Characteristics of the main characters. The protagonist of the book "Live and Remember" - Andrey Guskov

In Rasputin's story "Live and Remember" the characters become victims of the war, hostages of their actions. There is no condemnation, evaluation of heroes in the work, the author emphasizes that the culprit of human misfortunes is war. Because of his attachment to his family, to the village, Andrei Guskov becomes a deserter - this is worse than death. Nastya turns out to be neither a widow nor a happy wife: she chooses death as the solution to all problems. The main characters of “Live and Remember” are people without a future, doomed; unlike Andrei, Nastya understands this, she is strong in spirit and wise.

Characteristics of the heroes “Live and remember”

Main characters

Andrey Guskov

A young guy, Nastya's husband. Before the war, they lived together for 4 years, there were no children. He, like everyone else, fought in the war, was not a traitor. After another serious wound, without having healed, they are not sent on vacation, but back to the unit. Andrei, yearning for home, not being a fighter and insane patriot by nature, deserts. Later, he realizes what he has done, but there is no going back. Secretly meets with his wife, she feeds him, regrets. Together they reminisce about their lives before the war. Nastya realizes that she is pregnant, but Andrei does not think about her or the unborn child. It degrades, runs wild, there is little human left in it.

Nastya

She married not for love, but to go to another house, from her aunt. Life with a husband, with a mother-in-law is even harder. Noticing the loss of the ax, Nastya realizes that Andrei is somewhere nearby. She brings him bread, steals, hides, secretly meets with her husband. Neither the father-in-law nor the mother-in-law admits that their son is here, close. She carries her female cross, accepts everything, realizing that there is no future. At times, Nastya hates her husband for his act, he does not allow her to rejoice in victory, live openly and raise children. Conscience does not allow Nastya to live, as Andrei lives, she suffers, suffers. Being pregnant, tired of hopelessness, Nastya decides to drown herself.

Andrei's father, Mikheich

Kind, ingenuous person. He, unlike his wife, suspects that his son lives nearby, that he is a deserter. He tries to talk with Nastya about Andrei, feels trouble, worries, but she does not betray Andrei, as she promised him. Mikheich already understands that his son has run away. At the end of the story, when Nastya's body needs to be taken away, Mikheich lies near death.

Maxim Volozhin

Neighbor of the Guskovs. He returns from the war alive. He is a real hero. His wife is proud of her husband, she is happy. The neighbors invite the Guskovs to a celebration in honor of Maxim's return, Nastya cannot stand her thoughts, she becomes unbearable, she runs away.

Semyonovna

Mother-in-law of Nastya. Strict, adheres to old views. Due to the lack of children, she considers her daughter-in-law inferior. Loads with hard work, controls, scolds. Noticing Nastya's pregnancy, he kicks her out of the house.

Minor characters

Rasputin's story is a strong, deep work, it teaches that life is complex and multifaceted, the truth is different, and each person has a limit of spiritual strength. In the list of military-themed works, this is the best story by Valentin Rasputin. It is deeply philosophical, original, multifaceted in terms of subject matter. Rasputin's heroes are very humane, "drawn" to the smallest detail, simple and understandable. Nastya, who chose death, turns out to be stronger and more determined than her husband, who crippled her and his own destiny. The tragedy of the finale is inevitable, the fate of two people who could not resist the circumstances turns out to be too difficult. The characterization of the characters can be useful when designing a reader's diary, writing test papers, and preparing for a literature lesson.

Artwork test

It so happened that in the last war year, a local resident Andrei Guskov secretly returned from the war to a distant village on the Angara. The deserter does not think that he will be welcomed with open arms in his father's house, but he believes in the understanding of his wife and is not deceived. Although his wife Nastena is afraid to admit it to herself, she instinctively understands that her husband has returned, there are several signs of this. Does she love him? Nastya did not marry for love, four years of her marriage were not so happy, but she is very devoted to her man, because, having left her parents early, for the first time in her life she found protection and reliability in his house. “They agreed quickly: Nastya was also spurred on by the fact that she was tired of living with her aunt as workers, bending her back on someone else’s family ...”

Nastena rushed into marriage like water - without much thought: you still have to go out, few people do without it - why pull? And what awaits her in a new family and a strange village, she did not imagine well. But it turned out that from the workers she got into the workers, only the yard is different, the economy is larger and the demand is stricter. “Maybe the attitude towards her in the new family would be better if she gave birth to a child, but there are no children.”

Childlessness forced Nastena to endure everything. Since childhood, she heard that a hollow woman without children is no longer a woman, but only half a woman. So by the beginning of the war, nothing came of the efforts of Nastena and Andrey. Guilty Nastena considers herself. “Only once, when Andrei, reproaching her, said something completely unbearable, she replied with resentment that it was not known yet which of them was the reason - she or he, she had not tried other men. He beat her half to death." And when Andrei is taken to the war, Nastena is even a little glad that she is left alone without children, not like in other families. Letters from the front from Andrey come regularly, then from the hospital, where he also ends up wounded, maybe he will soon arrive on vacation; and suddenly there is no news for a long time, only once the chairman of the village council and a policeman enter the hut and ask to see the correspondence. "Did he say anything else about himself?" - “No... What's the matter with him? Where is he?" “So we want to find out where he is.”

When an ax disappears in the Guskovs' family bath, only Nastya thinks if her husband has returned: “Who would think of looking under the floorboard?” And just in case, she leaves bread in the bath, and once even heats the bath and meets in it the one she expects to see. The return of her husband becomes her secret and is perceived by her as a cross. “Nastena believed that in the fate of Andrei since he left home, in some way there is her participation, she believed and was afraid that she probably lived for herself alone, so she waited: on, Nastena, take don't show it to anyone."

She readily comes to her husband's aid, is ready to lie and steal for him, is ready to take the blame for a crime in which she is not guilty. In marriage, you have to accept both bad and good: “You and I agreed to live together. When everything is good, it's easy to be together, when it's bad - that's what people come together for.

Enthusiasm and courage settle in Nastena's soul - to fulfill her feminine duty to the end, she selflessly helps her husband, especially when she realizes that she is carrying his child under her heart. Meeting with her husband in a winter hut across the river, long mournful conversations about the hopelessness of their situation, hard work at home, settled insincerity in relations with the villagers - Nastena is ready for anything, realizing the inevitability of her fate. And although love for her husband is more of a duty for her, she pulls her life strap with remarkable masculine strength.

Andrei is not a murderer, not a traitor, but just a deserter who escaped from the hospital, from where they were going to send him to the front, without really treating him. Having tuned in to a vacation after a four-year absence from home, he cannot give up the thought of returning. As a country man, not a city man and not a military man, he is already in the hospital in a situation from which the only salvation is escape. So everything turned out for him, it could have turned out differently if he had been firmer on his feet, but the reality is that in the world, in his village, in his country, there will be no forgiveness for him. Realizing this, he wants to pull to the last, not thinking about his parents, his wife, and even more so about the unborn child. The deeply personal thing that connects Nastena with Andrey conflicts with their way of life. Nastena cannot raise her eyes to those women who receive funerals, cannot rejoice, as she would have rejoiced before when the neighboring peasants returned from the war. At a village celebration on the occasion of the victory, she recalls Andrei with unexpected anger: “Because of him, because of him, she has no right, like everyone else, to rejoice in victory.” The fugitive husband posed a difficult and insoluble question to Nastya: with whom should she be? She condemns Andrei, especially now, when the war is ending and when it seems that he would have remained alive and unharmed, like everyone who survived, but, condemning him at times to anger, to hatred and despair, she retreats in despair: yes because she is his wife. And if so, it is necessary either to completely abandon it, jumping on the fence like a rooster: I am not me and it is not my fault, or go along with it to the end. At least to hell. No wonder it is said: whoever marries whom, he will be born into that.

Noticing Nastena's pregnancy, her former friends begin to laugh at her, and her mother-in-law completely kicks her out of the house. “It was not easy to endlessly withstand the grasping and judgmental looks of people - curious, suspicious, angry.” Forced to hide her feelings, to restrain them, Nastena is more and more exhausted, her fearlessness turns into a risk, into feelings wasted in vain. It is they who push her to suicide, drag her into the waters of the Angara, shimmering like a river from a terrible and beautiful fairy tale: “She is tired. Who would know how tired she is and how much she wants to rest.

Composition

War... The word itself speaks of misfortune and grief, misfortune and tears. How many people died during this terrible Great Patriotic War!.. But, dying, they knew that they were fighting for their land, for their relatives and friends. Death is scary, but the spiritual death of a person is much more terrible. This is what V. Rasputin's story "Live and Remember" tells about.

The author reveals the soul of the deserter Andrei Guskov. This man was in the war, was wounded and shell-shocked more than once. But, having been discharged from the hospital, Andrei did not go to his unit, but thievishly made his way to his native village, becoming a deserter.

There is no detective plot in the story, there are few heroes, but all this only reinforces the growing psychologism. V. Rasputin specifically in the image of Andrei depicts an ordinary person with average mental and spiritual abilities. He was not a coward, at the front he conscientiously performed all the soldier's duties.

“He was afraid to go to the front,” says the author. - He prepared all of himself, to the last drop and to the last thought, for a meeting with his relatives - with his father, mother, Nastena - he lived with this, he recovered and breathed with this, he only knew this ... How back, again under bullets, under death, when near, in his own side, in Siberia? Is it right, fair? He would only have one single day to be at home, to calm his soul - then he is again ready for anything. Yes, that's exactly what Andrew wanted to do. But something broke in him, something changed. The road turned out to be long, he got used to the idea of ​​the impossibility of returning.

In the end, he burns all the bridges and becomes a deserter, which means a criminal. When Andrei was near his home, he realized the vileness of his act, realized that something terrible had happened and now he had to hide from people all his life. It is in this vein that the image of the protagonist is most often interpreted. But it should be borne in mind that Andrei is still too young to become a heroic person. He was not going to desert, but the longing for his relatives, family, native village turned out to be the strongest, and the very day that he was not given to leave becomes fatal.

This story is not only about how a soldier becomes a deserter. It is also about cruelty, the destructive power of war, which kills feelings and desires in a person. If this happens, the person is completely free to become a hero. If not, then the longing will usually be stronger. Therefore, Andrei Guskov is not just a traitor, he is a person doomed to death from the very beginning. He is weak, but can he be blamed for being weak?

The tragedy of the story is enhanced by the fact that not only Andrei dies in it. Following him, he takes away both his young wife and the unborn child. Nastena is a woman who is able to sacrifice everything so that her loved one remains alive. But despite her love for him, she still considers her husband to be guilty. Her pain is intensified by the possible condemnation of her fellow villagers.

Like her husband, Nastena is a victim of an all-destroying war. But if Andrei can be blamed, then Nastena is an innocent victim. She is ready to take the blow, the suspicions of loved ones, the condemnation of her neighbors, even punishment - all this causes undeniable sympathy in the reader. “The war delayed Nastenino's happiness, but Nastena believed in the war that it would be. Peace will come, Andrey will return, and everything that has stopped over the years will start moving again. Otherwise, Nastena could not imagine her life. But Andrey came ahead of time, before the victory, and confused everything, mixed it up, knocked it out of its order - Nastena could not help but guess about this. Now I had to think not about happiness - about something else. And it, frightened, moved away somewhere, eclipsed, obscured - there was no way for it, it seemed, from there, no hope. The idea of ​​life is destroyed, and with them, life itself. Having lost support in this whirlpool, Nastena chooses another whirlpool: the river takes the woman to her, freeing her from any other choice.

Valentin Rasputin, a humanist in fact, in the story "Live and Remember" draws the inhumane nature of war, which kills even at a great distance.

The protagonist of the book is Andrey Guskov, "an efficient and brave guy who married Nastya early and lived with her not well, not badly for four years before the war." But the Great Patriotic War unceremoniously invades the peaceful life of the Russian people. Together with the entire male part of the population, Andrei also went to war. Nothing foreshadowed such a strange and incomprehensible alignment, and now, like an unexpected blow for Nastena, the news that her husband Andrei Guskov is a traitor. Not every person is given to experience such grief and shame. This incident abruptly turns and changes the life of Nastya Guskova. “...Where were you, man, what toys did you play with when you were assigned a fate? Why did you agree with her? Why, without thinking, did you cut off your wings, just when they are most needed, when you need to run away from trouble, not crawling, but in the summer? Now she is under the power of her feelings and love. Lost in the depths of village life, the female drama is extracted and shown as a living picture that is increasingly seen against the background of the war.

The author claims that Nastena is a victim of the war and its laws. She could not act differently, not obeying her feelings and the will of fate. Nastya loves and pities Andrei, but when shame for the human judgment of herself and her unborn child defeats the power of love for her husband and life, she stepped overboard in the middle of the Angara, dying between two banks - the coast of her husband and the coast of all Russian people. Rasputin gives readers the right to judge the actions of Andrei and Nastena, to reveal for themselves all the good and realize all the bad.

The author himself is a kind writer, inclined to forgive a person rather than to condemn, all the more to condemn mercilessly. He tries to give his heroes a chance to make amends. But there are such phenomena and events that are unbearable for the people around the heroes, for the comprehension of which the author does not have the spiritual strength, but there is only one rejection. Valentin Rasputin, with inexhaustible purity of heart for a Russian writer, shows a resident of our village in the most unexpected situations.

The nobility of Nastya is compared by the author with the wild mind of Guskov. On the example of how Andrei pounces on the calf and bullies him, it is clear that he has lost his human image, completely moved away from people. Nastya is trying to reason and show her husband's mistake, but she does it lovingly, does not insist. The author introduces many thoughts about life into his story. We see this especially well when Andrei and Nastya meet. Heroes languish in their reflections not from melancholy or idleness, but wanting to understand the purpose of human life.

The images described by Rasputin are great and multifaceted. Here is the collective image of grandfather Mikheich and his wife, the conservatively strict Semyonovna, typical of village life. And the image of the soldier Maxim Volozhin, courageous and heroic, who spared no effort, fought for the Fatherland. The many-sided and contradictory image of a truly Russian woman - Nadya, left alone with three children. It is she who confirms the words of N. A. Nekrasov: ".. Russian share, female share." Both life during the war and its happy ending were reflected in the fate of the village of Atamanovka.

Valentin Rasputin convinces us with everything that he wrote that there is light in a person and it is difficult to extinguish it, no matter what the circumstances. In the heroes of V.G. Rasputin and in himself there is a certain poetic feeling, opposed to the established perception of life. Follow the words of Valentin Grigorievich Rasputin: "Live for a century - love a century."

Other writings on this work

Mastery of depicting folk life in one of the works of Russian literature of the XX century. (V.G. Rasputin. “Live and remember.”) The story of V. Rasputin "Live and remember" Why "Live and remember"? Problems of morality in modern literature

There are many examples in the literature when circumstances turn out to be higher than the willpower of the heroes, for example, the image of Andrei Guskov from the story "Live and Remember" by Valentin Rasputin. The work is written with the author's deep knowledge of folk life, the psychology of the common man. The author puts his heroes in a difficult situation: a young guy Andrei Guskov honestly fought almost until the very end of the war, but in 1944 he ended up in a hospital, and his life cracked. He thought that a severe wound would free him from further service. But it was not there, the news that he was again sent to the front struck him like a lightning bolt. All his dreams and plans were destroyed in an instant. And in moments of spiritual confusion and despair, Andrei makes a fatal decision for himself, which turned his whole life and soul upside down, made him a different person.

In any work of art, the title plays a very important role for the reader. The title of the story "Live and Remember" prompts us to a deeper concept and understanding of the work. These words "Live and remember" - tell us that everything that is written on the pages of the book should become an unshakable eternal lesson in a person's life.

Andrei was afraid to go to the front, but more than this fear was resentment and anger at everything that brought him back to the war, not allowing him to stay at home. And, in the end, he decides to commit a crime and becomes a deserter. Before, he didn’t even have such thoughts in his thoughts, but the longing for his relatives, family, native village turned out to be the strongest of all. And the very day on which he was not given a vacation becomes fatal and turns the life of the hero and his family upside down.

When Andrey found himself near his home, he realized the vileness of his act, realized that a terrible thing had happened and now he had to hide from people all his life, look back, be afraid of every rustle. This story is not only about how a soldier becomes a deserter. It is also about cruelty, the destructive power of war, which kills feelings and desires in a person. If a soldier in war thinks only of victory, he can become a hero. If not, then the longing will usually be stronger. Constantly thinking about meeting with his family, the soldier mentally strives to see all his relatives and friends, to get to his home as soon as possible. In Andrei, these feelings were very strong, pronounced. And therefore he is a person doomed to death from the very beginning, since from the minute when the war began, and until the last moment, he lived in memories and in anticipation of a meeting.

The tragedy of the story is enhanced by the fact that not only Andrei dies in it. Following him, he takes away both his young wife and the unborn child. His wife, Nastena, is a woman who is able to sacrifice everything so that her loved one stays alive. Like her husband, Nastena is a victim of an all-destroying war and its laws. But if Andrei can be blamed, then Nastena is an innocent victim. She is ready to take the blow, the suspicions of loved ones, the condemnation of neighbors and even punishment. All this evokes undeniable sympathy in the reader.

"The war delayed Nastenino's happiness, but Nastena believed in the war that it would come. Peace would come, Andrei would return, and everything that had stopped over the years would start moving again. Nastena could not have imagined her life otherwise. But Andrei came earlier time, before victory, and confused everything, mixed it up, knocked it out of its order - Nastena could not help but guess about this. Now I had to think not about happiness - about something else. And, frightened, moved away somewhere, eclipsed, obscured - it seemed to him that there was no hope from there.”

The idea of ​​life is destroyed, and with them, life itself. Not every person is given the opportunity to experience such grief and shame that Nastena took upon herself. She constantly had to lie, get out of difficult situations, figure out what to say to her fellow villagers.

The author introduces many thoughts about life into the story "Live and Remember". We see this especially well when Andrey meets Nastena. They not only remember the most vivid impressions from the past, but also reflect on the future. In my opinion, the boundary between the past and future life of Nastya and Andrei is very clearly distinguished here. From their conversations, it is clear that they used to live happily: this is proved by the many joyful occasions and moments that he recalled. They imagine them very clearly, as if it were just recently. But they cannot imagine the future. How is it possible to live away from all human people, not to see mother and father and friends? You can’t hide from everyone and be afraid of everything for the rest of your life! But they have no other way, and the heroes understand this. It is worth noting that basically Nastena and Andrei talk about that happy life, and not about what will happen.

The story ends with the tragic death of Nastena and her unborn child. She was tired of living such a life - a life away from all living things. Nastena no longer believed anything, it seemed to her that she had come up with it all herself.

"The head really broke. Nastena was ready to tear off her skin. She tried to think and move less - there was nothing for her to think about, nowhere to move. Enough. ... She was tired. Who knew how tired she was and how much she wants to relax!". She jumped over the side of the boat and ... The author did not even write this word - she drowned. He described it all in figurative terms. “Far, far away from the inside, there was a flickering, like from a terrible beautiful fairy tale.” There is a noticeable play on words - “creepy” and “beautiful” fairy tales. Probably, the way it is - terrible, because it is still death, but beautiful, because it is precisely she saved Nastena from all her torment and suffering.

Great and multifaceted images described by Rasputin. Here we see the collective image of grandfather Mikheich and his wife, the conservatively strict Semyonovna, typical of village life. Soldier Maxim Volozhin, courageous and heroic, who spared no effort, fought for the Fatherland. The many-sided and contradictory image of a truly Russian woman - Nadya, left alone with three children. It is she who confirms the words of N.A. Nekrasov: Russian share, female share.

Everything was reflected and it seemed - life during the war and its happy ending - on the life of the village of Atamanovka. Valentin Rasputin convinces us with everything that he wrote that there is light in a person, and it is difficult to extinguish it, no matter what the circumstances! In the heroes of V.G. Rasputin and in himself there is a poetic sense of life, opposed to the established perception of life.

Follow the words of Valentin Grigorievich Rasputin - "live a century - love a century."