Characteristics of the hero Werner, Hero of our time, Lermontov. Werner character image

As I continue to look at the site, I often wonder who are the positive characters here and who are the negative ones? And I can’t clearly answer this question. It would seem that the most negative heroes subsequently do very good deeds, and the seemingly positive heroes do the opposite.

Books Doctor Werner - a character in Lermontov's story "Hero of Our Time"

Doctor Werner is a minor character in Lermontov's story "A Hero of Our Time", a friend of Pechorin.

Source: novel "A Hero of Our Time"

View:>Characters of Lermontov's novel "Hero of Our Time"

Werner is unprepossessing, has an unattractive appearance: one leg is shorter than the other, his figure is thin, leaving the feeling of a weak person, his head is disproportionately large compared to his body, his skull is uneven, his eyes are small and restless. It is noted that Doctor Werner always dressed in black and looked like Mephistopheles.

It is no coincidence that Werner becomes a friend of Pechorin, who has no inclination for friendship. Doctor Werner is a truth-seeker, a skeptic and a materialist, a sarcastic and tough character who alienates people with his behavior, although he is charming by nature. In all this, Werner is similar to Pechorin.

Quotes

This morning the doctor came to see me; his name is Werner, but he is Russian. What's surprising? I knew one Ivanov, who was German.

Werner is a wonderful person for many reasons. He is a skeptic and a materialist, like almost all doctors, and at the same time a poet, and in earnest - a poet in practice always and often in words, although he never wrote two poems in his life. He studied all the living strings of the human heart, as one studies the veins of a corpse, but he never knew how to use his knowledge; so sometimes an excellent anatomist does not know how to cure a fever! Usually Werner secretly mocked his patients; but I once saw him cry over a dying soldier... He was poor, dreamed of millions, but would not take an extra step for money.

He had an evil tongue: under the guise of his epigram, more than one good-natured person was known as a vulgar fool; his rivals, envious water doctors, spread a rumor that he was drawing caricatures of his patients - the patients became enraged, almost everyone refused him.

His appearance was one of those that at first glance strikes you unpleasantly, but which you later like when the eye learns to read in the irregular features the imprint of a proven and lofty soul.

Werner was short, thin, and weak, like a child; one of his legs was shorter than the other, like Byron; in comparison with his body, his head seemed huge: he cut his hair into a comb, and the irregularities of his skull, discovered in this way, would strike a phrenologist as a strange tangle of opposing inclinations. His small black eyes, always restless, tried to penetrate your thoughts. Taste and neatness were noticeable in his clothes; his thin, wiry and small hands showed off in light yellow gloves. His coat, tie and vest were always black. The youth nicknamed him Mephistopheles; he showed that he was angry for this nickname, but in fact it flattered his vanity.

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Dr. Werner is a minor character in the novel by M.Yu. Lermontov "Hero of Our Time". The article provides information about the character from the work, a quotation description.

Full name

Not mentioned. The emphasis is placed on the doctor’s non-Russian surname:

This morning the doctor came to see me; his name is Werner, but he is Russian. What's surprising? I knew one Ivanov, who was German.

Age

It is not known exactly, but apparently from 20 to 25.

Relation to Pechorin

At first it was friendly. and Dr. Werner got along in character:

We soon understood each other and became friends

The doctor agreed to be my second

After the duel, condemning.

There is no evidence against you, and you can sleep peacefully... if you can... Goodbye..."

The doctor came up: his brow was furrowed; and he, contrary to usual, did not extend his hand to me.

Appearance of Dr. Werner

His appearance was one of those that at first glance strikes you unpleasantly, but which you later like when the eye learns to read in the irregular features the imprint of a proven and lofty soul. There have been examples that women fell madly in love with such people and would not exchange their ugliness for beauty

Werner was short, thin, and weak; one of his legs was shorter than the other, like Byron; in comparison with his body, his head seemed huge: he cut his hair into a comb, showing strong unevenness of the skull. Black eyes, always restless, tried to penetrate your thoughts. ; his thin, wiry and small hands showed off in light yellow gloves. His coat, tie and vest were always black.

He sat down in a chair, put his cane in the corner

He was wearing gray leggings, an arkhaluk and a Circassian hat. I burst out laughing when I saw this small figure under a huge shaggy hat: his face was not at all warlike, and this time it was even longer than usual

Taste and neatness were noticeable in his clothes

Social status

A doctor with a tarnished reputation

He is a skeptic and a materialist, like almost all doctors, and at the same time a poet, and in earnest - a poet in practice always and often in words, although he never wrote two poems in his life.

his rivals, envious water doctors, spread a rumor that he was drawing caricatures of his patients - the patients became enraged, almost everyone refused him.

The princess is being treated for rheumatism, and God knows what her daughter is suffering from; I ordered both of them to drink two glasses a day of sour sulfur water and bathe twice a week in a water bath (and her mother)

Have you been to Moscow, doctor? – Yes, I had some practice there

He was poor

Further fate

Most likely he continued to live as before. The novel does not say otherwise.

The identity of Dr. Werner

Werner, like , is an extraordinary person. Which brought him closer to the main character.

Werner is a wonderful person for many reasons.

He is a skeptic and a materialist, like almost all doctors

At the end of the evening the conversation took a philosophical and metaphysical direction; talked about beliefs: everyone was convinced of different things

We often got together and talked about abstract subjects very seriously, until we both noticed that we were fooling each other.

The youth nicknamed him Mephistopheles; he showed that he was angry at this nickname, but in fact it flattered his pride

He is talented, smart and neat, but is not recognized by others.

smart people like you love listeners better than storytellers (about Werner)

Look, here we are two smart people; we know in advance that everything can be argued about ad infinitum, and therefore we don’t argue

Taste and neatness were noticeable in his clothes

I once saw him cry over a dying soldier

“I have a presentiment,” said the doctor, “that poor Grushnitsky will be your victim.”

He had an evil tongue: under the guise of his epigram, more than one good-natured man was known as a vulgar fool

a poet, and in earnest, a poet in deed always and often in words, although he never wrote two poems in his life

In the novel “A Hero of Our Time,” Lermontov ridicules friendship with particular sarcasm. According to the author, there cannot be real friendship, because each, due to his individuality, tries to enslave the other, remaking him in his own way.

A comparative description of Pechorin and Werner in the novel “A Hero of Our Time” will reveal the deep, inner world of these characters. It will help you understand why their friendship came to an end and what was the reason for their separation.

Appearance

Pechorin medium height. Age about 25 years. Strong build. Blond. Hair is slightly curly. Black mustache and thick, dark eyebrows. High forehead. Hands are small. Fingers are thin and long. The eyes are brown. The gait is lazy, careless. He always looked neat and expensive.

Werner short in stature. Middle aged. He was about 40 years old. Thin. Black eyes, like gimlets, drilled into the interlocutor during a conversation. Nervousness and inner restlessness showed in her appearance. He walked with a limp because one leg was shorter than the other. He looked unkempt. Sloppy. He made an unpleasant impression.

Upbringing. Occupation

Gregory hereditary nobleman. Aristocrat. Originally from St. Petersburg. Rich. Received an excellent education and excellent upbringing. Military by occupation.

Werner representative of the nobility. Well educated and brought up. Not rich. A man from the province. Occupation: Medicine.

The character and personality of Pechorin and Werner

Pechorin:

• smart Educated;
• sharp on the tongue. Capable of hurting a person with a word;
• materialist;
• silent Hidden;
• a good manipulator who plays on people's feelings;
• expert on human souls. Subtle psychologist;
• proud Selfish;
• is not afraid of responsibility for actions;
• loves women, but is in no hurry to tie the knot
• loves to think about the meaning of life.

Werner:

• educated Smart;
• likes to make jokes. Sarcastic;
• kind by nature;
• materialist;
• talkative Loves when people listen to him;
• connoisseur of human souls;
• loves women. Well versed in the psychology of women's souls;
• proud Selfish;
• afraid to take responsibility;
• categorically against marriage;
• lover of philosophizing in his spare time;
• generous and spontaneous.

Attitude towards death

Pechorin Each time it’s as if he’s tempting fate, challenging it. His actions are illogical and defy any explanation. He constantly puts himself at risk, as if testing himself for strength. Leading death by the nose, he plays his game, not being afraid to stumble.

Werner takes death for granted. He is calm about the fact that someday he will have to die and is simply waiting in the wings. Without worrying or panicking about this, and certainly not tempting fate once again.

They could have become good friends, but they remained friends. The image of Werner in the novel helps to reveal the inner appearance of Pechorin. Next to Doctor Werner, Gregory feels just as lonely as he does with the other characters in this work.

Pechorin and Werner. Friends or buddies?

The main character of Lermontov's novel is a man disappointed in life, he does not hope for sincere love, the idea of ​​​​true and pure friendship also seems unrealistic to him. "Of two friends, one is always the slave of the other." He cannot be a slave, and to command is “tedious work.” Pechorin becomes close to only one person in the novel - Doctor Werner. But this short friendship also fails.

What are the similarities and differences between Pechorin and Werner?

Like Pechorin himself, everything about Werner was extraordinary, even starting with his appearance. At first glance, the doctor’s appearance was “unpleasantly striking”: Werner was short, thin and weak, in addition, one of his legs was shorter than the other, like Byron.

At the first meeting, both heroes distinguished each other among the large and noisy society of young people. Pechorin liked Werner’s wit and difficult character; later in his journal he would make the following entry: “Werner is a wonderful person for many reasons. He is a skeptic and a materialist, like almost all doctors, and at the same time a poet, and in earnest - a poet in practice always and often in words, although he has never written two poems in his life.”

Both characters behave independently. They treat both others and themselves ironically. Independence causes irritation in secular society. Therefore, the doctor, like Pechorin, had many ill-wishers and envious people. But, despite their outward independence and pride, both Pechorin and Werner hide their inner lives, which are full of drama. Pechorin knew and more than once observed what feelings were hidden under the mask of a strict skeptic; in his journal he wrote: “Usually Werner secretly mocked his patients; but I once saw him cry over a dying soldier.”

Pechorin despaired of life and chose, in his own words, the path of hatred and evil. Werner worked honestly as a doctor, but he also keenly felt the injustice and imperfection of the world around him.

How were these characters different from each other?

According to Maxim Maksimych, Pechorin was the person who was born to have something happen to him. Indeed, the main character got into adventurous stories more than once. During this time, he accumulated a wealth of experience and knowledge, which he willingly applied in life and in communicating with people. But Werner, in whom one could easily discern “the imprint of a tried and high soul,” remained aloof. Pechorin creates adventures for himself, actively interfering in the fate and lives of those around him, often bringing pain and suffering to people. Werner, who dreams of escaping poverty, would not take an extra step for money. He also experiments on people, but unlike Pechorin, he does so passively, trying to avoid collisions with them. Pechorin, even in a conversation, goes to the end, driving the interlocutor out of himself. For him, happiness is “saturated pride.”

Werner blindly follows the lead of Pechorin, a stronger man, in the story of the duel, although this matter is unpleasant for him, and he is afraid for his reputation. Tormented by moral doubts before the duel, Doctor Werner quickly calms down from Pechorin’s simple joke about the meaninglessness and emptiness of human life. But when the deed is already done - Grushnitsky is killed, and a serious wound is inflicted on Princess Mary’s feelings, Werner begins to realize the full depth of Pechorin’s egoism, he reproaches his friend for cold prudence, sending him a note: “There is no evidence against you, and you can sleep peacefully, if you can". But Werner himself showed no less indifference and cruelty in this situation than the main character, being an accomplice in the duel and all the intrigues.

Therefore, Pechorin does not feel disappointed in this person after breaking up. He is arrogantly calm, he assumed such an outcome of their relationship: “Here are people! They are all like this: they know in advance all the bad sides of an action, they help, advise, even approve of it ... - and then wash their hands and turn away with indignation from the one who had the courage to take bear all the burden of responsibility."

Pechorin and Werner cannot be called friends. The friendly relations of these people fell apart without turning into friendship; they fell apart at the very first serious test of life. Friendship only grows into something more when people find in each other not only an opportunity for entertainment, a way to relieve boredom, and dispel loneliness. True friendship is a selfless interest in the fate of a person close to you, it is self-sacrifice. Neither Pechorin nor Werner are capable of such deep feelings. Their lot is loneliness, a joyless and meaningless life.

The image of Werner contributes to a more complete disclosure of the inner appearance of the protagonist. Next to the smart Werner, Pechorin is just as lonely as with other characters in the novel.

Dr. Werner is close to the hero in many ways. He is the only one in the novel with whom he can have a serious conversation, from whom he does not hide his emptiness, in whom he recognizes kindness, intelligence, taste, and decency. The bile and caustic irony with which Pechorin writes about most people in his diary are replaced by respect when he talks about Werner. What causes these feelings? The similarity of views (Werner is a “skeptic and a materialist”) and the closeness of spiritual disposition (Werner is “always in practice and often in words”). It is necessary to show schoolchildren what lies behind these words, explaining their meaning using examples from the text.

Brings Werner closer together with Pechorin, education, insight, knowledge of life and people (description of a conversation on May 13), “evil” - undisguised mockery directed at the sick “watery” nobility. They are also close in that both are “poets in practice.” For Pechorin, poetry is high thoughts and feelings, the gift of imagination (“one word is the whole for us,” he tells Werner), spiritual subtlety, understanding of the human heart. It is characteristic that in Grushnitsky the hero does not see “cabbage soup with nature: “It’s fun to live in such a land! Some kind of gratifying feeling flowed through all my veins. The air is clean and fresh, like a child's kiss; The sun is bright, the sky is blue - what else seems to be more? “Why are there passions, desires, regrets?” Or: “...I love to ride a hot horse through the tall grass, against the desert wind. Whatever grief lies on the heart, whatever anxiety torments the thought, everything will dissipate in a minute; the soul will become light, the fatigue of the body will overcome the anxiety of the mind. . >2 Or: “I’ll wash, - this time, more than ever before, I loved nature.” How different these confessions, full of lyricism, are from ironic, bile statements about the “water society”! In nature, Pechorin sees complete harmony and beauty, the absence of falsehood, perfection and purity (comparison: “The air is clean and fresh, like a child’s kiss”).

Alone With nature, we see Pechorin completely different than in communication with people. Under the influence of society, a person is distorted. For contemplative natures, it would be natural to move away from people into nature. But Pechorin is not a contemplator, but a doer. In the lyrical ending of the story “Princess Mary” we meet again, expressing the hero’s aspirations: “quiet joys and peace of mind” are not for him, who has gotten used to “storms and battles.” Where can one find this desired world of “anxiety and battles”, where can one apply “immense forces”? “Water Society” is the arena of action, where spiritual wealth and strength are wasted on intrigue, love affairs, minor skirmishes with Grushnitsky and dragoon captains, etc. And in his soul there is a thirst for purposeful actions: “Why did I live? For what purpose was I born? Neither talent, nor abilities, nor the ability to be a winner in all skirmishes with fate and people bring Pechorin joy. And the consciousness of the inconsistency of actions with one’s aspirations leads to a split personality. Pechorin says to Werner: “I have long lived not with my heart, but with my head. I weigh and examine my own passions and actions with strict curiosity, but without participation. There are two people in me: one lives in the full sense of the word, the other thinks and judges it.”

This one is very An essential feature - the duality of Pechorin's consciousness - is not always easily perceived by students. The difficulty of perception is caused by the complexity of the very concept of reflection. On the one hand, constant introspection, introspection, doubt in everything kills the spontaneity in a person’s character, deprives him of the integrity of his worldview: a person cannot simply live, feel, act, he is constantly judging himself, all his actions are analyzed. And this excessive psychologizing destroys the strength and fullness of feelings and thoughts. Students should be shown this using examples from the text. Pechorin is deprived of the opportunity to sincerely feel joy and joy, because he has made himself an object for observation, and as a result, he begins to doubt decisively every movement of his heart and analyze his slightest action. For example, he is truly and genuinely excited about meeting Vera, he understands that soon they will part forever. When she leaves the grotto, her heart clenches painfully, “like after the first parting.” But the feeling is instantly analyzed, truly! excitement gives way to the thought that he is still capable of worry. And as a result, the feeling is relegated to the background, and thinking begins.