Why Mtsyri can be considered a romantic hero. Mtsyri as a romantic hero

Lermontov was in love with the Caucasus from the very early childhood. The majesty of the mountains, the crystal clearness and at the same time the dangerous power of the rivers, the bright unusual greenery and people, freedom-loving and proud, shocked the imagination of a big-eyed and impressionable child. Perhaps that is why, even in his youth, Lermontov was so attracted by the image of a rebel, on the verge of death, delivering an angry protesting speech (the poem “Confession”, 1830, the action takes place in Spain) in front of a senior monk. Or maybe it was a premonition own death and a subconscious protest against the monastic prohibition to rejoice in everything that is given by God in this life. This keen desire to experience ordinary human, earthly happiness sounds in the dying confession of the young Mtsyri, the hero of one of the most remarkable Lermontov's poems about the Caucasus (1839 - the poet himself had very little time left).

Before "Mtsyri" the poem "The Fugitive" was written. In it, Lermontov develops the theme of punishment for cowardice and betrayal. Brief story: a traitor to duty, who forgot about his homeland, Harun fled the battlefield without taking revenge on his enemies for the death of his father and brothers. But neither friend, nor beloved, nor mother will accept the fugitive, even everyone will turn away from his corpse, and no one will take him to the cemetery. The poem called for heroism, for the struggle for the freedom of the fatherland.

In the poem "Mtsyri" Lermontov develops the idea of courage and protest, embodied in the "Confession" and the poem "The Fugitive". In "Mtsyri" the poet almost completely excluded love motive, who played such a significant role in "Confession" (the love of the hero-monk for the nun). This motive is reflected in brief meeting Mtsyri with a Georgian woman at a mountain stream. The hero, defeating the involuntary impulse of a young heart, renounces personal happiness in the name of the ideal of freedom. The patriotic idea is combined in the poem with the theme of freedom, as in the work of the Decembrist poets. Lermontov does not share these concepts: love for the motherland and a thirst for will merge into one, but “fiery passion”.

The monastery becomes a prison for Mtsyri, the cells seem stuffy to him, the walls are gloomy and deaf, the guards-monks are cowardly and miserable, he himself is a slave and a prisoner. His desire to know, “we were born into this world for will or prison”, is due to a passionate impulse to freedom. short days escape is his will. Only outside the monastery he lived, and did not vegetate. Only these days he calls bliss.

Mtsyri's freedom-loving patriotism is least of all like a dreamy love for relatives. beautiful scenery and expensive graves, although the hero yearns for them too. Precisely because Mtsyri truly loves his homeland, he wants to fight for her freedom. And the poet, with undoubted sympathy, sings of the warlike dreams of the young man. The poem does not fully reveal the hero's aspirations, but they are palpable in allusions. Mtsyri remembers his father and acquaintances primarily as warriors; it is no coincidence that he dreams of battles in which he wins, it is not for nothing that dreams draw him into the “wonderful world of worries and battles”.

He is convinced that he could be "in the land of the fathers, not one of the last daring ones." Although fate did not allow Mtsyri to experience the ecstasy of battle, he is a warrior with all the system of his feelings. He was distinguished by severe restraint from childhood. The young man, proud of this, says: “Do you remember your childhood years: I never knew tears.” He gives vent to tears only during the escape, because no one sees them. tragic loneliness in the monastery tempered the will of Mtsyri. It is no coincidence that he fled from the monastery on a stormy night: what frightened the timid monks filled his heart with a sense of brotherhood with the storm.

The courage and stamina of Mtsyri is manifested with the greatest force in the battle with the leopard. He was not afraid of the grave, because he knew: returning to the monastery is a continuation of previous suffering, the tragic ending testifies that the approach of death does not weaken the spirit of the hero and the power of his freedom-loving patriotism. The old monk's admonitions do not make him repent. Even now he would have “traded paradise and eternity” for a few minutes of life among loved ones (verses that caused dissatisfaction with censorship). It is not his fault if he failed to join the ranks of the fighters for what he considered his sacred duty: the circumstances turned out to be insurmountable, and he “argued with fate” in vain.

Defeated, he is not spiritually broken and remains in a positive way of our literature, and his masculinity, integrity, heroism were a reproach to the fragmented hearts of timid and inactive contemporaries from the noble society. The Caucasian landscape is introduced into the poem mainly as a means of revealing the image of the hero. Despising his surroundings, Mtsyri feels only a kinship with nature. Imprisoned in a monastery, he compares himself to a pale hothouse leaf that has grown between damp slabs. Having broken free, he, together with sleepy flowers, raises his head when the east has become rich. A child of nature, he crouches down and learns how fairy tale hero, the secret of bird songs, the riddles of their prophetic chirping. He understands the dispute of the stream with the stones, the thought of the separated rocks, eager to meet. His gaze is sharpened: he notices the brilliance of snake scales and the tint of silver on the fur of the leopard, he sees the teeth of distant mountains and a pale strip “between the dark sky and earth”, it seems to him that his “sedious gaze” could see the flight of angels through the transparent blue of the sky . (The verse of the poem also corresponds to the character of the hero).

Lermontov's poem continues the tradition of advanced romanticism, Mtsyri, full fiery passions, gloomy and lonely, revealing his “soul” in a confessional story, is perceived as a hero of romantic poems. However, Lermontov, who created "Mtsyri" in those years when he was created and realistic novel“A Hero of Our Time” introduces such features into his work that are not in his earlier poems. If

The past of the heroes of "Confession" and "Boyar Orshcha" remains completely unknown, and we do not know the social conditions that shaped their characters, then the lines about Mtsyra's unhappy childhood and adolescence help to better understand the hero's feelings and thoughts. The very form of confession, characteristic of romantic poems, is associated with the desire to reveal more deeply - “to tell the soul”. This psychologism of the work, the detailing of the hero's experiences are natural for the poet, who at the same time created a socio-psychological novel.

The combination of many metaphors of a romantic nature in the confession itself (images of fire, fieryness) with a realistically accurate and poetically sparse opening speech is expressive. (“Once upon a time a Russian general…”) Romantic in form, the poem testified to the growth of realistic tendencies in Lermontov's work.

Lermontov entered Russian literature as a successor to the traditions of Pushkin and the Decembrist poets, and at the same time as a new link in the chain of development. national culture. According to Belinsky, he contributed to national literature his own, "Lermontov's element". Briefly explaining what should be invested in this definition, the critic, as the first characteristic feature creative heritage the poet noted “original living thought” in his poems. And he repeated: “Everything in them breathes with original and creative thought.”

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MTSYRI AS A ROMANTIC HERO

An important stage of learning is such a form of knowledge testing as an essay. "Mtsyri" - romantic hero poems by Lermontov. Mikhail Yurievich created an unusual character with tragic fate, which is endlessly in an unusual environment for him. The name of the protagonist also hints at this. After all, this word is translated from Georgian as “monk, novice” or “stranger, foreigner”.

Consider possible variant school work"An essay based on the poem" Mtsyri ". As it appears to the reader from the first lines.

The main idea of the story

Lermontov portrayed a very strong in spirit a person who is ready to sacrifice everything, even life, for the sake of his ideals and goals.

The main idea of the work is protest and courage. The love motive is almost completely absent; it is reflected only in a short meeting of the hero with a Georgian woman near a mountain stream.
Not only the main character strongly attracts the attention of the reader, but the plot of the story itself.

When Mtsyri was still a child, a Russian general sent him to a Georgian monastery for education. Nothing is known about the boy's relatives, and he himself was taken as a prisoner. Main character could not withstand such a blow of fate, because he was left an orphan in a completely non-native place. Because of this, the disease began to slowly kill him. Mtsyri was approaching death faster and faster. But he was lucky: one monk who became attached to him saved the boy. The young man grew up, learned the language and was preparing for the tonsure. "Mtsyri as a romantic hero" - an essay about a real person.

Storm escape

But suddenly a fatal event happens: on the eve of the tonsure, Mtsyri arranges an escape. That night was terrible, with might and main a thunderstorm raged. The act of the protagonist and the weather even complement each other. The hero, of course, is being searched for. The search lasted for three whole days, but all in vain. In the end, he is found without feelings, he is again beginning to be destroyed by the same ailment that struck him in childhood. An essay on the theme "Mtsyri as a romantic hero" should colorfully reflect this moment. The monk who was involved in his upbringing is again trying to save the protagonist from the paws of death. Mtsyri confesses to him, his confession is filled with notes of pride and passion. It reveals the character of the protagonist.

Life in the monastery

"Mtsyri as a romantic hero" - an essay about involuntary imprisonment.Of course, the most important point remains the question of Mtsyri's escape. Why did he do it? What are the reasons? Do not forget that our hero spent his life in this monastery against his will. He became a prisoner, and the monastery became a prison. Such a life was not life for him at all. In his opinion, it is better to die in freedom than to live in captivity all the time. How much the hero was deprived of! Mother's lullabies, games with peers. He was never a monk at heart, he was forced to be an evil fate. Therefore, he dreamed of getting, at least for a short moment, everything that he had lost.

Mtsyri knew that he was taking a very big risk, because he had no one and nothing in that world unknown to him. But that didn't stop him. The hero wasted no time when he finally got what he wanted for so long. He looks with complete delight at the world, which he was deprived of. And only here we see the real Mtsyri. His gloom and silence disappear somewhere, and we see that the hero of the poem is not only a rebel, but also a romantic. These character traits just revealed themselves against the backdrop of the beautiful Caucasian nature.

Mtsyri as a romantic hero: an essay on fortitude

He is shown courageous and courageous, he feels like a warrior, although he did not happen to be in battles and battles. Very important point in the narrative are the tears of the protagonist. He was very proud of the fact that he usually did not give them free will. But during the escape, Mtsyri could not restrain himself, even if no one saw him. The hero even compared himself to a thunderstorm. While the monks cowardly hid from her, he decided to escape. He seemed to become part of this stormy night.

Resilience and patriotism

The courage and steadfastness of the young man is manifested not only in the escape itself, not only in the fact that he decided to take such a risk, but also, for example, in the episode of the battle with the leopard. To analyze the main plot of the poem, you can write the essay "Mtsyri as a romantic hero." Briefly, the author expresses his attitude to important life things. He was not afraid of death, because returning to the monastery, returning to his captivity was much more terrible for him. The tragic ending only emphasizes the fortitude, patriotism and love for the will of the protagonist. And maybe he couldn't beat fate. He could only change her for a brief moment. But all this did not break inner world hero.

Mtsyri is a deep patriot, because his main goal after escaping is the road to his homeland. Yes, he understands that no one is waiting for him there, but this is not the main thing. It is important for him to at least just set foot on his native land.

Meeting

The steadfastness and strength of Mtsyri's patriotism is also proved by the episode of the meeting with the girl. He felt the birth of the first love, he had only to follow the girl. But the desire to get to the Motherland is stronger. Despite everything, he continues to move forward.

The role of the landscape

Perfectly reveal the image of Mtsyri, not only him personal traits, but also surrounding landscape. Mtsyri is a romantic hero, so he fully and completely feels unity with nature. He identifies himself now with a thunderstorm, now with a small leaf. Either he raises his head like flowers at sunrise, or he learns the secrets of birds, listening to their chirping. He understands every pebble, every twig and blade of grass, notices all the shades of nature. He feels like an extension of her.

But nature is very strong and dangerous. Despite his unity with her, she also becomes an obstacle. That dark forest where the hero got lost. He did not give up until the very end, but how strong was the despair, when the whole truth reached Mtsyra - he walked in circles.
Nature gave Mtsyri almost everything that he so desired: a sense of freedom, a sense of life. But the main goal is not given to the hero, since he is not able to overcome the weakness of the body.

Traditional features of romanticism in the poem

The poem by Mikhail Yuryevich Lermontov is undoubtedly filled with the traditions of romanticism, which proves the main one as a romantic hero "- an essay on the school curriculum that reveals the character. He is full of passions, lonely, one with nature, and not with the environment. He gradually and completely opens his soul All these are signs of romanticism.

The form of confession is also characteristic of poems in the style of romanticism. After all, we read the soul of the hero through his own experiences, they are very detailed, which only helps to penetrate him deeper. In addition, there are many metaphors and images in confession. The essay on the topic "Mtsyri as a romantic hero" should reflect the fact that the hero's childhood was unhappy. Thanks to this, we better understand our hero, his inner world.

Lermontov is proud of his character. After all, slavery makes people weak, kills their willpower. Fortunately, this did not happen to Mtsyri. His character is the opposite modern society where the author lived. The hero of the poem reflects struggle and strength, but, unfortunately, there are too few of them to defeat society.When the strength leaves the hero, he does not change himself. His death is also a protest. Finally he gets what he wanted - freedom. His soul will undoubtedly return to his homeland.

Mtsyri will forever remain a symbol of unbending will, courage and perseverance that will help a person achieve his goals, no matter what. The essay on literature "Mtsyri - a romantic hero" is part of school curriculum in high school.

- a work written by Lermontov. It introduces us to the young novice Mtsyri, who, against his will, was imprisoned in the walls of the monastery. This monastery became a prisoner for the freedom-loving inhabitant of Georgia.

Mtsyri romantic hero essay

Opening the topic, one should answer in general about who exactly in the literature of the turn of the 19th century could be considered a romantic hero. This is a man with an unusual fate, a man with sincere and high feelings who could be a rebel against the circumstances. This is a man endowed best qualities human nature, a man with a bright soul.

What features of a romantic hero are inherent in Mtsyri and why is Mtsyri a romantic hero?

Getting acquainted with the work and its hero, who ended up in a world alien to him, in a world of obedience and prohibitions, while the guy’s soul demands freedom, we are every time convinced that Mtsyri is the hero - a romantic. He is endowed with determination, courage, courage. There are no or very few romantic moments in the work itself. For example, we see only one meeting of the hero with an unfamiliar girl, when his heart began to beat faster. The poem is still written in the spirit of romanticism, and Mtsyri is the romantic hero of the poem, who could not live in captivity and fled from the monastery. He ran and only in freedom saw all the beauty of the world around him and was able to breathe deeply. Some three days of wandering seemed to him an eternity and paradise. The meeting with the leopard, where the young man faced the animal in a duel, did not frighten him, because it was outside the monastery that he gained the desired freedom.

It is unfortunate that Mtsyri could not find his way home, and after three days of wandering he again fell into the walls of the monastery. It's a pity that our hero is dying. But I rejoice because he was able to achieve his goal, and his death was only the final release from imprisonment. Mtsyri became free forever.

At the turn of the 18th and 19th centuries, a romantic tradition developed in Russia, which replaced classicism. If the previous literary trend focused on the development of society and sought to describe the ideal world order, then something completely different becomes important for romanticism. In the works of romantics, a person, his inner world, aspirations and sensations come to the fore. Romantic writers are firmly convinced that each person is exceptional and of primary value, so they shift their attention to the depiction of feelings and experiences. This is how a romantic hero appears, for the image of which quite clear literary canons are soon formed.

The first rule of romanticism literary direction becomes the image of an unusual hero in unusual conditions. As a rule, romantic writers choose an atypical setting for their works: a forest, mountains, desert, or some ancient castle. IN mysterious place placed unusual hero with all the best human qualities: he is handsome, proud and noble. He is better than the people around him and with all this causes their hostility. From this follows the second condition: the opposition of the hero and society, the hero and the surrounding reality. The romantic hero is always in opposition, because he perfectly sees the imperfection of the world and, due to his moral purity, does not want to put up with it. It builds on this romantic conflict. Another required condition for the literature of romanticism, this is a detailed description of the thoughts of the hero. For this, the form of a diary, a lyrical monologue or a confession is chosen.

The heroes of M. Lermontov's works can serve as a classic example of a romantic hero in the works of Russian writers. These are Pechorin and Arbenin, Demon and Mtsyri ... Consider Mtsyri as a romantic hero.

Mtsyri as a romantic hero

In his works, Lermontov took into account the creative experience of Byron, a former long years his idol, which is why we can talk about the heroes of Lermontov as Byronic heroes. Byronic hero is a romantic hero highest quality, a rebel hero with a fiery nature. No circumstances can break him. These qualities especially attracted Lermontov, and it is precisely these qualities that he writes out in his heroes with special care. Such is the romantic hero Mtsyri, who can be called the ideal of a romantic hero.

About the life of Mtsyra, or rather about its key moments, we learn firsthand, since Lermontov chose the form of confession for the poem. This is one of the most popular genres of romanticism, since confession allows you to discover the depths human soul making the story emotional and sincere at the same time. The hero is placed in an unusual place: in a monastery in the Caucasus, and the Caucasus for a Russian then seemed a very exotic land, the center of liberty and free thought. The features of the romantic hero "Mtsyri" can be traced already in how little the reader is told about the hero's previous life - just a few mean phrases about his childhood. His life in the monastery is shrouded in mystery, so characteristic of romantic works. Little Mtsyri was taken prisoner by a Russian general and brought to the monastery, where he grew up - that's what the reader knows. But Mtsyri himself is not an ordinary monk, he has a completely different character, he is a rebel by nature. He was never able to forget his homeland and abandon it, he longs for real life and is willing to pay any price for it.

Was it easy for Mtsyra to decide to escape from a quiet existence in his cell? It is obvious that the monks who cured and raised Mtsyri did not wish him harm. But their world cannot become Mtsyri, since it was created for another life. And for her sake, he is willing to take risks. In accordance with the romantic tradition, life in the monastery and life outside it are contrasted here, with the first symbolizing lack of freedom and constraint. human personality, the second one is ideal life. It is to her that Mtsyri, born for freedom, strives. His escape is a rebellion against traditions, it is significant that it takes place on a stormy stormy night, when monks are supposed to pray, fearing the "wrath of God." In Mtsyra, a thunderstorm causes delight, a desire to intermarry with the rebellious elements: "I, like a brother ...". The sincerity of the hero wins in him the ostentatious monastic humility - Mtsyri is free.

Tragedy Mtsyri

The romantic hero is almost always doomed to defeat in the struggle with the world, since this struggle is unequal. His dreams, as a rule, do not come true, and life ends early. In this, the romantic hero of Lermontov's poem "Mtsyri" turns out to be an exception: he still managed to fulfill part of his dream and breathe in the air of freedom. Another thing is that, as the epigraph to the poem tells us, he “tasted little honey”, and freedom was given to him for only three days - but this time will be all the brighter for them. Mtsyri is happy with his merging with nature. Here, memories of his family, his native village and a happy childhood come back to him. Here his blood wakes up, the blood of warlike highlanders, and he turns out to be capable of feats. During the battle with the leopard, Mtsyri appears to the reader as a brave warrior, fully aware of his strength and able to use it. He is beautiful, just like wild nature around: he is her part and her child.

But Lermontov could not rightfully be called a great romantic poet if he turned his poem into happy fairy tale. Mtsyri is defeated by circumstances, he is wounded and brought back to his cell. Freedom only beckoned him, but the main dream: to return to his homeland, to the distant free Caucasus, did not come true. And, if you think about it, it was not feasible at all, because no one was waiting for him there. Close Mtsyri have long been dead, the house is destroyed, and at home he would have turned out to be exactly the same stranger as in the monastery. This is where the true romantic tragedy is manifested: the hero is completely excluded from this world and equally alien to everyone in it. Only beyond the bounds of his life, perhaps, happiness awaits, but Mtsyri does not want to give up. "Paradise and eternity" he would gladly exchange for a few minutes at home. He dies unbroken and his last glance is turned to the Caucasus.

The image of Mtsyra is the image of a romantic hero, with a deep tragic history which rightfully enjoys the love of many generations of readers. “... You see what a fiery soul, what a mighty spirit, what a gigantic nature this Mtsyra has!” - this is how the critic Belinsky spoke about him, and the words of the critic really fully characterize the hero. Years go by, change literary currents, the romantic tradition is long gone, but the image of Mtsyra still inspires deeds and awakens love for the most valuable: life and homeland.

The given image of the romantic hero of the poem and the description of his features will be useful to students of grade 8 when searching for materials for an essay on the topic “Mtsyri as a romantic hero of Lermontov’s poem”

Artwork test

In Lermontov's poem "Mtsyri", a young man who escaped from the monastery is shown as a romantic hero. The author develops in his work the ideas of protest and courage. Mikhail Yuryevich almost completely excluded from his creation the love motive that played big role in his poem "Confession". This motive in "Mtsyri" was reflected only in a fleeting meeting of the protagonist with a Georgian woman, which took place near a mountain stream.

Defeating the impulse of his young heart, Mtsyri for the sake of the ideal of freedom refuses personal happiness. In the poem, the patriotic idea is inextricably linked with the theme of freedom. This is also observed in the work of the Decembrist poets. Mikhail Yurievich does not share these concepts. In his work, the "fiery passion" merges the thirst for will and love for the Fatherland. Mtsyri is very attractive as a romantic hero. The plan for analyzing this character should include his relationship to the monastery. We will talk about this now.

Mtsyri's relationship to the monastery

The monastery for our hero is a prison. The cells seem stuffy to him, and the walls are deaf and gloomy. The monk guards appear to the protagonist as miserable and cowardly, and he himself is a prisoner and a slave. The impulse to freedom is due to his desire to find out why we were born into the world, "for will or prison." For the young man, the few days he spent in peace after escaping from the monastery turn out to be a will. Outside the blank walls he lived full life, but did not vegetate. The hero calls the time. It is during the days spent at large that the image of Mtsyra is fully revealed. As a romantic hero, he manifests himself behind the walls of the monastery.

Patriotism of the protagonist

Least of all, the freedom-loving patriotism of the protagonist is similar to the love for expensive graves and beautiful native landscapes, although Mtsyri yearns for them. He truly loves his Fatherland, wants to fight for her freedom. With undoubted sympathy, Mikhail Yurievich sings of these youthful dreams. The work does not reveal the aspirations of the protagonist to the end, but in hints they are quite palpable. The young man remembers his acquaintances and his father mainly as warriors. It is not by chance that this hero dreams of battles in which he is the winner. No wonder his dreams are drawn into the world of battles and worries.

Character of the main character

Mtsyri as a romantic hero is shown brave and courageous. He himself is convinced that "in the land of the fathers" he could be one of the "dares". And although this hero was not destined to experience the rapture of battle, he is a real warrior in terms of his character. Since young years Mtsyri was distinguished by severe restraint. Proud of this, the hero says that he has never known tears. Only during the escape, the young man gives free rein to tears, since no one sees them. The will of the protagonist was tempered by loneliness in the monastery walls. It is no coincidence that it was on a stormy night that Mtsyri decided to escape: the timid monks were frightened by the revelry of the elements, but not this young man. By the storm, he had only a feeling of brotherhood.

Resilience and masculinity of a young man

The stamina and masculinity of Mtsyri manifests itself with the greatest force in the episode of the battle with the leopard. The grave did not frighten him, since he understood that returning to the monastery would be a continuation of suffering. The tragic ending created by the author shows that the spirit of the hero does not weaken due to the approach of death. His freedom-loving patriotism does not disappear in front of her face. Mtsyri do not force to repent the exhortations of the monk. He says that he would trade eternity and paradise again for a few minutes spent among loved ones. It is not Mtsyri's fault that the circumstances could not be overcome, and he could not get into the ranks of the fighters. The hero tried in vain to argue with his fate. He was defeated, but internally not broken. Mtsyri is goodie Russian literature. His integrity, masculinity, courage were a reproach to the inactive and fearful representatives of the noble society, modern Lermontov.

The role of the landscape in revealing character

The Caucasian landscape serves to reveal the image of a young man from the poem "Mtsyri". Like a romantic hero, despising the environment, he feels kinship only with nature. Growing up within the walls of a monastery, he compares himself to a hothouse leaf. Breaking free, he raises his head along with the flowers at sunrise. Being a child of nature, Mtsyri falls to the ground and, like the hero of fairy tales, learns the secret of the prophetic chirping of birds, the riddles of their songs. He understands the thought of those eager to meet the disconnected rocks, the dispute with the stones of the stream. The young man's gaze is sharpened: he notices how the fur of the leopard shimmers with silver, how the scales of a snake shine, sees a pale strip between earth and sky and the teeth of distant mountains. Mtsyri, as the romantic hero of the poem, thinks that through the blue of the sky he could see the flight of angels.

Traditions of romanticism and new features of Lermontov's poem

Of course, Mikhail Yuryevich's poem continues the traditions of romanticism. This is indicated, in particular, central image works. Full of fiery passions, Mtsyri as a romantic hero, lonely and gloomy, reveals his soul in a confession story. In this, Mikhail Yuryevich followed tradition. All this is typical of romanticism. Nevertheless, Lermontov, who wrote his poem during the years when he worked on realistic work"Hero of Our Time", in "Mtsyri" introduced features that were not characteristic of his earlier poems. Indeed, the past of the heroes of Boyar Orsha and Confession remains unknown to us. We do not know what social conditions influenced the formation of their characters. And in the work "Mtsyri" we find lines that the childhood and adolescence of the protagonist were unhappy. This helps us to better understand his thoughts and experiences. It should also be noted that the form of confession, so characteristic of poems in the style of romanticism, is associated with the desire to "tell the soul", that is, to reveal it as deeply as possible. Such detailing of experiences, the psychologism of the work are natural for Lermontov, since he simultaneously created a socio-psychological novel.

The combination in confession of numerous metaphors that have romantic character(images of a flame, fire), with a poetically stingy and precise speech of the introduction, characteristic of realism, is very expressive. The poem begins with the lines: "Once upon a time a Russian general ..." The work, romantic in its form, testified to the fact that realistic tendencies were becoming more and more distinct in Lermontov's work.

Lermontov's innovation

So, we opened the topic "Mtsyri as a romantic hero." Lermontov entered domestic literature as a successor of the Decembrist poets and the traditions of Pushkin. However, he also introduced something new into the development of the Russian artistic word.

Belinsky said that we can talk about the so-called Lermontov element. The critic explained that it meant, first of all, "an original living thought." Of course, it is also felt in the creation of such an image as Mtsyri. As a romantic hero, this young man was briefly characterized by us. You saw that there are some realistic features in the work.