Art Deco acrylic paintings. Fine art Art Deco

Art Deco did not escape the influence of another important phenomenon in the art of the twentieth century - abstractionism. The innovations of abstract art are associated mainly with the merits of Wassily Kandinsky, who lived and worked in Munich from 1896 to 1914. Gradually removing the subject from his paintings, the artist ensured that they acquired the appearance of complete abstraction.

This is also the work of Kazimir Malevich, who was the founder of Suprematism, who simplified the image to the superposition of one white square on another. Constructivism as a style has had a significant influence on Western art. Constructivism was based on the belief that art should serve social purposes and that it was a reflection of personal rather than social experience. Constructivist artists created works that resembled machine parts composed of geometric shapes and influenced Art Deco graphics.

The innovations developing at that time could not but influence the Art Deco style itself, which was the result of mixing with them. IN artistic sense Also noticeable influence Art Deco was influenced by cubism, especially its way of dismembering objects and analyzing their geometric components. The Cubist vision of objects appears in the works of Pablo Picasso and Georges Braque around 1908-1909. Art Deco was deeply influenced by the Cubists' handling of planes and their technique of using color.

Talented painter and sculptor, Italian artist Amadeo Modeliani influenced the development of Art Deco. He depicted lively, predominantly female forms, deliberately stretching the proportions of the body and facial features, which was a prototype of the elegant stylization characteristic of Art Deco.

The famous Parisian couturier Paul Poiret, who became a trendsetter for many years, did a lot to promote the exotic and colorful Art Deco style, which began with the Russian Seasons. Paul Poiret's models asserted the ideal image of a rich and fashionably dressed modern woman. P. Poiret changed fashion in a “revolutionary” way: he destroyed the corset, and thereby the silhouette of his models became straight and more natural. This was the first, still timid compared to what would happen after the First World War, but already its obvious liberation. Having worn straight and loose tunic dresses with bright decorative patterns, the woman’s behavior became more direct and natural, less cutesy and pretentious. In the well-known Martin Hotel, which opened in 1911, where completely untrained young girls worked, creating designs for fabrics, furniture and wallpaper. Such unusual method gave birth to works full of freshness and liveliness of perception, and the lack of technical knowledge was compensated by well-trained craftsmen who translated the drawings made by the girls onto fabric, only slightly correcting them. The Martin studio produced wallpaper, wall panels, and fabrics completely covered with huge bright flowers. Thus, flowers (especially roses, dahlias, daisies, zinnias), very decorative and infinitely far from natural (real), became a favorite theme of the emerging Art Deco.

In painting, among the paintings of the interwar period, it is very difficult to distinguish the pure Art Deco style. Most artists used techniques borrowed from the Cubists. Art Deco painting was not one of the avant-garde artistic movements; moreover, it was not of an applied nature, designed to comply with the fundamental principles of decoration.

The paintings of Polish-born Tamara de Lempicka, whose work is dominated by fashionable portraits and erotic female nudes, are considered a typical representative of Art Deco painting. De Lempicka's writing technique can be defined by applying her own statement in the machine age that the artist “must not forget about precision. The painting must be clean and neat.” (S. Sternow. Art Deco. Flights of artistic fantasy. Belfax, 1997).

By and large, Art Deco sculpture can be divided into two large groups: for mass production works for the domestic market and works " fine art" Created by avant-garde artists and sculptors of the period, quality sculpture and inexpensive mass-market products went hand in hand - marble and bronze existed alongside plastic and ceramic souvenirs. In the field of sculpture, the Art Deco style manifested itself everywhere, from high art to kitsch.

Art Deco(from the French “art deco”) - style movement of art in America and other countries Western Europe XX century. Art Deco characterized by a combination of monumental weighted form; a combination of some elements of the styles of cubism, modernism and expressionism; using expressive forms of “technical design”. It got its name from the International Exhibition in Paris dedicated to decorative arts and industry. It was she who became the impetus for the development and spread of this style.

Art Deco became the most mysterious style of the twentieth century, captivating everyone with its brightness and exoticism.

This style conquered the whole world and still remains a source of inspiration for designers. This is probably why Armani made his latest Casa collection in the best traditions of art deco.

Today the term " Art Deco" is an internationally recognized synonym for efficiency, although at first it was used to define a decorative art. Marie Laurencin is one of the most prominent representatives of this style, who worked in this manner. This term denotes a style that combines symmetry, classicism and straightforwardness. This is a product of various sources, on the one hand, Cubism and Art Nouveau, and on the other - ancient art East, Africa, Egypt and the American continents.

Art Deco As an artistic movement, it emerged between 1906 and 1912 and flourished in the decade between 1925 and 1935. Art Deco began as a graceful innovation and then evolved into a striking uncompromising and simple life style. Representatives of many movements of modern decorative and fine art tried to find a way to express the speed and pressure, thanks to which trains, cars, airplanes changed existing world. We tried to find shapes and colors that would be simpler than those used before.

In order to gain popularity in Hollywood, style Art Deco it only took a few years. Here he acquired the name “star style” and turned into a worldwide recognized symbol of spectacularity from an ordinary French phenomenon. The term " Art Deco" denoted a style that combines symmetry, classicism, straightforwardness, and is more convenient to define decorative creativity during two world wars.

Art Deco - the style of the stars

Art Deco artists

My first confession Art Deco received in Europe, but its influence quickly spread to the United States. It was there that his passion for the Hollywood film industry contributed to his enormous popularity. Greta Garbo from the MGM film in Mata's costume looked like an Art Deco figurine made of bronze, and the sets and costumes for the film Cleopatra by Paramount evoked a direct association with the ornamentation of the new New York skyscraper.

Municipal buildings, schools, shops, palaces and World's Fair pavilions were built in a style that was simultaneously streamlined, neoclassical, playful, graceful and monumental.

Throughout the country, cinemas were decorated with luxurious facades, exquisite interiors, and bright neon signs in the Art Deco style. At the same time, the unique and accessible appearance of the city was formed by: the Empire State Building, the neoclassical sculptures of the Rockefeller Center, and the arched spire of the Chrysler Building.

Art Deco, Art Nouveau, Art Nouveau - style features, examples - paintings, stained glass, interiors

In this article we will look at interior style art deco, Art Nouveau, modern. Elements of style - painting, architecture, elements of interior space - furniture, curtains, chandeliers, paintings, etc.

Vienna Secession building

Art Nouveau style [Art Nouveau, " tiffany" (after Louis Comfort Tiffany) in the USA, " Art Nouveau" And " fin de siècle" in France, " art nouveau" in Germany, " Secession style" in Austria, " modern style" in England, " liberty style"in Italy, " modernismo" in Spain, " Nieuwe Kunst" in Holland, " spruce style" (Style sapin) in Switzerland.) became widespread in 1918-1939 in France, partly in other European countries and the USA. Architectural forms and paintings are dominated by sinuous lines, an unusual combination of expensive and exotic materials, images of fantastic creatures, wave shapes, shells, dragons and peacocks, swan necks and languid women. There is emphasized asymmetry in the forms. Leaves, flowers, trunks and stems, as well as the contours of the human or animal body with their inherent asymmetry, are a guide to action and a source of inspiration. The style is based on the thesis that form in art is more important than content. Any very prosaic content can be presented in a highly artistic form. The source of this “new form” was nature and woman. This style is characterized by sophistication, sophistication, spirituality, and variability. From this followed a certain set of colors - faded, muted; predominance of smooth, complex lines. A set of symbols - fancy flowers, sea rarities, waves. The stylistic properties of Art Nouveau are sometimes compared with the plastic system of the Baroque, rightly seeing some similarity between them in the desire of artists to use forms of organic nature as expressive means. Art Nouveau also took a lot from the art of Asia.

Copies of Michael Parkes, Gustav Klimt, Tamara Lempicka, Alphonse Mucha, Vrubel, Bilibin or Vasnetsov, as well as works of contemporary artists writing in this style, as well as American graphics, always look good in such interiors, as well as in Art Deco interiors. a certain topic. Many artists of this style (or period) were fascinated oriental painting- in the paintings of the same Gustav Klimt we often see characters in Chinese or Japanese clothes. Therefore, in such interiors, Chinese or Japanese painting would not be out of place. Here are a few works that, in our opinion, are suitable for interiors in such styles.

Art Deco (art deco)- a popular movement in international decorative art of 1925-1939. This style historically follows immediately after Art Nouveau. He touched upon such areas of art as architecture, interior design, industrial design, fashion industry, painting, graphics, cinema. This movement, to a certain extent, combined many different styles and movements of the early 20th century, including neoclassicism, constructivism, cubism, modernism, Bauhaus, art nouveau and futurism. But in to a greater extent it is modern with a touch of neoclassicism. Distinctive features are strict patterns, ethnic geometric patterns, luxury, chic, expensive, modern materials (ivory, crocodile skin or shark or zebra skin, rare woods, silver). In Germany and the USSR, Art Deco turns from Art Nouveau into the “new Empire”.

The peak of the movement’s popularity fell in the “Roaring Twenties,” but even in the 1930s it was quite strong in the United States. Unlike other movements, the origin of which is rooted in politics or philosophy, art deco had an exclusively decorative meaning. At one time, the style was perceived as a reaction to the Universal Exposition of 1900. After the famous exhibition several French artists created the officially registered organization La Société des artistes décorateurs (Society of Architects and Decorators). Among its founders were Hector Guimard.

Paris in the 30s of the 19th century remained the center of the Art Deco style. He embodied it in furniture Jacques-Emile Ruhlmann- the most famous of the furniture designers of the era and perhaps the last of the classic Parisian ebeniste(cabinet makers). In addition, characteristic works of Jean-Jacques Rateau, products of the company “Süe et Mare”, screens by Eileen Gray, forged metal products by Edgar Brandt, metal and enamel of the Swiss Jewish origin Jean Dunant, glass by the great René Lalique and Maurice Marino, as well as Cartier watches and jewelry.

The symbol of Art Deco in decorative and applied arts was sculpture made of bronze and ivory. Inspired in part by Diaghilev's Russian Seasons, the art of Egypt and the East, as well as the technological achievements of the "machine age", French and German masters created a unique style of small sculpture in the 1920s and 1930s, which raised the status of decorative sculpture to the level of " high art." Classic representatives of Art Deco in sculpture are considered to be Dmitry Chiparus, Claire Jean Robert Colinet, Paul Philippe (France), Ferdinand Preiss, Otto Poertzel (Germany), Bruno Zack, J. Lorenzl (Austria).

© "WM-PAINTING"

Art Nouveau(French pronunciation: ​, anglicized to /ˈɑːrt nuːˈvoʊ/) is an international style of art, architecture, and decorative arts, especially decorative arts, that was most popular between 1890 and 1910. The style, a reaction to 19th-century academic art, was inspired by natural forms and structures, particularly the curved lines of plants and flowers.

On English language used French name"Art Nouveau" (new art). This style is related to, but not identical to, styles that emerged in many European countries around the same time: in Austria, it is known as the "Secession Style" after the "Viennese Secession"; in Spain as "modernismo"; in Catalonia as "modernism"; in the Czech Republic as "secese"; in Denmark as "skönvirke" or "art nouveau"; in Germany as "art nouveau", "Art Nouveau" or "reform style"; in Hungary as "secessio"; in Italy as "Art Nouveau", "Liberty style" or "style floreale"; in Norway as "art nouveau"; in Poland as "sexy"; in Slovakia as "secesa"; in Russia as "modern"; and in Sweden how "jugend".

Art Nouveau is a general artistic style. It covers a wide range of fine and decorative arts, including architecture, painting, drawing, interior design, jewelry, furniture, textiles, ceramics, glass and metalwork.

By 1910, Art Nouveau had already fallen out of fashion. It was first replaced by Art Deco and then by Modernism as the dominant architectural and decorative style of Europe.

Origin

The new artistic movement had its roots in Britain, in the floral designs of William Morris and in the Arts and Crafts movement founded by Morris's students. Early examples of this style include Morris's Red House (1859) and James Abbott McNeil Whistler's Peacock Room. The new movement was also influenced strong influence Pre-Raphaelite artists, including, Dante Gabriel Rossetti And Edward Burne-Jones, and this is especially true of British graphic artists of the 1880s, including Selwyn Images, Heywood Sumner, Walter Crane, Alfred Gilbert, and most notably Aubrey Beardsley.

In France, the style combined several different trends. In architecture he was influenced by the architectural theorist and historian Eugene Violette-le-Duc, a sworn enemy of the historical Beaux Arts architectural style. In his book "Entretiens sur l"architecture" 1872, he wrote: “Use the means and knowledge given to us by our time, without intermediate traditions that are not viable today, and in this way we will be able to discover a new architecture. Each function has its own material; Each material has its own shape and ornament.” This book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard and Antoni Gaudí.

French painters Maurice Denis , Pierre Bonnard And Edouard Vuillard played an important role in combining the fine arts of painting with the decorative. “I believe that, first of all, painting should decorate,” Denis wrote in 1891. “The choice of plots or scenes is nothing. It is through the relationship of tones, painted surfaces and harmony of lines that I can reach the soul and awaken emotions.” All these artists created both traditional and decorative painting on screens, glass and other materials.

Another important influence on a new style became Japonism: a wave of interest in Japanese woodcuts, especially the works of Hiroshige, Hokusai and Utagawa Kunisada, which were imported into Europe starting in the 1870s. The enterprising Siegfried Bing founded the monthly magazine Le Japon artistique in 1888 and published thirty-six issues before closing in 1891. He influenced both collectors and artists, including Gustav Klimt. Stylized features of Japanese prints appeared in Art Nouveau graphics, porcelain, jewelry, and furniture.

New technologies in printing and publishing allowed Art Nouveau to quickly reach a global audience. Art magazines, illustrated with photographs and color lithographs, played an important role in popularizing the new style. The Studio in England, Arts et idèes and Art et décoration in France, Jugend in Germany allowed the style to quickly spread throughout all corners of Europe. Aubrey Beardsley in England and Eugene Grasset, Henri de Toulouse-Lautrec And Felix Vallotton got international recognition as illustrators.

Thanks to the posters Jules Cheret for dancer Loie Fuller in 1893 and Alphonse Mucha for actress Sarah Bernhardt in 1895, the poster became not just an advertisement, but artistic form. Toulouse-Lautrec and other artists have achieved international celebrity status.

Form and character

Although Art Nouveau acquired highly localized trends as its geographical spread increased, certain general characteristics point to its form. A description published in Pan magazine of the wall tapestry "Cyclamen" (1894) by Hermann Obrist, describing it as "unexpected strong curves formed by the blow of a whip", which became famous at the beginning of the spread of Art Nouveau. Subsequently, not only did the work itself become better known as "Whip", but the term "whip" itself is often applied to the characteristic curves used by Art Nouveau artists. Such decorative "whiplash" motifs, formed by dynamic, undulating and flowing lines in syncopated rhythm and asymmetrical form, are found throughout architecture, painting, sculpture and other forms of Art Nouveau design.

The origins of Art Nouveau are in the struggle of the artist William Morris with bulky compositions and the 19th century revivalist trends and its theories that helped create the Arts and Crafts movement. However, Arthur MacCurdo's cover for The City Churches of Wren (1883), with its rhythmic floral patterns, is often considered the first implementation of Art Nouveau. Around the same time, the flat perspective and bright colors of Japanese woodcuts, especially Katsushiki Hokusai, had a strong influence on the formula of the Art Nouveau style. Japonism, popular in Europe in the 1880s and 1890s, had a significant influence on many artists with its organic forms and appeal to the natural world. As well as being adopted by artists such as Emile Galle and James Abbott McNeil Whistler, Japanese-inspired art and design was also championed by businessmen Siegfried Bean and Arthur Lasenby Liberty in their shops in Paris and London respectively.

In architecture, hyperbolas and parabolas are widespread in windows, arches and doors, and decorative fragments are transformed into plant forms. Like most design styles, Art Nouveau sought to harmonize its forms. The text above the entrance to the Paris metro takes advantage of features from the rest of the metal structure.

Art Nouveau architecture and interior design avoids the eclectic revival styles of the 19th century. Although Art Nouveau designers selected and "modernized" some of the more abstract elements of the Rococo style, such as flame and shell textures, they also advocated the use of highly stylized organic forms as a source of inspiration, expanding the "natural" variety to the use of seaweed, grasses, and insects Another influence was the soft-blended forms of the 17th century knorpelwerk, best represented in Dutch silver.

Relationship with modern styles and movements

As an art style, Art Nouveau has similarities to the Pre-Raphaelites and Symbolism, and artists such as Aubrey Beardsley, Alphonse Mucha, Edward Burne-Jones, Gustav Klimt and Jan Toorop, can be attributed to more than one of these styles. However, unlike symbolic painting, the Art Nouveau style has a distinctive appearance; and, in contrast to the artisan-oriented Arts and Crafts movement, Art Nouveau artists readily embraced new materials, processed surfaces, and abstraction for the sake of pure design.

Art Nouveau did not abandon the use of machines, as the Arts and Crafts movement did. For sculpture, the main materials used were glass and wrought iron, leading to sculptural features even in architecture. Ceramics were also involved in the creation of series of sculptures by artists such as Auguste Rodin.

Art Nouveau architecture used many of the technological innovations of the late 19th century, especially exposed iron and large, custom glass features. However, by the outbreak of World War I, the stylized nature of Art Nouveau design, which was expensive to produce, fell into disuse in favor of a more streamlined, straightforward modernism, which was cheaper and more suited to the simple industrial aesthetic that Art Deco became.

Style trends Art Nouveau also infiltrated local styles. For example, in Denmark the trend was one aspect of skönvirke ("aesthetic work"), which itself is more closely related to the Arts and Crafts style. Additionally, artists adopted many floral and organic motifs from Art Nouveau into the Młoda Polska ("Young Poland") style in Poland. However, Młoda Polska also included other artistic styles and embraced a broader movement in art, literature and lifestyle.

Publications in the Museums section

Art Deco for dummies

Where and how the Art Deco style arose, who founded it, whether it was in the young Soviet Union - we understand the intricacies of the style together with Sofia Bagdasarova.

What is Art Deco?

Leaf from the album Feuillets d'Art. 1919

Leaf from the album Les choses de Paul Poiret vues par Georges Lepape. 1911

Leaf from the album Modes et Manières d"Aujourd"hui. 1914

Art Deco, which means "decorative art" in French, is the name artistic style, which reigned in Europe and America after modernism, between the two world wars. Moreover, it reigned mainly in industrial design - fashion, jewelry, posters, facades, interiors, furniture. This happened while the “great art” of that era was experimenting with expressionism, abstractionism, constructivism and other -isms, which, of course, are brilliant, but not everyone will be able to see them constantly in their apartment. And Art Deco things are intended specifically for Everyday life- very rich, luxurious and imposing, but still everyday.

How to recognize an item in the Art Deco style?

Cigarette cases, powder compacts. 1930s. Kyoto Fashion Institute

Vogue magazine cover with an “optical” dress by S. Delaunay. 1925. Press service of the Kremlin Museums

Handbags. OK. 1910. Kyoto Fashion Institute

This thing will definitely be beautiful - stylish, elegant. It is made of a material with an expensive texture, but not flashy luxurious, but simply valuable. The colors will be complex shades, there will be a lot of black. Often the author clearly used a ruler - but at the same time managed to very elegantly round all the corners. Geometric patterns are constructed according to careful proportions and have the ability to hypnotize. There are also often inclusions of something ancient Egyptian or Japanese, but in some strange design: Art Deco loved to reinterpret exotic cultures. (By the way, “Russian exotica” was also valued.) I liked the style and technical progress - that’s why there are stylized trains flying at great speed, and the propellers of airplanes and ships.

Style in fashion

Evening Dress. Fashion designer Madeleine Vionnet. 1927. Press service of the Kremlin Museums

Evening Dress. Lanvin fashion house. Around 1925. Press service of the Kremlin Museums

Dress. France. Winter 1922. Fashion house "Sisters Callo"

Art Deco is most noticeable in women's fashion. In the era when this style reigned, women began to cut their hair short, finally freed themselves from rigid corsets and crinolines, the waist either slipped onto the hips, or rode up right under the chest, and the skirt was shortened to a height that was completely indecent, in the opinion of those who remembered Victorian morality.

The creators of the style - the great fashion designers Paul Poiret, Mariano Fortuny - cited kimonos, Arab turbans and trousers, antique tunics and tables, medieval cloaks. One-piece clothes appeared, draperies, heavy fabrics, chic and shine were everywhere. In such loose clothes, embroidered with iridescent pearls, bugles, rhinestones, and beads, it was great to dance new lively dances - foxtrot, Charleston, tango. In general, let's remember the era of The Great Gatsby.

Style in jewelry

Van Cleef and Arpels brooch. 1930

Van Cleef and Arpels collar necklace. 1929

Egyptian style brooch Van Cleef and Arpels. 1924

The companies Cartier and Van Cleef & Arpels, as well as other jewelry houses, deliberately worked according to the principles of Art Deco in their works. After the fluid forms and poetic flowers of the Art Nouveau era (aka Art Nouveau), their jewelry seemed flashy and shocking.

Lightweight platinum for settings allowed jewelry to abandon the “heavy armor” of gold. Pure geometric shapes, abstract patterns, innovative combinations of green and blue, contrasting selection of stones, such as black onyx and red ruby, the use of carved rather than faceted stones, as well as inclusions of authentic ancient artifacts (Egyptian scarabs, etc.) - these are the recognizable traits. Black onyx generally became a favorite stone of this period, especially in combination with diamonds. They were accompanied by bright chords of corals, lapis lazuli, jades, and enamel.

Was there Art Deco in Russia?

High-rise building on Kotelnicheskaya embankment. State Research Museum of Architecture named after A.V. Shchusev: website/institutes/7985

Metro station "Mayakovskaya"

USSR Pavilion at the International Exhibition in Paris. 1937. State Research Museum of Architecture named after A.V. Shchusev: website/institutes/7985

The brilliant Art Deco style is, of course, deeply “bourgeois”. This is a symbol lost generation, the fashion of the characters of Fitzgerald, Hemingway (as well as Wodehouse and Agatha Christie's pre-war books). Young Soviet state in that era there was no time for this external splendor. However, they had the “Roaring Twenties”, and we had the NEP. Remember Ellochka the Ogress: “...the sparkling photograph depicted the daughter of the American billionaire Vanderbilt in evening dress. There were furs and feathers, silk and pearls, an extraordinary lightness of cut and a breathtaking hairstyle.” The Soviet Nepmen, of course, imitated their free Western neighbor in their habits, although this was not officially approved.

On the other hand, the imprint of Art Deco is noticeable in one of the most formal arts - architecture. The influence of imported style is easy to find in Stalinist classicism: photographs of fragments of Moscow high-rise buildings from some angles are difficult to distinguish from views of pre-war Manhattan skyscrapers. Art Deco's love for geometricism, the use of abstractions - all this was easily absorbed by Russian masters in the homeland of Suprematism. It was also appropriate to glorify the technical achievements of mankind. There are also more amusing signs - remember we talked about Art Deco’s appeal to Egyptian motifs? It was thanks to him that Tamara Lempicka stood up. Self-portrait in a green Bugatti. 1929. Private collection

But the contribution that Russian emigrants made to the development of Art Deco was much more significant. For years fashion magazines Vogue and Harper's Bazaar were published under covers drawn by Erte, whose real name is Roman Petrovich Tyrtov. His “Symphony in Black” is one of the key works of the style.

The abstract artist Sonia Delaunay, who worked in the fashion industry, enriched Art Deco with the color and energy that we saw in other “Amazons of the avant-garde.” The main portrait painter of Art Deco, one of the few artists who managed to use this style for easel paintings, is Tamara Lempicka, a native of the Russian kingdom of Poland, who lived in St. Petersburg before the revolution. (But the main sculptor of the era, Dmitry Chiparus, despite such a familiar name to us, is Romanian.) Finally, Leon Bakst, having found himself in exile, in addition to the theater, managed to work in the fashion industry - clearly in the Art Deco style.

Art historians generally write that the Art Deco style was originally inspired by the Russian Seasons, which rocked the Parisian art world in the 1900s. So - thanks to Diaghilev and for Art Deco!

The Art Deco style is extremely popular in our time and is aimed primarily at lovers of elitism and luxury, with refined and refined taste, for those who love to admire and admire exclusive objects. The style is extremely popular among the creative world: actors, artists and other celebrities.

DESIGN IN ART DECO STYLE

The main difference between this style and others is the tendency towards Empire style and Cubism. It also contains elements of archaic art of ancient cultures. Art Deco is a combination of many trends: Egyptian motifs, Greek archaic, and primitive art African tribes - everything harmoniously merged into a single whole, forming avant-garde simplicity and at the same time exotic originality. Art Deco is a continuation of the Art Nouveau style; even at its birth, it wore original name"Streamlined modern." There are absolutely no artificial materials here, as well as modern motifs. No smooth lines or floral patterns - only sharpness, angularity, geometry or abstraction, i.e. There are also elements of “High-Tech”. Previously, paintings, sculptures, pieces of furniture, as well as buildings and structures were created in the Art Deco style. In addition to all of the above, the style is not without ethnic motifs, i.e. Art Deco is eclectic.

The main characteristic features of the style:

1. zigzag shapes (this can be an ornament or laying tiles in a herringbone pattern);
2. Sunburst, which means sun rays (can be found in decoration, shape, and decor). By the way, the inherent striping of many elements in Art Deco is associated with the rays (striped decor is used, walls are trimmed with stripes, or the back of a sofa is divided into stripes);
3. steppedness (for example, the divergence of the sun's rays in steps, like multi-stage structures typical of Babylonian, Sumerian and Assyrian architecture);
4. trapezoidal (the presence of many interior items with a trapezoidal shape, for example, furniture, mirrors or door decor);
5. curved lines (curvatures of a geometric shape are more common, but there is also a sharp rounded curvature);
6. piano keys (referring to the alternating light and dark stripes found everywhere)
7. contour or frame (for example, a surface decorated with a contrasting color line, in other words, a frame, which allows you to most clearly emphasize the style-forming geometricity)

Art Deco style involves the use of materials:

• wood (including inlaid wood);
• glass;
• genuine leather (including zebra skin);
• stainless steel;
• aluminum;
• glossy ceramic or stone tiles;
• varnished surfaces.

Regarding the color scheme, we can say that Art Deco uses predominantly neutral tones: black, white, gray, silver, beige, brown, as well as shades of tan and metal. Sparing and muted introduction of other colors is allowed, primarily green, blue, gold, red or burgundy.

BEDROOM ART DECO

The vast majority of people who choose Art Deco style for their bedroom are creative people and true connoisseurs of beauty. Art Deco, translated from French into Russian, means “decorative art,” and here standard furnishings are indispensable. To create an Art Deco bedroom you need to invest your soul, not be afraid of experiments in decoration, in order to find that invisible line between modern and classic, between sophisticated elegance and monumental luxury.

Classic and Modern in Art Deco are united, first of all, by natural materials, geometric shapes, and versatility. An Art Deco bedroom is characterized by softness of shape, which will be facilitated by a bed with a soft ornate headboard, which can have a classic rectangular shape or a modern oval shape. Usually the headboard is decorated with expensive upholstery or the entire headboard area is highlighted with embossed wallpaper and fabric draperies.

Furniture should be made of wood or metal and have tapered edges

Racks, cabinets, bedside tables and other furniture are selected according to this principle: if the walls are dark, then the furniture should be light and vice versa. Availability unusual shape a dressing table and an ottoman (or armchair) in this style are a must. Mirrors make the bedroom spacious and bright, and also visually enlarge the room, because art deco implies a lot of space, light and cleanliness. In this regard, there should be a large number of mirrors: cabinet doors, a sunray mirror located in the bedside area, as well as a mirror large sizes at the dressing table.

Bedroom walls can be an interior decoration in themselves. Drawings and ornament - main element in the design of walls of this style, as well as all kinds of collages, interior stickers or decorative paintings. However, everything needs moderation. The pattern can be a background frame for furniture or a central accent of the interior, but it should have muted, discreet tones. The style also allows for the presence of rounded shapes: ovals, waves, circles. If there is a niche in the wall, then using drywall you can give it the shape of an ellipse and place there, for example, a dressing table or a TV. But in this case, a similar form must be repeated when finishing ceilings, floor podiums, or doorways. By the way, as for the ceiling, it would not be a bad idea to place stucco molding on it, for example, in the form of a chandelier frame. Paintings are allowed on the walls, although not large quantities so that the interior does not become oversaturated with various small objects.

Regarding color, the bedroom can be made in white, warm brown, gray, pink, and red tones. It is recommended to apply contrast. Accessories and furniture should not merge into one whole, they should stand out. Interiors look most impressive in combinations of black and white, chocolate beige, gray and black, gray and blue and white and burgundy tones. Typically, three shades are used in interior decoration, two of which represent the background (for example, black and white), and one is used as an element of luxury (gold, bronze or silver). It would be great if the decoration, as well as the decor, contains elements of luxury, for example, silk fabrics, light gilding or parquet flooring. In general, fabric draperies serve as the main decoration of the bedroom. They give special romanticism and comfort. Curtains can be silk or satin, in front of the bed there is a plain natural skin white or a bedside rug made of faux fur with long thick pile. The bed is covered with a luxurious bedspread with pillows to match the soft upholstery of the ottoman or chairs.

The bedroom lighting should be multi-level; at a minimum, there should be: a central chandelier made of crystal or multi-colored glass, lamps at the dressing table and floor lamps. To illuminate niches, you can additionally use LED lighting.

LIVING ROOM ART DECO

Modern living rooms in Art Deco style harmoniously combine geometric figures with rounded facades, and furniture usually made of valuable wood is combined with glass inserts and metal handles. Style provides a huge field of activity regarding the implementation of various ideas. Any designs can be used, be it African patterns, cubist patterns, aviation items or automotive-themed designs, because... interiors in this style consist of a mosaic of styles and eras. As decorative material valuable wood, leather (including crocodile, shark and stingray) are used, semiprecious stones, ivory, bamboo, etc. Thus, extravagant materials greatly help to express the whole range of feelings, especially since the Art Deco living room is a real center of aesthetics. The combination of glass and metal has found its use quite widely, and doors, interior partitions, fireplace accessories and stair railings are decorated with welded iron.

Regarding the color scheme, dark shades predominate; however, a brown-beige palette is allowed, creating a special nobility of the interior. But as for variegated flowers, this is unacceptable. The most advantageous effect is achieved by playing with monotonous saturation in combination with a contrasting pattern. The use of inlaid glass surfaces, polished metal, and polished wood in the living room is especially welcome, because... all these attributes enhance the impression of luxury and nobility.

The furniture in an Art Deco living room should also be luxurious; it is better if it is handmade from exotic woods. But in any case, any item is still additionally decorated. The shape of the furniture is also unusual, for example, the seat of the chair can be trapezoidal, and the upholstery can show Egyptian or oriental patterns, in a word, a combination of incompatible things. It is especially appropriate to use chic tables with inlaid tops, as well as large chairs and armchairs such as a royal throne. But we should not forget that the style itself is very elegant and light, and therefore the shapes of zigzags, waves or swan necks are relevant. By the way, style has another name - “artistic”. The most winning combination for furniture is to use dark red or burgundy wood in combination with white natural leather, marble or glass.

Display cabinets with beautiful valuable things will fit perfectly into the interior design

Living room walls usually serve as a pleasant, unobtrusive backdrop for luxurious, stylish furniture and other interior items. Very often they are simply painted a single color. Although, delicate inclusions in the form of ornaments of other colors are also possible. The main thing to remember is that the color scheme for the walls and floor must be soft, but the furniture against it must be dark and even almost black.

There may also be sculptures placed everywhere in the interior. female figures, for example, in a dance pose, which is a symbol of purity and grace. Although, the main decoration of this style is still textiles. The curtains used are heavy velvet or satin. Sofa cushions and lampshades should be matched to match the curtains. Also great addition The interior will feature intricate screens or other items made of forged metal. Antique accessories are used in large quantities, such as unique paintings in the spirit of the Middle Ages, as well as various vases and Wall Clock, and, of course, luxurious carpets. By the way, as for paintings, paintings in the Art Deco style will look excellent, representing a certain mixture of modern expression with ancient elegance with images of female silhouettes, fancy fairy-tale animals or abstract spots.

ART DECO KITCHEN

As mentioned above, the Art Deco style is a combination of traditional neoclassicism and innovative modernism. How does all this manifest itself in the interior of the kitchen? First of all, its originality. Since this style is expensive and quite bright, the kitchen design is no exception, in other words, it will not go unnoticed. Secondly, exclusivity in the form of unusual antiques, for example, objects of art. Regarding the materials used, the following are used: wood (this is the main one) both polished and inlaid or varnished, metal (stainless steel and aluminum), genuine leather, glass, as well as glossy tiles (ceramic, artificial or natural stone) and, of course , textiles (plain satin or silk, as well as zebra striped fabric).

Regarding the color scheme, the perfect combination would be black and white (this is the main feature of Art Deco). But other color combinations are also possible, for example, white with chocolate, silver with black, etc. But we should not forget that the main range is the colors of metal, earth, stone or genuine leather. It’s a good idea to use stripes to decorate the dining area, using non-woven or textile wallpaper of the same texture. And the work apron can be made of tiles, for example, geometric on the principle of black and white mosaic. Other colors can also be added, but in small quantities and in muted tones (green, blue, gold and red).

Another traditional feature of the style is the stepped form, extending both to the patterned decoration of the walls and to furniture with modules located on the different levels, both in height and in depth. If the space of the room allows, then it would be good to make a multi-stage stretch ceiling, if it is covered with glossy black or white film and a lot of lighting is placed. The greatest effect can be achieved if you make one “step” in the form of a stucco border, thus emphasizing the inherent geometricity this style. Also, one of the options is to decorate the dining area with photo wallpaper in the form of multi-stage images of landscapes, houses or abstractions - as long as the drawings contain clear, regular geometric shapes.

Very significant element and an important Art Deco touch is the sun's rays (Sunburst). Ray stripes should be present everywhere: in furniture upholstery, decoration, textiles. Striped curtains to the floor, a chandelier in the form of a fan or imitation zebra skin in a soft corner - one or two elements of “sun rays” will be enough. Regarding furniture, it should be noted that prerequisite is to avoid cluttering the space, i.e. furniture should be functional. The upholstery should be made of velvet, satin, leather and velor. Ideally, the dining area should be turned into an exquisite table, following the traditions of the best elite restaurants. In general, if we talk about an ideal kitchen in the Art Deco style, then it should contain furniture made of valuable wood, made to order, or, as an option, restored antiques. If this is not possible, then there is another alternative to expensive wood - a two-color lacquered set, which can be black and white, blue-gray, red-gray, etc.), i.e. play on the contrast of colors and varnishing, which is also what Art Deco loves. In addition, you can use furniture trimmed with stainless steel.

Visually increases the space of the room. In addition, an ordinary mirror in the form of a trapezoid would look good, or even better, in the form of a sun, especially if you place spotlights for the effect of a play of light.

It is advisable to make the floors with varnished parquet, although, of course, such a surface is not entirely practical for the kitchen. In this regard, the best alternative is floor tiles (marble or imitation of any other natural stone). You can also use linoleum, which has a geometric pattern. We should not forget about ethnic notes, which should also be present, for example, in the form of paintings with landscapes or black and white photographs placed in thin wooden or metal frames. Or decorate the interior with palm trees or exotic flowers. And one more nuance - there should be enough lamps to ensure good illumination of the room.

And now the most important thing, so to speak, the highlight of an Art Deco kitchen - there must certainly be something in it that would immediately attract attention (an exclusive vase, a bronze figurine, silver candlesticks or, for example, a painting). It is necessary to think carefully and choose one of the elements that can cause surprise and delight, be it a mirror or a chandelier.