The Master and Margarita love storyline. Love of the master and margarita

My general ledger- the novel "The Master and Margarita", which was first called both "The Hoof of the Engineer" and "The Black Magician", Bulgakov began to write in 1928-29. He dictated the last inserts to his wife in 1940, in February, three weeks before his death. In this article, we will look at last novel Bulgakov, let's analyze it.

"The Master and Margarita" - the result of Bulgakov's work

This novel was a kind of synthesis, the result of all the previous experience of the writer and playwright. It reflected the Moscow life, which arose in the essays from the work "On the Eve"; satirical mysticism and fantasy, tested by Bulgakov in the stories of the 1920s; motives of restless conscience and knightly honor - in the novel " white guard"; as well as the dramatic theme of the evil fate of one persecuted artist, which was deployed in " Theatrical novel"and" Moliere. Description of Yershalaim prepared a picture of the life of the eastern city, which is mentioned in "Running." epochs.

Layered work

First of all, it should be noted that this work is multilayered, as our analysis shows. "The Master and Margarita" has several plans, including temporary ones. The author, on the one hand, describes the reality of the 1930s, contemporary to him, but on the other hand, Mikhail Afanasyevich enters a different era: ancient Judea, the first two centuries of Christianity, the reign of Pontius Pilate. On the comparison of these two times, the establishment of indirect and direct analogies between them, the space of the novel is built, ideological content it enriches him. In the work, in addition, an adventurous-fantastic layer is clearly written out. First of all, it includes scenes in which Koroviev, Behemoth and other representatives of the "gang" of the black magician participate.

Reflection of the characteristics of the era

Persecution, repression, fear, which literally permeated the atmosphere of the 1930s, were most clearly reflected in the fate of the Master. Let's prove it on the example of one episode by analyzing it. "The Master and Margarita" contains an interesting scene - a description of the return of the protagonist home after he became a victim of a denunciation carried out by Aloisy Mogarych. Three months absent from his dwelling, he comes to the windows of the basement, in which the gramophone is playing. The master returned in the same coat, only with torn buttons (they were cut off during the arrest) with an unwillingness to live and write.

The atmosphere of the 1930s is also reminiscent of the circumstances of the murder of Aphranius Judas by mercenaries, the death of Meigel, who was killed by Azazello at a ball with Satan. These deaths once again demonstrate the law, which was confirmed more than once already in the times of Yezhov and Yagoda: his servants will be destroyed by evil itself.

The role of mysticism in Bulgakov's work

Bulgakov called himself a mystical writer, but in the novel the mystic is not at all an apology for everything mysterious, which can be proved by analysis. "The Master and Margarita" is a work in which Woland's retinue performs miracles with only one purpose: satire enters the novel through them. Woland and his henchmen make fun of human vices, punish voluptuousness, lies, greed of all these Likhodeevs, Sempleyarovs, Varenukhs. Bulgakov's representatives of evil act in accordance with Goethe's maxim that they are a force that does good, desiring evil.

An analysis of the work "The Master and Margarita" shows that one of the main targets is the complacency of the mind, especially the atheistic one, which sweeps away the whole area of the mysterious and enigmatic along the way. Describing all the "hoaxes", "jokes" and "adventures" of Behemoth, Koroviev and Azazello, the writer laughs at people's confidence that all forms existing life it is possible to plan and calculate, and it is not at all difficult to arrange the happiness and prosperity of people - it is enough just to want.

Criticism of rationalism by Bulgakov

Bulgakov, while remaining an adherent of the Great Evolution, shows doubt that unidirectional and uniform progress can be ensured by a "cavalry assault." His mysticism is directed primarily against rationalism. An analysis of the work "The Master and Margarita" from this side can be carried out as follows. Bulgakov ridicules, developing the theme outlined in various stories of the 1920s, the complacency of reason, which is convinced that, freed from superstitions, it will create an accurate blueprint of the future, the organization of relations between people and harmony in the human soul. Here the image of Berlioz can serve as a most characteristic example. He, having ceased to believe in God, does not even believe that chance can interfere with him, tripping him up at the most unexpected moment. And that is exactly what happens in the end. Thus, the analysis of the novel "The Master and Margarita" proves that the author opposes rationalism.

The mysticism of the historical process

But the mysticism of everyday life for a writer is only a reflection of what can be considered mysticism. historical process(unpredictability of the course of history and the results obtained, their unexpectedness). In history major events, according to Bulgakov, imperceptibly ripen. They are carried out outside the will of people, although many are convinced that they can arbitrarily dispose of everything. As a result, the unfortunate Berlioz, who knew exactly what he would do at the MASSOLIT meeting in the evening, dies a few minutes later under the wheels of a tram.

Pontius Pilate - "a victim of history"

Like Berlioz, he becomes another "victim of history." Analysis of the novel "The Master and Margarita" reveals the following features this personality. The hero makes an impression of a powerful person on people and on himself. However, Yeshua's perspicacity amazes the procurator no less than the unusual speeches of Berlioz and Woland. The self-satisfaction of Pontius Pilate, his right to dispose of the lives of others at his own discretion, is thereby called into question. The procurator decides the fate of Yeshua. But despite this, the latter is free, and Pilate is the unfortunate hostage of his own conscience. This two-thousand-year captivity is a punishment to imaginary and temporary power.

Love of the Master and Margarita

The novel "The Master and Margarita" is dedicated to the fate of one master - creative personality that opposes the whole world around. Its history is inextricably linked with the history of Margarita. The author in the second part of his novel promises to show readers "eternal", "true", "true" love. These were the feelings of the main characters in the work. Let's analyze them. works you, we hope, remember) is a novel in which love is one of the main themes.

"True Love" by Bulgakov

What does "true love" mean from the point of view of Mikhail Afanasyevich? An analysis of the chapters ("The Master and Margarita") shows that the meeting of the heroes was accidental, but this cannot be said about the feeling that bound them until the end of their days. The master and Margarita recognize each other by their gaze, which reflects "deep loneliness". This means that, even without knowing each other, the characters experienced a great need for love, which Bulgakov notes in his novel. "The Master and Margarita", which we are analyzing, is a work demonstrating that the miracle that happened (the meeting of the beloved) is also the will of chance, a mysterious fate, in every possible way denied by supporters of rationalism.

The master says that this feeling hit them both at once. Real love invades life powerfully and transforms it. The meeting of the Master and Margarita, which we are analyzing, turned everything ordinary and everyday into significant and bright. When the Master appeared in the cellar main character, as if all the details of his meager life began to glow from within. And this can be easily seen through analysis. The love of Margarita and the Master was so bright that when the heroine left, everything faded for the writer in love.

First of all, real feelings must be selfless. Before meeting the Master, Margarita had everything a woman needed to be happy: a kind, handsome husband who adored his wife, money, a luxurious mansion. However, she was not satisfied with her life. Bulgakov writes that Margarita needed a Master, and not a separate garden, a Gothic mansion and money. When the heroine did not have love, she even wanted to commit suicide. At the same time, she could not harm her husband and acted honestly, deciding to leave a farewell note in which she explained everything.

Hence, true love cannot harm anyone. She will not build her happiness at the expense of the misfortune of others. This feeling is also selfless. The heroine of Bulgakov is able to accept the aspirations and interests of her lover as her own. She helps the Master in everything, lives by his worries. The hero writes a novel, which becomes the content of the girl's whole life. She cleanly rewrites the finished chapters, trying to make the Master happy and calm. And in this he sees the meaning of his own life.

"True Love"

What does " true love"? Her definition can be found in the second part of the work, when the heroine is left alone, while not having any news about her lover. She waits, not finding a place for herself. Margarita does not lose hope of meeting him again, she is true to her feelings. It is completely indifferent to her in what light this meeting will take place.

"Eternal love"

Love becomes "eternal" when Margarita endures the test of meeting with mysterious otherworldly forces, as analysis of the episode ("The Master and Margarita") shows. The girl in the scene, which describes her meeting with otherworldly forces, is fighting for her lover. Attending the full moon ball, the heroine returns the Master with the help of Woland. She is not afraid of death next to her lover and remains with him beyond the death line. Margarita says that she will take care of his sleep.

However, no matter how overwhelmed the girl is with anxiety for the Master and love for him, when the time comes to ask, she does this not for herself, but for Frida. She decides this way not only because of Woland, who advises those in power not to demand anything. The love for the Master in the heroine is organically combined with love for people. Own suffering causes a desire to save others from them.

Love and creativity

True love is also associated with creativity. The fate of Margarita is intertwined with the fate of the Master's novel. As love grows stronger, romance is created. The work is therefore the fruit of love. The novel is equally dear to both the Master and Margarita. And if its creator refuses to fight, the heroine arranges a rout in Latunsky's apartment. However, she rejects Woland's proposal to destroy him. According to Bulgakov, the first step of truth is justice, but the highest is mercy.

Creativity and love exist among people who know neither one nor the other. Because of this, they are simply doomed to tragedy. The Master and Margarita at the end of the novel leave this society, where there is no place for high spiritual impulses. They are given death as rest and peace, as freedom from torment, grief and earthly ordeals. It can also be seen as a reward. This reflects the pain of life, time, the writer himself.

Peace for Mikhail Afanasyevich is the absence of remorse. The fate of Pontius Pilate will never be known by the main characters who lived a worthy, albeit difficult, life.

Having survived decades of unfair oblivion, the novel "The Master and Margarita" by M. Bulgakov is addressed today to us, in our time. The main essence that is defended in the work is "true, faithful and eternal love."

In the novel "The Master and Margarita" the themes of history and religion, creativity and everyday life are closely intertwined. But important place in the novel is the love story of the master and Margarita. This story line adds to the work of tenderness and shrillness. Without the theme of love, the image of the master could not be fully revealed. The unusual genre of the work - a novel within a novel - allows the author to both distinguish and unite the biblical and lyrical lines, to develop them fully in two parallel worlds.

fatal meeting

Love between the master and Margarita broke out as soon as they saw each other. “Love jumped out between us, like a killer jumping out of the ground ... and hit us both at once!” - this is how the master tells Ivan Bezdomny in the hospital, where he ends up after the rejection of his novel by critics. He compares the surging feelings with lightning or a sharp knife: “This is how lightning strikes! This is how the Finnish knife strikes!

The master first saw his future beloved on a deserted street. She attracted his attention because she "carried in her hands disgusting, disturbing yellow flowers". This mimosa became, as if a signal to the master, that in front of him was his muse, with loneliness and fire in his eyes.

Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he does not even remember his name ex-wife, about which he does not keep in his soul, neither memories nor warmth. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

After their first meeting, Margarita began to come every day to her lover. She helped him in the work on the novel, and she herself lived by this work. For the first time in her life, her inner fire and inspiration found their purpose and application, just as the masters listened and understood for the first time, because from the first meeting they spoke as if they parted yesterday.

The completion of the master's novel was a test for them. But already born love it was destined to pass it, and many other tests, in order to show the reader that a true kinship of souls exists.

Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in the understanding of Bulgakov. Margarita is not just beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margaret the witch, which in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. My inner strength and she gives energy to her lover's novel: "she sang and loudly repeated certain phrases ... and said that her life was in this novel."

The refusal to publish the novel, and later the devastating criticism of the passage, it is not known how it got into print, hurts both the master and Margarita equally painfully. But, if the writer is broken by this blow, then Margarita is seized by insane rage, she even threatens to "poison Latunsky."

But the love of these lonely souls continues to live its own life.

Test of love

In the novel "Master and Margarita" love stronger than death, stronger than the disappointment of the master and the anger of Margarita, stronger than the tricks of Woland and the condemnation of others.

This love is destined to pass the flame of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

The heroes are very different, the master is calm, thoughtful, he has a soft character and a weak, vulnerable heart. Margarita is strong and sharp, more than once describing her, Bulgakov uses the word "flame". Fire burns in her eyes and brave, strong heart. She shares this fire with the master, she breathes this flame into the novel, and even the yellow flowers in her hands resemble lights against the background of a black coat and a slushy spring. The master embodies reflection, thought, while Margarita embodies action. She is ready for anything for the sake of her beloved, and sell her soul, and become the queen of the devil's ball.

The strength of the feelings of the master and Margarita is not only in love. They are so close spiritually that they simply cannot exist separately. Before their meeting, they did not experience happiness, having parted after - they would not have learned to live separately from each other. Therefore, probably, Bulgakov decides to end the life of his heroes, in return giving them eternal peace and solitude.

conclusions

Against the backdrop of the biblical story of Pontius Pilate, the love story of the master and Margarita seems even more lyrical and poignant. This is love for which Margarita is ready to give her soul, since she is empty without a loved one. Being insanely lonely before their meeting, the heroes gain understanding, support, sincerity and warmth. This feeling is stronger than all the obstacles and bitterness that befalls the fate of the main characters of the novel. And it is this that helps them to find eternal freedom and eternal rest.

The description of love experiences and the history of the relationship of the main characters of the novel can be used by students of grade 11 while writing an essay on the topic “Love of the Master and Margarita”

Artwork test

In the novel "The Master and Margarita" the themes of history and religion, creativity and everyday life are closely intertwined. But the most important place in the novel is occupied by the love story of the master and Margarita. This storyline adds tenderness and poignancy to the work. Without the theme of love, the image of the master could not be fully revealed. The unusual genre of the work - a novel within a novel - allows the author to both distinguish and unite the biblical and lyrical lines, to develop them fully in two parallel worlds.

fatal meeting

The master first saw his future beloved on a deserted street. She attracted his attention because she "carried in her hands disgusting, disturbing yellow flowers." This mimosa became, as if a signal to the master, that in front of him was his muse, with loneliness and fire in his eyes.

Both the master and the unhappy wife of a rich but unloved husband, Margarita, were completely alone in this world before their strange meeting. As it turns out, the writer was previously married, but he does not even remember the name of his ex-wife, about whom he does not keep in his soul, neither memories nor warmth. And he remembers everything about Margarita, the tone of her voice, the way she spoke when she came, and what she did in his basement room.

The completion of the master's novel was a test for them. But already born love was destined to pass it, and many other tests, in order to show the reader that a true kinship of souls exists.

Master and Margarita

The true love of the master and Margarita in the novel is the embodiment of the image of love in the understanding of Bulgakov. Margarita is not just a beloved and loving woman, she is a muse, she is the inspiration of the author and his own pain, materialized in the image of Margarita the witch, which in righteous anger destroys the apartment of an unjust critic.

The heroine loves the master with all her heart, and seems to breathe life into his small apartment. She gives her inner strength and energy to the novel of her lover: “she sang and loudly repeated certain phrases ... and said that her life was in this novel.”

But the love of these lonely souls continues to live its own life.

Test of love

In The Master and Margarita, love is stronger than death, stronger than the master's disappointment and Margarita's anger, stronger than Woland's tricks and the condemnation of others.

This love is destined to pass the flame of creativity and the cold ice of critics, it is so strong that it cannot find peace even in heaven.

conclusions

Artwork test

Love, mercy, forgiveness, creativity are universal human concepts that form the basis of the morality of any person, any world religion. It is these principles that underlie Mikhail Afanasyevich Bulgakov's novel The Master and Margarita. The novel, to some extent autobiographical, since the Master is Bulgakov's double, but not his copy.

Margarita loves the Master, the Master loves Margarita. It would seem that it could be simpler and more ordinary?!

Follow me, reader! Who told you that there is no true, true, eternal love in the world? May the vile liar be cut off!”

But, as it turns out, it's not just about love, the heroes are united by the work of the Master, his writing abilities, which were expressed in one single work that changed their lives. True love comes to the Master and Margarita in the prime of their lives, settles in the hearts, but subsequent events do not turn out at all in such a way as to save this love.

The surrounding world is against the Master and Margarita being happy together, and then Satan-Woland comes. The love between lovers becomes dependent on the book, but at the same time this love nourishes the one that the Master writes.

There comes a moment when the Master needs to put his novel about Pontius Pilate on the table for critics, and he understands that his future will be decided right here. The novel does not go away, and it becomes clear to the Master that the anger of the critics is not caused by the fact that they do not like the novel, but by the fact that they are not saying what they really think. This is the problem not only of those critics, but also of most people of that time, and of our current citizens too. The decision of the "Literary Society" broke the Master. He had a lot of strength, energy for further creativity, but his main and only work in life was not received properly. Lost faith in myself...

Margarita feels the confusion and fear of her lover, but he does not admit to her what the matter is. Having learned the problem of the Master, Margarita, loving him with all her heart, makes a deal with the Devil. For the sake of her beloved, a young woman is ready for a lot...

Finally, a terrible night comes when the Master destroys the manuscript. But he, performing his crazy act, does not yet know that "manuscripts do not burn." Woland throws this phrase later when he shows the Master copies of the novel. But even if these copies did not exist, it would not play any role. The master remembers his creation word for word, he cannot throw out of memory what was created by such labor. No matter how the Master worries, no matter how bitter his fate is, one thing is indisputable - the "MASSOLIT Literary Society" fails to kill the talent. The Master's manuscript cannot burn because it contains the truth. The truth that no one wants to see and know.

A creative personality can be cursed, its creations banned, brought to crazy house but it is impossible to destroy what she created. The master is forever bound to his creation. The book dies and the lovers lose each other. Woland returns the manuscript to Margarita - and the Master returns. Everything is interconnected.

The writer shows us, his readers, that earthly love is heavenly love, that appearance, clothes, time change, but love that has overtaken once strikes the very heart forever. And it is unchanged in all the times that we are destined to survive. So it was two thousand years ago, and so it is now.

Fate is a mystery, the solution of which mankind has been trying to find since ancient times. In the life of every person there may come a moment when he wants to know or even predetermine his fate. Sometimes a person may have a choice: either change their life, risking paying a high price for it and moving closer to happiness, or remaining unhappy. In the novel "The Master and Margarita" M. A. Bulgakov shows the reader the possible outcome of such events.

Margarita Nikolaevna, the main character of the novel, faced a choice: forget her lover, the Master, or wait and hope that they would meet someday. The strength of Margarita's love gives her patience, and she waits for the Master. Every day the wait becomes more and more painful. Once, sitting on a bench under the Kremlin wall, she thought that she would give anything, even her soul, to the devil, just to find out if the Master is alive. At this moment, the fate of Margarita was determined. Azazello, the envoy of Woland (the devil), who sat down on the same bench with her, unexpectedly spoke to her. Feeling unkind, Margarta decided to leave, but Azazello's words made her stay. Margarita realized that she might have the opportunity to learn at least something about the Master.

Margarita faced a difficult choice. Realizing that she is communicating with evil spirit, Margarita nevertheless chooses the path of darkness - so boundless is her love for the Master. "I'm dying for love!" Margaret says.

The choice made by Margarita may seem strange, because Margarita has "a wonderful husband whom she has nothing to reproach for, an excellent house, she has never touched a stove, she did not know the horrors of living in a joint apartment." However, she was not happy for a single moment. Happiness for her was only the Master.

Who is the Master? Master Writer. The meaning of his life was the novel he wrote about Pontius Pilate and Yeshua Ha-Nozri, in which he put his whole soul. But now the novel is over, so what? He is not accepted, criticism rejects him. The master begins to fight for his work, but when he sees an excerpt from the novel in print, he gives up. His nerves, which were at the limit, can not stand it, even love does not help him now. The master makes his choice. He decides to burn the novel former sense his life. The master wants this novel to bring no more suffering to anyone. Having come to hate his work, he goes to a clinic for the mentally ill, submitting to fear, fear of everything (he is now even afraid of the dark). He justifies his act by the fact that he does not want Margarita to suffer because of him. That is, in fact, he runs away from everything. But could he do otherwise? Undoubtedly. The Master could continue his struggle, or, if he himself rejected his romance, he could find another purpose in life. His act only increased the mental suffering of both himself and Margarita. The Master did not have enough faith. Bulgakov does not agree with the choice of the Master and believes that his hero did not deserve the light.

Margarita is given the opportunity to conclude an agreement with Volandom in order to meet her lover. Her intentions are pure, she has no one and nothing to fear - for this Woland and his retinue respect her. It is only for the sake of the Master that she becomes a witch and is present as a hostess at the "ball of a hundred kings" in the gigantic apartment number 50 of house 302-bis on Sadovaya. After the ball, Woland tests her, offering to make another choice. And now, when the moment that she dreamed of comes, Margarita asks not for herself, but for Frida, who strangled her child with a scarf and was responsible for it with torment: she was served the same scarf all the time. Margarita turned out to be a human witch, she forgave Frida. Margarita herself also deserved a reward: Yeshua sets the Master free. In the image of Margarita, the author shows us the real, eternal love. For the sake of love, Margarita is ready to give up well-being, from everything that she has. And she got what she wanted: the Master was returned to her, the Master found the desired peace, and Margarita stayed with him.

Peace awaits the Master and Margarita. By choosing the path of darkness, they found their love. Their sufferings and misfortunes end where they will "walk under the cherries during the day ... and listen to Schubert's music in the evening." They will be happy, and nothing can disturb their calm, full of love and peace of life. They made their choice.