Kalek (very similar to Kali Ek) - witch, a Celtic word. And there is more to this than simple coincidences in names. Kali is the Great Mother of all beings, worshiped under different names and in different forms almost everywhere.

Goddess Kali generously gifts her chosen ones with learning and poetic talent. It has long been known that the Black Goddess is a source of inspiration for all creative people. But she has a special weakness for poets, considering them her closest and most valued chosen ones. It happens that the Black Goddess visits the most gifted poets at moments of their creative insights, each time appearing before them in the form of a dazzlingly beautiful female goddess, bringing them at the same time good and evil, light and darkness, black passion and heavenly pleasure, evil love and the opportunity to become stronger , but at the same time angrier and more ferocious, tougher and more merciless. Thus, the Goddess carries out a cruel selection, exalting the strongest and destroying the weakest. In the world of darkness there is no place for sentimentality, complacency and unjustified mercy! Every strong person must receive black soul hardening.

The goddess KALI is very closely connected with literally each of us, connected through the linguistic word forms that we all use, I will give a few examples:

KALInew bridge -

bridge over the Smorodina River (the transition between the world of the living and the world of the dead) from the epic epic.

KALIningrad –

city ​​(territorially by land it does not border with the Russian Federation).

KALIpso – that was the name of the nymph among the ancient Greeks; Odysseus once lived on her island.

KALIgula – An ancient Roman emperor known for his cruelty.

KALIsharply (graph) – a famous mystic, magician, sorcerer and adventurer who called himself by different names...

ApoKALIpsis – biblical revelation about the end of the world.

The exKALIdrill – King Arthur's magic sword.

Agree that most of the examples given are associated with either destruction or deep transformation. Both these activities are under the control of Goddess Kali.

Sripada Sadashivacharya “The Practice of Worshiping Kali”

Worship of Kali ( Kali Puja) comes in various types and types. Such worship can be done through a yantra (mystical diagram), a murti (temple image), a kalasha (a sacred vessel filled with water or consecrated wine), a sacred fire, a kula-stri (a woman revered as a living image of the Goddess), a kumari (a virgin revered as a Goddess), a symbolic image of a yoni (female womb) or simply a triangular depression in the ground. Worship itself can be very complex and multi-component, and very simple. The complex Kali Puja in tantric communities is performed by specially trained clergy (tantric brahmins or monastic priests-jangams). Collective Kali Puja, performed in a circle (chakra) of initiates, can also be quite complex. A simpler and more accessible form of Kali Puja can be performed by anyone at a home altar or in other conditions at any time.

The simplest worship of Kali

The sequence of actions of the simplest Kali Puja, in which Adya-Kali (the highest and Primordial Form of the Mother Goddess) is worshiped, is as follows:

1) The sadhaka takes a bath and puts on clean clothes (preferably used exclusively for ritual purposes). You should perform achamana (drinking pre-blessed water) in three sips with mantras:

OM ATMA-TATTVAYA SVAHA(Om. May there be goodness to the essence of the soul!)OM SHAKTI-TATTVAYA SVAHA(Om. May the essence of Shakti benefit!)

OM SHIVA-TATTVAYA SVAHA(Om. May the essence of Shiva benefit!)

After this, one should apply tripundra (Shaiva tilaka) with sacred ash on the forehead, and Shakti Devi tilaka (usually kumkuma, a special red powder is used for this) on the eyebrows, while concentrating the mind on Shiva and Shakti.

2) Having prepared water, gandha (fragrant oil or sandalwood paste), flowers (preferably red), incense sticks, a lamp with oil wicks, naivedya (sacrificial treat) and, if desired, other offerings (for example, jewelry, pieces of beautiful fabric, wine, etc., previously purified by the Shodhana ritual), the sadhaka places these objects on a tray in front of the altar, and he himself sits on a mat (asana) in front of the image or symbol of the Goddess. It is advisable to light a “standby lamp” or a candle on the altar or in front of it, which should burn at least during the worship of the Divine Mother.

3) Having again performed achamana with the mantras mentioned above, the sadhaka performs some simple pranayama, and then folds the fingers of both hands into yoni mudra, after holding a flower between his palms. Holding the yoni mudra at the level of the anahata chakra, one should read the Adya Kali Svarupa Stotra.

With the sound of the mantras CRIM, HRIM and SHRIM, reflecting the sting of Death, - This is how the hundred names of the Primordial Goddess Kalika, beginning with the syllable “KA,” are glorified. Proclaimed together, they form the essential Image of Kali.

The recitation of this stotra instantly evokes the invisible, but often quite tangible, presence of Adya-Kali in any image or symbol in which the sadhaka intends to honor Her. Having pronounced the stotra, the sadhaka places a flower on the yantra (or some other image or symbol of the Goddess) and bows down.

4) The presence of the Goddess in an image or symbol is welcomed by bowing and reciting the mantra:

NAMAHA SARVA-SVARUPINYAI JAGAD-DHATRYAI NAMO NAMAHA |ADYAYAI KALIKAYAI TE KARTRYAI HARTRYAI NAMO NAMAH ||

“Worship of the Essential Image of all things, worship of the Support of the Universe!

To the Primordial Kalika, to You, the Creator and the Destroyer, worship!”

5) One should offer some sacrificial offerings to the Goddess. while reciting the mula mantra Adya Kali:

HRIM SHRIM CRIM PARAMESHVARI KALIKE SVAHA“Hrim. Shrim. Cream. O Supreme Goddess Kalika! [I sacrifice all this to You] for your good!”

By reciting this mantra, any offering can be offered to the Goddess. At the very least, you can offer at least one red flower, fruit, or incense stick. By mentally repeating this mantra throughout the day, the sadhaka also offers all his experiences as a gift to the Goddess. In fact, this mantra is the strongest means of dedicating yourself and all manifestations of your life to the Primordial Goddess Kali.

6) After performing puja (offering of existing gifts), you should take the rosary (japamala) in your right hand and say: AIM HRIM AKSHA-MALIKAYAI NAMAH(“Aim. Khrim. Worship of the sacred rosary!”)

7) The sadhaka can, if he wishes, continue the worship of the Goddess by reading other hymns (stotras) dedicated to Her - for example, “Kalika-sahasranama-stotra” or “Devi-mahatmya”, sing Shakta bhajans, repeat mantras and offer prayers (including in his native language). Those who have received the appropriate initiation and are trained in the correct performance of homa (fire sacrifice) and balidana (animal sacrifice) can perform these rituals. It is necessary to end the worship with reading and thus surrender oneself under the protection of the Mother Goddess.

8) At the end of the worship, one should read the prayer of apology and prayers that complete the worship of Shakti:

PRASIDA BHAGAVATY-AMBA PRASIDA BHAKTA-VATSALE |

PRASADAM KURU ME DEVI ADYA-KALI NAMO’STU TE ||

“Have mercy, O Mother Goddess! Have mercy, O Loving One of Your bhaktas!

Show me mercy, O Goddess! O Primordial Kali, worship You!”

AYUR-DEHI DHANAM DEHI VIDYAM DEHI MAHESHWARI |

SAMASTAM-AKHIDAM DEHI DEHI ME PARAMESWARI | |

Grant life, grant wealth, grant knowledge, O Great Goddess!

Grant me everything I need in abundance, grant me, O Supreme Goddess!

MA BHUTATRA KULE JANMA YATRA DEVI ON DAIVATAM |

AHAM DEVI na CHA'NYOSMI BRAHMAIVAHAM na SHOKABHAK ||

“May I not be born in such a family where the Goddess is not revered as a Deity!

I myself am the Goddess and nothing else, I am truly Brahman, who does not taste suffering!”

9) Realizing himself inseparable from the Goddess, the sadhaka folds his hands into samhara mudra and, grasping a flower from a yantra (or other revered symbol of the Mother) with his fingertips, meditates on absorbing the energy of the presence of the Divine, while simultaneously inhaling the aroma of the flower through the ida (right nostril). After this, one should place the flower on one’s head and take communion with the offerings donated to the Mother.

Before starting to practice such Shakti worship, one should seek the blessing of the spiritual teacher of the Tantric Tradition. It is especially important to hear the mula mantra from the guru. Only correctly and legally received mantras and puja practices can bring the practitioner the results he expects. It is important to remember the following: the Mother Goddess is not a servant of anyone’s whims and they do not “work” with Her (and Her sacred symbols and images) like psychics do with subtle energies. The Divine Mother is worshiped, She is served with a sincere soul and heart, She is completely surrendered, She is loved. One who correctly understands the nature of the Goddess considers the very possibility of devotional service to Her not so much as a means of obtaining the desired results from Her, but as an invaluable gift of a personal relationship with Her. Devotion (bhakti) to the Goddess arises in those who worship Her without selfishness or hypocrisy as a consequence of Her special mercy. And the life of those who are marked by this grace of the Mother Goddess takes on a special meaning.

Special mantras for worshiping Shakti Devi

1). Mantra for Navratri (pronounced in the morning on the first day of the holiday):

KARISHYAMI VRATAM MATAR-NAVARATRAM-ANUTTAMAM

SAHAYYAM KURU ME DEVI JAGADAMBA MAM-AKHILAM

(O Mother, I intend to perform the excellent Navaratra vrata. Support me in this intention and in this action in every way, O Divine Mother of the universe!)

2). Mantra for dedicating all your actions during the day to the Mother Goddess (pronounced in the morning immediately after waking up):

PRATAR-UTTHAYA SAYAHNAM SAYAHNAT PRATAR-ANTATAH

YAT KAROMI JAGAN-MATAS-TAD-EVA TAVA POOJANAM

(O Mother of the Universe! Everything that I do from morning to evening and from evening to the next morning - let all this be my service to You!)

3). Mantras for expelling unclean spirits that interfere with the performance of worship rites (pronounced while simultaneously sprinkling blessed water on all sides of the space):/p>

APASARPANTU BHUTANI PISACAHA SARVATODISHAM

SARVESHAM VIRODHENA POOJA-KARMA-SAMARABHE

(Retreat, O bhutas and pishachis, in all directions! Performing puja brings only benefit to everyone!)

APASARPANTU TE BHUTA YE BHUTA BHUMI-PALAKAH

BHUTANAM-AVIRODHENA POOJA-KARMA KAROMY-AHAM

(Stand back, O bhoots, the guardian spirits of this place! I want to perform puja without the spirits disturbing me.)

4). Mantra-prayer for renunciation of sin (can be said before and after the puja, as well as at any time in order to destroy the sinful tendencies of the mind):

DEVI TVAM PRAKRTAM CHITTAM PAPA-KRANTAM-ABHUN-MOM

TAN-NIH SARAYA CHITTAN-ME PAPAM HUM PHAT CHA TE NAMAH

(O Goddess, my insignificant philistine mind is overwhelmed by sinful desires. Eliminate sin from my mind! HUM PHAT. Worship to You!)

OM SARVAM ADYA-KALIKARPANAM ASTU

Let everything be offered as a sacrifice to the Primordial Kalika!

WTF?! What does the crocodile have to do with it? Is he the kids' best friend? Where did this plot even come from? There is an opinion that the fountain is an illustration for K. Chukovsky’s poetic fairy tale “Barmaley” (1924), in which the captured villain Barmaley, at the request of the good doctor Aibolit, was swallowed by a crocodile.

Perhaps the plot was borrowed from the same Korney Chukovsky’s children’s poem “The Stolen Sun” (1925), about animals and children who took the sun from a crocodile, which had previously swallowed it. It is also known that the figures for the fountain were brought from Kharkov, and the sculptor was Romuald Iodko. It is unknown what the 8 frogs located around the perimeter of the fountain symbolize.

Despite the monstrous destruction of the city, the fountain suffered little damage. What’s strange is that after the war it was restored much faster than the surrounding buildings, and already in 1948 it was working properly.

The fountain existed until the 50s; according to old residents of the city, it was dismantled during the construction of the new station building. On the site of the dismantled fountain there was a flowerbed, then, in the late 80s, it was covered with asphalt, turning it into a parking lot.

The question of restoring the fountain has been raised since the 60s, but architects and sculptors, oddly enough, have always been against its reconstruction. But on August 23, 2013, it was restored by the Night Wolves, led by Alexander Zaldostanov, nicknamed “The Surgeon,” a close friend of President Putin.

Moreover, now there are two such fountains at once - one is a working fountain on the station square, and the other is a smaller but non-working copy mounted on the territory of the Panorama Museum of the Battle of Stalingrad. In this version, the sculptures have simulated traces of destruction. Bricks from the wall of the Danilovsky Monastery in Moscow were used for it.

On Thursday, August 15, in the morning, figures were delivered to Volgograd that will make up the sculptural composition of the new fountain “Dancing Children” on Station Square and the symbolic monument of the same name on the territory of the “Battle of Stalingrad” panorama museum. Let us remind you that the authors and implementers of this idea were the organizers of the Stalingrad bike show, which will take place on August 23-24. [...] To safely transport valuable cargo from Moscow: six figures of pioneer children, one crocodile lying in the center, and eight frogs located along the perimeter of the fountain bowl, and all this in duplicate [...] during transportation sculpture ensemble, the speed of the truck did not exceed 50 kilometers per hour, so the car traveled from the capital for about forty hours.
“The uniqueness of this monument lies in its special brickwork. This is an original brick from the early 19th century from the wall of the bathhouses of the Danilovsky Monastery in Moscow, which was dismantled for a reason unknown to us. We managed to literally beg for a piece of it - we dismantled it manually,” says Yegor Kozlovsky (project manager , organizer of the bike show "Stalingrad"

We know that 12,000 years ago there was a civilization on Earth that was far superior to ours in its capabilities. Myths and legends of the past may well have a basis in reality. What if there are technologies behind them that we simply don’t know about yet, just as we didn’t know about nuclear energy until recently? And what if someone managed to preserve this knowledge and carry it through the centuries?

Bloodthirsty ancient gods demand victims. And the Chaldeans who serve them offer these sacrifices. In modern society, these ritual sacrifices have to be disguised as terrorist attacks, wars and disasters.

What do they get in return? Eternal life? Unlimited power? Supernatural abilities? Maybe. Nobody admits this from the TV screen. But we can see the reflection of these actions, and by indirect signs we can recognize the truth.

If we try to look at the big picture, the findings can be staggering. We'll talk about this in future articles. The continuation will be about the Olympics in Sochi, how this mystery looks from the point of view of the occult.

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Politics, Magic, Occult

Cult of Goddess Kali
Kali is most revered in Bengal, where her main temple, Kalighata, is located. The second most revered Kali temple is located in Dakshineswar. The cult of this goddess was dominant from the 12th to the 19th century, when a secret society of Tughs operated in the country. Their worship of the goddess Kali exceeded all boundaries; the Thugas made bloody sacrifices to their intercessor.

Nowadays, admirers of Kali visit her temples; the festival of the black goddess is celebrated in early September. For those who worship Kali in our time, the following rituals are provided: reading prayers, exchanging cups of wine and sacred water, applying a red dot between the eyebrows in honor of Kali, giving the goddess scarlet flowers and lit candles, exchanging sacrificial offerings.
Goddess Kali - sacrifices

According to Indian beliefs, the black goddess Kali is the wife of Shiva, who is the third most important deity in India in the pantheon. Her altar should always be covered with drops of blood; in ancient times there was even a special clan that found people to sacrifice to the many-armed goddess. There is evidence that human sacrifice continued until the early 20th century.
At the present time, in the Dakshinkali temple they continue to adhere to the traditions of their ancestors; animals are sacrificed twice a week, on Tuesdays and Saturdays, which are considered the days of Kali. Hundreds of tourists come to see this spectacle. The priests pronounce special mantras that give the sacrificial rooster the opportunity to return in another life in human form.

Symbol of Goddess Kali
The appearance of Shiva's wife evokes fear; she is a symbol of the ruler of time. The bloody goddess Kali has absorbed many eerie features, each of which has its own meaning: black skin color speaks of an enlightened state of consciousness, beads from 50 human heads are a chain of incarnations, a belt made from human hands depicts the influence of karma, which can be changed if you faithfully serve the goddess, white teeth are a symbol of purity, 4 hands are a ring of creation and destruction, cardinal directions.
Hands on the right side bless creativity, and those on the left, which hold a severed head and a sword, are a sign of destruction. According to Vedic religion, these attributes are also important. The head testifies that the goddess Kali has the power to destroy false consciousness, and the sword opens the gates of freedom, freeing her from the fetters that hold back every person.

Goddess Kali and god Shiva

One of the most common images: the goddess Kali trampling under her feet her husband, the god Shiva. Hindus interpret this image as the superiority of the spiritual world over the physical. The goddess is also called Shiva’s shakti, which has several meanings: influence, strength, energy of the deity, the feminine principle of creation.

Kali's second name is Devi - “brilliance”; the goddess is also called the Shining One. Shakti is reflected in the name of her husband, without her this deity turns into a “shwa”, in Sanskrit - a corpse. Even the appearance of Kali is given a different interpretation by researchers -

1. Kali's frantic dance represents the concept of the world as the playground of the gods.
2. Tousled hair and a grin hint at the transience of life.
3. The crazy dance of the black goddess proves that material things do not matter.
4. By dancing, the goddess of destruction Kali helps to realize that people are mortal and must become free from the fear of dying only then the goddess will accept them.

Traditional Kali mantra
om kam kalika namah

1-syllable Kali mantra
cream

3 syllable Kali mantra
cream hum cream

5 syllable mantra of Kali
krim hum khrim hum phat

6-syllable mantra of Kali
cream kalike matchmaker

7 syllable Kali mantra
Krim hum Krim hum phat matchmaker

14 syllable mantra of Kali
Krim hum Krim dakshine kalika Krim hum Krim matchmaker

15 syllable mantra of Kali
hum hum krim krim krim hrim hrim dakshine kalika matchmaker

21 syllable mantra of Kali
from hrim hrim hum hum krim krim krim dakshine kalika krim krim hum hum hum hrim hrim

22 syllable mantra of Kali
Krim Krim Krim Hum Hum Krim Krim Dakshine Kalika Krim Krim Krim Hum Hum Krim Krim Matchmaker

Kali Dance

Kali is the first of the ten Mahavidyas, ten types of energies from which the whole world consists. The Ten Mahavidyas are the secret of all secrets.
Kali is the energy of the Divine Mother Shakti in her destructive aspect. Shakti is known to be feminine energy, and Shiva is masculine. Shiva is static, Shakti is dynamic, that is, Shakti is the manifestation of Shiva in dynamics.
The word "kala" translated from Sanskrit has two meanings - time and death. In the phenomenal world everything is limited by time. At a certain time, the energy of any being leaves him and death occurs. That is, death represents the end of the life force's existence.
Matter does not arise and does not die, it changes its shape. For this reason, death is a change or transformation. Kali is the goddess of such changes, which are absolutely necessary for the renewal of energy and spiritual development.
Attachment to material form causes fear of death. This is a fundamental fear that has its roots in the brain stem. Such fear is the main obstacle to spiritual development. Kali frees you from the fear of death, the fundamental anxiety of the first chakra. She is cruel towards ignorant people who cling to their physical bodies, but towards the gods she manifests as the Divine Mother.

Contemplation of the yantra eliminates the ignorance that makes a person afraid of death.

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Appeal to Kali. Curse to Death

Kali is the goddess of destruction, personifying the feminine essence in Indian mythology. Kali is the goddess of death. Her power over the gods of the pantheon of Indian gods is unapproachable and untouchable. Giving birth to fear in the hearts of those inexperienced with Her beauty, She is the Dark Mother of those who wash Her altars with fresh blood... Before Her the lives of the enemies of Her children will wither...​

Kali - Dark goddess, patroness of death and murder, always thirsting for fresh male blood. For Her favor, the sacrificial blood of a living creature, necessarily male, is necessary. The best choice in this case is a rooster.

So, after six nights, the climax comes, which will last three nights. On these nights, the priest must limit himself to any kind of contact with people. It is necessary to prepare a set of clean black clothes in which the priest will spend three days. Starting from the seventh night, the priest is almost constantly in the ritual room (including sleeping and eating). All electrical appliances in the room are turned off and all windows and doors are closed, except for a short period of time immediately after the seventh and eighth night ceremonies (to ventilate the smoke released by the burnt liquid in the goblet). The priest restricts himself from any kind of entertainment, including reading.

Night seven:

Before night falls, the priest must purchase fresh red flowers, which must be selected in accordance with the lunar cycle and aggressive specifics. The altar must be prepared for the ceremony as indicated in the diagram. You should start at midnight, having previously put on prepared clothes (if the ritual is performed by a woman, then it is advisable to take off all items of clothing and appear before the goddess in complete nakedness, thereby striving to become like Her).
The priest/priestess is positioned in front of the altar (if the man is on his knees, the woman is in the “lotus” position). The priest concentrates in silence. When he feels ready, he recites the mantra:

Hrim, O destroyer of time!
Shrim, O Terrifying One!
Cream, She Who is Beneficial!
She who is in all creations
Kamala,
Destroying the pride of the Kali era...
Mother of time
You are as brilliant as a flame
The last breakup.
Gracious,
And reachable only by your grace.
She who is fire
Black or similar shade
Night of Darkness,
Liberator from the shackles of passion,
She who is dark like a huge cloud,
Bearer of the lunar crescent,
Destroyer of sin in the Age of Kali,
Destroyer of fear
Taking all forms at will,
She whose abode is in Kamarupa,
She who always has fun in Kamapita,
Gorgeous,
Oh, she who trembles the body with every passion,
Decorated with beauty itself,
She in whom the image of tenderness itself is revered,
You, whose body is tender,
And whose waist is slender,
She who is revered and delighted with the nectar of consecrated wine.
Joyful,
Opening the path of the Kauliks,
Queen Kasi,
Quenching suffering.
I owe you my rituals.

When the mantra is read, the priest brings the prepared flowers to the altar (to the left of the bowl), saying:

JAI MA KALI!

Next, it is necessary to illuminate the ritual knife. The priest takes the knife in his left hand and lowers the blade into the fire of the goblet; it reads:

Oh, Terrifying!
O Deadly One!
Oh, Merciless!
KALI!
By the immortal wind, through time,
Touch this weapon with your blessing breath!
It was revealed to fulfill gifts to You!
It will bring blood for You!
JAI MA KALI!

After the blade is completely covered with soot, the priest places the knife on the altar (to the right of the bowl of fire, relative to the priest). Words of gratitude are said:

Thank You, O Dark Goddess! KALI!
My soul is in my gratitude!
Beyond time and space!
With Your favor!

The priest extinguishes the fire. All items remain in their places.

Night eight:

A few minutes before the ceremony begins, a rooster (live, tied) is placed near the altar. All operations are performed, including reading the first mantra, in the same order as on the seventh night. After reading the mantra, the priest places the rooster on the altar, fumigates it with musk, camphor, takes a knife and completely separates the rooster’s head from its body, saying:

HRIM SHRIM CRIM PARAMESHVARI KALIKE SVAHA!

Next, the body rises above the figure and it (the image) is generously sprinkled with blood. The blood must necessarily fall on the goddess’s lips and into the cup that she holds in one of her hands. After this, the blood is spilled into the fire of the cup and three moon signs, starting from the central one, and then counterclockwise. Next, the second cup, located near the goblet of fire, is filled with the remaining blood. The body and head of the dead rooster are placed at the foot of the figure (between the altar and the figure - so that the victim touches the feet of the goddess). The priest says:

JAI MA KALI!

If the ceremony is performed by a woman, then after these words she must dip the finger of her left hand in a cup of blood and apply an image of an eye to her forehead. These actions symbolize the woman’s desire to become like the goddess and thereby establish a strong connection with Her. At the end of the operations, words of thanksgiving are said to the victim and the ritual ends. All objects, including the dead body of the rooster, remain in place.

Night Nine:

The culmination of all nights is the ceremony of destroying the enemy. Arrive all day in anger and hatred towards the victim. Attune your consciousness to it, accumulate negative energy. A few minutes before the ceremony begins, you need to open a window (preferably facing north). A figurine-volt, personifying the victim-enemy, is placed on the altar. So, again the priest sits before the altar and lights the fire in the goblet. The mantra is pronounced. Take a sterile blade and cut the palm of your left hand. Sprinkle the first drops of your blood on Her lips, then on the cup she holds in her hand and on the fire, while saying:

My blood is a gift to your lips, Goddess of Death! My soul is a gift to your essence, Black Mother! My hatred is the direction of my desire! I am the gift of your essence, Most Beautiful Assassin!

The priest takes a volt figurine, symbolizing his enemy, and ties a knot at the throat with a prepared yellow scarf (previously fumigated with agarbati smoke). Places the figurine on the altar and says:

Kill my enemy, deadly Kali!
Let the knot on his neck take away his breath!
Devour his flesh, drink his blood, kill his soul!
Tear his body, incinerate his mind!
Do justice!
Cut off his head and let his life
will replenish Your necklace of death!
*Name of the victim* - may it quench your thirst!

When reciting, mentally and spiritually direct Kali towards the sacrifice. After reading, a ritual knife, bloodied the previous night, is stabbed into the figurine. If necessary, you can cut the figure. Burn the remains in the fire of the bowl. Read:

Like flesh
that turns to ashes in the fire of the crematorium,
My enemy turns to dust - Your Sacrifice!
From now on and beyond time
*name of the victim* – in Your Power!
JAI MA KALI!

After all operations, the priest says:

KALI KALI BALO BAHAI KALI BAI ARE GATE NAI! JAI MA KALI!

Put out the fire in the bowl. Get to your feet. The window can be left open. Leave the room and do not enter until dawn. Take off your clothes and wrap them in black cloth. Stop the blood on the palm. In the morning, dismantle the altar. It is best to put objects, except for the corpse of an animal, flowers and the blade that was used to cut the priest’s palm, in a specially designated place (chest, box), having previously wrapped each one in black material. The next time the priest/priestess needs to turn to Kali, it is advisable to use these items.

The more sincerely you are with the Black Goddess, the more favorable She will be to you. Remember - once you contact, contact in the future - She knows you...

Kali rituals and mantras

Mantra- KREEM is an expression of the power of Kali and can help you get the changes you need in your life.

Mantra - Om Kleem Kalikayei Namaha
Pronounced like - Aum Kleem Kah Lee kah Yay Na Ma Ha. This mantra is used to bring relief from any problems or resolution from what is tormenting.

Mantra - Aum Kreem Kah Lee pronounced like - Aum Kreem Kah Lee. This mantra is used to allow Kali to enter into you, be careful when using it. If you are not ready to receive Kali's energies, it can destroy you.

Mantra - Om Kring Kalilaye Namahae pronounced like - Aum Kreeng Kah Lee Ka Yay Na Ma Ha. This mantra is used to open consciousness and gain wisdom.

Mantra - Om Sri Maha Kalikaye Namaha. pronounced like - Aum Shree Ma Ha Ka Lee Ka Yay Na Ma Ha. This mantra is used to start over with a clean slate. It is intended for people who want to start over from the very beginning.

Mantra - Om Hreem Shreem Kleem Adya Kalika Param Eshwari Swaha. Pronounced like - Aum Ream Shreem Kleem Ad-Ya Ka Lee Ka Pa Ram Esh Wa Ree Swa Ha. The mantra is read 108 times, bestows spiritual and magical powers, but take into account the specificity of the energies of Kali.

Mantra - Kring Kring Kring Hring Kring Dakshinee Kalike Kring Kring Kring
Hring Hring Hung Hung Swaha. Read as - K reeng Kreeng Kreeng Hreeng Kreeng Dak-Shee Ka Lee Key Kreeng Kreeng Kreeng. This mantra is used to invoke Kali for anything.

Mantra - Om Maha Kalyai Ca Vidmahe Smasana Vasinyai.Ca Dhimahi Tanno Kali Prachodayat. Pronounced like - Aum Ma Ha Kal Yay Sa Vee Dee Ma Hee Sma Sana Va sin yay Sa Dee Ma He Ta No Kali Pro Show Da Yat Hreeng Hreeng Hung Hung Swa Ha. In order for Kali to hear a request, it is also used to receive Kali's blessings.

Mantra- Om Kali, Kali! Om Kali, Kali! Namostute, namostute, namo! Namostute, namostute, namo!
Ananda Ma Ananda Ma Kali, Ananda Ma Ananda Ma KaliAnanda Ma Ananda Ma KaliOm Kali Ma! Pronounced - Aum Kali Kali, Aum Kali Kali Na-Mas-two te, Na-Mas-two te, Na-Mo. Na-Mas-two te, Na-Mas-two te, Namo!Ananda Ma, Ananda Ma Ka Lee, Ananda Ma, Ananda Ma Ka Lee, Ananda Ma, Ananda Ma Ka Lee,Aum Ka Lee Ma This is another mantra for receiving blessings of Kali.

Why magic associated with Kali is used:

Inner peace and well-being
-To conquer enemies
-For financial assistance
-For good health
-For wisdom
- For Magic Powers
- To repel evil spirits
-For the embodiment of Kali (accepting the energies of the Goddess)
-To get unlimited benefits

Inner peace and well-being

2.To the left of the image or figurine, place a white candle and light it.
3. Light incense from behind or to the right.
4. Sit quietly and think about your request.
5. Say the Kali mantra 7, 21 or 108 times

Hring Hring Hung Hung Swaha
Pronounced: Kreeng Kreeng Kreeng Hreeng Kreeng Dak-Shee Ka Lee Key Kreeng Kreeng Kreeng
Hreeng Hreeng Hung Hung Swa Ha

6. Now look at the image closely and feel the presence of the Goddess.
7. When you feel the energy, let the candles and incense burn out, this will serve as the end of the ritual.

To conquer enemies

Day of the week: Saturday

1. Place a picture or figurine of Kali in the Center.
2. To the left of the image, place a black candle and light it.
3. Light incense on the right.
4. Sit quietly and think about people who want to harm you

Om Kreem Kali
Pronounced - Aum Kreem Kah Lee

6. Now look at the figurine closely and feel the presence of the Goddess.
7. When you receive the sign of Kali or feel that you have had enough, let the candles and incense burn out.

To receive financial benefits

Day of the week: Wednesday or Friday

1. Place a figurine or image of Kali in the Center.
2. Place a gold candle on the left and light it.
3. On the right, place a white candle and light it
4. Light incense from behind.
5. Sit quietly and think about your *financial problem
6. Next say the following mantra:

Om Kleem Kalikayei Namaha
Pronounced - Aum Kleem Kah Lee kah Yay Na Ma Ha

For good health

Day of week Wednesday

1. Place a picture or figurine of Kali in the Center.
2. Place a blue candle on the left and light it.
3. On the right, place a white candle and light it.
4. Light incense from behind.
5. Sit quietly and think about your health problem, think about what needs to be corrected.
6. Say the following mantra:

Om Sri Maha Kalikaye Namaha

Pronounced - Aum Shree Ma Ha Ka Lee Ka Yay Na Ma Ha

7. Look at a picture or figurine of Kali and feel the presence of the Goddess.
8. When you feel that you have had enough, let the candles and incense burn out.

For wisdom

Day of week: Thursday

1. Place a picture or figurine of Kali in the Center.
2. Place a silver candle on the left and light it.
3. Light incense from behind.
4. Sit quietly and think about your desire for wisdom.
5. Say the following mantra:

Om Hreem Shreem Kleem Adya Kalika Param Eshwari Swaha

Pronounced - Aum Ream Shreem Kleem Ad-Ya Ka Lee Ka Pa Ram Esh Wa Ree Swa Ha

6. Look at a picture or figurine of Kali and feel the presence of the Goddess.
7. When you feel that you have had enough, let the candles and incense burn out.

To gain magical power

Day of week: Tuesday
WARNING: Be careful what you wish for.

1. Place a picture or figurine of Kali in the Center.
2. Place a red candle on the left and light it.
3. On the right, place the silver candle and light it.
4. Light incense from behind.
5. Sit quietly and think about your desire.

6. say the following mantra:

Om Kring Kalilaye Namaha

Pronounced - Aum Kreeng Kah Lee Ka Yay Na Ma Ha

7. Look at a picture or figurine of Kali and feel the presence of the Goddess.
8. When you feel that you have had enough, let the candles and incense burn out.

To drive out evil spirits

Day of week: Monday

1. Place a picture or figurine of Kali in the Center.

3. Place a white candle on the right and light it
4. Light incense from behind
5. Sit quietly and imagine being delivered from evil spirits
6. say the following mantra:

Kring Kring Kring Hring Kring Dakshinee Kalike Kring Kring Kring
Hring Hring Hung Hung Swaha

Pronounced - Kreeng Kreeng Kreeng Hreeng Kreeng Dak-Shee Ka Lee Key Kreeng Kreeng Kreeng Hreeng Hreeng Hung Hung Swa Ha

7. Look at a picture or figurine of Kali and feel the presence of the Goddess.
8. When you feel that you have had enough, let the candles and incense burn out.

For the embodiment of Kali

Day of week: Monday
ATTENTION WITH THIS RITUAL YOU ASK KALI TO ENTER YOUR OWN BODY!

1. Place a picture or figurine of Kali in the Center.
2. Place a red or silver candle on the left and light it.
3. Place incense on the right and light it.
4. Place incense at the back and light it.
5. Sit quietly and imagine Kali in front of you, then slowly imagine the merging of yourself and Kali.
6. say the following mantra: KREEM
7. Let Kali enter you, do not resist, feel the power of the Goddess.
8. When you feel that you have had enough, let the candles and incense burn out.
Attention - during the ritual Kali will control your body, during the ritual you may feel dizzy, this is normal for the ritual.

For unlimited benefit

Day of the week: Saturday
1. Place a picture or figurine of Kali in the Center.
2. Place a black candle on the left and light it
3. Place incense on the right and light it
4. Place incense at the back and light it
5. Sit quietly and imagine Kali smiling at you
6. Say the following mantra:
Om Maha Kalyai Ca Vidmahe Smasana Vasinyai
Ca Dhimahi Tanno Kali Prachodayat
Pronounced like - Aum Ma Ha Kal Yay Sa Vee Dee Ma Hee Sma Sana Va sin yay Sa Dee Ma He Ta No Kali Pro
Show Da Yat
7. Look at a picture or figurine of Kali and feel the presence of the Goddess.
8. When you feel that you have had enough, let the candles and incense burn out.