Criticism on the picture of the goalkeeper. Artist Grigoriev Sergey Alekseevich, short biography

Football for a long time remains one of the most favorite games not only for boys, but also for adult respectable men. For them, there is nothing more exciting than kicking the ball into the goal, passing through an endless number of obstacles. This game is dedicated to many films and songs. Do not forget about her and the artists. Interesting is the picture "Goalkeeper". Grigoriev Sergey Alekseevich - the artist who created it in 1949, managed to accurately convey on the canvas all the excitement and emotions inherent in this sports game. Today the canvas is stored in the Tretyakov Gallery, anyone can see it.

Artist biography

Sergei Grigoriev is a famous Soviet painter who depicted in his works the life of the younger generation of the post-war era. He was born in 1910 in Lugansk. In 1932 he graduated from the Kiev Art Institute, after which he was engaged in teaching there. In his paintings, the artist raised the problems of the moral education of Soviet youth.

In addition to "Goalkeeper" he wrote such works as "Returned", "Discussion of the deuce", "At the meeting" and others. For his work, the painter was twice awarded the Stalin Prize, as well as several medals and orders. Despite the fact that the artist lived in the Soviet era, his work has not lost its relevance to this day. In the 7th grade, students are offered to write an essay based on Grigoriev's painting "The Goalkeeper".

Acquaintance with the creation of the artist

Teaching children to be creative is one of the priority tasks of the modern educational system. Teachers offer children to write a description of the painting "The Goalkeeper" by Grigoriev in order to bring them closer to art, to develop their ability to logically formulate their thoughts, to teach them to express their own opinion about what they saw on the canvas. In order to successfully write an essay on the proposed topic, students first need to carefully analyze the scene depicted in the picture.

Starting the description of the painting by S. Grigoriev "The Goalkeeper", it is necessary to remember in what era it was created. 1949 is a difficult time for the Soviet people. After the end of the Great Patriotic War, only 4 years passed, and the country was rapidly recovering. New businesses and homes sprang up. The overwhelming majority of citizens lived in poverty, but the peaceful sky above their heads gave them hope for a brighter future. Post-war children, remembering all the horrors of deprivation and bombing, grew up unspoiled and knew how to enjoy ordinary things. For example, playing football. It is this episode that the artist conveys in his work.

S. Grigoriev "Goalkeeper": an essay based on a painting. Where to begin?

The action described on the canvas takes place in an abandoned wasteland. Children came here after school to play football. The protagonist of the plot is an ordinary boy standing on an improvised gate, the border of which is marked with student portfolios. Instead of benches in a wasteland, there are logs where the fans are located: seven children and an adult man in a suit and hat. Another boy is watching the game, standing outside the gate. That's all, whom the picture "Goalkeeper" represents. Grigoriev also portrayed a white dog. She curled up at the feet of the smallest cheerleader and sleeps peacefully, showing no interest in what is happening around.

When making an essay-description of the painting by S. Grigoriev "Goalkeeper", you need to pay attention not only to the appearance of the football field, but also to the landscapes that are visible behind it. In the background, temples and high-rise buildings are clearly visible, from which we can conclude that the action takes place in a big city. The football match took place in autumn, as bushes with yellowed leaves surround the wasteland. Judging by what the smallest fans were wearing, the weather outside was cool, but it had not yet had time to get completely cold.

Meet the Goalie Boy

An essay based on Grigoriev's painting "The Goalkeeper" must necessarily contain a detailed description of the main character. The boy standing at the gate appears to be no more than 12 years old. He is dressed in a blue jacket, from the neck of which one can see a snow-white collar of a school shirt, shorts and shoes. The young goalkeeper has gloves on his hands. His knee is bandaged, but the injury did not stop him from continuing a tense and exciting game. The goalkeeper is slightly bent, and all his attention is riveted to the field, which remained outside the picture. The viewer does not see the rest of the players, and only by the tense face of the goalkeeper can he guess that a serious game is underway and the ball is about to be in the goal. The fate of the match is in the hands of the boy, and he, realizing all the responsibility, tries to avoid a goal at any cost.

Other heroes of the canvas

When compiling a description of the painting "Goalkeeper" by Grigoriev, students need to pay attention to the tension that is present among the fans, where there are both boys and girls. None of the kids can take their eyes off the field. The ball is already very close to the gate, and the intensity of passions has reached the top. The children sitting on the logs would love to join the game, but they are still too small, and the older guys do not take them as football players. But supporting the team is also a very responsible task, and the kids gave themselves completely to it. The most desperate of the boys could not resist and ran out the gate. Realizing that the outcome of the game does not depend on him at all, he still cannot sit still.

Against the background of the kids, an adult man stands out, who also came to cheer for the guys. Description of the painting by S. Grigoriev "Goalkeeper" would not be complete without mentioning this colorful character. It is not known who the depicted man is. Perhaps he is the father of one of the children, or perhaps he simply could not get past the exciting action. What is striking is the passion with which an adult and serious man follows the children's game, how much he worries about its outcome. No less than the kids, this person would like to be on the football field now and pick up the ball from the enemy.

Features of the work

The total passion for football is conveyed by the painting "Goalkeeper". Grigoriev was able to focus the attention of the audience on the emotional side of the game, to show how it captures all those present in the wasteland. Despite its considerable age, the picture is still very relevant today, because millions of people all over the planet are fond of football. It will be interesting for modern secondary school students to describe the plot of the picture, since this sport is familiar to them from an early age.

Grigoriev's painting "The Goalkeeper" is written in rather restrained shades. Its color scheme conveys the mood of the post-war era. Cold gray tones testify to the hard life that befell the people, who with their own hands were forced to raise the country from ruins. And only bright red elements, which stand out especially clearly against a gloomy background, give the canvas optimism and confidence in a happy and cloudless future.

To make it easy for secondary school students to complete the task of the teacher on the topic "Artist Sergei Grigoriev. "Goalkeeper": an essay on the picture", they need to draw up a short plan before creating the text. In the work, you need to make an introduction, then briefly talk about the biography of the painter, and after that go on to describe the plot of the work. Any essay should end with conclusions in which the child talks about what impression he had after a detailed study of the picture. He needs to substantiate his conclusions.

The subtext of the plot of the picture

Why did the artist depict football on his canvas? As you know, collectivism was popularized in the Soviet Union. Football is a team game, where each of the participants is part of one system and cannot fully function without it. In the same way, Soviet people were not able to live outside the collective. We can say that the Soviet era is the best way to convey the picture "Goalkeeper". Grigoriev, capturing the team game on the canvas, conveyed the atmosphere that prevailed in society at that time.

So that the essay does not coincide with what is on the Internet. Click 2 times on any word in the text.

Composition based on the painting Goalkeeper

The picture was painted in 1949. She was a very big success. For the paintings "Goalkeeper" and "Admission to the Komsomol" Grigoriev was awarded a state prize. The main idea of ​​the picture is that football is an exciting spectacle that everyone likes.

Grigoriev's painting depicts a warm autumn day, late September - early October. The wind, sweeping, twists the yellow leaves, the trees and shrubs are almost bare. Still dry, but not early autumn. The sky was overcast, as if with a veil. In the background you can see the city in a light haze. Landscape - the background on which children are depicted. It is written easily and freely. The landscape is subordinated to the main story about children who are keen on playing football.

The boys gathered after school to play football in the wasteland. Their gates were built from briefcases, bags and berets. The artist did not depict the football match itself, so the canvas became even more valuable. But where the goalkeeper and the spectators are looking is a very acute situation, in a few seconds the ball may approach the goal.

All spectators are dressed warmly, they sit in hats and coats. Only the goalkeeper in his shorts, as if it were summer. He has gloves on his hands, which show that the boy is very experienced and has stood at the gate more than once. The bright spot of the picture is the red tracksuit of the boy standing behind the goalkeeper. The goalkeeper stands slightly bent over, closing the gate and reacting vividly to what is happening, on the field of action.

As if on benches, fans sit on boards stacked at the edge of the house. Spectators of all ages: children, uncle, and a small child. All of them, fascinated by the game, follow it closely and very enthusiastically. The boy in the dark green suit is the most captured by the match. The man is a passer-by who got carried away with the game and stayed to watch it. The girls are also very focused. Only a white dog is indifferent to football, which is dozing, curled up next to the kids.

The artist managed to combine the characters with a single action. Each detail has its place and, at the same time, each character is revealed convincingly; it is no coincidence that the painting "Goalkeeper" is one of the best. It combines expressive details, successful composition, soft coloring.

2. Composition based on the painting by Grigoriev Goalkeeper Grade 7

In the picture of S. Grigoriev "Goalkeeper" we see a football match, players and spectators located in a wasteland.

Of the players, only the goalkeeper is depicted, the rest are not visible in the picture. The goalkeeper, judging by the gloves put on his hands, by his serious face, by his sinewy legs, is very experienced and has stood at the gate more than once. The goalkeeper - a boy of twelve - thirteen years old - stood, waiting for an attack on his goal. He's right after school. This is clear from his briefcase, lying instead of a barbell.

The goalkeeper, players and spectators are not on the football field, but on a wasteland not intended for football.

In the background - a boy outside the gate and the audience. Probably, the boy in the red suit plays well, but he was not taken because he is younger than the players. He looks only nine or ten years old, but the expression on his face, he really wants to play.

Spectators of the most different ages: both children, and uncle, and a small child. And everyone is very interested in the game. Only the dog, probably one of the spectators, does not look at the game.

The scene of the picture is Moscow. Stalinist buildings are visible in the background.

It's autumn outside. End of September - beginning of October. The weather is wonderful, warm, because everyone is dressed lightly: in windbreakers, some - kids - in hats, the goalkeeper - in shorts.

I liked this picture because it is "alive". I feel the emotions that the guys are overwhelmed with: both the players and the spectators.

3. An essay with a description

I see a picture of S. Grigoriev "Goalkeeper". This painting shows spectators and a goalkeeper during football.

In the foreground of this picture is a boy, it is clear from his appearance that he is a goalkeeper. He has a very focused face, perhaps the ball is approaching the goal, or, most likely, he is about to get a penalty kick. The goalkeeper has a bandaged leg, which shows that this boy regularly plays football. He is twelve years old, I think he is a medium student. Perhaps in the future he will become a good player. Behind the goalkeeper is another boy, smaller. He is very sad that he was not taken to the team. He stands with a pouted face. He is in about third grade. He is very confident in himself. After all, instead of sitting with other spectators, he stands on the field.

The guys play in the yard, not intended for playing football. Instead of bars, they have briefcases on their sides, which indicates that they play football after school.

In the middle ground, the spectators are sitting on a bench, obviously fascinated by the game, except for the dog, which is thinking about something of its own, most likely about food. On the bench, in addition to the children, an adult uncle is sitting, obviously extremely passionate about the game. He probably remembers his school days. Two girls are sitting next to their uncle. The first one - in a raincoat with a hood - also follows the game very carefully, the second one is also no less interested in what is happening. I think the second girl is mandatory. She has a small child in her arms. Two boys are sitting next to her, clearly interested in the game. The first boy bent down to better see the game, and the second craned his neck, because he could not see anything behind his uncle. Behind this boy is a girl. I think she is a good student. She is dressed in a school uniform with a bow on her head. Nearby is a boy with his little brother. I think that this boy is very responsible, he helps his mother all the time and takes care of his younger brother. All spectators are very passionate and focused on the game, even the younger brother of the last boy looks at what is happening with interest. It is possible that the dog lying next to the brothers belongs to them.

Buildings are in the background. I think the action of this picture takes place in a large city, probably in Moscow, somewhere in the golden autumn, around the time of Khrushchev, in the years of the 50s and 60s. The sky seems overcast to me, and the street is not so hot.

This picture symbolizes football. It depicts eleven people and a black and white dog. Eleven people symbolize the number of players in the team, and the black and white dog symbolizes a soccer ball.

In general, I liked the picture, but it would be better if it depicted the entire field and all the players.

4. Short essay

In the most difficult situations, a person knows how to find an outlet, some kind of occupation for the soul. In Grigoriev's painting Goalkeeper, the artist shows that a person can adapt to the most unpredictable conditions.

In the center of the picture is a little boy who strikes with his seriousness and concentration. The outcome of the game depends on him, so everyone's attention is riveted to him. Not only children, but also adults watch the game with interest. Simple clothes, a wasteland that is used instead of a stadium, and dilapidated houses indicate that people live hard, that they lack the most necessary things. The most amazing thing is the love for the game, which helps to distract from injustice and problems.

The boys are playing, and the briefcases are nearby. It turns out that the game intercepted them on the way home. They are so passionate that they do not care about time, lessons and other delights of life.

At first glance, the picture seems a little sad, since all the characters and the objects around them are depicted in dark colors. True, the author gives us hope for a bright future, which will certainly come. At the same time, the artist emphasizes that the optimism of the protagonist and his fans will help to survive any difficulties.

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Football has always been the favorite game of millions of boys. They always tried to imitate their idols, discussing the latest sports news. In every yard you can meet a small team of local guys. One of these is depicted in the painting by S. Grigoriev.

The action of the picture takes place in the city. In the background we see large buildings that resemble a theater or a university. Judging by the fact that the bushes depicted in the picture are turning yellow, the author showed the beginning of autumn. These thoughts are also led by the fact that the audience is dressed in autumn: in jackets and hoods. The main protagonist of the picture is a boy of about eleven years old, who very carefully follows the movement of the ball and plans to beat off a blow to his goal from the opposing team. He is wearing a brown sweatshirt with a white collar, gray shorts and black boots.

All fans are also closely watching the game. Among them are peers, and a little boy, and girls, and even a middle-aged man in a hat and suit. Next to them is a black and white dog. It is unlikely that he follows the course of the game. Most likely, he is immersed in other thoughts. It is possible that this is a dog of one of the fans. They all look in the opposite direction from the boy, where the ball should fly from. Maybe a penalty shootout. The boy's right leg is bandaged. He most likely received a wound at the next training session. Behind him is another boy. He is wearing an orange suit. Perhaps he was not taken to play in the team, and he is watching from the sidelines. But, unlike other spectators, he did not take a place among them, but behind the goalkeeper, right on the field.

Most likely, this place is not intended for football at all, because there are no gates here, as on a real football field. Instead of them - briefcases indicating the place where the gate should be. I think that the guys gathered after the lessons to relax and play football, because this is a very popular sport.

Despite the large volume of pictorial works of the Soviet period in the magazine, I write inexcusably little about myself. I am correcting myself. Ukrainian artist, twice winner of the Stalin Prize for his works, uncomplicated in plot, as if by chance peeped in a neighboring yard or apartment, attracting viewers with recognizable characters. Newspapers wrote about his new canvases, they were discussed in collectives, printed on postcards, reproductions were hung over beds and desktops...

Sergei was born on July 5, 1910 in the city of Lugansk in a large family, where he was the twelfth child.

Sergei Alekseevich says: “I was born in Lugansk, and my childhood was spent in Zaporozhye. My father Alexei Vasilyevich worked as a conductor on the railway. The surnames of my parents were: father, Ukrainian - Grigorash, mother, Moldavian - Kondra. My father told me that the last name Grigoriev was recorded in his passport when he went to work on the railroad. In the village, my father was the only literate one and, according to the concepts of his fellow villagers, made a brilliant career, having gone from a station laborer to a passenger train conductor.

This path was long, and at first our family, like all fellow villagers, lived very poorly. In damp dugouts and barracks, children were born and died. Becoming a conductor, my father got an apartment in a one-story four-apartment building. There was no electricity yet, water was in the well. They bathed and washed after a big rain, taking water into all buckets and tubs.

Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Portrait of a father"
work of 1925; the young painter at that time was only 15 years!

In the first years after the revolution, he studied at a single seven-year school. I did not like school, but I read a lot, had a good memory and knew a lot for my age. He did not have systematic knowledge, did not know the necessary volumes of physics and mathematics in the school curriculum. In later life, this often led to big troubles.

In our class there was a student of Tolya Amelin, who became famous throughout the school as an artist, as he copied a portrait of Taras Shevchenko in a lamb's hat from a picture, and then of Karl Marx himself. Somehow the supervisor got angry at me for skipping classes. school and, as an example, pointed to Amelin. My pride jumped up, and I took it and copied Shevchenko from a Ukrainian language textbook. This was my first drawing. Everyone was amazed, and the drawing teacher began to help me, taught me to draw various simple objects from nature, even gave me a new pencil and a drawing book. So I took up drawing then, already completely forgetting about other lessons ... "

In 1923-1926 he studied at the Zaporizhzhya art and professional school. Then an unsuccessful attempt to enter the Academy of Arts in Leningrad (in those years - the Higher Artistic and Technical Institute), after which in 1928 he entered the painting department of the Kiev State Art Institute, having received after graduation the specialty of a graphic artist and painter. Among his teachers were famous Russian and Ukrainian artists - M. Kupriyanov, V. Favorsky, F. Krichevsky, F. Krasitsky. .

1929 - joined the student organization "Association of Young Artists of Ukraine". Fascination with avant-garde movements, the influence of the “boychukists”.

1930s Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Portrait of a woman with a bowed head"

1930s Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Stalin with a pipe"

After graduating from the institute, in 1932, Sergei Alekseevich moved to Kharkov. He worked in the republican publishing house "Mistetstvo". Created a series of posters "Forerunners of Donbass", "Give contact", "Give bread to the country", "Komsomol", etc.

In 1932, Sergei Alekseevich married Lyubov Ignatovna Steletskaya (1910 - 1991), who was also a graphic artist and painter. In 1933, twin daughters Maya (1933-2004), who later became the wife of the disgraced artist Viktor Zaretsky, and Galina were born.

In 1934, he was appointed to the post of associate professor of the drawing department of the Kyiv Art Institute. Aged twenty four years old, having started teaching at the same institute, which he recently graduated from, he was able to win the love and respect of students. From this moment begins pedagogical and creative activity, which lasted a lifetime. And actually painting in the 30s was somehow not given to him. The themes and style of his early paintings are typical of that time: physical education, upbeat cheerful compositions...

And in 1937, perhaps only as a test, as a test of himself and the reaction of the audience, Sergey Grigoriev put up a small work “Children on the Beach”. The kids are on the sandbank. The three are fishing, using a T-shirt instead of a bullshit. The eldest is busy with his younger brother: he lies on the sand with his feet in the water, and the white-headed toddler smears wet sand on his tanned back - washes ... And this simple scene was noticed. Spectators lingered around it, experts discussed it, and it was bought from the exhibition by the Kiev Museum of Ukrainian Art.

1939 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Model in the Studio"

1941 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Portrait of Fomin"

From 1940 to 1945, Sergei Alekseevich participated in the Great Patriotic War as an officer-political worker. During the war years, he almost abandoned painting - he could not, probably, he had no time for art. But immediately after the Victory, he painted a whole series of watercolor landscapes - areas of Kyiv that had survived the bombing. But war, ruins are death, and painting is life. There cannot, in any case, there should not be painting dedicated to death.

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Ruins"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Voznesensky Spusk"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Near the river"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Bathing"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "The Boy in White"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Girl in a fur coat"

1946 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Artist" painter's wife

1947 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Sixth grader"

1947 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "At the meeting"

1947 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Portrait of the artist Konstantin Zaruba"

In 1948, Sergei Alekseevich was awarded the title of Honored Artist of the Ukrainian SSR.

1948 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Young Naturalists"

1948 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "In his own family"

1948 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Still life"

1948 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Schoolgirl"

1948 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Skier

1949 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Goalkeeper"

1949 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Admission to the Komsomol"

Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Admission to the Komsomol"
after the debunking of the cult of I. Stalin, the artist removed his bust from the canvas

1950 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Discussion of the deuce"

In 1950, the award of the Stalin Prize of the second degree for the paintings "Goalkeeper" and "Admission to the Komsomol".

In 1951, the master was awarded the title of People's Artist of the Ukrainian SSR, and the Order of the Red Banner of Labor. And also awarded the Stalin Prize of the second degree for the painting "Discussion of the deuce."
Created a stereotypically optimistic picture "Enthusiasts of Kakhovka"; after this failure, he did not exhibit new works for three years. From 1951 to 1955 he was the rector of the Kyiv Art Institute

1952 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Pioneer tie"

1952 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Head of a boy"

When, in 1954, at an exhibition in Moscow dedicated to the 300th anniversary of the reunification of Ukraine with Russia, Sergey Alekseevich showed the audience the painting “He Came Back,” they started talking about it. The hall where she was presented was always full of people, and people were in no hurry to move away from the picture. And then, it happened that not a day or two argued at home, at work, with friends, colleagues: “Will she forgive him or not?”

... A heavy man's boot is placed next to a fragile toy service. And from the inappropriateness of this neighborhood, it is felt with particular acuteness how fraught with danger for the world of childhood is the invasion of adult troubles, troubles and difficulties into it. The ashes of a smoking cigarette fall on a colored rug where a teddy bear and a doll have just been treated to tea. But the overweight man - the father, who sat down on the children's table, does not notice all the absurdity of his behavior. After all, he came here with two boxes of sweets and with the confidence that his arrival would become a holiday in an abandoned family. And suddenly he met alienation in his little daughter, intransigence in his teenage son.

A more contradictory internal conversation is read by us in the looks, postures, facial expressions of a man and a woman who were once the closest people to each other, and now it turned out that this outwardly strong man never was his wife's protection, support, friend. The sad and tired woman turned out to be stronger, spiritually superior to him. But she does not just judge him, she understands his weakness. This person is judged by the audience.

Grigoriev's paintings seem to be reading. Perhaps because Sergei Alekseevich is a great storyteller in life, and this gift of figurative narration was chosen by his painting. This is stated in many monographs on the work of S.A. Grigoriev, publications, articles, essays.
In the genre paintings of his brush, which brought him wide fame, the artist showed great compositional skill, the ability to convey the subtlest state of the human soul, to openly reveal the child's character. (Natalia Bugayeva, Senior Researcher, Department of Contemporary History, Lugansk Museum)

Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Returned" sketch

1955 Grigoriev Sergey Alekseevich (USSR, 1910 - 1988) "Merry Spectators"

1955 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "New Bicycle"

1955 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Portrait of Mikhalev"

1958 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Smokes"

1958 Grigoriev Sergey Alekseevich (USSR, 1910-1988) "Fisherman"

1950s Grigoriev Sergey Georgievich (USSR, 1918-1984) "People's Artist of the USSR V. N. Pashennaya."

1951 Grigoriev Sergey Georgievich (USSR, 1918-1984) "Pioneer"

1948 Grigoriev Sergey Georgievich (USSR, 1918-1984) "Natasha"

Grigoriev Sergey Georgievich (USSR, 1918-1984) "Self-portrait" 1936

To be continued...

Artist Grigoriev Sergey Alekseevich was born in Ukraine in the city of Lugansk on June 22 (old style July 5) and 1910 in the family of Alexei Vasilyevich Grigoriev, a railway employee. A year later, the Grigoriev family moved to Zaporozhye, where from the age of 13 he studied at the art school of Zaporozhye until 1926.

The young artist showed great love for drawing and painting, his dream was to enter the Academy of Arts in Leningrad, but the teachers there did not notice a talented artist in the young guy. Leaving Leningrad later in 1928, he entered the Art Institute in Kyiv, where he later earned the specialty of a graphic painter. While still studying at the institute, he joins a student creative association called "Union of Young Artists of Ukraine"

After graduating from the institute in 1932, the artist moved to the city of Kharkov, where he was hired by the Mystetstvo publishing house. As we know, that was the real Soviet period and the artists created their works under the mottos of the Soviet government. Here are some of the works of the young artist, mostly they were posters "Give the country bread", "Forerunners of Donbass", "Komsomol" and others.

Later, Grigoriev works as a teacher, exhibits his works at exhibitions, one of them in Poland in 1933, assists in the faculty of painting and graphics at the Art Institute in Kharkov. All these years were not in vain, thanks to his merits in 1934 he was accepted as an assistant professor at the Kiev Art Institute.

From 1938 to 1939, he fruitfully participates in various exhibitions, where he demonstrates the work "Skier", "Children on the Beach", "Bayanist", "May Day", Youth Holiday" and others.

In 1939, the artist was called up for military service, where he partly engaged in design activities and at the same time created the painting "Children's Music School". During the war, he was a political worker. despite the fact that he was in the army until 1946, he never got the idea of ​​creating paintings on military subjects.

In 1947, he was awarded the title of professor, he works as the head of the drawing department at the Kiev Art Institute and creates such works of his as, "Portrait of Marshal Konev I.S." and "at the meeting"

Since 1950, for 3 years, he has been participating in all-Union exhibition activities, working in the committee for the appointment of the Stalin Prizes in the field of fine arts, literature and architecture. In the same year he created the painting "Discussion of the Two"

In 1951 to 1955, Grigoriev was appointed rector of the Moscow Art Institute, he was in charge of the genre painting workshop. He is also elected as a deputy, participates in the district council of deputies of Kiev.

From 1952 to 1957, he served as director of painting from the Ukrainian SSR. In 1954 he creates the painting "Returned"

Since 1953, Corresponding Member. In 1958 he was a full member of the Academy of Arts of the Soviet Union.

In 1960, the painting "Parents' Meeting" was created, in which his daughter posed for the image of a young teacher. Also in the 60s, he equipped a workshop in the village of Koncha-Ozernaya, where the painter painted various landscapes and a number of portraits.

In 1973, a personal exhibition with the works of the artist opens in Kiev

In 1987, Grigoriev again participates in the Republican exhibition in Kiev

As we can see, the track record from the biography of the artist Sergei Grigoriev is quite multifaceted and fruitful, thanks to the merits and talent of the artist, he was held in high esteem and respect everywhere, and he was trusted with many responsible posts. Many of his colleagues could envy his career growth.

Sergei Grigoriev lived his creative life not in vain, he created a lot of paintings and graphic works, created a huge number of monographs, posters, reflecting the reality in which he lived and worked for the benefit of the Soviet people. His paintings today are in various museums in Ukraine, Russia, Bulgaria and Japan.

During his work and positions held, Grigoriev was awarded many awards of the Soviet era, two Stalin Prizes for the paintings "Goalkeeper", "Admission to the Komsomol" and "Discussion of the Two", he was awarded the honorary title of People's Artist of the USSR and the Ukrainian SSR, as well as his awards, various medals and 3 orders. He wrote memoirs about his traveled path "The Book of Memories"