Feelings for the picture Kuindzhi birch grove. Picture A

Birch Grove - Arkhip Ivanovich Kuindzhi. 1879. Oil on canvas. 97x181 cm

The painting was created specifically for the 7th exhibition of the Artistic Traveling Society, and immediately aroused the surprise of the public and viewers - it was so unusual for everyone color solution canvases.

Although many people liked the joyful, bright mood of the work, it was this picture that was the impulse that divorced the artist from. Shortly after the exhibition, an anonymous article under the pseudonym "Amateur" appeared in the newspaper "Molva", which accused Kuindzhi of bad taste - the author de "re-greens" his paintings too much. Also in the article there were doubts about Kuindzhi's talent in principle, and it was also said that lighting effects are not the result of a filigree possession of technology, but the use of lighting devices that are hidden behind the canvases of paintings. The name of the mysterious "Amateur" was very soon revealed, it turned out to be a colleague "in the shop" Kuindzhi, a member of the traveling society M. Klodt.

Kuindzhi demanded the exclusion of the offender from the Wanderers, however, no one responded to this request, and Arkhip Ivanovich left himself. However, biographers agree that the conflict between Kuindzhi and Klodt was just a pretext - the painter has long stepped over the socially accusatory framework of art promoted by society, and "Birch Grove" is a vivid confirmation of this.

Having conceived a plot that was used in his work by a great many Russian artists (,), the master searched for the ideal composition for a long time - this is evidenced by the preserved sketches and sketches. From these artifacts, one can trace how the author chose the height of the trees, the area of ​​​​the clearing, thought how much space to give under the forest. That is, there is nothing spontaneous in this picture, it is the fruit of a well-thought-out artistic thought and by no means an open-air work.

What is the decorativeness of the picture? If you pay attention to the groups of birch trees, which are placed on the canvas with verified accuracy, or rather on the bases of the trunks, you can see how they are deliberately flattened, which creates some convention. Also, decorativeness is manifested in static nature - the foliage on the trees seems to be frozen, and the air is so transparent that it is obvious: there is not a single breath of breeze in the clearing. The thicket in the depths of the picture is devoid of detail - it is a dark green wall, designed to set off color contrasts.

But all the beauty lies in the piercing greenery and sunlight. The artist deliberately "lowered" the shadow to the foreground, further emphasizing the contrast in relation to the sunlit meadow.

You do not immediately notice a stream with greenish water, although it flows in the very center - it seems that the sun breaking through the crown of trees has thus transformed the path. However, the gleaming mirror surface confirms that it is the stream that conditionally divides the canvas into two halves.

The author used clean bright colors, and if you look fragmentarily, it seems that they are simply sometimes simply unrealistic, but as soon as you look at the canvas with a wide eye, you feel this sunny bright day almost physically.

Kuindzhi, with his decorativeness, simplification, and innovative use of the power of color, was in many ways ahead of his time, and therefore not everyone accepted the job right away, although it was “Birch Grove” that was destined to become “ calling card» artist.

And rightly so - the "birch" theme did not let the painter go all his life. Apart from the famous work, there are five more with the same name, of which only two are considered complete. The third picture has caused the most controversy - in addition to the vertical format, there is a search in the field of symbolism in it ... but that's a completely different story.

Http://gallerix.ru In 1879, at the seventh exhibition of the Association of Travelers art exhibitions Kuindzhi shows the Birch Grove, which later became famous. The reaction of artists and spectators was unanimous: Kuindzhi surprised everyone with the unusualness of the picture. He continued the traditions of the Russian romantic landscape.
In "Birch Grove" the artist achieved a decorative effect and with this technique, unknown in the Russian landscape, created the image of a sublime, sparkling, radiant world. A joyful and languid sunny day is captured in the picture in pure, sonorous colors, the brilliance of which is achieved by a contrasting juxtaposition of colors. Groups of birch trees are placed on the canvas with precise accuracy. The bases of the trunks are intentionally flattened, which creates some conventionality. Decorativeness is manifested in static - the foliage on the trees seems to have frozen, and the air is so transparent that it is obvious: there is not a single breath of breeze in the clearing. The thicket in the depths of the picture is devoid of detail - it is a dark green wall, designed to set off color contrasts. Having cut off the crowns of birches with the upper edge of the picture, Kuindzhi leaves in the center separate green branches that have fallen into the field of view. They are drawn light pattern against the background of the darker green of distant trees, which further exacerbates the feeling of bright sunlight. Unusual harmony gives the picture green color penetrating into the blue color of the sky, into the whiteness of birch trunks, into the blue of the stream. The stream "leads" deep into the picture, into the forest (in its dark silhouette), lost in a mysterious haze, and gives a feeling of freshness, coolness. One can feel not only the charm of the surrounding landscape, but also its powerful earthly power. The artist does not highlight the details of the forest, on the contrary, generalizes the silhouettes into one heavy mass, thickens the color. The painting was actually painted by one in green and is built on a sharp contrast of sunspots in the center and dense shadows in the depths. The symmetrical composition (a stream almost divides it in half), clearly fixed spatial plans give rise to the effect of a skillfully composed look: Kuindzhi worked from memory, without using field studies. By forcing the contrast of light and shade, the artist achieves the impression of dazzlingly bright sunlight. Nature seems to be motionless. She seems to be enchanted by an unknown force.
Kuindzhi, with his decorativeness, simplification, and innovative use of the power of color, was in many ways ahead of his time, and therefore not everyone immediately accepted the work, although it was the Birch Grove that was destined to become the artist's "calling card".
On this moment the picture is in Tretyakov Gallery in Moscow.

Plan

1. What do I see in the picture? Birch Grove».

2. Why do I like the painting "Birch Grove".

In the painting "Birch Grove" the artist depicted a clear summer day. I see a green meadow illuminated by the sun and slender white-trunked birch trees.

The leaves on the birch trees are of a delicate emerald color. A cool swampy stream flows between the trees. Not a cloud in the pale blue sky. And in the distance you can see a dense green forest.

I really like the picture "Birch Grove". She creates a joyful mood. I would like to sit in the shade under a tree and listen to the murmur of a stream and the singing of birds.

Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 5

Plan

2. A masterpiece of painting "Birch Grove".

3. Why do I like "Birch Grove".

Since early childhood Arkhip Kuindzhi showed a great talent for drawing. During his life, the master created a huge number of paintings, most of which are dedicated to nature. Kuindzhi is a recognized master of landscape. One of his most famous works is "Birch Grove".

Arkhip Ivanovich was very fond of the Russian birch and painted "Birch Grove" in several versions. In the foreground of the picture are white-barreled beauties illuminated by the sun. They seem to have escaped from a dark forest, visible in the distance, to an emerald meadow and now dance around a cool stream. Under the crowns of birches - a shadow, it's nice to hide from the scorching summer heat.

The picture looks so real that when you look at it, it seems that it is about to touch your face lung a breath of wind. You want to look and look at the "Birch Grove", it attracts the eye. The sad mood immediately improves. I don't think there is anyone who doesn't like this work.

painting by A. Kuindzhi Birch Grove photo

Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 6

Plan

1. A word about the artist.

2. Kuindzhevskaya "Birch Grove".

3. Feelings caused by "Birch Grove".

Famous russian landscape ist Arkhip Ivanovich Kuindzhi was born in Russia in the city of Mariupol, but by nationality he is a Greek. Kuindzhi had a memorable appearance: he was tall, muscular, very strong man with dark skin, and magnificent curly hair. Since childhood, Arkhip Ivanovich was very fond of drawing and did it wherever possible. Almost all of Kuindzhi's works are devoted to the description of nature. He is considered a master landscape painting.

A masterpiece of landscape painting is the canvas "Birch Grove". In the center of it is a large forest glade, on which the main characters of the picture, birches, are located. The clearing looks so real that it seems you can jump in there, hug a birch tree and smell its bark. Birches, like girlfriends, gathered in groups of two, three, and as if they were secret about something.

Artist with big love wrote every branch of the trees. At the same time, the forest in the background of the painting looks like a big green silhouette without drawing details. It seems to me that the picture depicts the beginning of summer, because the greenery of the grass and leaves is still a delicate emerald hue, which occurs only in June. Above the forest is very clear, almost transparent, with a bluish tinge, the sky. There is no wind in the forest. The glade seems to be brightly lit by the sun, the sun is everywhere, although it is not in the picture. And this magical effect is present on many of his canvases. The picture gives me a feeling of joy, happiness and peace. It must be very pleasant to look at her when it is winter and frost outside.

Kuindzhi Arkhip Ivanovich "Birch Grove" 1879

"Birch Grove"
1879
Canvas, oil. 97 x 181 cm
State Tretyakov Gallery

The picture attracts and delights with its simplicity, national identity. The plot of the composition from the first moments becomes native, cozy at home. The artist depicted a small green meadow flooded with sunlight. The meadow is cut by a stream, sometimes covered with duckweed. On one of its banks are sleepy birch trees, illuminated by the sun and contrasting with the dark outlines of the forest in the background.
The picture fascinates with its lightness, a certain decorative effect: there are almost no details or accents. Everything is very airy. Only a few birch branches attract attention, which the author of the picture draws with great love and realism.
Critics quite rightly find a certain Levitan style in the composition: Kuindzhi, creating "Birch Grove", relies on the imagination of his viewer, gives him only a general composition, the viewer thinks out the details himself.
The contrast of the combinations should also be noted: snow-white, light-washed birch trunks are shaded by a dark, in some places almost black forest, which is depicted in the background.
Kuiji is rightfully considered an "artist of light": the canvas "Birch Grove" - the best of that proof. A subtle combination of light and shadow, sunbeams jumping along tree trunks and darkened water admiring the depth - all this conveys the freedom of a corner of a grove, radiance summer day.
Numerous sketches were made beforehand. All of them are united by the presence of birch trees on a dark background.

"Master of Light" - such a nickname was given to Kuindzhi by other artists. Since for them it was always a secret of his unusual talent to depict light so realistically that it seemed as if it was not a picture, but a photograph. Until now, many artists look at the paintings in confusion and do not understand how and with what it is possible to convey the light of the moon or the sun's rays in order to squint when looking at them.
The work "Birch Grove" was written in 1879. The canvas depicts a bright, radiant and sparkling day with sunlight. Everything is calm and quiet around, a certain indescribable joy and delight settles in the soul.
So skillfully depicted is a corner of a birch forest, absorbed in the game of "bunnies", that you involuntarily become a witness unusual presentation- the sun's rays are woven into the hanging branches of birches and "ride" on them, blown by a light summer breeze. And it seems that if you listen closely, you can hear the rustle of leaves and the singing of birds, the chirping of grasshoppers in the tall and soft grass. The fullness of the contrast of green and its shades, allows you to take a closer look at the depth and splendor of the birch forest.
Next, we are transferred to the stream, which, with its fresh and cool stream, takes us into the depths of the canvas, to where it can no longer be seen. However, the feeling of freshness and purity sharply creates a contrast between the summer heat and the saving coolness. clean waters stream.
In order to give the forest density and depth, the artist draws dark silhouettes against the far background of the picture, but does not give them a concrete form, which indicates that the most important thing here, in front of the eyes, is spread out in full view.
Kuindzhi achieves such subtlety of lighting effects with the help of a properly selected composition of color and contrast. After all, you can feel the light so subtly, being in darkness. Therefore, the author prefers to combine dark tones with light ones, so that one stands out against the background of others with its depth and purity. The dark forest gives us the opportunity to perceive the blue sky and the almost luminous birch trunks more vividly.
The artist is in awe of Russian landscapes, because the Russian forest is full of thoughts and hopes, desires and prayers, which are very clearly felt when you get into this wondrous nature.

Arkhip Ivanovich Kuindzhi is one of the recognized Russian landscape masters. Each of his paintings amazes the viewer with the depth of color reproduction and the play of color. Talented placement of accents, the artist has ensured that his paintings literally exude light. Kuindzhi's canvases combine naive romanticism and realism, deep philosophical meaning and rustic natural motifs. But each of his paintings is a breakthrough, a new word in the art of landscape.

Among the paintings of the master stands out one of his early work: "Birch Grove". Now the picture is being exhibited at the Tretyakov Gallery, and viewers and critics still note its unusual liveliness and alluring appeal.

The picture was painted in the spirit of romanticism, so beloved by Arkhip Ivanovich. On the canvas you can see a rather ordinary Russian landscape: illuminated bright sun clearing, in the center of a birch grove. A pastoral, bright picture filled with love for life, nature and the Motherland. With the help of oil and canvas, Arkhip Ivanovich masterfully conveys the atmosphere of a hot summer day, when sunlight floods the forest clearing, giving life-giving warmth.

But thanks to the sharp contrast of rich greens of all colors and shades, rich light tones and light strokes, the picture creates the impression of a huge space inside it. As if hidden in a frame the whole world, with a real forest and live trees. Kuindzhi's special manner creates the illusion of soft, flowing light emitted by the painting.

In the background, the dark crowns of trees turn green, standing out brightly against the light blue sky. As he approached the viewer, the artist highlighted individual trees. Crowns are not visible in the picture, only light birch trunks and small branches. The author depicted both very young, thin birch trees, and mature trees, bent from the winds. The soft green grass at the bottom contrasts with the dark green of the grove.

The canvas is divided into two parts by a muddy stream. To the left of it there are more shadows, this part of the grove is not so brightly lit, therefore it contrasts with the right half, sunny and bright. A brook covered with duckweed, which seems to be a continuation of the sky, resting against its blueness on the horizon, divides the forest into two halves.

The painting did not acquire its true form immediately, before that the artist made several sketches, where the birches are either half-hidden by a thick shadow, or, on the contrary, illuminated by the sun without any hint of shadows. Only bright sparkling light.

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