Mix gray and purple what color you get. Color mixing brown

There are many reasons for looking for green. For example, you want to paint the kitchen, draw a landscape, or make leaves for a plant out of plasticine, and buy necessary material no possibility. Then you have to look for the answer to the question of how to get

Fundamentals of color

A science called coloristics studies colors, their features and combinations. Any artist, even a beginner, has an idea of how to get one or another shade by mixing paints, and, of course, knows how to get green color.

You may not believe it, but all the objects around you are painted in only 3 colors. They are called basic. These are red, yellow and blue. By mixing these colors and using black and white, you can create thousands of shades: brown, purple, pink, orange and many more. By learning these basics, future artists will also learn how to get green.

The color ring is used for a visual study of color. It is convenient to use it to determine which color to mix with which in order to get more complex shades. Moreover, changing the proportions of the original colors also changes the final one. Paints from different companies may vary slightly in color - this must also be taken into account when mixing.

What should be mixed?

We figured out that any color can be obtained by mixing red, blue and yellow. It remains only to figure out which colors to mix to get green. For the answer, let's turn to the color ring. It clearly shows that the color we need is between yellow and blue. So it is they who need to be mixed to get green. If you take paints in equal proportions, you get the usual color, which can be found in a jar labeled "green". But what happens if you change the amount of one of the colors?

Many shades

We have already talked about shades above, it remains to figure out what it is. Artists call colors that are very similar to the main one, but changed by adding other colors. Let's see how it looks in practice.

We have already figured out how to get green by mixing blue and yellow in equal proportions. If the proportions change, then the color will become different. For example, adding blue to green will make the second more "cold". This is the name of the shades that can be found on Adding yellow makes the color "warm", for example light green. And if you add a lot of yellow paint, you get lemon.

How to change color correctly?

Often, artists face a more difficult task - how to get a green color that will be much more interesting than the standard one. To do this, you can experiment. For example, add black - it will make green more gloomy, similar to swamp or coniferous, but in some cases this is necessary. Black must be handled very carefully. Even the smallest drop can make the color muddy, so add it little by little. And white will make the shade lighter. In this case, the brightness will become less - green will be as if in a fog. The same recommendations apply to other colors.

In pursuit of interesting shades, some begin to add all the colors in a row to green. This is not worth doing. The colors on the other side can easily spoil everything. That is, if you mix yellow and blue, try not to add red and its shades to them. Only those who have sufficient skills in painting can do it correctly.

The psychology of green

Knowing how to get green can come in handy in many areas of life. But before actively using it in the interior, decide whether it suits you from a psychological point of view.

Experts have long paid attention to the fact that furniture can greatly affect a person's mood. For example, red evokes passion or aggression, soft pink is suitable for a frivolous pastime, and orange adds energy and positive.

As for green, a lot depends on its brightness and saturation. Lighter colors allow you to relax and have a good rest after a hard day. labor day, and juicy emerald shades or light green will give vivacity. At the same time, dark tones make the interior more serious. But all psychologists are inclined to one opinion - green is the most relaxing and calm color of all. If this is exactly what you need - actively use green in the interior.

How to get other colors?

Whatever your goals, you can hardly get by with one color. Green can be successfully combined with many other shades, because in nature the leaves of this particular color serve as a backdrop for irises, dandelions, forget-me-nots and poppies. Moreover, it all looks very harmonious. So green, if desired, can be successfully combined with any shades. But how do you get them?

Red, yellow and blue are the main ones, we found out above. They are complemented by black and white. And what colors can be obtained by mixing, a simple table will tell.

The article gives a complete and detailed answer to the question of how to get green by mixing paints. So now you can easily cope with this task and create many amazing shades that are not in your palette of colors.

Decided to take up painting or painting furniture? But don't know how to get different shades? The paint mixing charts and tips will help you do just that.

Basic concepts

Before you start studying paint mixing tables, you should familiarize yourself with some definitions that will make it easy to understand a new material for yourself. The words used in the theory and practice of blending shades are explained below. These are not scientific encyclopedic definitions, but transcripts in a language understandable to an ordinary beginner, without the presence of complex terminology.

Achromatic colors are all intermediate shades between black and white, that is, gray. In these colors there is only a tonal component (dark - light), but there is no "color" as such. Those where it is are called chromatic.

Primary colors are red, blue, yellow. They cannot be obtained by mixing any other colors. Those that can are composite.

Saturation is a characteristic that distinguishes an achromatic hue from an identical lightness. Next, consider what a paint mixing table for drawing is.

Range

Paint mixing tables are usually presented as a matrix of rectangles or squares, or in the form of shade combination schemes with numerical values or percentages of each color component.

The underlying table is the spectrum. It can be depicted as a stripe or a circle. The second option is more convenient, visual and understandable. In fact, the spectrum is a schematic representation of a beam of light decomposed into color components, in other words, a rainbow.

This table contains both primary and secondary colors. The more sectors in this circle, the greater the number of intermediate shades. In the figure above, there are also gradations of lightness. Each ring corresponds to a certain tone.

The hue of each sector is obtained by mixing neighboring paints along the ring.

How to mix achromatic colors

There is such a painting technique as grisaille. It involves the creation of a picture using gradations of exclusively achromatic colors. Sometimes brown or another shade is added. Below is a table of mixing colors for paints when working with this method.

Please note that when working with gouache, oil, acrylic, more gray shade created by not only reducing the amount of black, but also adding white. In watercolor, professionals do not use this paint, but dilute

How to mix with white and black

In order to get a darker or lighter shade of the pigment that you have in the kit, you need to mix it with achromatic colors. This is how gouache works, mixing acrylic paints. The table below is suitable for working with any material.

There are a different number of ready-made colors in the kits, so compare what you have with the desired shade. When adding white, you will get the so-called pastel colors.

Below is how the gradation of several complex colors is obtained from the lightest, almost white, to very dark.

Mixing watercolors

The table below can be used for both methods of painting: glazing or single layer. The difference is that in the first version, the final shade is obtained by visually connecting different tones superimposed one on top of the other. The second method involves the mechanical creation of the desired color by combining pigments on the palette.

How this is done is easy to understand from the example of the first line with purple tones from the figure above. Layered execution is done like this:

Fill in all the squares with a light tone, which will be obtained by using a small amount of paint and a sufficient amount of water.
After drying, apply the same color to the second and third elements.
Repeat the steps as many times as needed. IN this option there are only three color transition cells, but there may be more.

When working in the technique of glazing painting, it is worth remembering that different colors it is better to mix no more than five layers. The previous one must be well dried out.

In the event that you prepare the required color immediately on the palette, the sequence of work with the same purple gradation will be as follows:

Set the color by taking a little paint on a wet brush. Apply to the first rectangle.
Add pigment, fill in the second element.
Dip the brush back into the paint and make a third cell.

When working in one layer, you must first mix all the colors on the palette. This means that in the first method, the final shade is obtained by optical mixing, and in the second - mechanical.

gouache and oil

The techniques for working with these materials are similar, since the pigments are always presented in the form of a creamy mass. If the gouache is dry, it is pre-diluted with water to the desired consistency. White is always present in any set. They are usually used up faster than others, so they are sold in individual jars or tubes.

Mixing (table below), like gouaches, is a simple task. The advantage of these techniques is that the next layer completely overlaps the previous one. If you made a mistake and after drying you didn’t like the resulting shade, make up a new one and apply it on top. The previous one will not show through if you work with thick colors without diluting them with liquid (water for gouache, solvent for oil).

Pictures in this painting technique can even be textured, when a thick mass is applied pasty, that is, in a thick layer. Often, a special tool is used for this - a palette knife, which is a metal spatula on the handle.

The proportions of paints to be mixed and the necessary colors to obtain the desired shade are shown in the previous table diagram. It is worth saying that it is enough to have only three primary colors in the set (red, yellow and blue), as well as black and white. From them, in different combinations, all other shades are obtained. The main thing is that the colors in the jar should be exactly the main spectral tones, that is, for example, not pink or raspberry, but red.

Acrylic work

Most often, these paints work on wood, cardboard, glass, stone, making decorative crafts. In this case, it happens the same way as when using gouache or oil. If the surface has been pre-primed and the paints are suitable for it, getting the desired shade is not difficult. Below are examples of mixing shades with acrylic.

For (batik) are also used but they are sold in jars of liquid consistency and are similar to printer ink. In this case, the colors are mixed according to the principle of watercolor on the palette with the addition of water, not white.

If you understand how to use paint mixing charts, you can easily create an unlimited number of shades when working with watercolors, oils, or acrylics.

If you mix green and yellow and in equal proportions, you get a color that we usually call light green. Depending on how light or dark the initial colors are, the shade of the result will vary from light green to olive.

But if you mix green and yellow in clothes, nothing good will come of it) Only representatives of the winter color type can wear this combination, and then it’s not worth it)

If you take yellow as a base and add green paint, then we get light green color or a shade, since everything will depend on the amount of paint that you want to add to the base color.

If you want to continue the experiment, then you can add a little white paint to the light green and get a lighter and less saturated glow.

Yellow will give green the opportunity to play the most different shades. There will be less yellow - green will only become slightly brighter, more golden, but if more, then it will be possible to bring the green color to light green. In general, decide what color you want to get at the output - more yellow or more green, and depending on this, select the desired proportion of mixed paints.

Light green color you can draw fresh grass, leaves. He will give the picture a juicy spring character.

And mixing green and yellow dyes is useful for cooks: it is this light green color that is most often found on flower petals on cakes.

If you mix any two colors, you can get a lot of different shades. Moreover, depending on how much of one paint is mixed with another, the resulting color approaches either one or another color.

If we have two colors: yellow and green, then the color mixing in equal proportions will give light green color.

If you gradually add green to yellow paint, you can see how the resulting paint changes its color, approaching green with each new drop.

Knowing how to get this or that color correctly, you can create completely unexpected shades. And if you add to the yellow and green paint one more color, then you can get, for example, the following colors:

The answers to this question will vary unless you ask exact characteristics. The final color when mixing yellow and green depends on their initial hues and saturation. This is clearly seen in the figure below.

If we mix light green and light yellow, we get a light green color.

If we mix rich green and yellow, we get a rich light green color.

If we mix dark green and dark yellow, we get an olive color. It can also be enhanced to a dark olive.

By the way, in life, the combination of yellow and green is quite acceptable, for example, in clothes these colors are perfectly combined and refresh a woman, and for a man they are acceptable, although they are used less often. The same can be said about their use in the interior of, say, a bedroom.

It will turn out acidic, poisonous-light green color - well, this is only in my personal opinion!)

If you mix yellow and green, you get Blue colour. Depending on the proportions of the mixed colors, the shade of blue will change. If you add more green color, you get a dark blue color. And if there is more yellow, then blue will turn out.

Mixing green with any other colors will always give a color close to brown or even an indeterminate color.

But adding green to yellow dates an olive color. If you add quite a bit of yellow, then the green color will become more saturated and dark.

Mixing yellow and green colors, we get a bright lettuce color.

But in order to actually get a bright light green color, it is necessary that the proportions when mixing colors are the same 1: 1.

By adding a little more of one color and a little less of another color, then you can get different colors from brown to dark blue and from blue to cyan.

By mixing green and yellow flowers a light green color of a different shade will come out, depending on the proportions of these colors. Up to an olive color. In general, to put it simply, it will turn out just a light green color.

It depends in what proportions you will mix yellow and green. If the proportions are the same 1 to 1, then you will get a light green color. Depending on the increase in any color, the hue will change. For example, more yellow, the color will become light green and vice versa.

»we touched on the basics of drawing - what you need to do to draw about what you want. And they did it on the example of a pencil and paper. Why? Because it is easier than learning to paint with paints, because in the case of using paints, in addition to the problem " How can I draw this? the problem "" appears - so that what happens is very similar to what is intended. And in this article we will try to give an exact answer to this question.

How to get the right color? There are two ways. The first is traditional, using the color wheel known to many:

So, there are primary colors:

yellow
blue
red .

which, when mixed, give

orange
green
violet
brown .

Moreover, the shades of mixed colors depend on the proportion of the primary colors. And, using the color wheel, you can get the desired color like this:

Take a certain amount of the main color (for example, blue )
Add some amount of a second base color (for example, yellow )
Compare the resulting green with what you wanted to get
Add one or another primary color to correct the hue.
Or simply take the desired shade of green from a tube jar.

Why does the last paragraph appear - take the desired shade from the jar? Because getting the right color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill grows, so does the need for more precise color matching. After all, with the help of the principles described, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it hard to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of "dirt" and still learn to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirty” of the standard color wheel were not discovered by us, but by Michael Wilcox. Who wrote the book . How to get the color you really want". By the way, you can download this book by Michael Wilcox at the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material of the book in one article, so we will limit ourselves to the main points, and we recommend that you take the details from this very book by Michael Wilcox “Blue and yellow do not make green".

So, how to reliably and accurately get the right color?

For this, it is necessary to take into account an important theoretical point. Why do we see color? Because miscellaneous items(including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bath appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot reflects nothing. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because the light is reflected from the pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray turns out - due to the fact that more and more white light reflected by white particles is absorbed by soot particles.

Exactly the same principle works for colored pigments. Thus, red paint is red because it reflects predominantly red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. In the same way "works" and yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. mix them up and get dirt. Why? Because the reflected red ABSORBED blue pigment in the same way as the entire incident color. Accordingly, the red pigment absorbs all the emission of blue - because the nature of its surface is so arranged that predominantly red pigment is reflected.

But you may ask: "What nonsense, because mixing blue And yellow we still get green, and according to your theory, dirt should also turn out? Well, if there were really pure colors in nature, then we would see the formation of dirt. But there is one But, which makes it possible not only to mix colors, but also to carefully and reliably select the right shade of color.

So, the pigment reflects not only one light. Light of one wavelength is reflected in greater measure. So, the red pigment mainly reflects red color. However, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - predominantly the pigment reflects yellow, but nevertheless enough in large numbers may be reflected orange or green. WITH blue same thing - it can carry additional "harmonics" green or purple .

So there is Not three primary colors. Eat six primary colors:

Mainly reflective paint red and to a lesser but significant extent orange .
Paint that mainly reflects red and to a lesser (but significant) extent violet .
Pigment that reflects predominantly yellow and in addition green .
Pigment that reflects predominantly yellow and plus additive orange .
Mainly reflective material blue and partially violet .
Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. The blue pigment neutralizes the yellow color, the yellow pigment absorbs the blue color. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing the blue from point 5 and the red from point 2, you neutralize the blue and red colors, and a juicy and saturated color appears. violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb the radiation from the yellow, and yellow - the reflected radiation from the red pigment.

The result is NEW color wheel of the six primary colors:

The colors have arrows that point the way for the optimal development of the "blended" color. Respectively, variety of shades is born as a result of some combination of these SIX primary colors. "Incorrect" combinations (eg blue 6 and red 1) produce muted shades of colors (eg muddy purple). The combination of one "correct" color and one "wrong" (for example, blue 6 and red 2) produces more developed shades (for example, a brighter purple). And finally, the combination of the "right" colors (for example, blue 5 and red 2) produces a pure and bright color (bright and beautiful purple).

Naturally, reading the article is not enough to master getting the right color. It is best to read the book Blue and yellow don't make green» Michael Wilcox Plus Do practical exercises on the selection of colors described in the book. However, our question has been answered.

Knowledge of color mixing options can be useful not only in professional activity artists. The individual design of living space often raises the question of how to achieve this or that interesting halftone before the designer. The proposed combination options and the color mixing table will help you get the desired effect.

Everyday life is filled with the widest range of all kinds of colors. To get the right one, you need to know the intricacies of combining.

Blue, red and yellow paint are three pillars on which a wide palette of halftones rests. It is impossible to form these colors as a result of mixing other colors. At the same time, their combination with each other gives an unusually many combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of the paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow to form green. The result obtained by adding new portions of yellow paint will gradually change, as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are close together in color wheel, give a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors on opposite sides of the chromatic circle will result in an achromatic tone. An example is the combination of orange or magenta with green. That is, a mixture of colors closely spaced in the color wheel gives a rich chromatic hue, the maximum removal of colors from each other when mixed leads to a grayish tone.

Separate paints, when interacting, give an undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or gray. good example is a mixture of white lead and red cinnabar. Attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing the minimum number of colors. At the same time, it is important to consider which paints, as a result of mixing with each other, give a stable result, and which ones cannot be combined. The knowledge gained allows us to exclude from the work the paints that fade or darken in the future.

The table of undesirable mixtures below will help reduce the risk of erroneous combinations:

Having tried the above examples in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the top three primary colors and is always present even in the smallest sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1: 1 ratio. There are other options to get red when mixing paints:

In the center is the main red. Next are the mixing options. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue belongs to the primary colors, so blue paint is required to form all its shades.

Attention! No combination of other colors gives a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called "royal", and in a set of acrylic paints, ultramarine color is often the main one, which has a bright dark tint with a purple undertone. To achieve a lighter effect, mixing blue and white in a ratio of 3: 1 allows. An increase in white leads to a lighter tone up to sky blue. If you want to achieve a moderately saturated result, dark blue paint mixed with turquoise.

What colors need to be mixed to get shades of blue, consider below:

The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. The addition of white paint will result in a lighter hue with a simultaneous decrease in brightness due to the combination of 3 elements.
Prussian blue is created by mixing 1 part of the main blue and adding 1 part of the composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
The combination of blue and red in a ratio of 2:1 gives blue with a hint of purple. Adding white allows you to lighten a dark and saturated tone.
The brightness of royal blue is different, a similar effect is achieved by mixing the main blue with magenta pink in equal parts. The admixture of white traditionally brightens the result.
The combination with orange gives a gray mass. Replacing orange with brown in a ratio of 1:2 to the base creates dark color with a complex gray-blue tint.
The formation of dark blue is done with the help of black admixture in the ratio of 3:1.
Mixing the base color with white allows you to create a blue tone on your own.

A small table of combination options is presented below:

green color palette

Solving the problem of how to get green in case it is not in the set is quite simple: connect yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. This role is played by black and White paint. The effect of olive and khaki is achieved by mixing the two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: the intense tones of the source guarantee a bright result.

If green is obtained by mixing, then all subsequent midtones will be dimmer. Therefore, it is better to experiment with a gamut of green, having an initially ready-made primary color. There are many combination options:

The combination of blue and yellow in equal proportions gives a grassy green.
Increasing yellow to 2 parts with the addition of 1 part blue results in a yellow-green effect.
Experimenting on the contrary in the form of a blue-yellow ratio of 2: 1 will produce a blue-green tone.
If you add ½ of black to the previous composition, you will achieve a dark green effect.
Light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
For a similar light green shade, but a cold tone, you need to take yellow, blue and white bases in a ratio of 1:2:2.
Dark olive color is formed by mixing in equal parts yellow, blue and brown paint.
A gray-brown tone is obtained from similar elements in a ratio of 1: 2: 0.5.

The expressiveness of the green color is directly dependent on the original elements, respectively, the brightness of the midtones is repelled by the saturation of the green. A visual representation of the blending options is given by the graphic palette:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding the main, white or black paint.

Other combination options

There are many other tricks to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where the paint is planned to be applied. The easiest option is to mix a snow-white base base with a yellowish one. For example, yellowish ocher is added to white or minimal amount strontium. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink shade indicates a properly diluted solution. A cotton swab, brush or sponge is wetted in the resulting composition, after which the surface of the paper is processed.

Advice! For double-sided tinting, the sheet can be lowered for a couple of minutes into a container with a solution of potassium permanganate. After drying, it will acquire the desired effect of ivory.

There are also several ways to get black:

by mixing the three basic colors of red, blue and yellow;
when combining cyan, magenta and yellow;
by combining green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

How to get a crimson color: the base is blue with the addition of red, white and brown.
Get turquoise, whose second name is aquamarine, can be mixed with blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright.
How to get yellow? It belongs to the main ones and it is impossible to obtain it by combining other paints. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
How to get a brown tint? To do this, you need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10: 1), then the volume is gradually increased until an orange tone is obtained. Then move on to the introduction. blue element, 5-10% of the total will be enough. Minor adjustments to the proportions will produce a wide variety of brown effects.
The combination of black and white elements in various proportions gives a diverse range of gray tones.

As you can see, the options to achieve the desired effect in creative process designs are innumerable. A table with options for mixing colors and videos will supplement the information provided: