What is the name of Karamzin's autobiographical work. Nikolai Karamzin

Nikolai Mikhailovich Karamzin is a great Russian writer, the greatest writer of the era of sentimentalism. He wrote fiction, poetry, plays, articles. Reformer of the Russian literary language. The creator of the "History of the Russian State" - one of the first fundamental works on the history of Russia.

“He loved to be sad, not knowing what…”

Karamzin was born on December 1 (12), 1766 in the village of Mikhailovka, Buzuluk district, Simbirsk province. He grew up in the village of his father, a hereditary nobleman. It is interesting that the Karamzin family has Turkic roots and comes from the Tatar Kara-Murza (aristocratic class).

Little is known about the writer's childhood. At the age of 12, he was sent to Moscow to the boarding school of Moscow University professor Johann Schaden, where the young man received his first education, studied German and French. Three years later, he begins to attend lectures by the famous professor of aesthetics, educator Ivan Schwartz at Moscow University.

In 1783, at the insistence of his father, Karamzin entered the service of the Preobrazhensky Guards Regiment, but soon retired and left for his native Simbirsk. An important event for the young Karamzin takes place in Simbirsk - he enters the Masonic lodge of the Golden Crown. This decision will play its role a little later, when Karamzin returns to Moscow and meets with an old acquaintance of their home - a freemason Ivan Turgenev, as well as writers and writers Nikolai Novikov, Alexei Kutuzov, Alexander Petrov. At the same time, Karamzin's first attempts in literature begin - he participates in the publication of the first Russian magazine for children - "Children's Reading for the Heart and Mind." The four years he spent in the society of Moscow Freemasons had a serious influence on his creative development. At this time, Karamzin read a lot of the then popular Rousseau, Stern, Herder, Shakespeare, trying to translate.

“In Novikov’s circle, Karamzin’s education began, not only as an author, but also moral.”

Writer I.I. Dmitriev

Man of pen and thought

In 1789, a break with the Masons follows, and Karamzin sets off to travel around Europe. He traveled around Germany, Switzerland, France and England, staying mainly in big cities, centers of European education. Karamzin visits Immanuel Kant in Koenigsberg, becomes a witness of the French Revolution in Paris.

It was on the basis of the results of this trip that he wrote the famous Letters of a Russian Traveler. These essays in the genre of documentary prose quickly gained popularity with the reader and made Karamzin a famous and fashionable writer. At the same time, in Moscow, from the pen of a writer, the story “Poor Lisa” was born - a recognized example of Russian sentimental literature. Many specialists in literary criticism believe that modern Russian literature begins with these first books.

"During the initial period literary activity Karamzin was characterized by a broad and politically rather vague "cultural optimism", a belief in the salutary influence of the successes of culture on man and society. Karamzin relied on the progress of science, the peaceful improvement of morals. He believed in the painless realization of the ideals of brotherhood and humanity that permeated the literature of the 18th century as a whole.

Yu.M. Lotman

In contrast to classicism with its cult of reason, in the footsteps of French writers, Karamzin establishes in Russian literature the cult of feelings, sensitivity, compassion. New "sentimental" heroes are important, first of all, with the ability to love, to surrender to feelings. "Oh! I love those objects that touch my heart and make me shed tears of tender sorrow!”("Poor Lisa").

"Poor Lisa" is devoid of morality, didacticism, edification, the author does not teach, but tries to arouse the reader's empathy for the characters, which distinguishes the story from the old traditions of classicism.

“Poor Lisa” was received with such enthusiasm by the Russian public because in this work Karamzin was the first to express the “new word” that Goethe said to the Germans in his Werther.

Philologist, literary critic V.V. Sipovsky

Nikolai Karamzin at the Millennium of Russia monument in Veliky Novgorod. Sculptors Mikhail Mikeshin, Ivan Shroeder. Architect Viktor Hartman. 1862

Giovanni Battista Damon-Ortolani. Portrait of N.M. Karamzin. 1805. The Pushkin Museum im. A.S. Pushkin

Monument to Nikolai Karamzin in Ulyanovsk. Sculptor Samuil Galberg. 1845

At the same time, the reform of the literary language also begins - Karamzin refuses the Old Slavonicisms that inhabited the written language, Lomonosov's grandiloquence, and the use of Church Slavonic vocabulary and grammar. This made "Poor Lisa" an easy and enjoyable story to read. It was Karamzin's sentimentalism that became the foundation for the development of further Russian literature: the romanticism of Zhukovsky and early Pushkin repelled from it.

"Karamzin made literature humane."

A.I. Herzen

One of the most important merits of Karamzin is the enrichment of the literary language with new words: “charity”, “love”, “free-thinking”, “attraction”, “responsibility”, “suspicion”, “refinement”, “first-class”, “human”, “sidewalk ”, “coachman”, “impression” and “influence”, “touching” and “entertaining”. It was he who introduced the words "industry", "concentrate", "moral", "aesthetic", "epoch", "stage", "harmony", "catastrophe", "future" and others.

"A professional writer, one of the first in Russia who had the courage to make literary work a source of livelihood, who placed above all the independence of his own opinion."

Yu.M. Lotman

In 1791, Karamzin began his career as a journalist. This becomes an important milestone in the history of Russian literature - Karamzin founds the first Russian literary magazine, the founding father of the current "thick" magazines - "Moscow Journal". A number of collections and almanacs are published on its pages: "Aglaya", "Aonides", "Pantheon of foreign literature", "My trinkets". These publications made sentimentalism the main literary movement in Russia at the end of the 19th century, and Karamzin its acknowledged leader.

But Karamzin's deep disappointment in the former values ​​soon follows. A year after Novikov's arrest, the magazine was closed, after Karamzin's bold ode "To Mercy", Karamzin himself was deprived of the mercy of the "powerful ones", almost falling under investigation.

“As long as a citizen can sleep peacefully, without fear, and freely dispose of life according to your thoughts to all your subjects; ... as long as you give freedom to everyone and do not darken the light in the minds; as long as the power of attorney to the people is visible in all your affairs: until then you will be sacredly revered ... nothing can disturb the tranquility of your state.

N.M. Karamzin. "To Mercy"

Most of the years 1793-1795 Karamzin spends in the countryside and publishes collections: "Aglaya", "Aonides" (1796). He plans to publish something like an anthology foreign literature"Pantheon of foreign literature", but with great difficulty breaks through the censorship prohibitions that did not allow even Demosthenes and Cicero to be printed ...

Disappointment in the French Revolution Karamzin splashes out in verse:

But time, experience destroy
Castle in the air of youth...
... And I see clearly that with Plato
We shall not establish republics...

During these years, Karamzin increasingly moved from lyrics and prose to journalism and development philosophical ideas. Even the “Historical eulogy to Empress Catherine II”, compiled by Karamzin during the accession to the throne of Emperor Alexander I, is mainly journalism. In 1801-1802, Karamzin worked in the journal Vestnik Evropy, where he wrote mostly articles. In practice, his passion for education and philosophy is expressed in the writing of works on historical topics, increasingly creating the authority of a historian for the famous writer.

The first and last historiographer

By decree of October 31, 1803, Emperor Alexander I conferred on Nikolai Karamzin the title of historiographer. Interestingly, the title of historiographer in Russia was not renewed after Karamzin's death.

From that moment on, Karamzin ceased all literary work and for 22 years was exclusively engaged in compiling historical work, familiar to us as "History of the Russian State".

Alexey Venetsianov. Portrait of N.M. Karamzin. 1828. The Pushkin Museum im. A.S. Pushkin

Karamzin sets himself the task of compiling a history for a wide educated public, not to be a researcher, but "choose, animate, color" All "attractive, strong, worthy" from Russian history. An important point is that the work should also be designed for a foreign reader in order to open Russia to Europe.

In his work, Karamzin used the materials of the Moscow Collegium of Foreign Affairs (especially the spiritual and contractual letters of the princes, and acts of diplomatic relations), the Synodal Depository, the libraries of the Volokolamsk Monastery and the Trinity-Sergius Lavra, private collections of manuscripts of Musin-Pushkin, Rumyantsev and A.I. Turgenev, who compiled a collection of documents from the papal archive, as well as many other sources. An important part of the work was the study of ancient chronicles. In particular, Karamzin discovered a chronicle previously unknown to science, called Ipatievskaya.

During the years of work on the "History ..." Karamzin mainly lived in Moscow, from where he traveled only to Tver and Nizhny Novgorod, while Moscow was occupied by the French in 1812. He usually spent his summers at Ostafyev, the estate of Prince Andrei Ivanovich Vyazemsky. In 1804, Karamzin married the prince's daughter, Ekaterina Andreevna, who bore the writer nine children. She became the writer's second wife. For the first time, the writer married at the age of 35, in 1801, to Elizaveta Ivanovna Protasova, who died a year after the wedding from postpartum fever. From his first marriage, Karamzin left a daughter, Sophia, a future acquaintance of Pushkin and Lermontov.

The main social event in the life of the writer in these years was the “Note on the ancient and new Russia in its political and civic relations", written in 1811. The "Note..." reflected the views of the conservative strata of society, dissatisfied with the emperor's liberal reforms. "Note..." was handed over to the emperor. In it, once a liberal and a “Westernizer”, as they would say now, Karamzin appears as a conservative and tries to prove that no fundamental changes are needed in the country.

And in February 1818, Karamzin puts on sale the first eight volumes of his History of the Russian State. The circulation of 3000 copies (huge for that time) is sold out within a month.

A.S. Pushkin

"History of the Russian State" was the first work focused on the widest readership, thanks to the high literary merit and scientific scrupulousness of the author. Researchers agree that this work was one of the first to contribute to the formation of national self-consciousness in Russia. The book has been translated into several European languages.

Despite many years of enormous work, Karamzin did not have time to complete the "History ..." before his time - the beginning of the 19th century. After the first edition, three more volumes of "History ..." were released. The last one was the 12th volume, describing the events of the Time of Troubles in the chapter "Interregnum 1611-1612". The book was published after Karamzin's death.

Karamzin was entirely a man of his era. The approval of monarchical views in him towards the end of his life brought the writer closer to the family of Alexander I, he spent the last years next to them, living in Tsarskoye Selo. The death of Alexander I in November 1825 and the subsequent events of the uprising on Senate Square were a real blow to the writer. Nikolai Karamzin died on May 22 (June 3), 1826 in St. Petersburg, he was buried at the Tikhvin cemetery of the Alexander Nevsky Lavra.

Nikolai Mikhailovich Karamzin- the famous Russian writer, historian, the largest representative of the era of sentimentalism, a reformer of the Russian language, a publisher. With his filing, the vocabulary was enriched big amount new words-cripples.

The famous writer was born on December 12 (December 1, according to the old style), 1766, in a manor located in the Simbirsk district. The noble father took care of his son's home education, after which Nikolai continued to study first at the Simbirsk noble boarding school, then from 1778 at the boarding school of Professor Shaden (Moscow). During 1781-1782. Karamzin attended university lectures.

The father wanted Nikolai to enter the military service after boarding school - the son fulfilled his desire, in 1781 being in the St. Petersburg Guards Regiment. It was during these years that Karamzin first tried his hand at literary field, in 1783 making a translation from German. In 1784, after the death of his father, having retired with the rank of lieutenant, he finally left military service. Living in Simbirsk, he joined the Masonic Lodge.

Since 1785 Karamzin's biography has been connected with Moscow. In this city, he meets N.I. Novikov and other writers, joins the "Friendly Scientific Society", settles in his house, further collaborates with members of the circle in various publications, in particular, takes part in the publication of the magazine "Children's Reading for the Heart and Mind", which became the first Russian magazine for children.

During the year (1789-1790) Karamzin traveled to the countries of Western Europe, where he met not only with prominent figures of the Masonic movement, but also with great thinkers, in particular, with Kant, I.G. Herder, J. F. Marmontel. The impressions from the trips formed the basis of the future famous Letters of a Russian Traveler. This story (1791-1792) appeared in the Moscow Journal, which N.M. Karamzin began to publish upon arrival at home, and brought the author great fame. A number of philologists believe that modern Russian literature is counting precisely from the "Letters".

The story "Poor Liza" (1792) strengthened the literary authority of Karamzin. Subsequently published collections and almanacs "Aglaya", "Aonides", "My trinkets", "Pantheon of Foreign Literature" opened the era of sentimentalism in Russian literature, and it was N.M. Karamzin was at the head of the current; under the influence of his works, they wrote V.A. Zhukovsky, K.N. Batyushkov, as well as A.S. Pushkin at the beginning of his career.

A new period in Karamzin's biography as a person and a writer is associated with the accession to the throne of Alexander I. In October 1803, the emperor appointed the writer as an official historiographer, and Karamzin was tasked with capturing the history of the Russian state. His genuine interest in history, the priority of this topic over all others was evidenced by the nature of the publications of Vestnik Evropy (this country's first socio-political, literary and artistic magazine Karamzin published in 1802-1803).

In 1804, literary and artistic work was completely curtailed, and the writer began to work on The History of the Russian State (1816-1824), which became the main work in his life and a whole phenomenon in Russian history and literature. The first eight volumes were published in February 1818. Three thousand copies were sold within a month - such active sales had no precedent. The next three volumes published in next years, were quickly translated into several European languages, and the 12th, final, volume was published after the death of the author.

Nikolai Mikhailovich was an adherent of conservative views, an absolute monarchy. The death of Alexander I and the uprising of the Decembrists, which he witnessed, became a heavy blow for him, depriving the historian writer of his last vitality. On June 3 (May 22, O.S.), 1826, Karamzin died while in St. Petersburg; they buried him in the Alexander Nevsky Lavra, at the Tikhvin cemetery.

Biography from Wikipedia

Nikolai Mikhailovich Karamzin(December 1, 1766, Znamenskoye, Simbirsk province, Russian Empire - May 22, 1826, St. Petersburg, Russian Empire) - historian, the largest Russian writer of the era of sentimentalism, nicknamed the "Russian Stern". The creator of the "History of the Russian State" (volumes 1-12, 1803-1826) - one of the first generalizing works on the history of Russia. Editor of the Moscow Journal (1791-1792) and Vestnik Evropy (1802-1803).

Karamzin went down in history as a reformer of the Russian language. His style is light in the Gallic manner, but instead of direct borrowing, Karamzin enriched the language with tracing words, such as “impression” and “influence”, “love”, “touching” and “entertaining”. It was he who coined the words "industry", "concentrate", "moral", "aesthetic", "epoch", "stage", "harmony", "catastrophe", "future".

Nikolai Mikhailovich Karamzin was born on December 1 (12), 1766 near Simbirsk. He grew up on the estate of his father, retired captain Mikhail Egorovich Karamzin (1724-1783), a middle-class Simbirsk nobleman from the Karamzin family, descended from the Tatar Kara-Murza. He received his primary education in a private boarding school in Simbirsk. In 1778 he was sent to Moscow to the boarding house of Professor of Moscow University I. M. Shaden. At the same time, in 1781-1782, he attended lectures by I. G. Schwartz at the University.

In 1783, at the insistence of his father, he entered the service of the Preobrazhensky Guards Regiment, but soon retired. At the time military service are the first literary experiments. After his resignation, he lived for some time in Simbirsk, and then in Moscow. During his stay in Simbirsk, he joined the Masonic Lodge of the Golden Crown, and after arriving in Moscow for four years (1785-1789) he was a member of the Friendly Learned Society.

In Moscow, Karamzin met writers and writers: N. I. Novikov, A. M. Kutuzov, A. A. Petrov, participated in the publication of the first Russian magazine for children - “Children's Reading for the Heart and Mind”.

In 1789-1790 he made a trip to Europe, during which he visited Immanuel Kant in Königsberg, was in Paris during the great French revolution. As a result of this trip, the famous Letters of a Russian Traveler were written, the publication of which immediately made Karamzin a famous writer. Some philologists believe that modern Russian literature starts from this book. Be that as it may, in the literature of Russian "travels" Karamzin really became a pioneer - he quickly found both imitators (V.V. Izmailov, P.I. Sumarokov, P.I. Shalikov), and worthy successors(A. A. Bestuzhev, N. A. Bestuzhev, F. N. Glinka, A. S. Griboyedov). Since then, Karamzin has been considered one of the main literary figures in Russia.

N. M. Karamzin at the monument "1000th anniversary of Russia" in Veliky Novgorod

Upon his return from a trip to Europe, Karamzin settled in Moscow and began his career as a professional writer and journalist, starting to publish the Moscow Journal of 1791-1792 (the first Russian literary magazine, in which, among other works of Karamzin, the story “Poor Lisa”, which strengthened his fame, appeared ”), then released a number of collections and almanacs: Aglaya, Aonides, Pantheon of Foreign Literature, My Trifles, which made sentimentalism the main literary trend in Russia, and Karamzin - its recognized leader.

In addition to prose and poetry, the Moscow Journal systematically published reviews, critical articles and theatrical analyzes. In May 1792, Karamzin's review of Nikolai Petrovich Osipov's ironic poem " Virgil's Aeneid, turned inside out"

Emperor Alexander I by personal decree of October 31, 1803 bestowed the title of historiographer Nikolai Mikhailovich Karamzin; 2 thousand rubles were added to the title at the same time. annual salary. The title of a historiographer in Russia after the death of Karamzin was not renewed. From the beginning of the 19th century, Karamzin gradually moved away from fiction, and since 1804, having been appointed by Alexander I to the position of a historiographer, he stopped all literary work, "brought his hair into historians." In this regard, he refused the government posts offered to him, in particular, the post of governor of Tver. Honorary member of Moscow University (1806).

In 1811, Karamzin wrote a "Note on Ancient and New Russia in its Political and Civil Relations", which reflected the views of the conservative strata of society, dissatisfied with the emperor's liberal reforms. His task was to prove that there was no need to carry out any transformations in the country. "A note on ancient and new Russia in its political and civil relations" also played the role of outlines for the subsequent enormous work of Nikolai Mikhailovich on Russian history.

In February 1818, Karamzin put on sale the first eight volumes of The History of the Russian State, three thousand copies of which were sold out within a month. In subsequent years, three more volumes of the History were published, and a number of its translations into the main European languages ​​appeared. Russian lighting historical process brought Karamzin closer to the court and the tsar, who settled him near him in Tsarskoye Selo. Karamzin's political views evolved gradually, and by the end of his life he was a staunch supporter of absolute monarchy. The unfinished 12th volume was published after his death.

Karamzin died on May 22 (June 3), 1826 in St. Petersburg. According to legend, his death was the result of a cold received on December 14, 1825, when Karamzin personally observed the events on Senate Square. He was buried at the Tikhvin cemetery of the Alexander Nevsky Lavra.

Karamzin - writer

Collected works of N. M. Karamzin in 11 vols. in 1803-1815 was printed in the printing house of the Moscow book publisher Selivanovskiy.

Sentimentalism

The publication by Karamzin of Letters from a Russian Traveler (1791-1792) and the story Poor Lisa (1792; a separate edition in 1796) opened the era of sentimentalism in Russia.

Liza was surprised, dared to look at the young man, blushed even more and, looking down at the ground, told him that she would not take a ruble.
- For what?
- I don't need too much.
- I think that beautiful lilies of the valley, plucked by hands beautiful girl, cost a ruble. When you don't take it, here's five kopecks for you. I would always like to buy flowers from you; I would like you to tear them up just for me.

Dominant " human nature Sentimentalism declared feeling, not reason, which distinguished it from classicism. Sentimentalism believed that the ideal of human activity was not the "reasonable" reorganization of the world, but the release and improvement of "natural" feelings. His hero is more individualized, his inner world is enriched by the ability to empathize, sensitively respond to what is happening around.

The publication of these works big success among readers of that time, "Poor Liza" caused many imitations. The sentimentalism of Karamzin had a great influence on the development of Russian literature: it was repelled, among other things, by the romanticism of Zhukovsky, the work of Pushkin.

Poetry Karamzin

The poetry of Karamzin, which developed in line with European sentimentalism, was radically different from the traditional poetry of his time, brought up on the odes of Lomonosov and Derzhavin. The most significant differences were:

Karamzin is not interested in the outer, physical world, but in the inner, spiritual world of man. His poems speak "the language of the heart", not the mind. The object of Karamzin's poetry is " simple life”, and to describe it he uses simple poetic forms - poor rhymes, avoids the abundance of metaphors and other tropes so popular in the poems of his predecessors.

"Who is your sweetheart?"
I'm ashamed; i really hurt
The strangeness of my feelings to open
And be the butt of jokes.
The heart in the choice is not free! ..
What to say? She... she.
Oh! not at all important
And talents behind you
Has none;
…
The Strangeness of Love, or Insomnia (1793)

Another difference between Karamzin's poetics is that the world is fundamentally unknowable for him, the poet recognizes the existence of different points of view on the same subject:

One vote
Scary in the grave, cold and dark!
The winds are howling here, the coffins are shaking,
White bones are clattering.
Another voice
Quiet in the grave, soft, calm.
The winds blow here; sleeping cool;
Herbs and flowers grow.
Cemetery (1792)

Prose Karamzin

• "Eugene and Julia", a story (1789)
• "Letters from a Russian Traveler" (1791-1792)
• "Poor Lisa", story (1792)
• "Natalya, the boyar's daughter", story (1792)
• "The Beautiful Princess and the Happy Karla" (1792)
• "Sierra Morena", story (1793)
• "Bornholm Island" (1793)
• "Julia" (1796)
• "Martha the Posadnitsa, or the Conquest of Novgorod", a story (1802)
• "My Confession", a letter to the publisher of a magazine (1802)
• "Sensitive and Cold" (1803)
• "Knight of our time" (1803)
• "Autumn"
• Translation - retelling of "The Tale of Igor's Campaign"
• "On Friendship" (1826) to the writer A. S. Pushkin.

Karamzin's language reform

Karamzin's prose and poetry had a decisive influence on the development of the Russian literary language. Karamzin deliberately refused to use Church Slavonic vocabulary and grammar, bringing the language of his works to the everyday language of his era and using French grammar and syntax as a model.

Karamzin introduced many new words into the Russian language - as neologisms ("charity", "love", "free-thinking", "attraction", "responsibility", "suspicion", "industry", "refinement", "first-class", "humane ”), and barbarisms (“sidewalk”, “coachman”). He was also one of the first to use the letter Y.

The language changes proposed by Karamzin caused a heated controversy in the 1810s. The writer A. S. Shishkov, with the assistance of Derzhavin, founded in 1811 the society “Conversation of the Lovers of the Russian Word”, the purpose of which was to promote the “old” language, as well as to criticize Karamzin, Zhukovsky and their followers. In response, in 1815, the literary society "Arzamas" was formed, which sneered at the authors of "Conversations" and parodied their works. Many poets of the new generation became members of the society, including Batyushkov, Vyazemsky, Davydov, Zhukovsky, Pushkin. literary victory"Arzamas" over "Conversation" strengthened the victory of the language changes introduced by Karamzin.

Despite this, Karamzin later became closer to Shishkov, and thanks to the assistance of the latter, Karamzin was elected a member of the Russian Academy in 1818. In the same year he became a member of the Imperial Academy of Sciences.

Karamzin the historian

Karamzin's interest in history arose from the mid-1790s. He wrote a story on a historical theme - "Martha the Posadnitsa, or the Conquest of Novgorod" (published in 1803). In the same year, by decree of Alexander I, he was appointed to the position of a historiographer and until the end of his life he was engaged in writing the History of the Russian State, practically ceasing the activities of a journalist and writer.

Karamzin's "History of the Russian State" was not the first description of the history of Russia; before him were the works of V. N. Tatishchev and M. M. Shcherbatov. But it was Karamzin who opened the history of Russia to the general educated public. According to A. S. Pushkin, “Everyone, even secular women, rushed to read the history of their fatherland, hitherto unknown to them. She was a new discovery for them. Ancient Russia seemed to have been found by Karamzin, just as America was found by Columbus. This work also caused a wave of imitations and oppositions (for example, "History of the Russian people" by N. A. Polevoy)

In his work, Karamzin acted more as a writer than a historian - describing historical facts, he cared about the beauty of the language, least of all trying to draw any conclusions from the events he describes. However, high scientific value present his commentaries, which contain many extracts from manuscripts, mostly first published by Karamzin. Some of these manuscripts no longer exist.

In his "History" elegance, simplicity Prove to us, without any partiality, The necessity of autocracy And the charms of the whip.

Karamzin took the initiative to organize memorials and erect monuments to outstanding figures of Russian history, in particular, K. M. Sukhorukov (Minin) and Prince D. M. Pozharsky on Red Square (1818).

N. M. Karamzin discovered Afanasy Nikitin's Journey Beyond Three Seas in a 16th-century manuscript and published it in 1821. He wrote:

“Until now, geographers did not know that the honor of one of the oldest described European travels to India belongs to Russia of the Ioannian century ... It (the journey) proves that Russia in the 15th century had its Taverniers and Chardenis, less enlightened, but equally bold and enterprising; that the Indians had heard of her before they had heard of Portugal, Holland, England. While Vasco da Gama was only thinking about the possibility of finding a way from Africa to Hindustan, our Tverite was already a merchant on the coast of Malabar ... "

Karamzin - translator

In 1787, carried away by the works of Shakespeare, Karamzin published his translation original text tragedy of Julius Caesar. About his assessment of the work and his own work as a translator, Karamzin wrote in the preface:

“The tragedy that I have translated is one of his excellent creations… If reading the translation will give Russian lovers of literature a sufficient understanding of Shakespeare; if it brings them pleasure, then the translator will be rewarded for his work. However, he was prepared for the opposite.

In the early 1790s, this edition, one of the first works of Shakespeare in Russian, was included by censorship among the books for seizure and burning.

In 1792-1793, N. M. Karamzin translated a monument of Indian literature (from English) - the drama "Sakuntala", authored by Kalidasa. In the preface to the translation, he wrote:

“The creative spirit does not live in Europe alone; he is a citizen of the universe. Man everywhere is man; everywhere he has a sensitive heart, and in the mirror of his imagination contains heaven and earth. Everywhere Natura is his teacher and chief source of his pleasures.

I felt this very vividly when reading Sakontala, a drama composed in an Indian language, 1900 years before this, the Asiatic poet Kalidas, and recently translated into English by William Jones, a Bengali judge ... "

Family

N. M. Karamzin was married twice and had 10 children:

• First wife (since April 1801) - Elizaveta Ivanovna Protasova(1767-1802), sister of A. I. Pleshcheeva and A. I. Protasov, father of A. A. Voeikova and M. A. Moyer. According to Karamzin to Elizabeth, he "Knew and loved for thirteen years". She was a very educated woman and active assistant to her husband. Having poor health, in March 1802 she gave birth to a daughter, and in April she died of postpartum fever. Some researchers believe that it is in her honor that the heroine of "Poor Lisa" is named.
  • Sofia Nikolaevna(03/05/1802-07/04/1856), since 1821, a maid of honor, a close acquaintance of Pushkin and a friend of Lermontov.
• Second wife (from 01/08/1804) - Ekaterina Andreevna Kolyvanova(1780-1851), illegitimate daughter of Prince A. I. Vyazemsky and Countess Elizaveta Karlovna Sievers, half-sister of the poet P. A. Vyazemsky.
  • Natalia (30.10.1804-05.05.1810)
  • Ekaterina Nikolaevna(1806-1867), Petersburg acquaintance of Pushkin; from April 27, 1828, she was married to a retired lieutenant colonel of the guard, Prince Peter Ivanovich Meshchersky (1802-1876), who was married to her for the second time. Their son, writer and publicist Vladimir Meshchersky (1839-1914)
  • Andrey (20.10.1807-13.05.1813)
  • Natalia (06.05.1812-06.10.1815)
  • Andrey Nikolaevich(1814-1854), after graduating from Dorpat University, was forced to stay abroad for health reasons, later - a retired colonel. He was married to Aurora Karlovna Demidova. He had children from an extramarital affair with Evdokia Petrovna Sushkova.
  • Alexander Nikolaevich(1815-1888), after graduating from Dorpat University, he served in horse artillery, in his youth he was a great dancer and merry fellow, was close to Pushkin's family in his last year of life. Married to Princess Natalya Vasilievna Obolenskaya (1827-1892), had no children.
  • Nicholas (03.08.1817-21.04.1833)
  • Vladimir Nikolayevich(06/05/1819 - 08/07/1879), member of the consultation under the Minister of Justice, senator, owner of the Ivnya estate. He was witty and resourceful. He was married to Baroness Alexandra Ilyinichna Duka (1820-1871), daughter of General I. M. Duka. They left no offspring.
  • Elizaveta Nikolaevna(1821-1891), maid of honor since 1839, never married. Without a fortune, she lived on a pension, which she received as Karamzin's daughter. After the death of her mother, she lived with her older sister Sophia, in the family of the sister of Princess Catherine Meshcherskaya. She was distinguished by intelligence and boundless kindness, taking all other people's sorrows and joys to heart. Writer L. N. Tolstoy called her "an example of selflessness". In the family, she was affectionately called - Babu.

Sofia Nikolaevna,
daughter

Ekaterina Nikolaevna,
daughter

Andrei Nikolaevich,
son

Vladimir Nikolayevich,
son

Elizaveta Nikolaevna,
daughter

Memory

Named after the writer:

• Karamzin passage in Moscow
• Nikolay Karamzin street in Kaliningrad

In Ulyanovsk, a monument to N. M. Karamzin was erected, a memorial sign - in the Ostafyevo estate near Moscow.

In Veliky Novgorod, on the monument “1000th Anniversary of Russia”, among 129 figures of the most prominent personalities in Russian history (as of 1862), there is a figure of N. M. Karamzin

The Karamzin public library in Simbirsk, created in honor of the famous countryman, opened to readers on April 18, 1848.

In philately

Postage stamp of the USSR, 1991, 10 kopecks (TsFA 6378, Scott 6053)

Postage stamp Russia, 2016

Addresses

• Saint Petersburg
  • Spring 1816 - the house of E. F. Muravyova - the embankment of the Fontanka River, 25;
  • spring 1816-1822 - Tsarskoye Selo, Sadovaya street, 12;
  • 1818 - autumn 1823 - the house of E. F. Muravyova - embankment of the Fontanka River, 25;
  • autumn 1823-1826 - Mizhuev's profitable house - Mokhovaya street, 41;
  • spring - 05/22/1826 - Tauride Palace - Voskresenskaya street, 47.
• Moscow
  • The estate of the Vyazemsky-Dolgorukovs is the home of his second wife.
  • The house on the corner of Tverskaya and Bryusov Lane, where he wrote "Poor Lisa" - has not been preserved

December 12 (December 1, according to the old style), 1766, Nikolai Mikhailovich Karamzin was born - Russian writer, poet, editor of the Moscow Journal (1791-1792) and the Vestnik Evropy magazine (1802-1803), honorary member of the Imperial Academy of Sciences ( 1818), full member of the Imperial Russian Academy, historian, the first and only court historiographer, one of the first reformers of the Russian literary language, the founding father of Russian historiography and Russian sentimentalism.

Contribution of N.M. Karamzin in Russian culture can hardly be overestimated. Remembering everything that this man managed to do in the brief 59 years of his earthly existence, it is impossible to ignore the fact that it was Karamzin who largely determined the face of Russian XIX century - the "golden" age of Russian poetry, literature, historiography, source studies and other humanitarian areas of scientific knowledge. Thanks to linguistic searches aimed at popularizing the literary language of poetry and prose, Karamzin presented Russian literature to his contemporaries. And if Pushkin is “our everything”, then Karamzin can be safely called “our everything” with the capital letter. Without him, Vyazemsky, Pushkin, Baratynsky, Batyushkov and other poets of the so-called "Pushkin galaxy" would hardly have been possible.

“Whatever you turn to in our literature, Karamzin laid the foundation for everything: journalism, criticism, a story, a novel, a historical story, publicism, the study of history,” V.G. Belinsky.

"History of the Russian State" N.M. Karamzin became not just the first Russian-language book on the history of Russia, available to the general reader. Karamzin gave the Russian people Fatherland in the full sense of the word. They say that, slamming the eighth, last volume, Count Fyodor Tolstoy, nicknamed the American, exclaimed: “It turns out that I have a Fatherland!” And he was not alone. All his contemporaries suddenly found out that they live in a country with a thousand-year history and they have something to be proud of. Before that, it was believed that before Peter I, who opened a “window to Europe”, there was nothing in Russia worthy of attention: the dark ages of backwardness and barbarism, boyar autocracy, primordially Russian laziness and bears on the streets ...

Karamzin's multi-volume work was not completed, but, having been published in the first quarter of the 19th century, he completely determined the historical self-consciousness of the nation for many years to come. All subsequent historiography could not give rise to anything more in line with the “imperial” self-consciousness that had developed under the influence of Karamzin. Karamzin's views left a deep, indelible mark on all areas of Russian culture of the 19th-20th centuries, forming the foundations of the national mentality, which ultimately determined the development of Russian society and the state as a whole.

It is significant that in the 20th century, the edifice of Russian great power, which had collapsed under the attacks of revolutionary internationalists, revived again by the 1930s - under different slogans, with different leaders, in a different ideological package. but... The very approach to the historiography of Russian history, both before 1917 and after, in many respects remained jingoistic and sentimental in Karamzin's way.

N.M. Karamzin - early years

N.M. Karamzin was born on December 12 (1st century), 1766, in the village of Mikhailovka, Buzuluk district, Kazan province (according to other sources, in the family estate of Znamenskoye, Simbirsk district, Kazan province). Little is known about his early years: there are no letters, no diaries, no memories of Karamzin himself about his childhood. He did not even know exactly his year of birth and for almost his entire life he believed that he was born in 1765. Only in his old age, having discovered the documents, he “looked younger” by one year.

The future historiographer grew up in the estate of his father, retired captain Mikhail Egorovich Karamzin (1724-1783), a middle-class Simbirsk nobleman. He received a good education at home. In 1778 he was sent to Moscow to the boarding house of professor of Moscow University I.M. Shaden. At the same time he attended lectures at the university in 1781-1782.

After graduating from the boarding school, in 1783 Karamzin joined the Preobrazhensky Regiment in St. Petersburg, where he met the young poet and future employee of his Moscow Journal, Dmitriev. At the same time, he published his first translation of S. Gesner's idyll "Wooden Leg".

In 1784, Karamzin retired as a lieutenant and never served again, which was perceived in the then society as a challenge. After a short stay in Simbirsk, where he joined the Golden Crown Masonic lodge, Karamzin moved to Moscow and was introduced into the circle of N. I. Novikov. He settled in a house that belonged to Novikov's "Friendly Scientific Society", became the author and one of the publishers of the first children's magazine"Children's Reading for the Heart and Mind" (1787-1789), founded by Novikov. At the same time, Karamzin became close to the Pleshcheev family. For many years he was connected with N. I. Pleshcheeva by a tender platonic friendship. In Moscow, Karamzin publishes his first translations, in which interest in European and Russian history is clearly visible: Thomson's The Four Seasons, Janlis's Village Evenings, W. Shakespeare's tragedy Julius Caesar, Lessing's tragedy Emilia Galotti.

In 1789, Karamzin's first original story "Eugene and Yulia" appeared in the magazine "Children's Reading ...". The reader hardly noticed it.

Travel to Europe

According to many biographers, Karamzin was not disposed towards the mystical side of Freemasonry, remaining a supporter of its active educational direction. To be more precise, by the end of the 1780s, Karamzin had already “been ill” with Masonic mysticism in its Russian version. Possibly, cooling towards Freemasonry was one of the reasons for his departure to Europe, where he spent more than a year (1789-90), visiting Germany, Switzerland, France and England. In Europe, he met and talked (except for influential Freemasons) with European "rulers of minds": I. Kant, J. G. Herder, C. Bonnet, I. K. Lavater, J. F. Marmontel, visited museums, theaters, secular salons. In Paris, Karamzin listened to O. G. Mirabeau, M. Robespierre and other revolutionaries in the National Assembly, saw many prominent political figures and was familiar with many. Apparently, the revolutionary Paris of 1789 showed Karamzin how much a person can be influenced by the word: printed, when Parisians read pamphlets and leaflets with keen interest; oral, when revolutionary orators spoke and controversy arose (experience that could not be acquired at that time in Russia).

Karamzin did not have a very enthusiastic opinion about English parliamentarism (perhaps following in the footsteps of Rousseau), but he highly valued the level of civilization at which English society as a whole was located.

Karamzin - journalist, publisher

In the autumn of 1790, Karamzin returned to Moscow and soon organized the publication of the monthly "Moscow Journal" (1790-1792), in which most of the "Letters of a Russian Traveler" were printed, telling about the revolutionary events in France, the story "Liodor", "Poor Lisa" , "Natalia, Boyar's Daughter", "Flor Silin", essays, short stories, critical articles and poems. Karamzin attracted the entire literary elite of that time to cooperate in the journal: his friends Dmitriev and Petrov, Kheraskov and Derzhavin, Lvov, Neledinsky-Meletsky, and others. Karamzin's articles asserted a new literary direction- sentimentalism.

The Moscow Journal had only 210 regular subscribers, but for late XVIII century is the same as a hundred thousand circulation at the end 19th century. Moreover, the magazine was read by those who “made the weather” in the literary life of the country: students, officials, young officers, petty employees of various government agencies (“archival youths”).

After the arrest of Novikov, the authorities became seriously interested in the publisher of the Moscow Journal. During interrogations in the Secret Expedition, they ask: did Novikov send the “Russian traveler” abroad with a “special assignment”? The Novikovites were people of high decency and, of course, Karamzin was shielded, but because of these suspicions, the magazine had to be stopped.

In the 1790s, Karamzin published the first Russian almanacs - Aglaya (1794-1795) and Aonides (1796-1799). In 1793, when the Jacobin dictatorship was established at the third stage of the French Revolution, shocking Karamzin with its cruelty, Nikolai Mikhailovich abandoned some of his former views. The dictatorship aroused in him serious doubts about the possibility of mankind to achieve prosperity. He sharply condemned the revolution and all violent ways of transforming society. The philosophy of despair and fatalism permeates his new works: the stories "Bornholm Island" (1793); "Sierra Morena" (1795); poems "Melancholy", "Message to A. A. Pleshcheev", etc.

During this period, real literary fame comes to Karamzin.

Fedor Glinka: “Out of 1200 cadets, a rare one did not repeat by heart any page from the Island of Bornholm”.

The name Erast, previously completely unpopular, is increasingly found in noble lists. There are rumors of successful and unsuccessful suicides in the spirit of Poor Lisa. The venomous memoirist Vigel recalls that important Moscow nobles had already begun to make do with “almost like an equal with a thirty-year-old retired lieutenant”.

In July 1794, Karamzin's life almost ended: on the way to the estate, in the wilderness of the steppe, robbers attacked him. Karamzin miraculously escaped, having received two light wounds.

In 1801, he married Elizaveta Protasova, a neighbor on the estate, whom he had known since childhood - at the time of the wedding they had known each other for almost 13 years.

Reformer of the Russian literary language

Already in the early 1790s, Karamzin seriously thought about the present and future of Russian literature. He writes to a friend: “I am deprived of the pleasure of reading a lot on mother tongue. We are still poor in writers. We have several poets who deserve to be read." Of course, there were and are Russian writers: Lomonosov, Sumarokov, Fonvizin, Derzhavin, but there are no more than a dozen significant names. Karamzin was one of the first to understand that it was not about talent - there are no fewer talents in Russia than in any other country. It’s just that Russian literature can’t move away from the long-obsolete traditions of classicism, laid down in the middle of the 18th century by the only theorist M.V. Lomonosov.

The reform of the literary language carried out by Lomonosov, as well as the theory of “three calms” he created, met the tasks of the transition period from ancient to new literature. A complete rejection of the use of the usual Church Slavonicisms in the language was then still premature and inappropriate. But the evolution of the language, which began under Catherine II, continued actively. The "Three Calms" proposed by Lomonosov relied not on live colloquial speech, but on the witty thought of a theoretician writer. And this theory often put the authors in a difficult position: they had to use heavy, outdated Slavic expressions where in the spoken language they had long been replaced by others, softer and more elegant. The reader sometimes could not "break through" through the heaps of obsolete Slavic words used in church books and records in order to understand the essence of this or that secular work.

Karamzin decided to bring literary language to conversation. Therefore, one of his main goals was the further liberation of literature from Church Slavonicism. In the preface to the second book of the almanac "Aonides" he wrote: "One thunder of words only deafens us and never reaches the heart."

The second feature of Karamzin's "new style" was the simplification of syntactic constructions. The writer abandoned lengthy periods. In the Pantheon of Russian Writers, he resolutely stated: “Lomonosov’s prose cannot serve as a model for us at all: its long periods are tiring, the arrangement of words is not always in line with the flow of thoughts.”

Unlike Lomonosov, Karamzin strove to write in short, easily visible sentences. This is to this day a model of a good style and an example to follow in literature.

The third merit of Karamzin was to enrich the Russian language with a number of successful neologisms, which have become firmly established in the main vocabulary. Among the innovations proposed by Karamzin are such widely known words in our time as “industry”, “development”, “refinement”, “concentrate”, “touching”, “entertainment”, “humanity”, “public”, “ generally useful", "influence" and a number of others.

Creating neologisms, Karamzin mainly used the method of tracing French words: “interesting” from “interesting”, “refined” from “raffine”, “development” from “developpement”, “touching” from “touchant”.

We know that even in the Petrine era, many foreign words appeared in the Russian language, but for the most part they replaced the words that already existed in the Slavic language and were not necessary. In addition, these words were often taken in a raw form, so they were very heavy and clumsy (“fortecia” instead of “fortress”, “victory” instead of “victory”, etc.). Karamzin, on the contrary, tried to give foreign words Russian ending, adapting them to the requirements of Russian grammar: “serious”, “moral”, “aesthetic”, “audience”, “harmony”, “enthusiasm”, etc.

In his reforming activities, Karamzin made an installation for live colloquial speech educated people. And this was the key to the success of his work - he does not write scientific treatises, but travel notes (“Letters from a Russian Traveler”), sentimental stories (“Bornholm Island”, “Poor Liza”), poems, articles, translates from French, English and German .

"Arzamas" and "Conversation"

It is not surprising that most of the young writers, modern Karamzin, accepted his transformations with a bang and willingly followed him. But, like any reformer, Karamzin had staunch opponents and worthy opponents.

A.S. stood at the head of Karamzin's ideological opponents. Shishkov (1774-1841) - admiral, patriot, famous statesman that time. An Old Believer, an admirer of Lomonosov's language, Shishkov at first glance was a classicist. But this point of view requires essential reservations. In contrast to the Europeanism of Karamzin, Shishkov put forward the idea of ​​the nationality of literature - the most important sign of a romantic worldview far from classicism. It turns out that Shishkov also adjoined romantics, but only not progressive, but conservative direction. His views can be recognized as a kind of forerunner of later Slavophilism and pochvenism.

In 1803, Shishkov delivered a Discourse on the Old and New Style of the Russian Language. He reproached the “Karamzinists” for having succumbed to the temptation of European revolutionary false teachings and advocated the return of literature to oral folk art, to popular vernacular, to Orthodox Church Slavonic book learning.

Shishkov was not a philologist. He dealt with the problems of literature and the Russian language, rather, as an amateur, so Admiral Shishkov's attacks on Karamzin and his literary supporters sometimes looked not so much scientifically substantiated as unsubstantiated and ideological. The language reform of Karamzin seemed to Shishkov, a warrior and defender of the Fatherland, unpatriotic and anti-religious: “Language is the soul of a people, a mirror of morals, a true indicator of enlightenment, an unceasing witness to deeds. Where there is no faith in the hearts, there is no piety in the tongue. Where there is no love for the fatherland, there the language does not express domestic feelings..

Shishkov reproached Karamzin for the immoderate use of barbarisms (“era”, “harmony”, “catastrophe”), neologisms disgusted him (“coup” as a translation of the word “revolution”), artificial words cut his ear: “future”, “readiness” and etc.

And it must be admitted that sometimes his criticism was apt and accurate.

The evasiveness and aesthetic affectation of the speech of the "Karamzinists" very soon became outdated and went out of literary use. It was precisely this future that Shishkov predicted for them, believing that instead of the expression “when traveling became the need of my soul,” one can simply say: “when I fell in love with traveling”; the refined and paraphrased speech “variegated crowds of rural oreads meet with dark-skinned bands of reptile pharaohs” can be replaced by the understandable expression “gypsies go towards the village girls”, etc.

Shishkov and his supporters took the first steps in studying the monuments of ancient Russian literature, enthusiastically studied The Tale of Igor's Campaign, studied folklore, advocated a rapprochement between Russia and Slavic world and recognized the need for convergence of the "Slovenian" syllable with the common language.

In a dispute with the translator Karamzin, Shishkov put forward a weighty argument about the “idiomaticity” of each language, about the unique originality of its phraseological systems, which make it impossible to translate a thought or a true semantic meaning from one language into another. For example, when translated literally into French, the expression "old horseradish" loses its figurative meaning and "means only the very thing, but in the metaphysical sense it has no circle of signification."

In defiance of Karamzinskaya, Shishkov proposed his own reform of the Russian language. He proposed to designate the concepts and feelings missing in our everyday life with new words formed from the roots of not French, but Russian and Old Slavonic languages. Instead of Karamzin's "influence", he suggested "influence", instead of "development" - "vegetation", instead of "actor" - "actor", instead of "individuality" - "yanost", "wet shoes" instead of "galoshes" and "wandering" instead of "maze". Most of his innovations in Russian did not take root.

It is impossible not to recognize Shishkov's ardent love for the Russian language; one cannot but admit that the passion for everything foreign, especially French, has gone too far in Russia. Ultimately, this led to the fact that the language of the common people, the peasant, began to differ greatly from the language of the cultural classes. But one cannot brush aside the fact that the natural process of the beginning evolution of language could not be stopped. It was impossible to forcibly return to use the already obsolete at that time expressions that Shishkov proposed: “zane”, “ubo”, “like”, “like” and others.

Karamzin did not even respond to the accusations of Shishkov and his supporters, knowing firmly that they were guided by exceptionally pious and patriotic feelings. Subsequently, Karamzin himself and his most talented supporters (Vyazemsky, Pushkin, Batyushkov) followed the very valuable indication of the "Shishkovites" on the need to "return to their roots" and examples of their own history. But then they could not understand each other.

Paphos and ardent patriotism of A.S. Shishkov aroused sympathy among many writers. And when Shishkov, together with G. R. Derzhavin, founded the literary society “Conversation of Lovers of the Russian Word” (1811) with a charter and its own journal, P. A. Katenin, I. A. Krylov, and later V. K. Küchelbecker and A. S. Griboyedov. One of the active participants in the "Conversations ..." prolific playwright A. A. Shakhovskoy in the comedy "New Stern" viciously ridiculed Karamzin, and in the comedy "A Lesson for Coquettes, or Lipetsk Waters" in the face of the "ballade player" Fialkin created a parody image of V. A Zhukovsky.

This caused a friendly rebuff from the youth, who supported the literary authority of Karamzin. D. V. Dashkov, P. A. Vyazemsky, D. N. Bludov composed several witty pamphlets addressed to Shakhovsky and other members of the Conversation .... In The Vision in the Arzamas Tavern, Bludov gave the circle of young defenders of Karamzin and Zhukovsky the name "Society of Unknown Arzamas Writers" or simply "Arzamas".

In the organizational structure of this society, founded in the autumn of 1815, a cheerful spirit of parody of the serious "Conversation ..." reigned. In contrast to official pomposity, simplicity, naturalness, openness dominated here, a lot of space was given to jokes and games.

Parodying the official ritual of "Conversations ...", upon joining "Arzamas", everyone had to read a "funeral speech" to their "deceased" predecessor from among the living members of the "Conversations ..." or the Russian Academy of Sciences (Count D.I. Khvostov, S. A. Shirinsky-Shikhmatov, A. S. Shishkov himself, etc.). "Gravestone speeches" were a form of literary struggle: they parodied high genres, ridiculed the stylistic archaism of the poetic works of the "talkers". At the meetings of the society, the humorous genres of Russian poetry were honed, a bold and resolute struggle was waged against all sorts of officialdom, a type of independent Russian writer, free from the pressure of any ideological conventions, was formed. And although P. A. Vyazemsky, one of the organizers and active participants in the society, in his mature years condemned the youthful mischief and intransigence of his like-minded people (in particular, the rites of the “burial” of living literary opponents), he rightly called Arzamas a school of “literary fellowship” and mutual creative learning. The Arzamas and Beseda societies soon became centers of literary life and social struggle in the first quarter of the 19th century. The "Arzamas" included such famous people as Zhukovsky (pseudonym - Svetlana), Vyazemsky (Asmodeus), Pushkin (Cricket), Batyushkov (Achilles), etc.

Beseda broke up after Derzhavin's death in 1816; Arzamas, having lost its main opponent, ceased to exist by 1818.

Thus, by the mid-1790s, Karamzin became the recognized head of Russian sentimentalism, which opened not just a new page in Russian literature, but Russian fiction in general. Russian readers, who had absorbed only French novels, and the works of enlighteners, enthusiastically accepted Letters from a Russian Traveler and Poor Liza, and Russian writers and poets (both “conversators” and “Arzamas”) realized that they could and should write in their native language.

Karamzin and Alexander I: a symphony with power?

In 1802 - 1803 Karamzin published the journal Vestnik Evropy, which was dominated by literature and politics. Largely due to the confrontation with Shishkov, a new aesthetic program for the formation of Russian literature as a nationally original appeared in Karamzin's critical articles. Karamzin, unlike Shishkov, saw the key to the identity of Russian culture not so much in adherence to ritual antiquity and religiosity, but in the events of Russian history. The most striking illustration of his views was the story "Marfa Posadnitsa or the Conquest of Novgorod".

In his political articles of 1802-1803, Karamzin, as a rule, made recommendations to the government, the main of which was the enlightenment of the nation in the name of the prosperity of the autocratic state.

These ideas were generally close to Emperor Alexander I, the grandson of Catherine the Great, who at one time also dreamed of an “enlightened monarchy” and a complete symphony between the authorities and a European-educated society. Karamzin's response to the coup on March 11, 1801 and the accession to the throne of Alexander I was "Historical eulogy to Catherine II" (1802), where Karamzin expressed his views on the essence of the monarchy in Russia, as well as the duties of the monarch and his subjects. "Eulogy" was approved by the sovereign, as a collection of examples for the young monarch, and favorably accepted by him. Alexander I was obviously interested in the historical research of Karamzin, and the emperor rightly decided that great country you just need to remember your no less great past. And if you don’t remember, then at least create anew ...

In 1803, through the tsar’s educator M.N. Muravyov, a poet, historian, teacher, one of the most educated people of that time, N.M. Karamzin received the official title of court historiographer with a pension of 2,000 rubles. (A pension of 2,000 rubles a year was then assigned to officials who, according to the Table of Ranks, had a rank no lower than that of a general). Later, I. V. Kireevsky, referring to Karamzin himself, wrote about Muravyov: “Who knows, maybe without his thoughtful and warm assistance, Karamzin would not have had the means to accomplish his great deed.”

In 1804, Karamzin practically departed from literary and publishing activities and began to create the "History of the Russian State", on which he worked until the end of his days. Through his influence M.N. Muravyov made available to the historian many of the previously unknown and even "secret" materials, opened libraries and archives for him. Modern historians can only dream of such favorable conditions for work. Therefore, in our opinion, to speak of the "History of the Russian State" as a "scientific feat" N.M. Karamzin, not entirely fair. The court historiographer was in the service, conscientiously doing the work for which he was paid money. Accordingly, he had to write a history that was in this moment needed by the customer, namely, Tsar Alexander I, who at the first stage of his reign showed sympathy for European liberalism.

However, under the influence of studies in Russian history, by 1810 Karamzin became a consistent conservative. During this period, the system of his political views finally took shape. Karamzin's statements that he is a "republican at heart" can be adequately interpreted only if we consider that we are talking about the "Plato Republic of the Wise Men", an ideal social structure based on state virtue, strict regulation and the renunciation of personal freedom. At the beginning of 1810, Karamzin, through his relative Count F.V. Rostopchin, met in Moscow with the leader of the "conservative party" at court - Grand Duchess Ekaterina Pavlovna (sister of Alexander I) and began to constantly visit her residence in Tver. The salon of the Grand Duchess represented the center of conservative opposition to the liberal-Western course, personified by the figure of M. M. Speransky. In this salon, Karamzin read excerpts from his "History ...", at the same time he met Empress Dowager Maria Feodorovna, who became one of his patronesses.

In 1811, at the request of Grand Duchess Ekaterina Pavlovna, Karamzin wrote a note “On ancient and new Russia in its political and civil relations”, in which he outlined his ideas about the ideal structure of the Russian state and sharply criticized the policy of Alexander I and his immediate predecessors: Paul I , Catherine II and Peter I. In the 19th century, the note was never published in full and diverged only in handwritten lists. In Soviet times, the thoughts expressed by Karamzin in his message were perceived as a reaction of the extremely conservative nobility to the reforms of M. M. Speransky. The author himself was branded a "reactionary", an opponent of the liberation of the peasantry and other liberal steps taken by the government of Alexander I.

However, at the first full publication notes in 1988, Yu. M. Lotman revealed its deeper content. In this document, Karamzin made a reasonable criticism of unprepared bureaucratic reforms carried out from above. While praising Alexander I, the author of the note at the same time attacks his advisers, referring, of course, to Speransky, who stood for constitutional reforms. Karamzin takes the liberty of proving to the tsar in detail, with reference to historical examples, that Russia is not ready either historically or politically to abolish serfdom and limit the autocratic monarchy by the constitution (following the example of the European powers). Some of his arguments (for example, about the uselessness of freeing peasants without land, the impossibility of constitutional democracy in Russia) look quite convincing and historically correct even today.

Along with an overview of Russian history and criticism of the political course of Emperor Alexander I, the note contained an integral, original and very complex theoretical concept of autocracy as a special, original Russian type of power closely associated with Orthodoxy.

At the same time, Karamzin refused to identify "true autocracy" with despotism, tyranny or arbitrariness. He believed that such deviations from the norms were due to chance (Ivan IV the Terrible, Paul I) and were quickly eliminated by the inertia of the tradition of "wise" and "virtuous" monarchical rule. In cases of a sharp weakening and even complete absence of the supreme state and church authority (for example, during the Time of Troubles), this powerful tradition led to the restoration of autocracy within a short historical period. Autocracy was the "palladium of Russia", the main reason for its power and prosperity. Therefore, the basic principles of monarchical government in Russia, according to Karamzin, should have been preserved in the future. They should have been supplemented only by a proper policy in the field of legislation and education, which would lead not to undermining the autocracy, but to its maximum strengthening. With such an understanding of autocracy, any attempt to limit it would be a crime against Russian history and the Russian people.

Initially, Karamzin's note only irritated the young emperor, who did not like criticism of his actions. In this note, the historiographer proved himself plus royaliste que le roi (greater royalist than the king himself). However, subsequently the brilliant "anthem to the Russian autocracy" as presented by Karamzin undoubtedly had its effect. After the war of 1812, the winner of Napoleon, Alexander I, curtailed many of his liberal projects: Speransky's reforms were not completed, the constitution and the very idea of ​​\u200b\u200blimiting autocracy remained only in the minds of future Decembrists. And already in the 1830s, the concept of Karamzin actually formed the basis of the ideology Russian Empire, designated by the "theory of official nationality" of Count S. Uvarov (Orthodoxy-Autocracy-Nationality).

Before the publication of the first 8 volumes of "History ..." Karamzin lived in Moscow, from where he traveled only to Tver to the Grand Duchess Ekaterina Pavlovna and to Nizhny Novgorod, while Moscow was occupied by the French. He usually spent his summers at Ostafyev, the estate of Prince Andrei Ivanovich Vyazemsky, on illegitimate daughter whom, Ekaterina Andreevna, Karamzin married in 1804. (The first wife of Karamzin, Elizaveta Ivanovna Protasova, died in 1802).

In the last 10 years of his life, which Karamzin spent in St. Petersburg, he became very close to royal family. Although Emperor Alexander I treated Karamzin with restraint from the time the Note was submitted, Karamzin often spent his summers in Tsarskoye Selo. At the request of the empresses (Maria Feodorovna and Elizaveta Alekseevna), he more than once conducted frank political conversations with Emperor Alexander, in which he acted as a spokesman for the opponents of drastic liberal reforms. In 1819-1825, Karamzin passionately rebelled against the intentions of the sovereign regarding Poland (submitted a note "Opinion of a Russian citizen"), condemned the increase in state taxes in peacetime, spoke of the ridiculous provincial system of finance, criticized the system of military settlements, the activities of the Ministry of Education, pointed to strange choice the sovereign of some of the most important dignitaries (for example, Arakcheev), spoke of the need to reduce internal troops, about the imaginary correction of roads, so painful for the people, and constantly pointed out the need to have firm laws, civil and state.

Of course, having behind such intercessors as both empresses and grand duchess Ekaterina Pavlovna, one could criticize, and argue, and show civil courage, and try to set the monarch "on the right path." It was not for nothing that Emperor Alexander I and his contemporaries and subsequent historians of his reign called the “mysterious sphinx”. In words, the sovereign agreed with Karamzin's critical remarks regarding military settlements, recognized the need to "give the fundamental laws of Russia", as well as to revise some aspects of domestic policy, but it just so happened in our country that in reality - all wise advice government people remain "fruitless for the dear Fatherland" ...

Karamzin as a historian

Karamzin is our first historian and last chronicler.
By his criticism he belongs to history,
innocence and apothegms - the chronicle.

A.S. Pushkin

Even from the point of view of Karamzin's modern historical science, no one dared to call 12 volumes of his "History of the Russian State" scientific work. Even then, it was clear to everyone that the honorary title of a court historiographer cannot make a writer a historian, give him the appropriate knowledge and proper training.

But, on the other hand, Karamzin did not initially set himself the task of taking on the role of a researcher. The newly minted historiographer was not going to write a scientific treatise and appropriate the laurels of his illustrious predecessors - Schlozer, Miller, Tatishchev, Shcherbatov, Boltin, etc.

Preliminary critical work on sources for Karamzin is only "a heavy tribute brought by reliability." He was, first of all, a writer, and therefore he wanted to apply his literary talent to ready-made material: “select, animate, colorize” and, in this way, make Russian history “something attractive, strong, worthy of attention not only Russians, but also foreigners." And this task he performed brilliantly.

Today it is impossible not to agree with the fact that at the beginning of the 19th century source studies, paleography and other auxiliary historical disciplines were in their very infancy. Therefore, to demand professional criticism from the writer Karamzin, as well as strict adherence to one or another method of working with historical sources, is simply ridiculous.

One can often hear the opinion that Karamzin simply beautifully rewrote Prince M.M. family circle. This is wrong.

Naturally, when writing his "History ..." Karamzin actively used the experience and works of his predecessors - Schlozer and Shcherbatov. Shcherbatov helped Karamzin navigate the sources of Russian history, significantly influencing both the choice of material and its arrangement in the text. Coincidentally or not, Karamzin brought The History of the Russian State to exactly the same place as Shcherbatov's History. However, in addition to following the scheme already developed by his predecessors, Karamzin cites in his essay a lot of references to the most extensive foreign historiography, almost unfamiliar to the Russian reader. While working on his "History ...", for the first time he introduced into scientific circulation a mass of unknown and previously unexplored sources. These are Byzantine and Livonian chronicles, information of foreigners about the population of ancient Rus', as well as a large number of Russian chronicles, which the hand of the historian has not yet touched. For comparison: M.M. Shcherbatov used only 21 Russian chronicles in writing his work, Karamzin actively cites more than 40. In addition to the chronicles, Karamzin attracted monuments of ancient Russian law and ancient Russian fiction to the study. A special chapter of "History ..." is devoted to "Russian Truth", and a number of pages - to the newly opened "Tale of Igor's Campaign".

Thanks to the diligent help of the directors of the Moscow Archive of the Ministry (Board) of Foreign Affairs N. N. Bantysh-Kamensky and A. F. Malinovsky, Karamzin was able to use those documents and materials that were not available to his predecessors. The Synodal depository, libraries of monasteries (Trinity Lavra, Volokolamsk Monastery and others), as well as private collections of Musin-Pushkin and N.P. Rumyantsev. Karamzin received especially many documents from Chancellor Rumyantsev, who collected historical materials in Russia and abroad through his numerous agents, as well as from AI Turgenev, who compiled a collection of documents from the papal archive.

Many of the sources used by Karamzin perished during the Moscow fire of 1812 and survived only in his "History ..." and extensive "Notes" to its text. Thus, Karamzin's work, to some extent, has itself acquired the status of a historical source, to which professional historians have every right to refer.

Among the main shortcomings of the "History of the Russian State" is traditionally noted the peculiar view of its author on the tasks of the historian. According to Karamzin, "knowledge" and "scholarship" in the historian "do not replace the talent to portray actions." Before the artistic task of history, even the moral one recedes into the background, which was set by Karamzin's patron, M.N. Muravyov. The characteristics of historical characters are given by Karamzin exclusively in a literary and romantic vein, characteristic of the direction of Russian sentimentalism he created. The first Russian princes according to Karamzin are distinguished by their "ardent romantic passion" for conquests, their retinue - nobility and loyal spirit, the "rabble" sometimes shows discontent, raising rebellions, but in the end agrees with the wisdom of noble rulers, etc., etc. P.

Meanwhile, the previous generation of historians, under the influence of Schlözer, had long developed the idea of ​​critical history, and among Karamzin's contemporaries, the requirements for criticizing historical sources, despite the lack of a clear methodology, were generally recognized. And the next generation has already made a demand philosophical history- with the identification of the laws of development of the state and society, the recognition of the main driving forces and laws of the historical process. Therefore, the overly “literary” creation of Karamzin was immediately subjected to well-founded criticism.

According to the idea, firmly rooted in Russian and foreign historiography of the 17th - 18th centuries, the development of the historical process depends on the development of monarchical power. Karamzin does not deviate one iota from this idea: the monarchical power exalted Russia in Kyiv period; the division of power between the princes was a political mistake, which was corrected by the state wisdom of the Moscow princes - the collectors of Rus'. At the same time, it was the princes who corrected its consequences - the fragmentation of Rus' and the Tatar yoke.

But before reproaching Karamzin for not contributing anything new to the development of Russian historiography, it should be remembered that the author of The History of the Russian State did not at all set himself the task of philosophical understanding of the historical process or blind imitation of the ideas of Western European romantics (F. Guizot , F. Mignet, J. Meshlet), who already then started talking about the "class struggle" and the "spirit of the people" as the main driving force of history. Karamzin was not interested in historical criticism at all, and deliberately denied the "philosophical" trend in history. The researcher's conclusions from historical material, as well as his subjective fabrications, seem to Karamzin to be "metaphysics" that is not suitable "for depicting action and character."

Thus, with his peculiar views on the tasks of the historian, Karamzin, by and large, remained outside the dominant currents of Russian and European historiography of the 19th and 20th centuries. Of course, he participated in its consistent development, but only in the form of an object for constant criticism and the clearest example of how history should not be written.

The reaction of contemporaries

Karamzin's contemporaries - readers and admirers - enthusiastically accepted his new "historical" work. The first eight volumes of The History of the Russian State were printed in 1816-1817 and went on sale in February 1818. Huge for that time, the three-thousandth circulation sold out in 25 days. (And this despite the solid price - 50 rubles). A second edition was immediately required, which was carried out in 1818-1819 by I. V. Slyonin. In 1821 a new, ninth volume was published, and in 1824 the next two. The author did not have time to finish the twelfth volume of his work, which was published in 1829, almost three years after his death.

"History ..." was admired by Karamzin's literary friends and a vast public of non-specialist readers who suddenly discovered, like Count Tolstoy the American, that their Fatherland has a history. According to A.S. Pushkin, “everyone, even secular women, rushed to read the history of their fatherland, hitherto unknown to them. She was a new discovery for them. Ancient Russia seemed to be found by Karamzin, like America by Columbus.

Liberal intellectual circles of the 1820s found Karamzin's "History ..." backward in general views and unnecessarily tendentious:

Specialists-researchers, as already mentioned, treated Karamzin's work exactly as a work, sometimes even belittling it. historical meaning. It seemed to many that Karamzin's undertaking itself was too risky - to undertake to write such an extensive work in the then state of Russian historical science.

Already during Karamzin's lifetime, critical analyzes of his "History ..." appeared, and soon after the author's death, attempts were made to determine the general significance of this work in historiography. Lelevel pointed to an involuntary distortion of the truth, due to the patriotic, religious and political hobbies of Karamzin. Artsybashev showed the extent to which they harm the writing of "history" literary devices lay historian. Pogodin summed up all the shortcomings of the History, and N.A. Polevoy saw the common cause of these shortcomings in the fact that "Karamzin is a writer not of our time." All his points of view, both in literature and in philosophy, politics and history, became outdated with the appearance of new influences in Russia. European romanticism. In opposition to Karamzin, Polevoy soon wrote his six-volume History of the Russian People, where he completely surrendered himself to the ideas of Guizot and other Western European romantics. Contemporaries rated this work as an "unworthy parody" of Karamzin, subjecting the author to rather vicious and not always deserved attacks.

In the 1830s, Karamzin's "History ..." becomes the banner of the officially "Russian" direction. With the assistance of the same Pogodin, its scientific rehabilitation is carried out, which is fully consistent with the spirit of Uvarov's "theory of official nationality".

In the second half of the 19th century, on the basis of the "History ...", a mass of popular science articles and other texts were written, which formed the basis of well-known educational and teaching aids. Based on the historical plots of Karamzin, many works have been created for children and youth, the purpose of which for many years was to educate patriotism, fidelity to civic duty, and responsibility. younger generation for the fate of their country. This book, in our opinion, played a decisive role in shaping the views of more than one generation of Russian people, having a significant impact on the foundations of the patriotic education of young people in the late 19th and early 20th centuries.

December 14th. Final Karamzin.

The death of Emperor Alexander I and the December events of 1925 deeply shocked N.M. Karamzin and negatively affected his health.

On December 14, 1825, having received news of the uprising, the historian goes out into the street: “I saw terrible faces, heard terrible words, five or six stones fell at my feet.”

Karamzin, of course, regarded the performance of the nobility against their sovereign as a rebellion and a grave crime. But there were so many acquaintances among the rebels: the Muravyov brothers, Nikolai Turgenev, Bestuzhev, Ryleev, Kuchelbeker (he translated Karamzin's History into German).

A few days later, Karamzin will say about the Decembrists: "The errors and crimes of these young people are the errors and crimes of our age."

On December 14, during his travels around St. Petersburg, Karamzin caught a bad cold and fell ill with pneumonia. In the eyes of his contemporaries, he was another victim of this day: his idea of ​​the world collapsed, faith in the future was lost, and a new king ascended the throne, very far from the ideal image of an enlightened monarch. Half-ill, Karamzin visited the palace every day, where he talked with Empress Maria Feodorovna, from memories of the late sovereign Alexander, moving on to discussions about the tasks of the future reign.

Karamzin could no longer write. Volume XII of the "History ..." stopped at the interregnum of 1611 - 1612. Last words the last volume - about a small Russian fortress: "Nutlet did not give up." The last thing that Karamzin really managed to do in the spring of 1826 was, together with Zhukovsky, he persuaded Nicholas I to return Pushkin from exile. A few years later, the emperor tried to pass the baton of the first historiographer of Russia to the poet, but the “sun of Russian poetry” somehow did not fit into the role of the state ideologist and theorist ...

In the spring of 1826 N.M. Karamzin, on the advice of doctors, decided to go to southern France or Italy for treatment. Nicholas I agreed to sponsor his trip and kindly placed a frigate of the imperial fleet at the disposal of the historiographer. But Karamzin was already too weak to travel. He died on May 22 (June 3) 1826 in St. Petersburg. He was buried at the Tikhvin cemetery of the Alexander Nevsky Lavra.

Karamzin Nikolai Mikhailovich (1766 - 1826)

He was born on December 1 (12 n.s.) in the village of Mikhailovka, Simbirsk province, in the family of a landowner. He received a good education at home.

At the age of 14, he began to study at the Moscow private boarding school of Professor Shaden. After graduating in 1783, he came to the Preobrazhensky Regiment in St. Petersburg, where he met the young poet and future employee of his "Moscow Journal" Dmitriev. Then he published his first translation of S. Gesner's idyll "Wooden Leg". After retiring with the rank of second lieutenant in 1784, he moved to Moscow, became one of the active participants in the magazine Children's Reading for the Heart and Mind, published by N. Novikov, and became close to the Masons. Engaged in translations of religious and moral writings. From 1787 he regularly published his translations of Thomson's The Seasons, Janlis's Village Evenings, W. Shakespeare's tragedy Julius Caesar, and Lessing's tragedy Emilia Galotti.

In 1789, Karamzin's first original story, Evgeny and Yulia, appeared in the magazine "Children's Reading ...". In the spring, he went on a trip to Europe: he visited Germany, Switzerland, France, where he observed the activities of the revolutionary government. In June 1790 he moved from France to England.

In the autumn he returned to Moscow and soon undertook the publication of the monthly "Moscow Journal", in which most of the "Letters of a Russian Traveler" were printed, the stories "Liodor", "Poor Liza", "Natalia, the Boyar's Daughter", "Flor Silin", essays, short stories, critical articles and poems. Karamzin attracted Dmitriev and Petrov, Kheraskov and Derzhavin, Lvov Neledinsky-Meletsky and others to cooperate in the journal. Karamzin's articles asserted a new literary trend - sentimentalism. In the 1790s, Karamzin published the first Russian almanacs - "Aglaya" (parts 1 - 2, 1794 - 95) and "Aonides" (parts 1 - 3, 1796 - 99). The year 1793 arrived, when the Jacobin dictatorship was established at the third stage of the French Revolution, shocking Karamzin with its cruelty. The dictatorship aroused in him doubts about the possibility for mankind to achieve prosperity. He condemned the revolution. The philosophy of despair and fatalism permeates his new works: the stories "Bornholm Island" (1793); "Sierra Morena" (1795); poems "Melancholy", "Message to A. A. Pleshcheev", etc.

By the mid-1790s, Karamzin had become the recognized head of Russian sentimentalism, opening a new page in Russian literature. He was an indisputable authority for Zhukovsky, Batyushkov, the young Pushkin.

In 1802 - 1803 Karamzin published the journal Vestnik Evropy, which was dominated by literature and politics. In the critical articles of Karamzin, a new aesthetic program emerged, which contributed to the formation of Russian literature as a nationally original one. Karamzin saw the key to the identity of Russian culture in history. The most striking illustration of his views was the story "Marfa Posadnitsa". In his political articles, Karamzin made recommendations to the government, pointing out the role of education.

Trying to influence Tsar Alexander I, Karamzin gave him his Note on Ancient and New Russia (1811), irritating him. In 1819 he filed new note- "Opinion of a Russian citizen", which caused even greater displeasure of the tsar. However, Karamzin did not abandon his faith in the salvation of the enlightened autocracy and later condemned the Decembrist uprising. However, Karamzin the artist was still highly appreciated by young writers who did not even share his political convictions.

In 1803, through M. Muravyov, Karamzin received the official title of court historiographer.

In 1804, he began to create the "History of the Russian State", on which he worked until the end of his days, but did not complete it. In 1818 the first eight volumes of History, Karamzin's greatest scientific and cultural achievement, were published. In 1821, the 9th volume was published, dedicated to the reign of Ivan the Terrible, in 1824 - the 10th and 11th, about Fyodor Ioannovich and Boris Godunov. Death interrupted work on the 12th volume. It happened on May 22 (June 3, NS) 1826 in St. Petersburg.

Nikolai Mikhailovich Karamzin, born in the Simbirsk province on December 1, 1766 and died in 1826, entered Russian literature as a deeply feeling artist-sentimentalist, a master of publicistic speech and the first Russian historiographer.

His father was a middle-class nobleman, a descendant of the Tatar Murza Kara-Murza. The family of the Simbirsk landowner, living in the village of Mikhailovka, had the Znamenskoye family estate, where the boy spent his childhood and adolescence.

Having received an initial home education and reading fiction and history, the young Karamzin was sent to a frequent Moscow boarding school named after. Shaden. In addition to studying in his youth, he actively studied foreign languages and attended university lectures.

In 1781, Karamzin was enlisted for a three-year service in the St. Petersburg Preobrazhensky Regiment, which was considered one of the best at that time, and left him as a lieutenant. During the service, the first work of the writer was published - the translated story "Wooden Leg". Here he met the young poet Dmitriev, sincere correspondence and great friendship with whom continued during their joint work in the Moscow Journal.

Continuing to actively look for his place in life, acquiring new knowledge and acquaintances, Karamzin soon departs for Moscow, where he makes acquaintance with N. Novikov, the publisher of the magazine "Children's Reading for the Heart and Mind" and a member of the Golden Crown Masonic circle. "Communication with Novikov, as well as I.P. Turgenev had a significant influence on the views and direction further development individuality and creativity of Karamzin. In the Masonic circle, communication is also established with Pleshcheev, A. M. Kutuzov and I. S. Gamaleya.

In 1787, the translation of Shakespeare's work - "Julius Caesar" was published, and in 1788 - the translation of Lessing's work "Emilia Galotti". A year later, Karamzin's first own edition, the story "Eugene and Yulia", was published.

At the same time, the writer has the opportunity to visit Europe thanks to the received hereditary estate. Having pledged it, Karamzin decides to use this money to go on a journey for a year and a half, which will subsequently provide a powerful impetus to his most complete self-determination.

During his trip, Karamzin visited Switzerland, England, France and Germany. On trips, he was a patient listener, a vigilant observer and a sensitive person. He collected great amount notes and essays on the manners and characters of people, noticed many characteristic scenes from street life and life of people of different classes. All this became the richest material for his future work, including for the Letters of a Russian Traveler, most of which were published in the Moscow Journal.

At this time, the poet already provides himself with the work of a writer. During the following years, the almanacs "Aonides", "Aglaya" and the collection "My trinkets" were published. The well-known historically true story "Marfa the Posadnitsa" was published in 1802. Karamzin gained fame and respect as a writer and historiographer not only in Moscow and St. Petersburg, but throughout the country.

Soon Karamzin began to publish a socio-political journal Vestnik Evropy, unique at that time, in which he published his historical novels and works, which were preparations for a larger work.

"History of the Russian State" - an artistically designed, titanic work of Karamzin the historian, was published in 1817. Twenty-three years of painstaking work made it possible to create a huge, impartial and deep in its truthful work, which revealed to people their true past.

Death caught the writer while working on one of the volumes of the "History of the Russian State", which tells about the "Time of Troubles".

Interestingly, in Simbirsk, in 1848, the first scientific library was opened, later called Karamzinskaya.

Having laid the foundation for the current of sentimentalism in Russian literature, he revived and deepened the traditional literature of classicism. Thanks to his innovative views, deep thoughts and subtle feelings, Karamzin managed to create the image of a real lively and deeply feeling character. The most striking examples in this regard are his story "Poor Liza", which first found its readers in the "Moscow Journal".