Lyudmila Stefanovna Petrushevskaya. Life and work of L.S.

The grandfather of the writer Lyudmila Petrushevskaya forbade her to read as a child, and she herself dreamed of becoming an opera singer. Today Petrushevskaya is a universally recognized literary classic. She began writing in the mid-1960s and made her debut in 1972 with Across the Fields in Aurora magazine. Her plays were staged by Roman Viktyuk, Mark Zakharov and Yuri Lyubimov, and the premiere of one of them at the Student Theater of Moscow State University ended in a scandal - Music Lessons was filmed after the first performance, and the theater itself was dispersed. Petrushevskaya is the author of many prose works and plays, among which are the famous “linguistic tales” “Bat Puski”, written in a non-existent language. In 1996, the publishing house "AST" published her first collected works. Not limited to literature, Petrushevskaya plays in her own theater, draws cartoons, makes cardboard dolls and raps. Member of the Snob project since December 2008.

Birthday

Where was born

Moscow

Who was born

Born in a family of IFLI students (Institute of Philosophy, Literature, History). Grandfather - professor-orientalist, linguist N.F. Yakovlev, mother in the future - editor, father - doctor of philosophy.

“Grandfather came from the Andreevich-Andreevsky family, two of his ancestors were arrested in the case of the Decembrists, one, Yakov Maksimovich, was convicted at the age of 25 and spent his entire short life in hard labor (Petrovsky Plant near Ulan-Ude). He died in 1840 in a hospital for the insane. His portrait by N.A. Bestuzhev (copy of P.P. Sokolov) is in the State. Historical Museum

Our family adopted a home theater. The first mention of it refers to the 20s of the twentieth century (memoirs of Evg. Schilling). Yeah, I don't think it's just us. This wonderful tradition still lives in many Moscow families.”

“You know, my great-grandfather was a character of the Silver Age, a doctor and a secret Bolshevik, and for some reason he insisted that I should not be taught to read.”

Where and what did you study

She studied at the opera studio.

“I am, unfortunately, a failed singer.”

“I don’t remember my primers. In the evacuation in Kuibyshev, where I was brought at the age of three, we, enemies of the people, had only a few books. Grandma's choice of what to bring with you: "A Short Course in the History of the CPSU / b", "The Life of Cervantes" by Frank, the complete works of Mayakovsky in one volume and "A Room in the Attic" by Wanda Vasilevskaya. Great-grandfather ("Grandfather") did not allow me to teach to read. I learned this secretly, from the newspapers. Adults discovered this by accident when I began to recite passages from the "Short Course of History" - "And the river of the popular movement started, started" (with a howl). It seemed to me that these were poems. I did not understand Mayakovsky, apparently. My grandmother, Valentina , was the object of courtship of the young Mayakovsky, who for some reason called her "blue duchess" and called her in. When grandmother and her sister Asya reunited in Moscow after decades of forced absence, the mischievous Asya exclaimed: "I didn’t want a poet, I married a student and that received!"

Graduated from the Faculty of Journalism of Moscow State University.

Where and how did you work?

Worked as a correspondent

She worked as a correspondent for Latest News of the All-Union Radio in Moscow, then as a correspondent for the magazine with Krugozor records, after which she switched to television in the review department, where, using complete neglect, she wrote reports on programs - especially such as LUM (Lenin University of Millions ") and "Steps of the Five-Year Plan" - these reports went to all TV outlets. After a number of complaints from the chief editors, the department was disbanded, and L. Petrushevskaya ended up in the department of long-term planning, the only futuristic institution in the USSR, where it would be necessary to predict Soviet television for the year 2000 from 1972. Since 1973, L. Petrushevskaya has not worked anywhere.

She created the “Manual Studio”, in which she draws cartoons with the help of a mouse. The films "K.Ivanov's Conversations" (together with A.Golovan), "Pins-nez", "Horror", "Ulysses: We drove, we arrived", "Where are you" and "Mumu" were made.

“My films are badly drawn, badly written, but they exist. And don't forget that you can laugh!"

What did she do

Books of fairy tales: "Treatment of Vasily" (1991), "Once upon a time there was Trr-r" (1992), "The Tale of the ABC" (1996), "Real Tales" (1996), "A Suitcase of Nonsense" (2001), "Happy cats" (2002), "Pig Peter and the car", "Pig Peter goes to visit", "Pig Peter and the store" (all - 2002), "The Book of Princesses" (2007, exclusive edition with illustrations by R. Khamdamov ), "The Book of Princesses" (Rosman, 2008), "The Adventures of Peter the Piglet" (Rosman, 2008).

The first book of stories was published in 1988, before that L. Petrushevskaya was listed as a banned author. In 1996, a five-volume book (AST) was published. In 2000-2002 a nine-volume edition (ed. "Vagrius", watercolor series). Four more books have been published by "Eksmo" and eleven collections have been published by the "Amphora" publishing house over the past three years. Performances based on the plays by L. Petrushevskaya were staged at the Student Theater of Moscow State University (dir. R. Viktyuk), at the Moscow Art Theater (dir. O. Efremov), Lenkom (dir. M. Zakharov), Sovremennik (dir. R. Viktyuk), theater them. Mayakovsky (dir. S. Artsibashev), in the Taganka Theater (dir. S. Artsibashev), in the theater "Okolo" (dir. Yu. Pogrebnichko) and "On Pokrovka". (dir. S. Artsibashev).

A performance based on the play "Columbine's Apartment" was staged at the Sovremennik Theater in 1985.

In 1996, a collection of works in five volumes was published.

Achievements

Prose and plays have been translated into 20 languages ​​of the world.

In 2008, the "Northern Palmyra" Foundation, together with the international association "Living Classics", organized the International Petrushev Festival dedicated to the 70th anniversary of the birth and the 20th anniversary of the publication of the first book of Lyudmila Petrushevskaya.

public affairs

Member of the Russian PEN Center.

Public acceptance

Pushkin Prize of the Alfred Toepfer Foundation.

The performance "Moscow Choir" based on her play received the State Prize of the Russian Federation.

Triumph Award.

Stanislavsky Theater Prize.

Academician of the Bavarian Academy of Arts - a classic of European culture.

Participated in scandals

In 1979, after the premiere of the play "Music Lessons" at the Student Theater of Moscow State University, the play was removed, and the theater was dispersed.

Roman Viktyuk, director: “Efros said then: “Roman, forget about it. It will never be staged in our lifetime.” And when we staged it, despite all the prohibitions, he wrote in Soviet Culture that it was the best performance in twenty-five years. They felt such rightness in this performance, and in Lucy herself - such a prophet, a seer for a long period of Soviet power, for this agony that had already begun - and one had to have incredible courage to talk about it.

I love

books by philosopher Merab Mamardashvili and writer Marcel Proust

Family

Sons: Kirill Kharatyan, deputy chief editor of the Vedomosti newspaper, and Fedor Pavlov-Andreevich, journalist and TV presenter. Pavlov's daughter Natalia, soloist of the group "C.L.O.N." (funk rock).

And generally speaking

“Oddly enough, I am a philologist by the principle of life, I collect language all the time ...”

“I have always been a minority and have always lived as a scout. In any queue I was silent - it was impossible, at work I was silent. I told myself all the time."

Mark Zakharov, director: “Lyudmila Petrushevskaya is a person of amazing destiny. She came from the most impoverished, hard-living strata of our lives. She can be very simple in relationships, frank and honest. She can be ironic. Maybe evil. She is unpredictable. If I had been told to draw a portrait of Petrushevskaya, I would not have been able to ... "

Biography, life story of Petrushevskaya Lyudmila Stefanovna

Petrushevskaya Lyudmila Stefanovna is a Russian writer.

Childhood and youth

Lyudmila Petrushevskaya was born in Moscow on May 26, 1938. Her father was a scientist, Ph.D., her mother was an editor. When Luda was still quite a baby, the war began. The girl spent some time in an orphanage in Ufa, and then her grandfather Nikolai Feofanovich Yakovlev, a Caucasian linguist, and grandmother Valentina took her to be raised. It is important to note that Nikolai Yakovlev was against teaching his granddaughter to read early. But Luda had a passion for literature in her blood - she learned to distinguish letters secretly from her grandfather, while still quite a baby.

In 1941, Luda and her grandparents were evacuated from Moscow to Kuibyshev. There Petrushevskaya spent several years of her life. After the end of the war, she returned to Moscow, graduated from high school, and then became a student at Moscow State University, Faculty of Journalism.

Job

After successfully defending her thesis, Lyudmila Petrushevskaya worked for some time as a correspondent in various newspapers in Moscow, collaborated with various publishing houses. In 1972, Lyudmila became an editor at the Central Television Studio.

writing work

Lyudmila began to write poetry and prose in her youth. During her student days, she wrote scripts for skits and creative evenings, she really enjoyed it, but she did not even dream of being a serious writer. Everything turned out somehow by itself - naturally, smoothly, naturally.

In 1972, Petrushevskaya's story "Through the Fields" appeared on the pages of the Aurora magazine. It was Lyudmila's writing debut, after which she disappeared for ten years. Only in the second half of the 1980s did her works begin to be published again. Very soon her plays were noticed by theater directors. At first, productions based on her texts hit the stages of small and amateur theaters, and over time, eminent temples of art began to stage performances along Petrushevskaya with pleasure. So, in the Theater-Studio of the Palace of Culture "Moskvorechye" they staged her play "Music Lesson", in the Gaudeamus Theater in Lviv - "Cinzano", in the Taganka Theater - "Love", in "Sovremennik" - "Colombina's Apartment", in Moscow Art Theater - "Moscow Choir". Lyudmila Petrushevskaya was a rather sought-after and popular author, and this despite the fact that for a long time she had to write "on the table", since many editorial offices could not publish her creations, boldly telling about the shadow aspects of life.

CONTINUED BELOW

Separately, it is worth noting the books by Lyudmila Petrushevskaya about the adventures of Peter Pig, created by her in 2002: "Pig Peter and the car", "Pig Peter and the store", "Pig Peter goes to visit". In 2008, a cartoon based on this story was made. And in 2010, Peter Piglet became an Internet meme after a video appeared on the network for the song “Peter Piglet Eat ...”, created by users Lein (text and music) and Artem Chizhikov (video sequence). However, not only Internet fame makes Peter the Piglet a special character in Petrushevskaya. The fact is that in 1943, the American writer Betty Howe published her book entitled "Peter Pig and his air travel." The stories of Petrushevskaya and Howe are very similar in many details, including the main idea and the name of the protagonist.

Other activities

In parallel with the creation of literary works, Lyudmila Petrushevskaya created the “Manual Labor Studio”, in which she herself became an animator. Also, the writer, as part of the One Author Cabaret project, performed popular songs of the past century, read her poems and even recorded solo albums (Don't Get Used to the Rain, 2010; Dreams of Love, 2012).

Lyudmila Stefanovna, among other things, is also an artist. She often organized exhibitions and auctions, where she sold her paintings, and donated the profits to orphanages.

Family

Lyudmila Petrushevskaya's husband was Boris Pavlov, director of the Solyanka Gallery. Husband and wife spent many happy years together. They gave birth to three children - sons Cyril and Fedor and daughter Natalia. Kirill is a journalist, ex-deputy chief editor of the Kommerant publishing house, ex-deputy chief editor of the Moscow News newspaper, deputy chief editor of the Vedomosti newspaper. Fedor is a journalist and performance artist, theater director. Natalia is a musician, creator of the funk band Clean Tone (Moscow).

In 2009, Lyudmila Stefanovna buried her beloved husband.

Awards and prizes

In 1991, Lyudmila Petrushevskaya received the Pushkin Prize from the Töpfer Foundation. In 1993, the writer was awarded the prize of the magazine "October". She also received the same recognition from the same magazine in 1996 and 2000. In 1995, Petrushevskaya became a laureate of the Novy Mir magazine award, in 1996 - the Znamya magazine award laureate, in 1999 - the Zvezda magazine award. In 2002, Lyudmila Stefanovna received the Triumph Prize and the State Prize of the Russian Federation. In 2008, Petrushevskaya became the winner of the Bunin Prize. In the same year, she was awarded the Literary Prize named after

Magazine Award Winner:

"New World" (1995)
"October" (1993, 1996, 2000)
"Banner" (1996)
"Star" (1999)

A story with a sad ending.

Discography

Filmography

Scenarios

05.02.2019

Petrushevskaya Ludmila Stefanovna

Russian prose writer

Playwright

Artist

News & Events

04.02.2019 Maria Stepanova became the winner of the NOS-2018 award

Lyudmila Petrushevskaya was born on May 26, 1938 in Moscow. The girl grew up in a family of students of the Institute of Philosophy, Literature, History. Granddaughter of a linguist, orientalist professor Nikolai Yakovlev. Mom, Valentina Nikolaevna Yakovleva, later worked as an editor. She practically did not remember her father, Stefan Antonovich.

After school, which the girl graduated with a silver medal, Lyudmila entered the Faculty of Journalism of Lomonosov Moscow State University.

After receiving her diploma, Petrushevskaya worked as a correspondent for Latest News for All-Union Radio in Moscow. Then she got a job in the magazine with records "Krugozor", after which she switched to television in the review department. Later, Lyudmila Stefanovna ended up in the department of long-term planning, the only futuristic institution in the USSR, where it was necessary from 1972 to predict Soviet television for the year 2000. After working for one year, the woman quit and since that time has not worked anywhere else.

Petrushevskaya began writing early. She published notes in the newspapers "Moskovsky Komsomolets", "Moskovskaya Pravda", the magazine "Crocodile", the newspaper "Nedelya". The first published works were the stories "The Story of Clarissa" and "The Narrator", which appeared in the magazine "Aurora" and caused sharp criticism in the "Literary Gazette". In 1974, the story “Nets and Traps” was also published there, then “Through the Fields”.

The play “Music Lessons” was staged by Roman Viktyuk in 1979 at the Student Theater of Moscow State University. However, after six performances, it was banned, then the theater moved to the Moskvorechye Palace of Culture, and Lessons was banned again in the spring of 1980. The play was published in 1983 in the brochure "To Help Amateur Art".

Lyudmila Stefanovna is a universally recognized literary classic, the author of many prose works, plays and books for children, among which are the famous “linguistic tales” “Bat Puski”, written in a non-existent language. Petrushevskaya's stories and plays have been translated into many languages ​​of the world, her dramatic works are staged in Russia and abroad. Part of the Bavarian Academy of Arts

In 1996, the publishing house "AST" published her first collected works. She also wrote scripts for the animated films "Lyamzi-Tyri-Bondi, the Evil Wizard", "All the Dumb Ones", "The Stolen Sun", "The Tale of Fairy Tales", "The Cat Who Could Sing", "The Hare's Tail", "One of You tears”, “Peter the Piglet” and the first part of the film “The Overcoat” co-authored with Yuri Norshtein.

Not limited to literature, he plays in his own theater, draws cartoons, makes cardboard dolls and raps. Member of the Snob project, a one-of-a-kind discussion, information and public space for people living in different countries, since December 2008.

In total, more than ten children's books by Petrushevskaya were printed. Performances are staged: “He is in Argentina” at the Chekhov Moscow Art Theater, the plays “Love”, “Cinzano” and “Smirnova’s Birthday” in Moscow and in various cities of Russia, exhibitions of graphics are held at the Pushkin State Museum of Fine Arts, at the Literary Museum, in the Akhmatova Museum in St. Petersburg, in private galleries in Moscow and Yekaterinburg.

Lyudmila Petrushevskaya performs with concert programs called "Cabaret of Lyudmila Petrushevskaya" in Moscow, in Russia, abroad: in London, Paris, New York, Budapest, Pula, Rio de Janeiro, where she performs hits of the twentieth century in her translation , as well as songs of his own composition.

Petrushevskaya also created the "Manual Studio", in which she draws cartoons on her own with the help of a mouse. The films "K. Ivanov's Conversations" together with Anastasia Golovan, "Pins-nez", "Horror", "Ulysses: we drove, we arrived", "Where are you" and "Mumu" were made.

At the same time, Lyudmila Stefanovna founded the small theater "One Author Cabaret", where she performs with her orchestra the best songs of the 20th century in her own translations: "Lily Marlene", "Fallen Leaves", "Chattanooga".

In 2008, the "Northern Palmyra" Foundation, together with the international association "Living Classics", organized the International Petrushev Festival dedicated to the 70th anniversary of the birth and the 20th anniversary of the publication of the first book of Lyudmila Petrushevskaya.

In her free time, Lyudmila Stefanovna enjoys reading books by philosopher Merab Mamardashvili and writer Marcel Proust.

In November 2015, Petrushevskaya became a guest of the III Far Eastern Theater Forum. On the stage of the Chekhov Center staged the play "Smirnova's Birthday" based on her play. Directly took part in the children's concert "Pig Peter invites." To the accompaniment of the Jazz Time group, she sang children's songs and read fairy tales.

On February 4, 2019, the final debates and the awarding of the winners of the Nos Literary Prize took place in Moscow for the tenth time. The “Critical Community Prize” was won by Lyudmila Petrushevskaya for her work “We were stolen. History of crimes.

Awards and Prizes of Lyudmila Petrushevskaya

Laureate of the Pushkin Prize of the Toepfer Foundation (1991)

Magazine Award Winner:

"New World" (1995)
"October" (1993, 1996, 2000)
"Banner" (1996)
"Star" (1999)

Winner of the Triumph Award (2002)
Laureate of the State Prize of Russia (2002)
Laureate of the Bunin Prize (2008)
Literary Prize named after N.V. Gogol in the "Overcoat" nomination for the best prose work: "The Little Girl from the Metropol", (2008)
Ludmila Petrushevskaya received the World Fantasy Award (WFA) for the best collection of short stories published in 2009. Petrushevskaya's collection There Once Lived a Woman Who Tried To Kill Her Neighbor's Baby shared the award with a book of selected short stories by American writer Gene Wolfe.

A story with a sad ending.

Collections of short stories and novellas

Immortal love. - M .: Moscow worker, 1988, shooting range. 30,000, cover.
Ball of the last man. - M.: Lokid, 1996. 26,000 copies.
2008 - Border tales about kittens. - St. Petersburg: Amphora. - 296 p.
2008 - Black butterfly. - St. Petersburg: Amphora. - 304 p.
2009 - Two kingdoms. - St. Petersburg: Amphora. - 400 s.
2009 - Stories from my own life. - St. Petersburg: Amphora. - 568 p.

Discography

2010 - solo album "Don't Get Used to the Rain" (as an attachment to the magazine "Snob")
2012 - solo album "Dreams of Love" (as an appendix to the magazine "Snob")

Filmography

Scenarios

1974 "Treatment of Vasily" Merry Carousel No. 6
1976 Lyamzi-tyri-bondi, the evil wizard, dir. M. Novogrudskaya.
1976 "There are only tears from you" dir. Vladimir Samsonov
1978 The Stolen Sun, dir. Nathan Lerner
1979 "Tale of Tales", dir. Yuri Norstein.
1981 "Overcoat", dir. Yuri Norstein.
1984 "Hare Tail", dir. V. Kurchevsky.
1987 "All the dumb" dir. Nathan Lerner
1988 The Cat Who Could Sing, dir. Nathan Lerner.

- (b. 1938) Russian writer. In plays (Love, production 1975; Cinzano, Smirnova's Birthday, both productions 1977; Music lessons, production 1979), novels and stories (Own circle, 1988; Songs of the Eastern Slavs, 1990; Time is night, ... ... Big Encyclopedic Dictionary

Petrushevskaya, Lyudmila Stefanovna- PETRUSHEVSKAYA Lyudmila Stefanovna (born in 1938), Russian writer. In plays (“Love”, staging 1975; “Cinzano”, “Smirnova’s Birthday”, both stagings 1977; “Music Lessons”, staging 1979), stories and short stories (“Own Circle”, 1988; ... ... Illustrated Encyclopedic Dictionary

- (b. 1938), Russian writer. In plays (“Love”, staging 1975; “Cinzano”, “Smirnova’s Birthday”, both stagings 1977; “Music Lessons”, staging 1979), stories and short stories (“Own Circle”, 1988; “Songs of the Eastern Slavs”, 1990; "Time ... ... encyclopedic Dictionary

Petrushevskaya Lyudmila Stefanovna- (b. 1938), Russian Soviet writer. The plays "Love" (post. 1975), "Cinzano", "Smirnova's Birthday" (both post. 1977), "A Suitcase of Nonsense" (1978), "Music Lessons" (post. 1979). Stories. Screenplays. Translations.■ Plays, M., 1983 (in ... ... Literary Encyclopedic Dictionary

Prose writer, playwright; born in 1938; graduated from the Faculty of Journalism of Moscow State University; author of the plays "Love", "Cinzano", "Smirnova's Birthday", "Music Lessons", "Glass of Water", "Three Girls in ... ... Big biographical encyclopedia

Lyudmila Petrushevskaya February 1, 2009 on the 25th anniversary of the rock group "Sounds of Mu" Birth name: Lyudmila Stefanovna Petrushevskaya Date of birth: May 26, 1938 Place of birth: Moscow, USSR Citizenship: Russia ... Wikipedia

Lyudmila Stefanovna Petrushevskaya- The anniversary of Lyudmila Petrushevskaya, who turns 70 on Monday, will be marked by a special "Petrushev Festival", which will last for almost a month and present the writer in an unusual role for her. Prose writer, playwright Encyclopedia of Newsmakers

Date of Birth: 26.05.1938

Playwright, prose writer, children's writer, screenwriter, animator, artist. The dramaturgy and prose of Petrushevskaya is one of the most analyzed phenomena in Russian literature. Her work, which is a mixture of realism and absurdity, physiology and spirituality, sometimes causes conflicting responses from critics and readers.

Born in Moscow in the family of an employee. She lived a difficult military half-starved childhood, wandered around her relatives, lived in an orphanage near Ufa. By her own admission, she "stole herring heads from a neighbor's garbage can," and saw her mother for the first time at the age of 9.

After the war she returned to Moscow, graduated from the Faculty of Journalism of Moscow State University (1961). She worked as a correspondent for Moscow newspapers, an employee of publishing houses, since 1972 - an editor at the Central Television Studio. She began writing short stories in the mid-1960s. The first published work of the author was the story "Through the Fields", which appeared in 1972 in the magazine "Aurora". Although Petrushevskaya was accepted into the Writers' Union (1977), her works were not published for a very long time. The writer did not even mention any political topics, but the unattractive description of Soviet life contradicted the official ideology. Petrushevskaya's first book was published in 1988, when the writer was already 50 years old.

The very first plays were noticed by amateur theaters: the play "Music Lessons" (1973) was staged by R. Viktyuk, the first production on the professional stage was the play Love (1974) at the Taganka Theater (directed by Yu. Lyubimov). And right there, Petrushevskaya's plays were banned and until the second half of the 80s they were not staged on the professional stage. Despite the ban, Petrushevskaya was the informal leader of the post-Vampilian new wave in the dramaturgy of the 70s and 80s. Also in the 1970s and 1980s, several animated films were made based on Petrushevskaya's scripts. Including the famous "Tale of Tales" by Y. Norshtein.

The writer's attitude to the secondary nature changed with the beginning of perestroika. Her plays began to be actively staged, prose printed. Petrushevskaya became known to a wide range of readers and viewers. However, despite the well-deserved fame, the writer continued her literary experiments, creating works in the genre of absurdity, actively mastering the "profession" of a storyteller. The writer paints watercolors and takes part in rather extravagant musical projects. At the age of 70, Petrushevskaya became interested in animation and even created her own "studio": the Manual Labor Studio. Petrushevskaya is a member of the Russian PEN Center and Academician of the Bavarian Academy of Fine Arts.

Lyudmila Petrushevskaya lives and works in Moscow. Widow, husband director of the Gallery "on Solyanka" Boris Pavlov (died September 19, 2009).

Torah children. Two sons (Kirill Kharatyan and Fedor Pavlov-Andreevich) are well-known journalists. Daughter (Natalya Pavlova) is engaged in music.

Military childhood left a deep mark on the personality of Petrushevskaya. "German is always scary for me. I learned many languages, I speak several, but not German," says the writer.

The animated film "The Tale of Fairy Tales" based on a joint script by L. Petrushevskaya and Y. Norshtein was recognized as "the best animated film of all times and peoples" according to the results of an international poll conducted by the Academy of Motion Picture Arts in conjunction with ASIFA-Hollywood, Los Angeles (USA), 1984.

Petrushevskaya claims that it was her profile that served as a "source of inspiration" for Y. Norshtein when creating the main character of "Fairy Tales" Hedgehog.

In 2003, Petrushevskaya, together with the Moscow free-jazz-rock ensemble Inquisitorium, released the album No. 5. The Middle of Big Julius, where she read and sang her poems to the accompaniment of whistling, the rumble of the ocean or barking dogs.

Writer's Awards

(Hamburg, 1991)
Twice nominated for "" (1992 and 2004)
Prizes of the magazine "October" (1993, 1996, 2000)
New World magazine award (1995)
Znamya magazine award (1996)
Moscow-Penne Award (Italy, 1996)
Prize to them. S. Dovlatov of the Zvezda magazine (1999) (2002)
(2002)
New Drama Festival Award (2003)
Stanislavsky Theater Prize (2004)
Nominated for (2008)
in the nomination "Collection" (2010)

Bibliography

L. Petrushevskaya is the author of a large number of plays, short stories, novellas, fairy tales, etc. The writer's works are collected in the following collections:
Immortal Love (1988)
Songs of the 20th century (1988)
Three Girls in Blue (1989)
Your Circle (1990)
Basil's Treatment and Other Tales (1991)
On the road of the god Eros (1993)
House Mystery (1995)

Tale of the ABC (1997)

House of Girls (1998)
Karamzin: Village diary (2000)
Find Me Dream (2000)
Queen Lear (2000)
Requiems (2001)
Time is night (2001)
Waterloo Bridge (2001)
Nonsense Suitcase (2001)
Happy Cats (2001)
Where I've Been: Tales from Another Reality (2002)
Such a girl (2002)
Black Coat: Tales from Another Reality (2002)
Incident in Sokolniki: Stories from Another Reality (2002)
...like a flower at dawn (2002)
Testament of an Old Monk: Tales from Another Reality (2003)
Fountain House (2003)
Innocent Eyes (2003)
Unripe gooseberries (2003)
Sweet Lady (2003)
Ninth volume (2003)
Wild animal stories. Sea slop stories. Puski Byatye (2003)

Park Goddess (2004)
Changed Time (2005)
City of Light: Magic Stories (2005)